Hi all,
got another thing here for which I don't find the place in the manual, two
places to look for it I think, didn't find it, glissando can be found in
expressive marks of course, but this implementation might be found in
fingering instructions too, but I didn't find it, or I missed it
I would like to reproduce this layout:
http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/2965619_02.jpg
As you can see, there is a well aligned 1 2 3 4 beat count above the
measures. Sometimes an even more useful 1 + 2 + 3 + 4 + count is used, with
hints on the octave notes,
Hi everyone.
I'm a programmer, and I'm used to use command line parameters when compiling a
program.
As an example:
gcc my_source_code.c -Iinclude_folder -o my_program
Here, I tell the compiler to watch inside include_folder for files to include
during the copilation process.
My idea is to
2014-02-26 9:57 GMT+01:00 bart deruyter bart.deruy...@gmail.com:
Hi all,
Hi Bart,
How can I achieve it with lilypond?
See http://comments.gmane.org/gmane.comp.gnu.lilypond.general/67470
Herewith is a possible solution.
Cheers,
Pierre
attachment: BartGliss.png\version 2.18.0
#(define
Am 26.02.2014 10:49, schrieb Carlo Vanoni:
Hi everyone.
I'm a programmer, and I'm used to use command line parameters when compiling a
program.
As an example:
gcc my_source_code.c -Iinclude_folder -o my_program
Here, I tell the compiler to watch inside include_folder for files to include
Carlo Vanoni wrote
I'm a programmer, and I'm used to use command line parameters when
compiling a program.
As an example:
gcc my_source_code.c -Iinclude_folder -o my_program
Here, I tell the compiler to watch inside include_folder for files to
include during the copilation process.
My
Good!
I'll give it a try.
Many thanks
MIX
Il Mercoledì 26 Febbraio 2014 11:04, Urs Liska u...@openlilylib.org ha
scritto:
Am 26.02.2014 10:49, schrieb Carlo Vanoni:
Hi everyone.
I'm a programmer, and I'm used to use command line parameters when compiling
a program.
As an
2014-02-26 10:35 GMT+01:00 Carlo Vanoni vanoniiscrizi...@yahoo.it:
I would like to reproduce this layout:
http://d29ci68ykuu27r.cloudfront.net/product/Look-Inside/large/2965619_02.jpg
As you can see, there is a well aligned 1 2 3 4 beat count above the
measures. Sometimes an even more
Sent from my NOOK
MING TSANG tsan...@rogers.com wrote:
Hi, lilyponders:
\unfoldRepeats generates a midi file with \repeat volta 2 music properly.
Is it possible to generate midi file with D.S. al Code; segno; To Coda
and Coda structure of a music? I like to listen the generated midi
Am 26.02.2014 11:58, schrieb Yming:
Sent from my NOOK
MING TSANG tsan...@rogers.com wrote:
Hi, lilyponders:
\unfoldRepeats generates a midi file with \repeat volta 2 music
properly.
Is it possible to generate midi file with D.S. al Code; segno; To
Coda and Coda structure of a music? I like
Oups, did not check your picture well enough.
So here again :
\version 2.18.0
\score {
\new RhythmicStaff
\with {
\override VerticalAxisGroup.default-staff-staff-spacing = #'()
}
{
\repeat unfold 2 { s4^1 s^2 s^3 s^4 }
\repeat unfold 2 { s8^1 s^+ s^2 s^+ s^3 s^+ s^4 s^+ }
}
\new
4. Re:General questions - \unfoldRepeats (Marc Hohl)
--
Message: 4
Date: Wed, 26 Feb 2014 12:02:50 +0100
From: Marc Hohl m...@hohlart.de
To: lilypond-user@gnu.org
Subject: Re: General questions - \unfoldRepeats
Message-ID: 530dc9da.9090...@hohlart.de
On Wed, 26 Feb 2014, Yming wrote:
Sent from my NOOK
MING TSANG tsan...@rogers.com wrote:
Hi, lilyponders:
\unfoldRepeats generates a midi file with \repeat volta 2 music
properly.
Is it possible to generate midi file with D.S. al Code; segno; To Coda
and Coda structure of a music?
Martin,
Thank You very much. Marc also suggested the same way. I am pursuing it now.
Emmanuel,
Ming
On Wednesday, February 26, 2014 7:21:06 AM, Martin Tarenskeen
m.tarensk...@zonnet.nl wrote:
On Wed, 26 Feb 2014, Yming wrote:
Sent from my NOOK
MING TSANG tsan...@rogers.com wrote:
Hey, thank you very much, I'll look into it, indeed exactly what I need :-)
seems like I really still need to learn a lot of lilypond and mainly scheme
I guess.
I've already started a github repository for a collection of folk-tunes (
https://github.com/bartart3d/folk ), it is still very small,
in some, especially contemporary piano literature, a piano can have more
than 2 staffs, for example three or four, usually only for the duration
of a few bars.
I usually notate my music using \parallelMusic.
My question is: how do I achive this? I would like a third or fourth
staff to
I tried it out, worked perfectly as in the snippet you showed, from the b
to the a, but when adding the same override to the second one, from d to c,
it does not work anymore (the 1 to 1 fingering instructions)
I added the code for what I think should be added in the snippet, but I
think the
Gabriel Striewe li...@gabriel-striewe.de writes:
in some, especially contemporary piano literature, a piano can have more
than 2 staffs, for example three or four, usually only for the duration
of a few bars.
I usually notate my music using \parallelMusic.
My question is: how do I achive
- Original Message -
From: David Kastrup d...@gnu.org
To: lilypond-user@gnu.org
Sent: Wednesday, February 26, 2014 2:02 PM
Subject: Re: 3 staff piano score
Gabriel Striewe li...@gabriel-striewe.de writes:
in some, especially contemporary piano literature, a piano can have
more
than
Phil Holmes m...@philholmes.net writes:
- Original Message -
From: David Kastrup d...@gnu.org
To: lilypond-user@gnu.org
Sent: Wednesday, February 26, 2014 2:02 PM
Subject: Re: 3 staff piano score
Gabriel Striewe li...@gabriel-striewe.de writes:
in some, especially contemporary
-Original Message-
From: David B. Stocker [mailto:dstoc...@notesettersinc.com]
Sent: Wednesday, February 26, 2014 11:29
To: Chris Crossen
Subject: Re: Messiah
Hi Chris,
I'm glad you are considering my proposal.
For what it's worth, I'm in contact with a local colleague of mine who
2014-02-25 16:45 GMT+01:00 Andreas Stenberg andreas.stenb...@pp.inet.fi:
Hi!
Hi Andreas,
Is there a way to get Lilypond 2.18 to generate chordnames in the 17 th
century alfabetto notation.
The notation consists of letters of the alfabet and some other symbols
used as names for chords or
Hello,
i don't know the context, but you may be interested to know that
Nicolas Sceux had typeset the whole Messiah with LilyPond (and made
the result available for free)
https://github.com/nsceaux/nenuvar/tree/master/Haendel/Oratorio/Messiah
http://nicolas.sceaux.free.fr/
best,
Janek
From: Janek Warchoł [mailto:janek.lilyp...@gmail.com]
Hello,
i don't know the context, but you may be interested to know that Nicolas
Sceux had typeset the whole Messiah with LilyPond (and made the result
available for free)
Javier Ruiz-Alma wrote
Solved overlaying a 2nd voice with cross-staff stems
[...]
thanks for sharing this solution - maybe it's worth to be recorded in the
LSR?!
Eluze
--
View this message in context:
Hi David (et al.),
This is both amazingly embarassing and incredibly encouraging…
When I wrote
I’d rather do something like
title = #'(Two Ukrainian Courting Tunes: A Minuet Scherzo”)
and then be able to say
\markup \one-line \title
\markup \multi-line \title
the first line was
Hi Jan-Peter,
- if you use it without any template mechanism, you have to assign
proper edition-engraver id-paths - I can't say, what that means in
production.
- right now it is just ripped out of my working framework and might or
might not work as expected ... but this doesn't need to be
Hi Eluze,
I tried to add this to LSR, but the facility supports syntax only up to 2.14.
This being a demo of waitForTie with tuplet rhythm and crossStaff (not
available in 2.14), just couldn't get a snippet this facility would accept.
Once issue 2270 is progressed, this workaround shouldn't be
Javier Ruiz-Alma wrote
Hi Eluze,
I tried to add this to LSR, but the facility supports syntax only up to
2.14.
This being a demo of waitForTie with tuplet rhythm and crossStaff (not
available in 2.14), just couldn't get a snippet this facility would
accept.
Once issue 2270 is progressed,
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