nothing much to say, I want the note modified by the duration-log to be dotted.
couldn’t really understand
http://www.lilypond.org/doc/v2.18/Documentation/internals/notehead
%
\version 2.18.2
\once \override NoteHead #'duration-log = 3 d,16 fis' b a a fis8
%
Thank You,
Omer Katzir
At 10:29 on 14 Jul 2014, Omer Katzir wrote:
nothing much to say, I want the note modified by the duration-log to
be dotted. couldn’t really
understand http://www.lilypond.org/doc/v2.18/Documentation/internals/notehead
%
\version 2.18.2
\once \override NoteHead #'duration-log = 3 d,16 fis' b
Omer Katzir kome...@gmail.com writes:
nothing much to say, I want the note modified by the duration-log to
be dotted. couldn’t really understand
http://www.lilypond.org/doc/v2.18/Documentation/internals/notehead
%
\version 2.18.2
\once \override NoteHead #'duration-log = 3 d,16 fis' b
Am 13.07.2014 18:45, schrieb Richard Shann:
On Sat, 2014-07-12 at 13:15 +0100, Richard Shann wrote:
[...]
\version 2.18.0
\defineBarLine ] #'(:|| || ||)
{
c2 \bar ] c2 \bar ]
\break
\bar ]
d
}
This I read as saying that \bar ] should show as a double bar when
mid-line (my
Marc Hohl m...@hohlart.de writes:
Am 13.07.2014 18:45, schrieb Richard Shann:
On Sat, 2014-07-12 at 13:15 +0100, Richard Shann wrote:
[...]
\version 2.18.0
\defineBarLine ] #'(:|| || ||)
{
c2 \bar ] c2 \bar ]
\break
\bar ]
d
}
This I read as saying that \bar ]
Marc Hohl m...@hohlart.de writes:
There was some discussion about making the interface more user-friendly
and allow for aliases, but there is no final consensus yet IIRC.
Moreover, the problem with repeat sections, for example
c4 c c c \bar ||
\break
\repeat volta 2 { d4 d d d }
was not
Midi is not an issue for me and I only need it for one bar. that d in the
beginning should be dotted without changing the rest of the piece. Now, the
stem is in the right direction as I need it, I only need a dot next to the
note, that’s why I’m using \once if it helps, this section of the
Am 14.07.2014 10:55, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
There was some discussion about making the interface more user-friendly
and allow for aliases, but there is no final consensus yet IIRC.
Moreover, the problem with repeat sections, for example
c4 c c c \bar ||
Thanks to everyone who responded to my Line width question, and
especially to Janek Warchol and Robin Bannister who provided working
solutions. Robin's is: \stopStaff s16*25 placed just after the last
line inside each Voice in my application with ragged-last = ##f .
Charlie
Hi,
I have followed this discussion with interest having had a similar
problem myself. Bagpipe music (marches) have a standard format, usually four
parts and each part is repeated and may have alternative endings. The repeat
bars are shown at the beginning and end of each part (including
Am 14.07.2014 13:01, schrieb Charles Marshall:
Thanks to everyone who responded to my Line width question, and
especially to Janek Warchol and Robin Bannister who provided working
solutions. Robin's is: \stopStaff s16*25 placed just after the last
line inside each Voice in my application
On Mon, 2014-07-14 at 10:49 +0200, Marc Hohl wrote:
Am 13.07.2014 18:45, schrieb Richard Shann:
On Sat, 2014-07-12 at 13:15 +0100, Richard Shann wrote:
[...]
\version 2.18.0
\defineBarLine ] #'(:|| || ||)
{
c2 \bar ] c2 \bar ]
\break
\bar ]
d
}
This I
2014-07-14 17:11 GMT+02:00 Richard Shann rich...@rshann.plus.com:
[...] I can write, for example
\version 2.18.0
A = \bar ||-A
\defineBarLine ||-A #'(:||| ]||: ||)
{ \A a'4 a' a' a' \A
a'4 a' a' a' \A }
this defines a customised version of the double bar line which does not
I'm setting a Theme and Variations and am trying to figure out how to
label the variations. Some of them are very short (less than half a
page), so I'd like to keep it all in one score block (as my
understanding is that different score blocks will print on different
pages). This, as far as I
2014-07-14 14:03 GMT+02:00 John McWilliam jsmcwill...@gmail.com:
Hi,
I have followed this discussion with interest having had a similar
problem myself. Bagpipe music (marches) have a standard format, usually four
parts and each part is repeated and may have alternative endings. The
2014-07-14 18:47 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
2014-07-14 14:03 GMT+02:00 John McWilliam jsmcwill...@gmail.com:
I'd not mix \repeat volta ... and \alternative ... with manual repeat
settings.
Correction, you _can_ mix them, _if_ you use correct syntax.
Though, it's a
Much better just to try out what you think won't work.
\score {
\repeat unfold 20 { c''1 }
}
\score {
\repeat unfold 20 { c''1 }
}
--
Phil Holmes
- Original Message -
From: Kale Good
To: lilypond-user@gnu.org
Sent: Monday, July 14, 2014 5:23 PM
Subject: Theme and Variations:
yes, it is. Sorry, misread the section on \book and tried, but failed,
to get it multiple scores working with a book block. Didn't think to try
it without a book block.
Best,
Kale
Please pardon any odd spelling or grammatic errors. I'm testing out
voice-recognition software in an attempt to
On 14/07/14 17:14, Thomas Morley wrote:
2014-07-14 17:11 GMT+02:00 Richard Shann rich...@rshann.plus.com:
[...] I can write, for example
\version 2.18.0
A = \bar ||-A
\defineBarLine ||-A #'(:||| ]||: ||)
{ \A a'4 a' a' a' \A
a'4 a' a' a' \A }
this defines a customised version
Oups, wrong list !
Cheers,
Pierre
-- Forwarded message --
From: Pierre Perol-Schneider pierre.schneider.pa...@gmail.com
Date: 2014-07-13 0:51 GMT+02:00
Subject: Score as markup squeezes
To: lilypond-user-fr lilypond-user...@gnu.org
Hi List,
I'm trying to reach this output :
2014-07-13 23:21 GMT+02:00 Paul Morris p...@paulwmorris.com:
Good call. Or how about a music function that takes a parameter and scales
the default values, as shown below?
Thanks Paul, snippet updated.
Cheers,
Pierre
___
lilypond-user mailing list
Hi Urs,
it seems like I missed something. How did you create those scores? ...
What is the Cadence font?
Joram,
I can answer for Urs. ...
The Cadence font was the first result of that effort.
Hi Abraham,
thanks! Now I know what I was missing. That's very interesting.
I would like
Certain accidental styles suppress accidentals on immediately repeated
notes. (These styles are neo-modern, neo-modern-cautionary,
neo-modern-voice, neo-modern-voice-cautionary, and dodecaphonic-no-repeat.)
When a pitch repetition occurs across a rest, however, the accidental is
repeated: as an
Hi,
In the following example, the half-note F# counts as an immediate
repetition and should not get an accidental in neo-modern and
neo-modern-cautionary styles, This issue is seen in the documentation at
On Mon, Jul 14, 2014 at 7:39 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi,
In the following example, the half-note F# counts as an immediate
repetition and should not get an accidental in neo-modern and
neo-modern-cautionary styles, This issue is seen in the documentation at
Schneidy wrote
2014-07-13 23:21 GMT+02:00 Paul Morris lt;
paul@
gt;:
Good call. Or how about a music function that takes a parameter and
scales
the default values, as shown below?
Thanks Paul, snippet updated.
Cheers,
Pierre
Thanks Pierre!
-Paul
--
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