Re: Contemporary Music Notation

Urs Liska wrote > Am 09.10.2014 06:31, schrieb Marco Bagolin: >> The notation contemporary music is so diverse, I know. >> I wonder if actually Lilypond has commands for drawing graphic >> symbols, as line circle, curve, square, circle, etc... > > A nice thing about LilyPond's approach is that on

Re: Feedback Request for Music Fonts

Noeck, On Fri, Oct 10, 2014 at 6:14 PM, Noeck wrote: - Polskie Wydawnictwo Muzyc music font As you are often asking for scores with a nice font, I recently found scores printed by the Polish publisher Polskie Wydawnictwo Muzyc (PWM). This is the only scan, I found in the same style: http://j

recorder diagram and some woodwind-diagram bugs

hi there- sorry for cross posting to all the lists, i'd rather not subscribe and this post seems to apply to all three. attached is a recorder diagram patch, would love for feedback and for it to be incorporated. hopefully it's ok it's not actually in patch format, it just drops into display-wood

Re: Automatic ottava handling

On Sat, Oct 11, 2014 at 5:38 PM, David Nalesnik > > > This will all be better once this thing has the ability to detect the > current clef. It looks like that's possible, because calling \clef ... > adds a 'PropertySet event to the mix, and 'clefMiddleCPosition (which the > ledger-line counter is

Re: Automatic ottava handling

Hi David, On Sat, Oct 11, 2014 at 4:45 PM, David Bellows wrote: > >The attached function will work with more complex music expressions. > > Nicely done! I really like the greater flexibility achieved based on using > ledger lines. Fortunately in this project I don't use chords so that's not > a

Re: Automatic ottava handling

>The attached function will work with more complex music expressions. Nicely done! I really like the greater flexibility achieved based on using ledger lines. Fortunately in this project I don't use chords so that's not a problem, less fortunately is that I need it for the bassa as well. But I wil

Re: ly:pitch and string

Simon Albrecht-2 wrote > well, now I did try and make a function for german note names, which > discerns major and minor also. Actually it works – the transposition is > applied correctly and there are no unexpected messages – but at testing > there seemed to be a memory problem: from some point

Re: relative music inside music functions explodes when used twice

Janek Warchoł writes: > Hi, > > i have a function that takes music as an argument and uses it twice - each > time with a different tag appended, so that later on i can decide what to > output: > > voiceDivisi = > #(define-music-function (parser location m1 m2) (ly:music? ly:music?) >#{ >

Re: relative music inside music functions explodes when used twice

Janek Warchoł wrote > The problem is that when used with relative mode, the output gets crazy: Hi Janek, you just need to use $m1 instead of #m1 in your function. http://lilypond.org/doc/v2.18/Documentation/extending/scheme-function-definitions HTH, -Paul \version "2.18.2" voiceDivisi = #(define

Re: ly:pitch and string

Hello David, thanks, that’s exactly the kind of brief and elegant solution I was hoping for. Yours, Simon Am 11.10.2014 um 16:52 schrieb David Kastrup: Simon Albrecht writes: Hello, consider the following setup: %% \version "2.19.12" newTonic = d newTonicString = "d" \book

relative music inside music functions explodes when used twice

Hi, i have a function that takes music as an argument and uses it twice - each time with a different tag appended, so that later on i can decide what to output: voiceDivisi = #(define-music-function (parser location m1 m2) (ly:music? ly:music?) #{ \tag divI \context Voice = "divI" { #m1 }

Guide to set up Lilypond mode for Emacs on OS X

Dear Lilypond users: I have written a guide on how to set up the Lilypond mode for Emacs on OS X. For this, I have created two posts on my blog. If anyone needs this information, here are the links: Setting Up Lilypond & Emacs on OS X for Visually Impaired Musicians - Part I

Re: Automatic ottava handling

Hi, On Wed, Oct 8, 2014 at 9:48 AM, David Bellows wrote: > >Here's a preliminary experiment. It will add an automatic \ottava 1 > before passages where notes have at least a specified number of ledger > lines. > > The attached function will work with more complex music expressions. The only pr

Re: ly:pitch and string

Simon Albrecht writes: > Hello, > > consider the following setup: > %% > \version "2.19.12" > > newTonic = d > > newTonicString = "d" > > \bookOutputSuffix #(string-append "in-" newTonicString) > > \score { \transpose c \newTonic { c' } } > > %% > > For easy handling of di

Re: How does map-some-music work?

Jay Vara writes: > I am trying to display all the names that appear in a piece of music > (NoteEvent etc.) using map-some-music. It the function musShow is only > printing the top level name. What am I missing here? > > > \version "2.18.2" > #(define (showMus music) (displa

Re: \lyricsto and \tag problems

Noeck writes: > Hi, > > this is the usual way I write a song (melody with lyrics): > > \version "2.18.2" > > << > \new Staff \new Voice = sop { c' d' e' f' } > \new Lyrics \lyricsto sop \keepWithTag "A" \lyricmode { > An \tag "A" example \tag "B" text > } >>> > > (The melody is usually

Re: Double clef (canon)

Hi Harm, hi Andrea, 2014-10-10 22:45 GMT+02:00 Thomas Morley : > > %% in MensuralStaff the BarLines are made transparent, > %% causing some unequal spacing, though even omitting the > %% stencil does not work sufficient. > %% No clue to workaround atm > \omit BarLin

Re: Double clef (canon)

Hi Andrea, 2014-10-11 6:18 GMT+02:00 Jayaratna : > Hello Harm, > > I am going to hack your code further to adapt it to my usual mensural > layout. But it works. I need time to understand everything you've made but > definitely thank you. As far as I got it, you defined a commando for adding > a cl