Hello guys!! I am getting married and want to hire a domestic rock band for
the live performances on my wedding day. I searched a lot on popular singers
but most of them are foreigners and highest paid singers
I'm trying to get current offset in resulting document, in inches.
Is there any way to obtain it?
Thanks.
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On Sat, 31 Jan 2015 13:40:39 +0100
Jakub Pavlík jkb.pav...@gmail.com wrote:
From the description I don't understand your problem. Why is the lilypond
mode not suitable for you purposes? The example seems to be just a regular
lilypond file ...
Emacs interprets the lyrics as melody. So if you
On 2015-01-31 00:43, Thomas Morley wrote:
2015-01-29 22:06 GMT+01:00 and...@andis59.se and...@andis59.se:
On 2015-01-28 21:45, Pierre Perol-Schneider wrote:
Thank you Anders,
myNotes = \relative c' { \pedA a2\5 \pedF cis'2\4 } seems to work.
I might live with myNotes = \relative c' \pedA
Hi All,
I slightly changed stems defs in order to ease the workaround when ledger
line happend and to make ornament possible to a stemed note.
See: http://lsr.di.unimi.it/LSR/Item?id=973
Cheers,
Pierre
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If you do something like:
\header {
tagline = \markup { \fontsize #-2 YourTagLine }
}
...it should probably work.
-David
- Original Message -
From: Stephen MacNeil classicalja...@gmail.com
To: lilypond-user@gnu.org
Sent: Saturday, January 31, 2015 5:22:19 PM
Subject:
Hello
You run an extremely high risk not getting one single useful answer, not
telling anything whatsoever about the context of your question.
Is it something you can't find in the documentation or is it for use in
compilng a score?
In the latter case, provide a minimal example, please.
Hi Urs,
I followed your advice re: file structure -- main-init.ily has annotate,
and part.init.ily and score-init.ily include main.init.ily.
When engraving the score it all works perfectly, but when engraving a part,
it gives errors because it can't find annotate.
Any ideas?
Craig
On Sat Jan
Am 31. Januar 2015 18:14:23 MEZ, schrieb Craig Dabelstein
craig.dabelst...@gmail.com:
Urs,
Another question ... Is there a reason why main.init.ily,
part-init.ily
and score-init.ily can't be in the same folder?
If I put part and score in a sub folder they can locate main in
the
folder above,
I would like to increase the staff however when i change
#(set-global-staff-size 40)
my tagline gets bigger. How can i overcome this?
thanks
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Try :
tagline = \markup\fontsize #-5 My Tagline
See also :
http://lilypond.org/doc/v2.18/Documentation/notation/setting-the-staff-size
\score{
…
\layout{
#(layout-set-staff-size 15)
}
}
and for v2.19 :
http://lilypond.org/doc/v2.19/Documentation/notation/setting-the-staff-size
Ryan wrote:
when I type 1-0 within the fret-diagram string, it bars across the whole
1st fret,
in addition to putting an open dot on A string.
Please create a tiny example and send it to bug-lilyp...@gnu.org, as
described at
http://www.lilypond.org/bug-reports.html
I believe that this is a
Urs,
Another question ... Is there a reason why main.init.ily, part-init.ily
and score-init.ily can't be in the same folder?
If I put part and score in a sub folder they can locate main in the
folder above, however, if I put them all in the same folder I get cannot
find file main-init.ily
Hi All,
Thanks for making it more easy to edit, BUT :-)
We have a problem with the latest version.
What if, we have 2 note with ledgerline in 1 melisma
like here: in Sanctus (after Kyrie)
https://drive.google.com/file/d/0B1x9jbJPH9FkbmN1ZVY3VzdsaEk/view
In the last but one version we could
Hi,
I am trying to make a slur not collide with an accidental. Reading the
Learning Manual I find how to do:
\override Slur.avoid-slur = #'inside
or
\override Accidental.avoid-slur = #'inside
which doesn't seem to do the job.
From the LM and the IR I don't follow how to set a value for
2015-01-31 19:38 GMT+01:00 Rita Composer ritacompo...@gmail.com:
What if, we have 2 note with ledgerline in 1 melisma
like here: in Sanctus (after Kyrie)
https://drive.google.com/file/d/0B1x9jbJPH9FkbmN1ZVY3VzdsaEk/view
In the last but one version we could change the space after the c
I
Hi Paul,
\override Slur.details.accidental-collision = #7 %%or whatever
is what you're looking for.
See: http://lilypond.org/doc/v2.19/Documentation/internals/slur
Cheers,
Pierre
2015-01-31 21:31 GMT+01:00 Paul Scott waterho...@ultrasw.com:
Hi,
I am trying to make a slur not collide with
I’m looking for a good name for a rest style that is like the
default except for using a quarter rest shaped like a mirrored Z.
I’ve seen examples in 19th-C. Italian opera and 20th-C. American
hymnals, so names based on time, place, publisher, or genre do not
fit very well. Although, I also
Hi,
2015-01-31 21:15 GMT+01:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
2015-01-31 19:38 GMT+01:00 Rita Composer ritacompo...@gmail.com:
What if, we have 2 note with ledgerline in 1 melisma
like here: in Sanctus (after Kyrie)
On Sat, Jan 31, 2015 at 6:58 PM, David Nalesnik david.nales...@gmail.com
wrote:
On Sat, Jan 31, 2015 at 6:50 PM, Colin Campbell colinpkcampb...@gmail.com
wrote:
Content mode as opposed to presentation mode?
Seem very reasonable to me. Another possibility might be entry mode.
As a
Hi all,
for quite some time now I've been using a concept that is very useful,
but finally I'd like to give it an authoritative name to be used in
different places.
I'm talking about the working, thinking and compiling mode when I'm
working on the _content_ of a score and not it's final
Iteration mode?
On Jan 31, 2015, at 5:41 PM, Urs Liska u...@openlilylib.org wrote:
Hi all,
for quite some time now I've been using a concept that is very useful, but
finally I'd like to give it an authoritative name to be used in different
places.
I'm talking about the working,
Hi Urs,
I call that “entry mode”.
Cheers,
Kieren.
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www: http://www.kierenmacmillan.info
email: i...@kierenmacmillan.info
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On Nov 30, 2014, at 01:53 , Werner LEMBERG w...@gnu.org wrote:
IMSLP is your friend; there you should also get scans with better
resolution. Here the vocal score of `Don Pasquale' (Ricordi, 1870),
with a slightly different design of the quarter rest, having a
transition form to the modern
On Sat, Jan 31, 2015 at 6:50 PM, Colin Campbell colinpkcampb...@gmail.com
wrote:
Content mode as opposed to presentation mode?
Seem very reasonable to me. Another possibility might be entry mode.
David
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On Sat, Jan 31, 2015 at 10:27:33PM +0100, Pierre Perol-Schneider wrote:
Hi Paul,
\override Slur.details.accidental-collision = #7 %%or whatever
Thank you! That works.
is what you're looking for.
See: http://lilypond.org/doc/v2.19/Documentation/internals/slur
That's what I was reading. I
On 2015-01-31 06:41 PM, Urs Liska wrote:
Hi all,
for quite some time now I've been using a concept that is very useful,
but finally I'd like to give it an authoritative name to be used in
different places.
I'm talking about the working, thinking and compiling mode when I'm
working on the
Hi Joram,
2015-01-31 0:42 GMT+01:00 Noeck noeck.marb...@gmx.de:
The optimal solution would be to have the stem lengths being calculated
from the
note distances and in a uniform syntax with other transcriptions of
gregorian
music – know that’s not your scope, I am just dreaming.
Yes I
From the description I don't understand your problem. Why is the lilypond
mode not suitable for you purposes? The example seems to be just a regular
lilypond file ...
Jakub
2015-01-27 16:57 GMT+01:00 Craig Parker-Feldmann lipsti...@magic.ms:
I find it wonderful that some Emacs wizard(s) took
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