Am 27.03.2015 um 05:28 schrieb Andrew Bernard:
Well, answering my own question here. The following works, but now I
feel the need to ask is the best way to do this sort of operation?
Yes, I think so. Why wouldn’t layer = 3 or = 2 suffice for
LedgerLineSpanner also?
Yours, Simon
\version "2.1
2015-03-27 7:05 GMT+01:00 Keith OHara :
> Thomas Morley gmail.com> writes:
>
>> Or any chance to get a neutral 'Bottom-context for use with LilyPond-syntax?
>>
>
> We have close, with
>
> mus = \relative c'' {
> <<
> \context Bottom = "1" { \voiceOne c4 r c r }
> \context Bottom =
2015-03-27 7:07 GMT+01:00 Keith OHara :
> Thomas Morley gmail.com> writes:
>
>> Any chance to have LilyPond identify the second voice-b as a
>> continuation of the first?
>
> This seems to be analogous to the way we need to keep the staff "alive"
> when we temporarily leave a staff empty in piano
Working on a very complex score, suddenly I have:
warning: omitting tuplet bracket with neither left nor right bound
How do I find out the line number that is generating this? Verbose output does
not help.
Thanks.
Andrew
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> Steve,
>
> 1. Remember that the << { } \\ { } ... >> syntax automatically
> (implicitly)
> applies \voiceXXX in ascending order.
Yes, but I like explicitly stating some of the defaults..
>
> 2. Putting notes in proper voices usually eliminates any need to manually
> specify \stemUp and
Peter Bjuhr wrote
> On 2015-03-23 18:37, SoundsFromSound wrote:
>> Hi all,
>>
>> I also am having quite a headache installing the new Frescobaldi 2.18 and
>> python-ly on my friend's laptop. It's a new, clean install on Debian and
>> I
>> left all install locations as their default. I am getting th
> Message: 1
> Date: Fri, 27 Mar 2015 02:26:32 +0100
> From: Thomas Morley
> Subject: How to recognize Voice-continuation?
> consider the (artificial) code below.
> In my naivity I expected that voice-b would be recognized as it works
> for voice-a
> I.e. the three triggering features (tieWaitFor
The e will come after the last tied note, so it looks like it's working as
expected.
- Abraham
Sent from my iPhone
> On Mar 27, 2015, at 9:23 AM, Patrick Karl [via Lilypond]
> wrote:
>
>> Message: 1
>> Date: Fri, 27 Mar 2015 02:26:32 +0100
>> From: Thomas Morley <[hidden email]>
>> Subject
Hi,
I think this should be easy, but I don't find it in the Guile reference.
I want a list of filenames in a given directory, what
os.listdir(dirname) would give me in Python.
What should I use?
TIA
Urs
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Am Freitag, 27. März 2015 18:14 CET, Urs Liska schrieb:
> Hi,
>
> I think this should be easy, but I don't find it in the Guile reference.
>
> I want a list of filenames in a given directory, what
> os.listdir(dirname) would give me in Python.
>
> What should I use?
Hi Urs,
you need the
Am Freitag, 27. März 2015 18:19 CET, "Mattes" schrieb:
> you need the opendir-readdir-closedir combo:
>
> (let ((dir (opendir "/etc/")))
>(readdir dir)
>.
> (closedir dir))
Or use (ice-9 ftw)
RalfD
> HTH RalfD
>
>
>
> >
> > TIA
> > Urs
>
>
>
>
>
>
>
> __
On Fri, Mar 27, 2015 at 12:19 PM, Mattes wrote:
>
> Am Freitag, 27. März 2015 18:14 CET, Urs Liska
> schrieb:
>
> > Hi,
> >
> > I think this should be easy, but I don't find it in the Guile reference.
> >
> > I want a list of filenames in a given directory, what
> > os.listdir(dirname) would giv
when composers wanted to create an accent (before the notated accent
symbol) they used diminuendo over just one note. this however in Performing
practice leaves the question did they mean an accented note or a note that
quickly diminishes, or perhaps both. as performance practice becomes more
stand
Hi Paul,
2015-03-26 23:43 GMT+01:00 Paul Morris :
> Oh, well, I was thinking it could just be changed to "7 is a good default"
> so it would match the new input scale.
>
But of course (was I asleep?)!! Sorry for the misunderstanding.
Cheers,
Pierre
__
In the manual, for the section on Arabic music, I read that
"The symbol for semi-flat does not match the symbol which is used in Arabic
notation... The appearance of the semi-flat symbol in the key signature
cannot be altered by using this [the \dwn command] method."
However, I have found a way
Hello Stephen,
how about the attached? I implemented it in two different ways: once as
an articulation, once as a dynamic script. You also see the line-widths
of my long-accent-markup and the default hairpin in comparison.
HTH, Simon
Am 27.03.2015 um 19:03 schrieb Stephen MacNeil:
when compo
Ben,
The following python commands showed me where an unexpected ly module
was being read:
$ python
import ly
ly.__path__
ly.__file__
I suspect you will find similar results, i.e. an ly module on your path
*before* the one created by Wilbert's python-ly.
Cheers,
Colin
--
I've learned
Thank you very much Simon It gave some great ideas.
I do get
error: bad grob property path (parent-alignment-X)
accD = -\tweak self-alignment-X -1
\tweak parent-alignment-X -1
I think that's because I am using 2.18.2 anyway it still gives me something
to work with.
The BOOK? there are lots
Hello everyone,
I'm installing Lily Pond on my Windows machine now. Well trying to. I have an
old version 2.12 installed here, I uninstalled it and try to install the latest
stable release. However when I finish installation and run the example file,
diversion statement says 2.12. Is there somet
Am 27.03.2015 um 23:31 schrieb Stephen MacNeil:
Thank you very much Simon It gave some great ideas.
I do get
error: bad grob property path (parent-alignment-X)
accD = -\tweak self-alignment-X -1
\tweak parent-alignment-X -1
I think that's because I am using 2.18.2
Yes, this is a quite rec
Hi David and Ralf,
thank you for the hints. Actually readdir was where I'd already landed,
but I hadn't got it to run.
Now it's possible to do:
\include "openlilylib"
\useLibrary stylesheets
\displayNotationFonts
===>
Installed notation fonts:
OpenType:
- arnold
- beethoven
- cadence (n
>
> Hi David,
>
> > I was wondering if anyone had a clue as to how to get the eighth rest in
> voice three to be shown above the half note in voice four?
>
> Yes: use Lilypond’s automatic voicing:
>
> \new PianoStaff <<
> \new Staff = "upper" <<
> \new Voice = "f
I have a couple of files where Lilypond fails to wrap the score across
multiple lines, and instead cuts it off at the edge of the page. Most of
these are fairly large files, and it seems to happen consistently if there
are more staves than can fit vertically on the page.
What I did: I used lilypon
At 22:47 27/03/2015 +, A. Sentman wrote:
I have a couple of files where Lilypond fails to wrap the score
across multiple lines, and instead cuts it off at the edge of the
page. Most of these are fairly large files, and it seems to happen
consistently if there are more staves than can fit ve
Is there a way to point links to the "current development version"
download, i.e. a way to have a link in a program that automatically
downloads the current version, without having to manually supply the
version?
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Third try
On Friday, February 27, 2015 9:59 PM, MING TSANG
wrote:
On Wednesday, February 25, 2015 7:49 PM, MING TSANG
wrote:
Hi lilyponders,
\set Staff.printPartCombineTexts = ##f did not work. Is it the proper place t
Hi David,
> I had intended to use the automatic voicing, but somehow got the syntax
> wrong.
> Nor did I realize that for voices 3 and 4, you use \voiceOne and \voiceTwo.
That’s not exactly the way I would put it…
What you call “voices 3 and 4” are actually voices 1 and 2 **in the lower
sta
Il 28/mar/2015 02:48 "Urs Liska" ha scritto:
>
> Is there a way to point links to the "current development version"
download, i.e. a way to have a link in a program that automatically
downloads the current version, without having to manually supply the
version?
>
I'm curious: are you working on a
Il 28/mar/2015 07:33 "Federico Bruni" ha scritto:
>
> Il 28/mar/2015 02:48 "Urs Liska" ha scritto:
>
> >
> > Is there a way to point links to the "current development version"
download, i.e. a way to have a link in a program that automatically
downloads the current version, without having to manu
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