Fauré requiem

Hello list, I'm trying to make Fauré's requiem, 1893 version: http://turkos.aspodata.se/git/musik/GabrielFaur%C3%A9/Op48_Requiem/ but I haven't any source for that version, only found the 1900 version. Anyone got a link or something ? The score is as is, but if anyone have tips on how to make

Re: Fauré requiem

Hi Karl, I am no Fauré expert, but according to IMSLP the composition history is: * 1877 (Libera me, 1st version for baritone and organ) * 1887/88 (Introït, Sanctus, Pie Jesu, Agnus Dei, In paradisum: Fauré’s 1st version perf. 16 January 1888) * 1889 (Offertoire) * 1892/93 (Libera me, 2nd versio

Re: Fauré requiem

Andrew Bernard: > I am no Fauré expert, but according to IMSLP the composition history is: > > * 1877 (Libera me, 1st version for baritone and organ) > * 1887/88 (Introït, Sanctus, Pie Jesu, Agnus Dei, In paradisum: Fauré’s 1st > version perf. 16 January 1888) > * 1889 (Offertoire) > * 1892/93 (L

Re: Fauré requiem

Am 09.09.2015 um 12:51 schrieb k...@aspodata.se: Hello list, I'm trying to make Fauré's requiem, 1893 version: http://turkos.aspodata.se/git/musik/GabrielFaur%C3%A9/Op48_Requiem/ but I haven't any source for that version, only found the 1900 version. Anyone got a link or something ? As An

Re: Fauré requiem

Hi Karl, Just in case, a manuscript is available at the BnF ( http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42362237&SN1=0&SN2=0&host=catalogue# ) Copies can be orderd there for few euros. I don't know about the Ms. date though. Cheers, Pierre 2015-09-09 14:24 GMT+02:00 Simon Albrecht : >

midi channel

Hello! Is there any way to assign explicit midi channels to voices (or staffs)? Like this: \new Staff \with { \midichannel = 1} Thanks! Ralf ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Hidding Staff Lines at the start of a line

Hi ponders, I was wondering if it is possible to hide staff lines between the very start of the line and the point where the notation starts. In other words, no lines over the clef, key signature and time signature. Hopefully the attached image demonstrates what I mean. I am sure I saw a soluti

Re: Fauré requiem

and here (1888): - http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42261426&SN1=0&SN2=0&host=catalogue# - http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42261451&SN1=0&SN2=0&host=catalogue# - http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42261462&SN1=0&SN2=0&host=catalogue# Cheers,

Re: Debugging shapeII

Simon Albrecht writes: > Hello, > > I’m sorry I have to come again with a question concerning shapeII, and > with a not very tiny example. > Please have a look at the attachment: > – The slur _before_ the revert (be it through \revert or synonymously > through \tweak) is oddly displaced. > – Usin

Re: Hidding Staff Lines at the start of a line

Hi Zoran, Am 09.09.2015 um 12:14 schrieb zzk: Hi ponders, I was wondering if it is possible to hide staff lines between the very start of the line and the point where the notation starts. In other words, no lines over the clef, key signature and time signature. Hopefully the attached image demo

Re: Debugging shapeII

David Kastrup writes: > Simon Albrecht writes: > >> Hello, >> >> I’m sorry I have to come again with a question concerning shapeII, and >> with a not very tiny example. >> Please have a look at the attachment: >> – The slur _before_ the revert (be it through \revert or synonymously >> through \t

Re: midi channel

Hello Ralf, funnily enough, someone (or is roblemming an alias of yours?) posted exactly the same question three quarter hours later. Yours was unfortunately delayed somewhere in the mailing engine. See :-) HTH, Simon A

Re: Hidding Staff Lines at the start of a line

Hi Zoran, > I was wondering if it is possible to hide staff lines between the very start > of the line and the point where the notation starts. In other words, no > lines over the clef, key signature and time signature. Not sure why you’d want to… but “With Lilypond, all things are possible.” =

Re: Debugging shapeII

David Kastrup writes: > David Kastrup writes: > >> Simon Albrecht writes: >> >>> Hello, >>> >>> I’m sorry I have to come again with a question concerning shapeII, and >>> with a not very tiny example. >>> Please have a look at the attachment: >>> – The slur _before_ the revert (be it through \r

Re: Hidding Staff Lines at the start of a line

simon.albrecht wrote > Hi Zoran, > > Am 09.09.2015 um 12:14 schrieb zzk: >> Hi ponders, >> >> I was wondering if it is possible to hide staff lines between the very >> start >> of the line and the point where the notation starts. In other words, no >> lines over the clef, key signature and time si

Re: Hidding Staff Lines at the start of a line

Hi Kieren Kieren MacMillan wrote > Not sure why you’d want to… but “With Lilypond, all things are possible.” > =) That is why I love Lilypond :) Kieren MacMillan wrote > Here’s one solution: > > \layout { indent = 1\in ragged-right = ##t } > > \relative c' { > \omit Staff.SystemStartBar

Re: Voice split across staves?

On 09/08/2015 11:34 PM, Keith OHara wrote: > Your second setting, using two Voices in the upper staff, with output > that matches the printed score, is the way to go. > > What you think of as one logical voice, the one with the chords, is > split across the pianists two hands. Piano music always

Re: Hidding Staff Lines at the start of a line

Hi Zoran, > I have been looking for a 'time line' solution for a while, and although I > have found two on the forum that I really like (one by Harm and one by David > Nalesnik) I would prefer something like the attached image. For that reason > I was thinking of using a drum staff with one line (

John Crook (Was re: Voice split across staves?)

On 09/08/2015 05:35 PM, Simon Albrecht wrote: > Am 08.09.2015 um 22:47 schrieb Joel C. Salomon: >> I’m trying to re-create John Crook’s original score to Peter Pan (yes, >> it’s in the public domain) > > Just a sidenote: I tried to find this John Crook or any detail about his > life on the web and

Re: Re: Fauré requiem

Simon Albrecht: > Am 09.09.2015 um 12:51 schrieb k...@aspodata.se: > > Hello list, > > I'm trying to make Fauré's requiem, 1893 version: > > > > http://turkos.aspodata.se/git/musik/GabrielFaur%C3%A9/Op48_Requiem/ > > > > but I haven't any source for that version, only found the 1900 > > version

Re: Re: Fauré requiem

Pierre: > and here (1888): > - > http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42261426&SN1=0&SN2=0&host=catalogue# > - > http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42261451&SN1=0&SN2=0&host=catalogue# > - > http://catalogue.bnf.fr/servlet/biblio?idNoeud=1&ID=42261462&SN1=0&SN2=0&hos

Re: Fauré requiem

Am 09.09.2015 um 16:55 schrieb k...@aspodata.se: The score is as is, but if anyone have tips on how to make it look better, please advise me. Can’t do so without PDF :-) Sorry, it's here: http://turkos.aspodata.se/choir/osthammar/faur%C3%A9/requiem.pdf Some remarks: – In choral music by

Re: Help with Auto-beaming rules

Thanks for clarifying the need for manual beaming in certain cases. I've added commands to switch beaming rules in Denemo, and this has lead me on to coding up a command to search for the rhythmic pattern of the selection. This means that those passages that need manually beaming can be easily foun

Suppress one of two staves

Hello,   I have a harp score where there are a lot of lines that require only the upper staff. How can I suppress the lower staff in lines where it is empty. The following example illustrates this:   \version "2.18" \new PianoStaff <<   \new Staff \relative c' {     \repeat unfold 5 { c4 e g

Alda "a music programming language for musicians" inspired by LilyPond

I thought this might be of interest. Alda is a LilyPond-inspired programming language for musicians to use to produce music, i.e. audio (midi, etc.). I wonder why he didn’t just use LilyPond syntax, or at least follow it more closely? http://daveyarwood.github.io/alda/2015/09/05/alda-a-manif

Re: Suppress one of two staves

"Helge Kruse" writes: > Hello, > I have a harp score where there are a lot of lines that require only the > upper staff. > How can I suppress the lower staff in lines where it is empty. The following > example > illustrates this: > \version "2.18" > \new PianoStaff << > \new Staff \relative c'

Re: Hidding Staff Lines at the start of a line

Hi Kieren, Kieren MacMillan wrote > Then why not simply have the music “as is” and adjust the beginning of the > first measure (or spanner) in the TimeLine context instead? > I think that would be a lot simpler, especially as the number of other > simultaneous contexts increases. As I am relati