On Thu, 01 Oct 2015 19:41:21 +0100
Anthonys Lists wrote:
> Anyways, I think we've all missed the OPs problem. As he phrased it, I
> understand he wants
>
> {fixed part 1} {alternative 1} {alternative 2} {fixed part 2} repeat
I'm not familiar with a clean notation for the above.
For the norma
Quoting s.p.korzil...@gmail.com (s.p.korzil...@gmail.com):
> I’m trying to write a piece that has repeats with alternatives. It seems that
> “
> \repeat volta 2” is the way to go with supplying the alternatives in “\
> alternative”. However, this seems to work only for alternative endings, while
Answering my own question here, the \shapeII function in the openlilylib
repository does the trick (and many other astounding tricks as well, by the
way).
Note that the current code is somewhat dated, and will not work with 2.19.28 or
similar recent versions. Simon Albrecht has made a fine fix
Looking into the mailing list archives, a sort of solution is proposed - using
a rotation and an offset.
While this works, is there a better or preferred way?
Andrew
— snip
\version "2.19.28"
treble = {
\clef treble
\stemUp
\slurDown
\override Slur.rotation = #'(180 0 0)
\override S
How do you position a slur under a beam?
Setting Slur.positions does not want to move it, which is fine, but I cannot
find the correct override or setting.
And in this example, part of a complex multivoice score which is very dense, I
do need the slur under the beam and above the notes. The sco
David,
Thank you for the information.
My answer was determined by the version used.
Mark
-Original Message-
From: David Kastrup [mailto:d...@gnu.org]
Sent: Thursday, October 01, 2015 6:34 PM
To: Mark Stephen Mrotek
Cc: s.p.korzil...@gmail.com; lilypond-user@gnu.org
Subject: Re: Repeat
"Mark Stephen Mrotek" writes:
> Lilypond does handle mid-measure repeats, you just have to tell it that it is
> mid-measure:
>
>
>
> \version "2.18.2"
>
> \score {
>
> \new Staff {
>
> \time 4/4
>
> \repeat volta 2 {
>
> a'8 b' c' e' c'2
>
>
Stan,
Lilypond does handle mid-measure repeats, you just have to tell it that it is
mid-measure:
\version "2.18.2"
\score {
\new Staff {
\time 4/4
\repeat volta 2 {
a'8 b' c' e' c'2
a'4 b' }
\alternative {
On Thu, Oct 1, 2015 at 3:35 PM, David Nalesnik
wrote:
>
>
> Here's an alternate engraver for TextSpanner which works with spanner-id.
>
>
Here's an image.
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https://lists.gnu.org/mailman/listinfo/lilypo
Hi Urs,
On Mon, Sep 28, 2015 at 9:19 AM, Urs Liska wrote:
> Hi David,
>
> thank you very much!
>
You're welcome!
>
> Am 26.09.2015 um 01:25 schrieb David Nalesnik:
>
> Hi,
>
> ...
>
> To do what you want, it would be best of course to have a new grob.
>
> Defining new grobs has no user interf
Thank you all for your suggestions and for not flooding me with RTFM.
I'll go with this variation:
dd = \markup {
\combine
\translate-scaled #'(0 . .25) D
\translate-scaled #'(.5 . -.25) D
}
which seems to work well in combination with other, non-stacked symbols.
Best
Urs
Am 01.10.2015 u
Hi,
On Fri, Sep 25, 2015 at 2:28 PM, David Kastrup wrote:
> Kieren MacMillan writes:
>
> > Hi David,
> >
> >>> I’m currently working on a solution for Schenker graphs,
> >>> and the “one-slur-per-voice” limitation is killing me.
> >>
> >> There is no such limitation. Just use \tweak to give ea
The string quartet I have been working on has a few passages where one
or more of the instruments are playing the same pattern for several bars
in succession.
In the score I want these to be written out in full, but in the parts I
would like to use numbered "percent" repeat marks.
The obvious way
Hi Connor,
there's whiteout property that you can set to ##t:
% ---
\version "2.18.2"
right = \relative c'' {
\override Hairpin.whiteout = ##t
\override Hairpin.layer = #2 % maybe necessary to place hairpins in front
of other objects
r2\< r
(\once) \override Hairpin.whiteout = ##t
You may have to adjust the layer to see the white:
(\once) \override Hairpin.layer = 5
Am 01.10.2015 um 20:07 schrieb Connor Harris:
Is there any way to print hairpins while whiting out parts of anything
(specifically, in this case, note stems and beams
Urs Liska wrote:
How can I overlay letters in lyrics? I want to print two "D"s that
overlap, one left-top, the other bottom-right. The default symbol for a
double dominant.
maybe:
\markup \combine \translate #(cons 0.3 -0.3) "D" \translate #(cons -0.3
0.3) "D"
and, not just by itself:
\m
On 01/10/2015 18:40, Tim McNamara wrote:
On Sep 30, 2015, at 8:22 AM, s.p.korzil...@gmail.com wrote:
Dear Sir / Madam,
I’m trying to write a piece that has repeats with alternatives. It seems that “\repeat volta 2” is the way to go with supplying the alternatives in “\alternative”. However, t
On Thu, 2015-10-01 at 12:40 -0500, Tim McNamara wrote:
> > On Sep 30, 2015, at 8:22 AM, s.p.korzil...@gmail.com wrote:
> >
> > Dear Sir / Madam,
> >
> > I’m trying to write a piece that has repeats with alternatives. It seems
> > that “\repeat volta 2” is the way to go with supplying the altern
Is there any way to print hairpins while whiting out parts of anything
(specifically, in this case, note stems and beams) that they cross,
analogous to what the \whiteout command does for text markup?
Best,
Connor Harris
___
lilypond-user mailing lis
On 30.09.2015 01:28, Thomas Morley wrote:
Could you post a fully compilable example for follow readers?
Here’s a demo file showing the entire framework in action (since you
seemed to be interested in more detail, I included all of it (except for
style-sheet information), resulting in quite a
Or even :
\markup\concat {
"D"
\hspace #-1.2
\lower #.5
"D"
}
P.
2015-10-01 19:42 GMT+02:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Hi Urs,
>
> How about:
>
> \markup\concat {
> "D"
> \hspace #-1.2
> \translate #'(0 . -.5)
> "D"
> }
>
> Cheers,
> Pierre
>
>
Hi Urs,
How about:
\markup\concat {
"D"
\hspace #-1.2
\translate #'(0 . -.5)
"D"
}
Cheers,
Pierre
2015-10-01 15:33 GMT+02:00 Urs Liska :
> Sorry, I have to ask this *without* looking for a solution before. Just
> don't have any time left this time:
>
> How can I overlay letters in lyri
> On Sep 30, 2015, at 8:22 AM, s.p.korzil...@gmail.com wrote:
>
> Dear Sir / Madam,
>
> I’m trying to write a piece that has repeats with alternatives. It seems that
> “\repeat volta 2” is the way to go with supplying the alternatives in
> “\alternative”. However, this seems to work only for
On 01.10.2015 15:33, Urs Liska wrote:
Sorry, I have to ask this *without* looking for a solution before. Just
don't have any time left this time:
How can I overlay letters in lyrics? I want to print two "D"s that
overlap, one left-top, the other bottom-right. The default symbol for a
double domi
> Message: 1
> Date: Thu, 1 Oct 2015 15:33:51 +0200
> From: Urs Liska
> To: lilypond-user
> Subject: Stacked letters in markup
> Message-ID: <560d363f.9010...@openlilylib.org>
> Content-Type: text/plain; charset=utf-8
>
> Sorry, I have to ask this *without* looking for a solution before. Just
>
Hi Urs,
double dominant symbol as ready-to-use markup:
http://lsr.di.unimi.it/LSR/Item?id=967
overlay function:
http://lsr.di.unimi.it/LSR/Item?id=628
HTH,
Klaus
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Stacked-letters-in-markup-tp181856p181857.html
Sent from
I've figured it out, and it's probably the same as in my way-back machine.
Now the skill will be writing good, accurate dynamics.
Here's my score block, with dynBass and dynDrums my dynamics variables. And
yes, I know I have the first context as voice two...
\score {
<<
\contex
On Wed, 2015-09-30 at 15:22 +0200, s.p.korzil...@gmail.com wrote:
> Dear Sir / Madam,
>
>
>
> I’m trying to write a piece that has repeats with alternatives. It
> seems that “\repeat volta 2” is the way to go with supplying the
> alternatives in “\alternative”. However, this seems to work only
Sorry for wrongly adressed mail! The links of some newspaper aricles
should have been mailed to a friend.
I would ask you to delete - it is absolutely off topic!
On 01.10.2015 12:41, BB wrote:
...
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lilypond-user@gn
Sorry, I have to ask this *without* looking for a solution before. Just
don't have any time left this time:
How can I overlay letters in lyrics? I want to print two "D"s that
overlap, one left-top, the other bottom-right. The default symbol for a
double dominant.
TIA and sorry again
Urs
Dear Sir / Madam,
I’m trying to write a piece that has repeats with alternatives. It seems that
“\repeat volta 2” is the way to go with supplying the alternatives in
“\alternative”. However, this seems to work only for alternative endings, while
I have alternative middle parts.
I have tried to
On 30 September 2015 at 16:07, Pierre-Luc Gauthier
wrote:
>
> Hello there,
>
> I am not sure if it is a bug or a misuse on my part but I am trying to
> use cue notes.
> In the example bellow, if the melody *starts* with cue notes, the
> format stays with the "normal" notes.
> Any thoughts?
Hi,
I
Asyldebatte im Bundestag: "Die Gesetze macht bei uns nicht der Prophet"
http://www.spiegel.de/politik/deutschland/asylgesetz-thomas-de-maiziere-verteidigt-aenderungen-a-1055631.html
De Maizière forderte von den Zuwanderern eine "Anerkennungskultur" -
sie müssten die "Rechts- und Wertekultu
or
%%
% Stem
Ri = {
\once \override Stem.extra-offset =
#(lambda (grob)
(if (eq? (ly:grob-property grob 'direction) right)
'(0 . 0) '(1.168 . -.05)))
% rotate head
\once \override NoteHead.rotation = #'(-58 0 0)
}
% Done
%%%
{
c''
\Ri c''
}
Stephen
2015-09-30 16:07 GMT+02:00 Pierre-Luc Gauthier :
> Hello there,
>
> I am not sure if it is a bug or a misuse on my part but I am trying to
> use cue notes.
> In the example bellow, if the melody *starts* with cue notes, the
> format stays with the "normal" notes.
> Any thoughts?
The NR states:
"
N
Pierre-Luc Gauthier writes:
> Hello there,
>
> I am not sure if it is a bug or a misuse on my part but I am trying to
> use cue notes.
> In the example bellow, if the melody *starts* with cue notes, the
> format stays with the "normal" notes.
> Any thoughts?
Well, you don't start a Voice context
Hello,
The notes’s size is that of cue notes all along, in fact, as shown by removing
the CueVoice altogether.
JM
> Le 30 sept. 2015 à 16:07, Pierre-Luc Gauthier a
> écrit :
>
> Hello there,
>
> I am not sure if it is a bug or a misuse on my part but I am trying to
> use cue notes.
> In the
How about :
\version "2.18.2"
\layout { ragged-right = ##f }
#(define mydrums '((kumi-daiko default #t 0)))
kumi-daiko-staff = {
\override Staff.StaffSymbol.line-positions = #'( 0 )
\override Staff.BarLine.bar-extent = #'(-1.5 . 1.5)
\set DrumStaff.instrumentName = #"Kumi-daiko"
}
%% Fli
Hi Johan,
How about this as a base to start from?
Obviously you can play around with the ellipticity and shape and fill of the
noteheads to your hearts content. This gives the different directions you are
wanting.
Andrew
— snip
\version "2.19.28"
#(define right-pointing-notehead
(lambda (
As I have evolved using LP I've become very modular. One of the last things
I was working on before my computer crash was a serial/tone row thing, so
that's where I picked up.
So I have my upper and lower parts, and a drum part...I remember that there
was a way to assign dynamics to each part, so
Quoting Simon Albrecht (simon.albre...@mail.de):
> these two don’t seem to go well together:
> If Timing_translator and Default_bar_line_engraver are moved to
> Staff context, no repeat bar lines are printed and the gap between
> the Volta brackets disappears. Moving the
> Repeat_acknowledge_engra
2015-09-29 2:43 GMT+02:00 johan buelens :
>
> hi,
>
> allow me to introduce myself: i’m a newbie to the third power, namely to
> this list, to lilypond, and to taiko drumming.
>
> (so bear with me … )
>
> the japanese art of drumming has always been an oral tradition, nothing was
> ever written dow
2015-09-30 4:40 GMT+02:00 Rachael Thomas :
> On Tue, Sep 29, 2015 at 4:33 PM, David Kastrup wrote:
>>
>> Thomas Morley writes:
>>
>> > 2015-09-29 12:26 GMT+02:00 David Kastrup :
>> >>
>> >> At the current point of time, slurs are only from one chord in a Voice
>> >> to the next chord in a Voice.
2015-09-29 23:03 GMT+02:00 Simon Albrecht :
> Hello,
>
> these two don’t seem to go well together:
> If Timing_translator and Default_bar_line_engraver are moved to Staff
> context, no repeat bar lines are printed and the gap between the Volta
> brackets disappears. Moving the Repeat_acknowledge_en
Hello
I believe you have misunderstood something.
There really is no need to use any older version of lilypond.
If your TuxGuitar installation exports lilypond code meant for older
versions than the present (stable: 2.18.2, development: 2:19.29), you
can just use the convert-ly script.
--
y
Hi Andrew,
You're right,
How about:
\version "2.18.2"
%%\version "2.19.27" <= or
LH = {
\once\override NoteHead.stencil = #(lambda (grob)
ly:note-head::print (grob-interpret-markup grob
#{
\markup\musicglyph #"no
Hello there,
I am not sure if it is a bug or a misuse on my part but I am trying to
use cue notes.
In the example bellow, if the melody *starts* with cue notes, the
format stays with the "normal" notes.
Any thoughts?
--
Pierre-Luc Gauthier
\version "2.19.27"
\language "e
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