Re: 7dim symbol in chord names

On Fri, 16 Oct 2015 20:10:14 +0200 Yann wrote: > Hello all ! > > Is there a way to modify 7dim C#7dim is not correct. The standard name is C#m7b5. Not elegant, but unambiguous as concerns the minor 7th or dim. 7th interval. It is called a leading tone seventh or a

Re: SVG fonts

Andrew, I have seen similar hit-and-miss results with text fonts when exporting to SVG. I can't tell what's driving the inconsistent results. Best, Abraham On Friday, November 20, 2015, Andrew Bernard [via Lilypond] < ml-node+s1069038n183886...@n5.nabble.com> wrote: > More investigation on

Re: Chord names

> On Nov 27, 2015, at 4:48 AM, Kieren MacMillan > wrote: > > Hi Tim, > > On Nov 27, 2015, at 1:15 AM, tim...@bitstream.net wrote: >> Given an Am(sus) chord on a chart I would wonder whether the composer wants >> a suspended chord (A D E) or a triad with a 4th-

Re: Fwd: Slash chords

2015-11-23 11:48 GMT+01:00 jmechmech : > Perfect for a snippet : > > > > \version "2.18.2" > > #(define (lower-extension pitch chbass) >"Return lowered markup for pitch note name." >#{ > \markup \raise #-1.9 \halign #0.2 >

Re: Fwd: Slash chords

Hi Peter, Peter Crighton-4 wrote > Could this snippet be adapted to having the bass note appearing directly > beneath the root note, separated by a horizontal line? unfortunately not (see below). The sequence is (from left to right) root note, slash, bass note. Therefore the horizontal

Re: How to get all Voice-Contexts?

Thomas Morley writes: > 2015-11-27 23:45 GMT+01:00 David Kastrup : >>> >>> How to get all Voices looking down from Score? >> >> You could have an engraver listen for AnnounceNewContext and >> RemoveContext events and keep tally of the Voice contexts among

Re: Rehearsal mark/tempo collision

Am 27.11.2015 um 21:10 schrieb Craig Dabelstein: and get the tempo marks to be moved a little to the right. Just do that ;) (\once) \override MetronomeMark.X-offset = 3 or something similar. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: articulate.ly and trills

On Fri, Nov 27, 2015 at 05:32:37PM -0700, Gilberto Agostinho wrote: > Hello all, > > I would like to ask if anyone knows how to control the speed of the trills > in the MIDI output when using articulate.ly. Currently, the articulate.ly > simply converts a note with a trill into a bunch of 32nd

Rehearsal mark/tempo collision

[image: Screen Shot 2015-11-28 at 6.06.47 am.png] Hi Lilyponders, Any idea how I can prevent the rehearsal marks from being pushed upwards by the tempo indication, and get the tempo marks to be moved a little to the right. I have been experimenting with: \override

Re: How to get all Voice-Contexts?

Thomas Morley writes: > Hi, > > for some engraver I need to look at all Voices, comparing them in some regard. > > If I put the engraver in every Voice, then every Voice is processed, > yes, but I can't find a method to compare them. > So I thought the way might be to

How to get all Voice-Contexts?

Hi, for some engraver I need to look at all Voices, comparing them in some regard. If I put the engraver in every Voice, then every Voice is processed, yes, but I can't find a method to compare them. So I thought the way might be to put the engraver in Score, get the Voices and do nasty things

articulate.ly and trills

Hello all, I would like to ask if anyone knows how to control the speed of the trills in the MIDI output when using articulate.ly. Currently, the articulate.ly simply converts a note with a trill into a bunch of 32nd notes, regardless of the tempo of the piece. This works very well for slow tempi

Re: Fwd: Slash chords

Klaus Blum wrote > The sequence is (from left to right) root note, slash, bass note. > [...] > It would be necessary to modify the function that puts together those > ingredients I've tried to modify "chord-ignatzek-names.scm" where this function is located (see attached).

Re: Rehearsal mark/tempo collision

There have been some discussions about this in the past (e.g. https://lists.gnu.org/archive/html/lilypond-user/2013-11/msg00930.html, https://lists.gnu.org/archive/html/lilypond-user/2013-12/msg00040.html). I can't find a thread with a good resolution though. In any case the main two simple

Re: How to get all Voice-Contexts?

2015-11-27 23:45 GMT+01:00 David Kastrup : > Thomas Morley writes: > >> Hi, >> >> for some engraver I need to look at all Voices, comparing them in some >> regard. >> >> If I put the engraver in every Voice, then every Voice is processed, >> yes, but I

transpose pitch by semitones

Hi all, I'm poking around in the reference but don't find a simpler solution. I have a function that returns an integer that represents the semitones over a reference (by default the middle c). From this I want to construct a pitch so that e.g. (pitch 2) would return the equivalent to

Re: Chord names

Hi Tim, On Nov 27, 2015, at 1:15 AM, tim...@bitstream.net wrote: > Given an Am(sus) chord on a chart I would wonder whether the composer wants a > suspended chord (A D E) or a triad with a 4th- or much more likely 11th- > added (A C E D). In most of the scores I read (and write), that’s