Nathan Ho writes:
> A lot of young people today call the symbol a "hashtag." Some might
> scoff at this since a hashtag is an application of a hash and not the
> symbol itself, but hey, metonymy is metonymy.
Pars pro toto, like "Regulus' feet were neither last nor least
Other sources suggest that Mr Kerr’s story is fabricated or unreliable, and
etymologists regard such stories with caution.
http://www.worldwidewords.org/weirdwords/ww-oct1.htm
Amusingly, myself, apart from enjoying the word octothorpe, I also call it
‘sharp’ (incorrectly), which brings us back
Andrew Bernard writes:
> Other sources suggest that Mr Kerr’s story is fabricated or
> unreliable, and etymologists regard such stories with caution.
>
> http://www.worldwidewords.org/weirdwords/ww-oct1.htm
>
> Amusingly, myself, apart from enjoying the word octothorpe,
Sorry to delve into this a bit late, but an earlier point in this
ongoing thread is relevant to work currently on my desk :)
On Mon, 28 Dec 2015 19:20:28 +0100
David Kastrup wrote:
> > flute_phrase01 =
> > flute_phrase02 =
> >
> > or similar.
>
> When would you ever want to do
Dear list,
I found the snippet: "Vertical brace spanning several lyrics lines"
(http://lsr.di.unimi.it/LSR/Item?id=265 and
http://lsr.di.unimi.it/LSR/Snippet?id=265).
It works perfectly "out of the box" for three lyrics lines as in the snippet,
but it took me quite some time to get it to
Josiah Boothby writes:
> Now, yes, I'm sure that with a handful of hours of trying to learn
> Scheme, I could probably find a way to do this that doesn't involve so
> many lines of Lilypond code, but my free time to work on this
> particular project is in half-hours here and
2016-01-06 10:01 GMT+01:00 Robert Blackstone :
> Dear list,
>
> I found the snippet: "Vertical brace spanning several lyrics lines"
> (http://lsr.di.unimi.it/LSR/Item?id=265 and
> http://lsr.di.unimi.it/LSR/Snippet?id=265).
[...]
> If yes, is this post sufficient? I'm
Well, something I never knew:
>From the Oxford English Dictionary II Online:
octothorp, n.
The hash sign (#), as it appears on the buttons of touch-tone telephones and
some other keypads.
1996 New Scientist 30 Mar. 54/3 The term ‘octothorp(e)’ (which MWCD10 dates
1971) was invented for
On 06.01.2016 18:18, Mathieu Demange wrote:
Hi all,
Is there a way to make LilyPond also automatically adjust the paper
height when using this?
\paper {
page-breaking = #ly:one-line-breaking
}
I do not think there is a vertical analogon to this. Seems like you are
condemned to trial
2016-01-06 19:31 GMT+01:00 Simon Albrecht :
> On 06.01.2016 18:18, Mathieu Demange wrote:
>>
>> Hi all,
>>
>> Is there a way to make LilyPond also automatically adjust the paper height
>> when using this?
>>
>> \paper {
>>
>>page-breaking = #ly:one-line-breaking
>>
>> }
The following snippet:
\version "2.19.32"
S = \relative c'' { c d e f }
SLyrA = \lyricmode { tra la la la }
T = \relative c'' { c d e f }
\score {
<<
\new Staff \S
\addlyrics \SLyrB
\new Staff \T
>>
\layout {}
\midi {}
}
generates a midi file
> > Message: 6
> > Date: Tue, 5 Jan 2016 21:55:42 -0700
> > From: Colin Campbell
> > To: lilypond-user@gnu.org
> > Subject: Re: When to Use Pound Signs
> > Message-ID: <568c9e4e.6060...@shaw.ca>
> >
> > On 16-01-05 09:47 PM, Andrew Bernard wrote:
> >
> > I wonder if the spaces
On 06.01.2016 19:55, Patrick Karl wrote:
The following snippet:
\version "2.19.32"
S = \relative c'' { c d e f }
SLyrA = \lyricmode { tra la la la }
T = \relative c'' { c d e f }
\score {
<<
\new Staff \S
\addlyrics \SLyrB
\new Staff \T
>>
\layout
On 06.01.2016 19:55, Tim Reeves wrote:
> > Message: 6
> > Date: Tue, 5 Jan 2016 21:55:42 -0700
> > From: Colin Campbell
> > To: lilypond-user@gnu.org
> > Subject: Re: When to Use Pound Signs
> > Message-ID: <568c9e4e.6060...@shaw.ca>
> >
> > On 16-01-05 09:47 PM, Andrew Bernard
Hi,
I'm a new use of lilypond-windows on Win 8.1 64bit and Win 7. First of all,
thanks for wonderful software; I'm generating many snippets for educational
purposes.
My main problem so far is getting the bravura alternative font to appear. I
don't mind trying a few things, but this problem has me
Hi Gilberto (et al.),
> It's a pity this is a bit more
> complicated to achieve, as I'd say the (Ped) indications are much more
> important than the (8a) indications, since we already show a 8a at a new
> system but the mixed pedal is just a single straight line. Maybe this could
> go to the
Hi all,
Is there a way to make LilyPond also automatically adjust the paper
height when using this?
\paper {
page-breaking = #ly:one-line-breaking
}
Thanks for the help!
Regards,
Mathieu
___
lilypond-user mailing list
lilypond-user@gnu.org
Simon Albrecht writes:
> Oh, interesting idea! Never heard of. It seems like a fine and
> sensible thing to do, except that normally I would have created the
> voices explicitly in my score block, and I am using \context only when
> referencing already existing contexts –
On 1/6/16 12:58 PM, Simon Albrecht wrote:
On 06.01.2016 19:55, Patrick Karl wrote:
The following snippet:
\version "2.19.32"
S = \relative c'' { c d e f }
SLyrA = \lyricmode { tra la la la }
T = \relative c'' { c d e f }
\score {
<<
\new Staff \S
\addlyrics
2016-01-07 0:53 GMT+01:00 Chris Yate :
> Hi,
>
> I'm wondering whether anyone can shed some light on the attached image.
>
> LH of the piano here is:
>
> {
> bf,16 (ef g8) r8
> c,16 g' c, g' bf, g'
> \clef bass
> }
>
> I have a suspicion this may have something to do
On 06.01.2016 22:05, Simon Albrecht wrote:
On 06.01.2016 21:40, Ryan Michael wrote:
i want a
dis1
with < > (cresencendo / decrescendo)
underneath it. How can I do that and size the crescendo and
decresendo to my liking (say span the < to last 3 quarters of the
whole note and the > to last
Hi,
I'm wondering whether anyone can shed some light on the attached image.
LH of the piano here is:
{
bf,16 (ef g8) r8
c,16 g' c, g' bf, g'
\clef bass
}
I have a suspicion this may have something to do with the Timing / beat
moment and beat structure, but it's inconclusive. This section
Simon Albrecht writes:
> On 06.01.2016 21:40, Ryan Michael wrote:
>> i want a
>>
>> dis1
>>
>> with < > (cresencendo / decrescendo)
>>
>> underneath it. How can I do that and size the crescendo and
>> decresendo to my liking (say span the < to last 3 quarters of the
>>
Chris:
My experience in setting piano music is that the “\set Timing” instruction must
be in both voices. If you have not done so, that might be the cause.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On
On 6 January 2016 at 23:53, Chris Yate wrote:
> Hi,
>
> I'm wondering whether anyone can shed some light on the attached image.
>
> LH of the piano here is:
>
> {
> bf,16 (ef g8) r8
> c,16 g' c, g' bf, g'
> \clef bass
> }
>
> I have a suspicion this may have something
On 07.01.2016 00:08, David Kastrup wrote:
Simon Albrecht writes:
On 06.01.2016 21:40, Ryan Michael wrote:
i want a
dis1
with < > (cresencendo / decrescendo)
underneath it. How can I do that and size the crescendo and
decresendo to my liking (say span the < to last
Further problems. I commented out the Time settings and here's more, this
time in the RH (note paired semiquavers in LH here, which would be in
sixes).
This is now built with revision 35 (the latest).
[image: Inline images 1]
On 6 January 2016 at 23:59, Chris Yate wrote:
>
Hi Kieren, thanks for the reply!
On 06/01/16 20:39, Kieren MacMillan wrote:
In the meantime, it’s fairly easy to add this as a markup.
Do you mean you have to manually align each one of the "(Ped.)" texts
manually? Because if that's the case, it would be quite hard to add them
to the
On 7 January 2016 at 00:49, Thomas Morley wrote:
>
> 2016-01-07 0:53 GMT+01:00 Chris Yate :
>
>> Hi,
>>
>> I'm wondering whether anyone can shed some light on the attached image.
>>
>> LH of the piano here is:
>>
>> {
>> bf,16 (ef g8) r8
>> c,16
Chris:
What is the time signature? 6/8?
Or is it 2/4 grouped as if in tuplets?
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Chris
Yate
Sent: Wednesday, January 06, 2016 5:21 PM
To: Thomas
Do you also have subdivideBeams = ##t somewhere?
If so please show the result with both 2.19.28 and .35..
And if that's the case you should maybe send me (privately?) the full piece so
I could test with several builds before and after several recent changes.
Urs
Am 7. Januar 2016 01:16:43
I have the following lilypond format
dis1\<~ dis1~\!\>dis2\!
but really i want a
dis1
with < > (cresencendo / decrescendo)
underneath it. How can I do that and size the crescendo and decresendo to
my liking (say span the < to last 3 quarters of the whole note and the > to
last a quarter)
On 06.01.2016 21:40, Ryan Michael wrote:
i want a
dis1
with < > (cresencendo / decrescendo)
underneath it. How can I do that and size the crescendo and decresendo
to my liking (say span the < to last 3 quarters of the whole note and
the > to last a quarter)
I have a very handy music
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