Henry Law writes:
> On 31/03/16 01:48, Colin Campbell wrote:
>> into more of a triplet effect
>
> If I, as a sometime jazz player, were trying to communicate the effect
> of "swing" then I'd say, summarising brutally and rather inaccurately,
> "It's written as 4/4 but played as 12/8."
>
> In othe
\version "2.19.15"
%{
Thanks to everyone who suggested looking at LSR-753 for the "Jazz style"
multi-measure rest.
That is substantially what I want.
In attempts to add parenthesis in the staff around the number within the
staff, I ran into several problems.
I first tried adding parenthesis as
On 16-03-30 08:49 PM, Stephen MacNeil wrote:
Hi Colin
Sometime ago I came across a file on the net... not sure where. It was
written by Johannes Rohrer I believe. Anyway all you do is
\include "../SwingMarks.ly" % location of file
#(load "../swing.scm") % location of file
and it will p
Hi Colin
Sometime ago I came across a file on the net... not sure where. It was
written by Johannes Rohrer I believe. Anyway all you do is
\include "../SwingMarks.ly" % location of file
#(load "../swing.scm") % location of file
and it will play the midi in swing
and example is on my site
On 31/03/16 01:48, Colin Campbell wrote:
into more of a triplet effect
If I, as a sometime jazz player, were trying to communicate the effect
of "swing" then I'd say, summarising brutally and rather inaccurately,
"It's written as 4/4 but played as 12/8."
In other words the player adds somet
I'm transcribing a piece originally written with a lot of syncopation,
using half-values ties across the beat, as well as what I think must be
intended as a "swing" feel, notated with dotted rhythms. No problem
reproducing the visual elements, but I also need to produce practice
tracks for an a
On Mon, 28 Mar 2016 18:53:13 +0100, Richard Shann wrote:
> On Mon, 2016-03-28 at 19:30 +0200, David Kastrup wrote:
> > Henry Law writes:
> >
> > > 3. On 28/03/16 13:05, Christoph Friedrich wrote:
> > >> refrain-empty = \lyricmode {
> > >> " " " " " " " " " " " "
> > >> }
> > >
> > > (Blush) no i
> Sometimes it preferable to change the source directly instead of using
> function calls.
Could you explain when this is the case?
This is only a transposing instrument situation so it should be doable. I used
the \transpose function and \naturalize form the documentation which ended up
work
Am 2016-03-30 um 16:43 schrieb Johannes Waldmann :
> What is the recommended way to obtain the following behaviour
> from one and the same source code:
> repeats typeset as "\repeat volta N"
> (so the page is not filled with duplicates)
> but MIDI generated as with "\repeat unfold N"
> (so the dup
Ciao Robert,
sorry if I reply so late.
What you propose to do is a bit too complicated for me and I'll use it as a
last resort. What I'm trying to do now is just to open the midi file with
musescore and add a note in the file to correctly shift the others.
Anyway, it would be great having some pr
Hi.
What is the recommended way to obtain the following behaviour
from one and the same source code:
repeats typeset as "\repeat volta N"
(so the page is not filled with duplicates)
but MIDI generated as with "\repeat unfold N"
(so the duplicates are heard).
Thanks, Johannes.
(in other words, "M
Lilypond supports the 128 instruments that are specified by the General Midi version 1 ( GM1) standard. Sinewave is not included in that list. But use for example "flute" as instrument in your Lilypond source, and then let your soundsource replace the corresponding programchange number with a sinew
Hello,
Does anybody have an idea as to how can we specify the midi instrument--
sine wave-- in Lilypond?
Looking forward to hearing from someone.
Sincerely,
Salil
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/list
13 matches
Mail list logo
