Actually, no, you can't assume I haven't tried it, thank you very much.
I was hoping there was a more graceful way of doing it besides using skips.
But skips work. I guess I'll just use skips.
Thank you for your time. I do appreciate the help.
--
View this message in context:
On Jun 21, 2016, at 5:57 PM, Harald Christiansen wrote:
>
> So, I eventually ended up solving the problem by using \markup with a
> two rows of blank strings attached to the E6, something like:
> e^\markup { \override #'(baseline-skip . 5) \column { " " " " } } i.e.
>
On Tue 21 Jun 2016 at 17:21:54 (-0700), BGM wrote:
> You see, I don't want the verses to line up with the chorus. It should go
> like this:
>
> chorusmusic
> chorustext
>
> versemusic
> verse1
> verse2
>
> So it ought to show as if it were two different pieces, one above the other,
> but it
You see, I don't want the verses to line up with the chorus. It should go
like this:
chorusmusic
chorustext
versemusic
verse1
verse2
So it ought to show as if it were two different pieces, one above the other,
but it has to all go within the same \score so that I can create a single
midi
On Tue 21 Jun 2016 at 15:59:04 (-0400), Stephen MacNeil wrote:
> Thanks Harm :)
>
> just a note on your comment
>
> >>It's not hard to get and use a devel-version ;)
> >>I can't recommend to grab the code and patch v2.18.2 with it...
>
> Well it depends on your operating system! I would say
On Tue 21 Jun 2016 at 14:55:42 (-0700), BGM wrote:
> Hi, all, I'm having trouble placing a chorus line.
> If I put the chorus in one \score and the verses in another \score, then
> they display correctly, but I can't get the midi for both scores as one
> file.
>
> It should have the entire chorus
2016-06-21 21:48 GMT+02:00 David Kastrup :
> Thomas Morley writes:
>> $(markup #:column ("a" "b"))
>> works, but feels strange:
>> ("a" "b") looks like a function call without procedure what to do.
>
> Well, what did I say about the markup macro being
On 21.06.2016 13:18, Werner LEMBERG wrote:
Note that this is not a theoretical issue. Especially in French
impressionistic piano music like the works of Debussy and Ravel I've
seen such a notation, and having a `\shortTie' command would be handy.
See
Hello Joram,
This is what I am talking about:
If you look at the "Für Elise" by Mutopia, page 3, bar 95. You will see
a E6 there.
http://www.mutopiaproject.org/ftp/BeethovenLv/WoO59/fur_Elise_WoO59/fur_Elise_WoO59-a4.pdf
The final output looks good but only because the author used
Hi, all, I'm having trouble placing a chorus line.
If I put the chorus in one \score and the verses in another \score, then
they display correctly, but I can't get the midi for both scores as one
file.
It should have the entire chorus first, with the music for the verses in a
separate staff.
On 21.06.2016 13:31, Jonathan Scholbach wrote:
Can someone please help me? I grubbed myself through the manuals and
was still unable to find a way to write my own /\accidentalStyle/
There is no actual documentation for creating custom accidental styles.
I made a little dent into the high
Thanks Harm :)
just a note on your comment
>>It's not hard to get and use a devel-version ;)
>>I can't recommend to grab the code and patch v2.18.2 with it...
Well it depends on your operating system! I would say that for me it is
extremely hard. I compile my box from source using LFS as a
Thomas Morley writes:
> David,
>
> while we're on it, there is one thing I don't understand myself sufficiently.
>
> Why does the first example below _not_ throw an error?
>
> \markup \column #(list "a" "b")
> $(markup #:column (list "a" "b"))
>
> I wrote previously
HI Federico
I looked through some scores and I would say about 90% had them. The ones
that didn't, it was do to the fact that such an occurrence in a score/song
is rare and even more so that it may be at that particular part of the
score. So the ones I didn't find it in I assume it's because it
2016-06-21 20:44 GMT+02:00 David Kastrup :
> No Body writes:
>
>> Wow! Works great, thanks Thomas. I like the second version using the
>> lilypond #{#} I can easily add markup for font, etc. Added a
>> string-reverse to get correct order. I read
No Body writes:
> Wow! Works great, thanks Thomas. I like the second version using the
> lilypond #{#} I can easily add markup for font, etc. Added a
> string-reverse to get correct order. I read "extending" several times,
> skimmed thru "internals", guile
Wow! Works great, thanks Thomas. I like the second version using the
lilypond #{#} I can easily add markup for font, etc. Added a
string-reverse to get correct order. I read "extending" several times,
skimmed thru "internals", guile manual and R5RS and have been working on
this in my
On Tue 21 Jun 2016 at 14:53:08 (+0200), Jonathan Scholbach wrote:
> At your other point: Well, I agree that the usage of the desired
> \accidentalStyle can be a matter of discussion. But it is a very common
> practice. And there are good arguments for using it (choirsingers often
> orientate -
Phil, you are right, it's about different /Staffs. /Thank you for
clarifying.
At your other point: Well, I agree that the usage of the desired
\accidentalStyle can be a matter of discussion. But it is a very common
practice. And there are good arguments for using it (choirsingers often
orientate
Il giorno mar 21 giu 2016 alle 4:12, Stephen MacNeil
ha scritto:
Hi Federico
After teaching guitar for 20 years I will say it does happen,
although very rarely as it makes it hard to read. I avoid it at all
costs in my own typesetting. I grabbed a couple books from
What you're asking for is not adding a natural when there's a previous sharp in
a different voice, but in a different staff. As a long-time singer myself, I'd
find that terribly confusing. If the 2 voices are on the same staff, I could
understand it.
--
Phil Holmes
- Original Message
Hi Ponders!
I would like to know how I can create my own /\accidentalStyle/
"Normally" notes of a certain voice are "naturalized" (written with a
natural), when the same note had occured with an accident in the same
bar (this is /\accidentalStyle default/ in LilyPond). A different style
>> Is there a snippet somewhere that explains how to do this? I tried a
>> quick search without success.
>
> Maybe use \laissezVibrer?
Nope. I wan't a generalized solution that works with MIDI also.
Using callbacks for broken ties, I sort-of know how to implement the
whole thing in Scheme.
Am 21.06.2016 um 09:19 schrieb Werner LEMBERG:
Is there a snippet somewhere that explains how to do this? I tried a
quick search without success.
Maybe use \laissezVibrer?
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2016-06-21 10:54 GMT+02:00 Federico Bruni :
> Il giorno mar 21 giu 2016 alle 3:36, Stephen MacNeil
> ha scritto:
>
> Nice work to those that got the "microtones" working.
>
>
> You must thank Harm:
>
Il giorno mar 21 giu 2016 alle 3:36, Stephen MacNeil
ha scritto:
Nice work to those that got the "microtones" working.
You must thank Harm:
https://sourceforge.net/p/testlilyissues/issues/4643/
Not a tab user but curious anyway, also part of my question applies
to
2016-06-21 6:53 GMT+02:00 No Body :
> Hello,
> I'm trying to make a fingering function for use with tab that takes a
> string, such as "12345" or "23", breaks it apart and stacks it in a column
> with a circle around each number. I've commented out part of my feeble
>
Folks,
I want to change broken ties like this
___
o/ \ |
_ ___
/ \o/ \ |
_ ___
/ \o/ \ |
into short ones.
_
o/
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