/subtitle = \markup { \medium "This will not be in bold" }/
is a quick way to get around it. Long term, you could redefine
scoreTitleMarkup and bookTitleMarkup (someone else will tell you where to
find those!)
Dominic
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On 1/24/2018 4:15 PM, Son_V wrote:
The trick for the instruments don't work, the second line do not appear.
The attached files have David Nalesnik's example.
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\version "2.19.80"
\new ChoirStaff <<
\new Staff \with {
instrumentName = \markup \column { "Soprani"
On 1/24/2018 4:26 PM, Son_V wrote:
Today I use Windows and Frescobaldi 2.18
Frescobaldi has menu options for special characters.
Windows has the Character Map program, charmap.exe that allows selection
and copying special characters.
That program will also display the alt-codes for some of
On Wed, Jan 24, 2018 at 4:27 PM, Simon Albrecht wrote:
> On 24.01.2018 23:15, Son_V wrote:
>>
>> But still I want to know how to put an "a capo" in a subtitle.
>
>
> I have no idea what you mean, sorry. Do you mean a segno?
> \markup \musicglyph #"scripts.coda"
>
>> The trick for
>> the instrume
On 24.01.2018 23:26, Son_V wrote:
Today I use Windows and Frescobaldi 2.18 because on Linux Frescobaldi 3.0
doesn't work.
Thatβs not true, Frescobaldi 3.0 works perfectly fine on Linux if you
set it up correctly. There are many situations when thatβs difficult to
do, but Urs put up a very goo
On 24.01.2018 23:15, Son_V wrote:
But still I want to know how to put an "a capo" in a subtitle.
I have no idea what you mean, sorry. Do you mean a segno?
\markup \musicglyph #"scripts.coda"
The trick for
the instruments don't work, the second line do not appear.
Then you mistyped somethi
Probably go with Simon Albrecht's answer.
But if your current project has a lot of text formatting work going on,
here's a the Notation Reference manual:
http://lilypond.org/doc/v2.18/Documentation/notation/formatting-text
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Missouri, USA
_
Today I use Windows and Frescobaldi 2.18 because on Linux Frescobaldi 3.0
doesn't work.
Thanks.
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\header {
Β subtitle = \markup \normal-text "subtitle"
}
Best, Simon
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On 1/24/2018 4:12 PM, Son_V wrote:
As in subject, how can I write the "ae" (latin plural) with a single
character?
Thanks.
The best answer will depend on your situation. Could you describe your
LilyPond setup?
Operating system: Windows? Mac? Linux? Something else?
Text editor: LilyPad? Fresc
On 1/24/2018 4:15 PM, Son_V wrote:
The trick for the instruments don't work, the second line do not appear.
http://lilypond.org/tiny-examples.html
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But still I want to know how to put an "a capo" in a subtitle. The trick for
the instruments don't work, the second line do not appear.
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As in subject, how can I write the "ae" (latin plural) with a single
character?
Thanks.
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> On 24 Jan 2018, at 15:37, Karlin High wrote:
>
> On 1/24/2018 4:34 AM, David Kastrup wrote:
>> { π π π π π π π π π π π π π π π }
>
> How did you do that, David?
>
> I'm using Thunderbird here, I think it has the Consolas font for plain-text
> email. That quoted text comes through as prett
That was the answer. Thanks.
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As in subject. Thanks.
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Hi Vincenzo,
On Wed, Jan 24, 2018 at 3:06 PM, Son_V wrote:
> Hi all,
> I would like to know what is in the subject.
> The subtitle is very long and I would like to put an A capo somewhere.
>
> For the names of instruments, the original score have for the voices
> "Soprani o Tenori" and "Contralti
Hi all,
I would like to know what is in the subject.
The subtitle is very long and I would like to put an A capo somewhere.
For the names of instruments, the original score have for the voices
"Soprani o Tenori" and "Contralti o Bassi".
They are written in a long line.
I would like to obtain so
2018-01-24 18:34 GMT+01:00 bb :
> Thanks for explanation! I read the Manual but the information is very densly
> packed, easy to overlook something. But I do not find that in a second
> reading of http://lilypond.org/doc/v2.18/Documentation/snippets/repeats.
>
> I tried
>
> \version "2.19.80"
[...
BTW, this could be added to the LPNR it seems.
JM
> Le 24 janv. 2018 Γ 07:21, Jacques Menu Muzhic a Γ©crit
> :
>
> Hello Joram,
>
> Thanks for the clarification!
>
> JM
>
>> Le 23 janv. 2018 Γ 21:42, Noeck a Γ©crit :
>>
>> Hi Jacques,
>>
>> in your 8 bars, you have only 4 different outcome
Exact, q is for repetition of chords
Γric
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Thanks for explanation! I read the Manual but the information is very
densly packed, easy to overlook something. But I do not find that in a
second reading of
http://lilypond.org/doc/v2.18/Documentation/snippets/repeats.
I tried
\version "2.19.80"
Β Β Β \layout { \context {
Β Β Β \Score
Β Β Β %def
Hello bb,
According to the LPNR, \repeat percent is meant for patterns shorter than a
measure or occupying one or two measures.
Maybe this explains that?
JM
> Le 24 janv. 2018 Γ 16:31, bb a Γ©crit :
>
> \version "2.19.80"
>
> \layout { \context {
> \Score
> defaultBarType = ""
>
Joram,
you wrote:
From: Noeck
>
>
> I would like to suggest to read the learning manual. Many of these
> issues are explained there. It really helps.
Thank you for the explanation of contexts and variables,
I must say your explanation and example of variables, copied below, is much
cleare
Γric writes:
> David,
> thanks very much for sharing this Lilypond TabTranslator.
> A neophyte Schemer question : is it difficult to modify it to have a
> traditionnal 6 line tablature for instruments with more than 6 strings ? (7
> strings but 7 lines in your exemple)
That's quite hardcoded for
Mats Bengtsson writes:
> On 2018-01-24 11:56, David Kastrup wrote:
>> Letting the main voice continue.Β Cf
>> \version "2.19.80"
>> \fixed c'
>> \new Voice = "main" {
>>r4 a( b d'
>>\voices "main",2
>><< { \voiceOne 4) 4 4 4 \oneVoice} \\ c1 >>
>> }
>>
> Interesting feature! Don't for
Error: read "an 8th instead of a 4th"
Am 24.01.2018 um 16:51 schrieb bb:
Nice, needs some training!
The q8 means repetition of the previous as an 8th instaed of the 16th?
4 q8
Regards
Am 24.01.2018 um 16:19 schrieb Γric:
David,
thanks very much for sharing this Lilypond TabTranslator.
A neop
Nice, needs some training!
The q8 means repetition of the previous as an 8th instaed of the 16th?
4 q8
Regards
Am 24.01.2018 um 16:19 schrieb Γric:
David,
thanks very much for sharing this Lilypond TabTranslator.
A neophyte Schemer question : is it difficult to modify it to have a
traditionnal
Thank you to everybody for the help. David and Andrew solutions work well.
Best regards, g.
On 24 January 2018 at 13:00, Mats Bengtsson
wrote:
>
>
> On 2018-01-24 11:56, David Kastrup wrote:
> > Letting the main voice continue. Cf
>
>> \version "2.19.80"
>> \fixed c'
>> \new Voice = "main" {
>
\version "2.19.80"
Β Β Β \layout { \context {
Β Β Β \Score
Β Β Β defaultBarType = ""
Β }}
Fm = \relative c {
\clef bass
Β \set countPercentRepeats = ##t
Β \repeat percent 8 { f4 g2 as4 bes2 c4 d2 es4 f2 g4 \bar "||" } %\break
}
\scoreΒ { \new StaffΒ { \Fm }}
###
I think th
On 1/24/2018 9:18 AM, David Kastrup wrote:
I mean, there are even things like
π½
Hmm, let's see... (Ctrl + mousewheel, zooms in)
Hey! It's actually an emoji of the Statue of Liberty!
And the next one is a map of Japan, and the next one is an apparently an
Easter Island Moai stone head...
o
On Wed 24 Jan 2018 at 16:18:26 (+0100), David Kastrup wrote:
> Karlin High writes:
>
> > On 1/24/2018 4:34 AM, David Kastrup wrote:
> >> { π π π π π π π π π π π π π π π }
> >
> > How did you do that, David?
>
> Probably a copy&paste from a Unicode table of math fraktur code points.
> Emacs ide
David,
thanks very much for sharing this Lilypond TabTranslator.
A neophyte Schemer question : is it difficult to modify it to have a
traditionnal 6 line tablature for instruments with more than 6 strings ? (7
strings but 7 lines in your exemple)
Letters instead of numbers, that's standart for lut
Karlin High writes:
> On 1/24/2018 4:34 AM, David Kastrup wrote:
>> { π π π π π π π π π π π π π π π }
>
> How did you do that, David?
Probably a copy&paste from a Unicode table of math fraktur code points.
Emacs identifies the first of the above as
position: 488 of 866 (56%), res
On 1/24/2018 4:34 AM, David Kastrup wrote:
{ π π π π π π π π π π π π π π π }
How did you do that, David?
I'm using Thunderbird here, I think it has the Consolas font for
plain-text email. That quoted text comes through as pretty first-rate
Fraktur letters, which I sure wasn't expecting to
On Wed, Jan 24, 2018 at 4:54 AM, Thomas Morley
wrote:
> 2018-01-24 0:11 GMT+01:00 David Kastrup :
> > Ralph Palmer writes:
> >
> >> Hi -
> >>
> >> I'm running LilyPond 2.19.80 with Frescobaldi 2.18.1 under Linux/Ubuntu.
> >>
> >> I'm trying to substitute text for the numbers in alternative endin
Attached please find an example for Banjo Tabs generated with Lilypond.
One with music, and the other one without.
Regards
Am 24.01.2018 um 03:39 schrieb Richard Hoadley:
I just joined Lilypond, so am very new at this program. I canβt read music
and depend totally on Tabs. I need a table o
On 2018-01-24 11:56, David Kastrup wrote:
> Letting the main voice continue.Β Cf
\version "2.19.80"
\fixed c'
\new Voice = "main" {
r4 a( b d'
\voices "main",2
<< { \voiceOne 4) 4 4 4 \oneVoice} \\ c1 >>
}
Interesting feature! Don't forget to add it in the Changes document.
Also, it'
Gianmaria Lari writes:
> Hello,
>
> In the following code
>
> \version "2.19.80"
> \fixed c' {
> r4 a b d'
> << {4 4 4 4} \\ c1 >>
> }
>
> ... I would like to tie the "a" with the very first chord 4. How I
> can do it?
Letting the main voice continue. Cf
\version "2.19.80"
\fixed c'
\new V
Richard Hoadley writes:
> I just joined Lilypond, so am very new at this program. I canβt read
> music and depend totally on Tabs. I need a table or list that shows
> what letters create each of the notes on a Tab. Some samples of the
> text would be helpful. Most of my Tabs are in Clawhammer st
Thomas Morley writes:
> 2018-01-24 0:11 GMT+01:00 David Kastrup :
>> Ralph Palmer writes:
>>
>>> Hi -
>>>
>>> I'm running LilyPond 2.19.80 with Frescobaldi 2.18.1 under Linux/Ubuntu.
>>>
>>> I'm trying to substitute text for the numbers in alternative endings. I've
>>> struggled with this before
Hi all,
might it be the case that your are encountering a similar issue to one I
posted a couple days ago (there, on the question of phrasing slurs in
multi-voice staves that cross over single-voice ones); namely, that are
trying to extend a slur across different contexts, so it fails.
On Wed, Ja
2018-01-24 0:11 GMT+01:00 David Kastrup :
> Ralph Palmer writes:
>
>> Hi -
>>
>> I'm running LilyPond 2.19.80 with Frescobaldi 2.18.1 under Linux/Ubuntu.
>>
>> I'm trying to substitute text for the numbers in alternative endings. I've
>> struggled with this before. I've tried looking in the Notati
Of course you are right! I was talking about slur not tie!
Anyway I'm not able to make any slur in that context. This is what I tried:
\version "2.19.80"
\fixed c' {
r4 a\( b d'
<< {4\) 4 4 4} \\ c1 >>
}
g.
On 24 January 2018 at 09:40, Marc Hohl wrote:
> Am 24.01.2018 um 09:31 schrieb G
Sorry, sent the German link to the lilypond manual, here it is to the
English version:
http://lilypond.org/doc/v2.18/Documentation/notation/banjo.html
(As you write not to know lilypond here a hint: You can switch the
languages at the bottom of the page.)
Am 24.01.2018 03:39, schrieb Richard
I have generated lots of Banjo Tabs some time ago and played Banjo
clawhammer style. Actually I am on a Laptop away from home and do not
have examples here. But in the afternoon I will send examples. Without
reading music it is nearly impossible to generate Tabs from the written
notes. Reading
Am 24.01.2018 um 09:31 schrieb Gianmaria Lari:
Hello,
In the following code
\version "2.19.80"
\fixed c' {
Β r4 a b d'
Β << {4 4 4 4} \\ c1 >>
}
... I would like to tie the "a" with the very first chord 4. How
I can do it?
That's not a tie then.
IIUC, you'll need a phrasing slur for this
Am 23.01.2018 um 15:26 schrieb bb:
Is it possible to omit \set TabStaff.minimumFret = #x for a sequence of
measures/bars?
One can simply override the statement by defining a string for a note.
I have a couple of bars in sequence that should be fingered below that
minimumFret. The fingering of
Hello,
In the following code
\version "2.19.80"
\fixed c' {
r4 a b d'
<< {4 4 4 4} \\ c1 >>
}
... I would like to tie the "a" with the very first chord 4. How I
can do it?
Thank you, Gianmaria
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Am 24.01.2018 um 07:28 schrieb Menu Jacques:
Hello folks,
P_POne_Staff_One_Voice_Two below contains rests which may seem to be
make the score more difficult to read that spacers.
Apart for single voice staves where rests are necessary, is there a
best-practise style for multivoice staves?
Am 24.01.2018 um 02:58 schrieb joedavnport:
Q1. Is there a way to create (and show) an empty stave in a score,
rather than creating {s1 s1 s1} spaces?
You can write s1*3 instead of s1 s1 s1 ;)
Q2. Sometimes I want to omit a phrasing for certain files (e.g. showing
repeat marks), instead of
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