Ooops, that was in Oslo, Norway, not Sweden...
> Le 18 avr. 2018 à 21:47, Jacques Menu Muzhic a écrit :
>
> In compiler technology, ‘object code’ refers to the code generated by a
> compiler, containing the same semantical information as the ’source code’
> that has
On 4/18/18, 5:51 PM, "Carl Sorensen" wrote:
From: Darío
Hello! I am writing a scale, and I need the tablature and the Fret
diagram, there aren't problem, but in the tablature, the tonic note not
appear where I want.
I am currently using \left-brace as a means for grouping multiple lyric
lines:
\version "2.19.80"
lyricBracket = \markup {
\hspace #1 \translate #'(0 . 0.75) \left-brace #40
}
\relative c' { c4 d e2 | g8 f e4 c2 }
\addlyrics {
\repeat unfold 3 \skip 1
Mul -- ti -- ple lines
}
2018-04-18 13:22 GMT+02:00 foxfanfare :
> This post is old, but I can't find the solution for this specific problem.
> In a general way, I wonder how it is possible to remove an engraver
> temporarily?
>
> For this dot_column case, here's the exemple wrote in Elaine Gould's
2018-04-19 1:56 GMT+02:00 Thomas Morley :
> obviously the flags from the beethoven-font have less y-extent.
> Sometimes too less, so DotColumn doesn't notice there's flag which
> should be avoided.
> (I've cc-ed the original author of the font. Maybe he joins the
2018-04-17 23:34 GMT+02:00 foxfanfare :
> I struggle on this:
>
> \version "2.19.80"
>
> \paper {
> #(set-paper-size "a7")
> }
> \bookpart {
>
> \score {
> \relative c' {
> \cadenzaOn
> \omit Staff.TimeSignature
> c1.^"Default" d4.. e8... f16
>
From: Darío
Hello! I am writing a scale, and I need the tablature and the Fret
diagram, there aren't problem, but in the tablature, the tonic note not
appear where I want.
Since you are using a fret-diagram markup, there is no connection between
the fret
Hi Robert and Simon,
I posted a code example here of how to recast the Larsen library as
articulations, not markup. You can take it from there and convert the whole
lot the same way.
Andrew
On 19 April 2018 at 08:25, Simon Albrecht wrote:
> On 18.04.2018 18:38, Robert
Is it possible to create a local context around just the text to move
them up individually and 'fake it'? I only need these secondary
annotations in this example so it woulden't be a problem overall.
I don't want to resort to hand editing the image if I can at all avoid
it. For instance if screen
On 18.04.2018 23:20, Partitura Organum wrote:
My scheme knowledge is very very limited. I just found out one can
construct a pair in a scheme function like this:
#(cons a b)
where a and b are the values. So for your function "narrator", this
would become:
\with-dimensions #(cons 0
On 18.04.2018 18:38, Robert Hickman wrote:
Tried using "\override TextScript.staff-padding" to move the text
annotations in the attached image up but it also moves the Larson
articulation symbols up as well. I want these to stay in the same
place and the text to move up a bit away from them. Is
On 18-4-2018 20:26, Helge Kruse wrote:
Am 18.04.2018 um 12:39 schrieb Engraver:
I use "with-dimensions" if I want to place some text over staves. And
"\whiteout" can be used to blot out the staff-lines. See attached.
It's rather hackish, so I hope the more knowledgeable members of the
list
On 18.04.2018 20:26, Helge Kruse wrote:
It looks like the parameter 'dim' can't be used in this way to build a
valid parameter to with-dimension. Is this true? How to do it correctly?
You need quasi-quotation:
\with-dimensions #`(0 . ,dim) #'(0 . 0)
For more on this, consult the Extending
2018-04-17 7:47 GMT+02:00 Lukas-Fabian Moser :
> Am 17.04.2018 um 01:24 schrieb Torsten Hämmerle:
>
> Even if my opinion may differ from the general opinion here, I think that
>> in
>> popular music, one would use standard D major key signature.
>> Reason: Two sharps clearly show D
Hello! I am writing a scale, and I need the tablature and the Fret diagram,
there aren't problem, but in the tablature, the tonic note not appear where I
want.
I need that it is in the eighth fret, not in the first fret of the second rope.
The code is:
\version "2.18.2"
%Do mayor
In compiler technology, ‘object code’ refers to the code generated by a
compiler, containing the same semantical information as the ’source code’ that
has been compiled, but in a form better suited for the task at hand. Quite
often, the goal is execution by a physical or virtual processor.
Am 18.04.2018 um 12:39 schrieb Engraver:
> I use "with-dimensions" if I want to place some text over staves. And
> "\whiteout" can be used to blot out the staff-lines. See attached.
> It's rather hackish, so I hope the more knowledgeable members of the
> list have a more elegant solution for you.
ok, I see.
On 18 April 2018 at 17:26, Ben wrote:
> On 4/18/2018 12:18 PM, Robert Hickman wrote:
>
> How could I do this, but move the whole note instead of just the head?
>
> \tweak Note.X-extent #'(-3 . -1)
>
> Dosn't seem to work.
>
> Also why are two numbers given
Tried using "\override TextScript.staff-padding" to move the text
annotations in the attached image up but it also moves the Larson
articulation symbols up as well. I want these to stay in the same
place and the text to move up a bit away from them. Is lilypond
treating the articulation symbols as
Am 18.04.2018 um 18:20 schrieb Urs Liska:
Am 18. April 2018 18:10:13 MESZ schrieb Federico Bruni :
Hi folks
I'm still having a problem with lyluatex...
I've installed native TeX Live 2017 on Fedora 27. I've compiled
successfully a few examples, including the test files
On 4/18/2018 12:18 PM, Robert Hickman wrote:
How could I do this, but move the whole note instead of just the head?
\tweak Note.X-extent #'(-3 . -1)
Dosn't seem to work.
Also why are two numbers given in the parans if it is only moving the
X position?
On 17 April 2018 at 19:41, Kieren
Am 18. April 2018 18:10:13 MESZ schrieb Federico Bruni :
>Hi folks
>
>I'm still having a problem with lyluatex...
>I've installed native TeX Live 2017 on Fedora 27. I've compiled
>successfully a few examples, including the test files and the manual in
>
>lyluatex repository.
How could I do this, but move the whole note instead of just the head?
\tweak Note.X-extent #'(-3 . -1)
Dosn't seem to work.
Also why are two numbers given in the parans if it is only moving the
X position?
On 17 April 2018 at 19:41, Kieren MacMillan
wrote:
>
Hi folks
I'm still having a problem with lyluatex...
I've installed native TeX Live 2017 on Fedora 27. I've compiled
successfully a few examples, including the test files and the manual in
lyluatex repository.
Any idea of why testing.tex compiles fine while broken.tex fails?
$ cat
You didn't say why you wanted this so I might as well throw in the
project I'm working on, the Platonic Music Engine
(http://www.platonicmusicengine.com). The point is **not** to be a
front-end for Lilypond but to generate music. But it will also create
sheet music using Lilypond (and graphical
On 4/18/18, 7:49 AM, "Robert Hickman" wrote:
I am attempting to increase the spacing between a text block and the
staff, which I have found can be done using
\override TextScript.padding = ... However doing this changes the
baseline of the text for some
On 4/18/18, 6:51 AM, "Robert Hickman" wrote:
If lilypond is based on a functional interface, the documentation
making extensive use of the terms 'object' and 'interface' is
confusing.
Patches to documentation will be reviewed.
>> Can you suggest a better word to describe all the various things on
>> a page of musical notation (e.g., note head, flag, rest, stem, dot,
>> slur, etc.)?
>
> No, but classifying it to say 'not related to OOP' would have avoided
> the confusion.
Yes, a remark into this direction should be
On 4/18/2018 9:42 AM, Robert Hickman wrote:
Was using 'spacing' to refer to 'gap' as a general concept, rather
than an LP term. But staff-padding fixes the issue. Thanks Ben and
David.
'padding' is relative to the bounding box of a grob?
The Joram Berger LilyPond spacing map:
> Can you suggest a better word to describe all the various things on a page of
> musical notation (e.g., note head, flag, rest, stem, dot, slur, etc.)?
No, but classifying it to say 'not related to OOP' would have avoided
the confusion.
I think my main point of confusion related to the term
Was using 'spacing' to refer to 'gap' as a general concept, rather
than an LP term. But staff-padding fixes the issue. Thanks Ben and
David.
'padding' is relative to the bounding box of a grob?
On 18 April 2018 at 15:32, David Kastrup wrote:
> Robert Hickman
Robert Hickman writes:
> I am attempting to increase the spacing between a text block and the
> staff, which I have found can be done using
> \override TextScript.padding = ...
That doesn't increase the _spacing_ but the padding.
> However doing this changes the
Robert Hickman writes:
> If lilypond is based on a functional interface, the documentation
> making extensive use of the terms 'object' and 'interface' is
> confusing.
LilyPond is not "based on a functional interface". If you have concrete
examples of where the
On 4/18/2018 9:49 AM, Robert Hickman wrote:
I am attempting to increase the spacing between a text block and the
staff, which I have found can be done using
\override TextScript.padding = ... However doing this changes the
baseline of the text for some reason. 'good baseline' the bottom of
the
Hi Robert,
> If lilypond is based on a functional interface, the documentation
> making extensive use of the terms 'object' and 'interface' is confusing.
Can you suggest a better word to describe all the various things on a page of
musical notation (e.g., note head, flag, rest, stem, dot, slur,
I am attempting to increase the spacing between a text block and the
staff, which I have found can be done using
\override TextScript.padding = ... However doing this changes the
baseline of the text for some reason. 'good baseline' the bottom of
the 'g' hangs down as expected. When the padding
On 18-4-2018 07:20, Helge Kruse wrote:
But there are some open points.
- The harp requires two staff lines. I managed to remove the
outside-staff-priority for one staff. But the other staff line is
pushed away. How can I use both staves of one harp for the text? How
could I place the text
If lilypond is based on a functional interface, the documentation
making extensive use of the terms 'object' and 'interface' is
confusing.
On 18 April 2018 at 13:35, Andrew Bernard wrote:
> Hi Robert,
>
> Having just learned ABC, I see that it supports rolls, but not
Robert Hickman writes:
> You are largely missing the point I was trying to make, however I have
> a lot of work to do and cannot be bothered to argue.
Good start.
> On 18 April 2018 at 13:24, David Kastrup wrote:
[...]
>> So? What are you hoping to gain
Hi Robert,
EasyABC, the one I am using, is open source. Would you like me to
investigate?
I think we are probably off topic by now.
Andrew
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Hi Robert,
Having just learned ABC, I see that it supports rolls, but not all the
Larsen ornament notation. I see no reason why ABC can't be extended - there
are many, dozens in fact, ABC editors that are open source. Worth looking
into. It you can produce a trill in ABC, you can produce a cut.
You are largely missing the point I was trying to make, however I have
a lot of work to do and cannot be bothered to argue.
On 18 April 2018 at 13:24, David Kastrup wrote:
> Robert Hickman writes:
>
>> The best example of the leaky abstraction problem I can
Robert Hickman writes:
> The best example of the leaky abstraction problem I can think of right
> now are actually visual HTML editors.
That's more in line of complaining about Denemo than LilyPond. Either
way the solution lies in not confusing the editor's domain with
Oh yeah, it got mixed with the forum synthax.
\version "2.19.80"
\score {
\relative c' {
\cadenzaOn
\omit Staff.TimeSignature
<< { c'2.^"OK" b \bar "|" b4. a } \\
{ b2. a c4. b } >> \bar "|"
<< { c2. \bar "|" b } \\
{ b2 a4 a2 g4 } >> \bar "|"
<< { < b c d
The best example of the leaky abstraction problem I can think of right
now are actually visual HTML editors. HTML is very complicated and
follows a 'WYSIWYM' model similar to LaTeX, however the visual editors
try to force this into a 'WYSIWYG' model which simply does not work,
especially when
Hello Fox,
<< { *2.^"Not OK" 1. } \\
prevents your code from compiling on 2.19.80.
JM
> Le 18 avr. 2018 à 13:22, foxfanfare a écrit :
>
> This post is old, but I can't find the solution for this specific problem.
> In a general way, I wonder how it is possible to
This post is old, but I can't find the solution for this specific problem.
In a general way, I wonder how it is possible to remove an engraver
temporarily?
For this dot_column case, here's the exemple wrote in Elaine Gould's book:
\version "2.19.80"
\score {
\relative c' {
\cadenzaOn
Caagr98 writes:
> This code:
>
> ⋘
> \version "2.19.81"
> bk = \book{\bookpart{\score{a}}}
> \bk
> ⋙
>
> gives a strange error:
>
> ⋘
> GNU LilyPond 2.19.81
> Processing `bpart.ly'
> Parsing.../usr/share/lilypond/2.19.81/scm/lily-library.scm:243:5: In
> procedure
This code:
⋘
\version "2.19.81"
bk = \book{\bookpart{\score{a}}}
\bk
⋙
gives a strange error:
⋘
GNU LilyPond 2.19.81
Processing `bpart.ly'
Parsing.../usr/share/lilypond/2.19.81/scm/lily-library.scm:243:5: In procedure
ly:book-process in expression (process-procedure book paper ...):
Andrew Bernard writes:
> Hello Robert,
>
> Speaking as a programmer myself with over forty years of experience,
> and an advanced lilypond users, I can categorically assert that
> lilypond is not trying to be 'clever'. This is an utter
> misunderstanding. Lilypond is
Thank you for the explanation!
--
Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html
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Am 17.04.2018 um 22:17 schrieb Amir Teymuri:
Hello,
does anyone knows about interfaces and/or notation systems written in
other programming languages which use lilypond as backend? Two
examples of such interfaces are fomus
(https://common-lisp.net/project/fomus/doc/)
and abjad
On Wed, 18 Apr 2018, Malte Meyn wrote:
1. lilypond-book
(http://lilypond.org/doc/v2.19/Documentation/usage/lilypond_002dbook): This
is distributed with LilyPond, output to LaTeX or HTML.
2. lyluatex (https://ctan.org/pkg/lyluatex or
https://github.com/jperon/lyluatex): This is for LuaLaTeX.
2018-04-17 22:50 GMT+02:00 foxfanfare :
> Btw, is there any interest to put "(text . #f)" for the right-broken? Or was
> this just for me to understand how the code should be written?
If you set left.text to some value, then every part of a possibly
broken spanner wil start
Am 17.04.2018 um 22:17 schrieb Amir Teymuri:
Hello,
does anyone knows about interfaces and/or notation systems written in
other programming languages which use lilypond as backend? Two examples
of such interfaces are fomus (https://common-lisp.net/project/fomus/doc/)
and abjad
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