Re: Ossia-like scordatura positioning question

Thanks David, I had missed that. A nice day! JM > Le 23 mai 2018 à 00:49, David Kastrup a écrit : > > Menu Jacques writes: > >> Hello folks, >> >> This is similar to an ossia, aiming at showing the scordatura graphically. >> >> I don’t understand why the \new Staff shows up below the staff

Re: Ossia-like scordatura positioning question

Menu Jacques writes: > Hello folks, > > This is similar to an ossia, aiming at showing the scordatura graphically. > > I don’t understand why the \new Staff shows up below the staff > containing c’4, and not above it, which would be better I think. LilyPond has no reason to create new staves _ab

Re: Adding a continuous drone to midi output

Karlin High writes: > On 5/22/2018 3:57 PM, David Kastrup wrote: >> Turns out that I don't have a good idea where to document this in the >> manuals. > > You've already considered this one? > > I've not cons

Re: Adding a continuous drone to midi output

Hi. On Tue, 22 May 2018 17:47:35 +0100, Sven Axelsson wrote: I just tried the midi output to play back bagpipe music and was actually surprised the complex grace notes work pretty well. However, I'm wondering if there is some way to add the continuous drone to the music automatically without h

Ossia-like scordatura positioning question

Hello folks, This is similar to an ossia, aiming at showing the scordatura graphically. I don’t understand why the \new Staff shows up below the staff containing c’4, and not above it, which would be better I think. Thanks for your help! JM \version "2.19" P_POne_Staff_One_Voice_One = \

Re: Re: Adding a continuous drone to midi output

On 2018-05-22 21:54, Sven Axelsson wrote: Another somewhat related question, would it be possible to automatically wrap the music with `\unfoldRepeats` when generating MIDI output? Isn't that what you always want anyways? Not really, if you mainly use the MIDI for proof listening (which corre

Re: Adding a continuous drone to midi output

On 5/22/2018 3:57 PM, David Kastrup wrote: Turns out that I don't have a good idea where to document this in the manuals. You've already considered this one? -- Karlin High Missouri, USA _

Re: Adding a continuous drone to midi output

Sven Axelsson writes: > On 22 May 2018 at 20:06, David Kastrup wrote: > >> Ok, this is _too_ much of a temptation. So little to fill in >> actually... >> >> Now it would be even nicer to be able to write >> >> c'1*#(ly:music-length musicwithdrone) >> >> and there is actually no compelling reaso

Re: Adding a continuous drone to midi output

Sven Axelsson writes: > On 22 May 2018 at 21:10, David Kastrup wrote: > >> Sven Axelsson writes: >> >> > Another somewhat related question, would it be possible to automatically >> > wrap the music with `\unfoldRepeats` when generating MIDI output? Isn't >> > that what you always want anyways?

Re: placement of chord symbols vs. marks

Flaming Hakama by Elaine wrote: I have something that kind of works, based on some LSR snippets, but it moves the chord symbols above marks, rather than below. Does anyone have any suggestions for keeping the chord symbols in the same location as normal? The ChordNames contex

Re: Adding a continuous drone to midi output

On 22 May 2018 at 21:10, David Kastrup wrote: > Sven Axelsson writes: > > > Another somewhat related question, would it be possible to automatically > > wrap the music with `\unfoldRepeats` when generating MIDI output? Isn't > > that what you always want anyways? > > \score { > \repeat volta 2

Re: lilypond-user Digest, Vol 186, Issue 108

Thank you Ben. See below: > \version "2.19.80" > > %% http://lsr.di.unimi.it/LSR/Item?id=272 > Don’t know how I didn’t find this, but I thought I’d gone through all of the time signature-related snippets. Clearly not… The snippet is almost right, but

Re:Single-measure time signatures with raised numbers

Apologies for forgetting to change the subject line on my last mail… -Arle ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Adding a continuous drone to midi output

Sven Axelsson writes: > On 22 May 2018 at 20:06, David Kastrup wrote: > >> Ok, this is _too_ much of a temptation. So little to fill in >> actually... >> >> Now it would be even nicer to be able to write >> >> c'1*#(ly:music-length musicwithdrone) >> >> and there is actually no compelling reaso

Re: Adding a continuous drone to midi output

On 22 May 2018 at 20:06, David Kastrup wrote: > Ok, this is _too_ much of a temptation. So little to fill in > actually... > > Now it would be even nicer to be able to write > > c'1*#(ly:music-length musicwithdrone) > > and there is actually no compelling reason not to allow this I think. > I'll

placement of chord symbols vs. marks

> Send lilypond-user mailing list submissions to > lilypond-user@gnu.org %{ Hi, I'm trying to use a slash to indicate a single-beat repeat within chord symbols. I have something that kind of works, based on some LSR snippets, but it moves the chord symbols above marks,

Re: Adding a continuous drone to midi output

Karlin High writes: > On 5/22/2018 11:47 AM, Sven Axelsson wrote: >> However, I'm wondering if there is some way to add the continuous >> drone to the music automatically without having to actually write >> them in as separate voices? I need two separate drone voices >> sounding the same note con

Re: Adding a continuous drone to midi output

On 5/22/2018 11:47 AM, Sven Axelsson wrote: However, I'm wondering if there is some way to add the continuous drone to the music automatically without having to actually write them in as separate voices? I need two separate drone voices sounding the same note continuously during the entire play

Re: Adding a continuous drone to midi output

On 5/22/2018 12:47 PM, Sven Axelsson wrote: I just tried the midi output to play back bagpipe music and was actually surprised the complex grace notes work pretty well. However, I'm wondering if there is some way to add the continuous drone to the music automatically without having to actually

Re: Ad lib glissando

Am 21.05.2018 um 12:35 schrieb Andrew Bernard: > I usually just draw this stuff as PostScript paths. Do you want me to do > you an example? Andrew, I found some examples to put postscript in a Lilypond source file. But that's all related to a \markup command. But challenge is to fill the staves w

Adding a continuous drone to midi output

I just tried the midi output to play back bagpipe music and was actually surprised the complex grace notes work pretty well. However, I'm wondering if there is some way to add the continuous drone to the music automatically without having to actually write them in as separate voices? I need two sep

Re: naming a glyph

Can you supply a picture of what you’d like to obtain? JM > Le 22 mai 2018 à 16:55, James.Correa a écrit : > > Hi Freeman, > > If I understand you correct this might help you: > > http://lilypondblog.org/2014/04/using-special-characters-from-smufl-fonts/ >

Re: naming a glyph

Hi Freeman, If I understand you correct this might help you: http://lilypondblog.org/2014/04/using-special-characters-from-smufl-fonts/ All the best, James --- James Correa Composer - guitarist - sound designer http://www.jamescorrea.net http://wp.ufpel.edu.br/labcomp/ ‐‐‐ Original Message

Unusual beam divisions

Hi all, I am dealing with some unusual beam divisions. See: and I did manage to emulate this style but I am using a hack to get it done: multiplying an eighth note by 1/4 to effe