\repeat percent is not as "smart" as I was hoping it would be. When dealing
with repeats longer than two bars, there are two issues:
1. The percent symbol is not centered, but placed in the left-most
measure; and
2. The slashes of the percent symbol do not reflect the number of
measure
Thanks, Pedro, this is some interesting code! There's definitely something
for me to learn here.
On Wed, Feb 13, 2019 at 4:13 AM Pedro Pessoa wrote:
> Hello John,
> I took this task as a way of learning a bit more about moments and
> durations
> (and also, I wanted to achieve this a while ago).
Trevor Bača-2 wrote
> Hi Reggie,
>
> To layer text spanners with David N.'s new functionality, you must \tweak
> spanner properties rather than overriding them.
>
> %%% BEGIN %%%
>
> \version "2.19.82"
> \include "text-spanner-id.ly"
> {
> b1
> - \tweak bound-details.left.text \markup {
From: Trevor Bača
Date: Tuesday, February 12, 2019 at 3:09 PM
To: Carl Sorensen
Cc: Andrew Bernard , lilypond-user Mailinglist
Subject: Re: Text spanner shorten-pair
On Fri, Jan 25, 2019 at 11:38 AM Carl Sorensen
mailto:c_soren...@byu.edu>> wrote:
Question: why are there two ways to move a
Reggie writes:
> David Kastrup wrote
>> Reggie <
>
>> reegistoop@
>
>> > writes:
>>
>>> Using a David's function to allow layering spanners,
>>
>> I like "a David's function". It's like describing a caste of priests.
>
> Sorry David :))
> Do you know the solution to my question?
It turns out
On Tue, Feb 12, 2019 at 5:47 PM Reggie wrote:
> David Kastrup wrote
> > Reggie <
>
> > reegistoop@
>
> > > writes:
> >
> >> Using a David's function to allow layering spanners,
> >
> > I like "a David's function". It's like describing a caste of priests.
> >
> > --
> > David Kastrup
> >
> >
David Kastrup wrote
> Reggie <
> reegistoop@
> > writes:
>
>> Using a David's function to allow layering spanners,
>
> I like "a David's function". It's like describing a caste of priests.
>
> --
> David Kastrup
>
> ___
> lilypond-user mailing lis
Reggie writes:
> Using a David's function to allow layering spanners,
I like "a David's function". It's like describing a caste of priests.
--
David Kastrup
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Using a David's function to allow layering spanners, could you please tell me
how to acheive the spanners over one another and not overlap? I know the
colors example tweak command but using real words and spanner I cannot
figure out how to make them on top of each other. Begin at the same time.
Tha
Hi,
For many years, one of the clearest functional gaps in LilyPond was the
limitation that voices allow only a single text spanner at a time. Very
many scores of recent decades notate two musical parameters changing at the
same time: a passage of string music moving ponticello -> tasto while at
t
On Fri, Jan 25, 2019 at 11:38 AM Carl Sorensen wrote:
>
>
>
>
> *From: *Andrew Bernard
> *Date: *Friday, January 25, 2019 at 6:21 AM
> *To: *lilypond-user Mailinglist
> *Subject: *Re: Text spanner shorten-pair
>
>
>
> Hi Aaron,
>
>
>
> I know. This then implies the NR is in error. Do we report
Hello John,
I took this task as a way of learning a bit more about moments and durations
(and also, I wanted to achieve this a while ago). It is certainly not a very
robust or elegant solution, but seems to work for this particular case.
%% \makeRestOfLenght \mus "rest/skip" upbeat %%
\version "2
Hi,
I like to use an extra-offset clef *with false X-extent* to move clefs into
whitespace in my cutaway scores. This pair of overrides ...
\once \override Staff.Clef.X-extent = ##f
\once \override Staff.Clef.extra-offset = #'(-2.8 . 0)
... seems to do the trick.
The example fro
Hi Andrew (and hi Valentin, nice to see you on the list again!),
I'm with you in the animating spirit of your observations about spacing
(especially horizontal spacing). Proportional spacing (which I helped
Han-Wen scope when he implemented it more than a decade ago) is very
powerful indeed. But I
Hi Andrew, hi Aaron,
Yep (also for future archive searchers) I can confirm that the right margin
overrun results from the Lily default that glissando aren't breakable, as
Aaron identifies.
It should be enough to include just ...
\override Score.Glissando.breakable = ##t
... to prevent this o
Hi Jean,
Jean Brefort writes:
> You might use the q letter for repeated chords, such as:
> [...]
>4->
>q
Thank you! That certainly helps.
Regards,
Stig
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Hi,
You might use the q letter for repeated chords, such as:
\version "2.19.80"
\new Staff {
\clef "treble_8"
4->
q
\deadNote e,
q8->
q
}
Hope this helps,
Jean
Le mardi 12 février 2019 à 11:30 +, Stig Brautaset a écrit :
> Hi!
>
> I'm trying to transcribe the guitar p
Hi!
I'm trying to transcribe the guitar parts of songs I like using
LilyPond. One thing I've found is that my score gets verbose quickly.
Here's a (minimal?) sample:
\version "2.19.80"
\new Staff {
\clef "treble_8"
4->
\deadNote e,
8->
}
My first attempt at making this a bit more r
Done!
(=> http://lsr.di.unimi.it/LSR/Item?id=1086)
Cheers,
Pierre
Le mar. 12 févr. 2019 à 00:18, Andrew Bernard a
écrit :
> Hi Pierre,
>
> Marvellous. Works nicely in a quick try out. I'll put it to industrial use
> test it further.
>
> This is one of those functions that would be good as a snip
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