> I don't get the musical meaning of having two simultaneous trills
> *in the same voice* (as opposed to simultaneous trills in two
> different voices).
Irrespective of the current issue, having a trill on a chord, with all
notes involved, is happening regularly in piano music. Attached is an
ex
> Le 1 sept. 2023 à 00:11, Valentin Petzel a écrit :
>
> To me this seems like your python does not know the := operator, which was
> introduced with python 3.8. Try to check your python version.
This should theoretically be irrelevant because the binaries are shipped with
their own embedde
Thank you Valentin for this solution and the following explanation why it is
likely safer.
All responses have been much appreciated.
Best,
Michael
Sep 1, 2023, 00:15 by valen...@petzel.at:
> Hi Michael,
>
> some time ago I created a function for exactly that for a stackexchange
> question:
>
Hello Lukas,
I don’t think this is a particularly good idea. Lilypond conceptually first
creates data for the sementic meaning of the music (or the actual content) and
have engravers turn this into graphical content.
Mapping pitches to other pitches is not a layout option, but a musical
transf
Hi Michael,
some time ago I created a function for exactly that for a stackexchange
question:
https://music.stackexchange.com/questions/127175/lilypond-transpose-a-sequence-to-modes-with-different-intervallic-structure
Essentially it introduces a function to map one scale to another, and it does
Hello Bernhard,
> Thanks a lot, that was fairly simple. I noted an error with convert-ly:
> > F:\Meine Noten\EigeneNoten\Kirchenchor> C:\"Program Files
> > (x86)"\LilyPond\lilypond-2.25.7\bin\convert-ly
> > .\Näher-mein-Gott-zu-dir-Lowell-Mason-1792-1972-2.22.1.ly
> > C:\Program Files (x86)\LilyP
Am 31.08.2023 um 18:51 schrieb Jean Abou Samra:
Le 31 août 2023 à 18:06, bernhard kleine a
écrit :
I never tried different fonts, but now I would like to print the
title of the music in a fraktura font. Could you please help me with
that?
Have you read the documentation on using different
That is very helpful. Thank you. I will ping again if I have any further
questions.
Aug 31, 2023, 14:35 by l...@gmx.de:
> Hi Michael,
>
> over time, I found that doing something like this in an engraver (as opposed
> to a music function) is actually much easier and conceptually clear, in spite
> Le 31 août 2023 à 15:43, Pierre-Luc Gauthier a
> écrit :
>
> Maybe there is an easy way around this situation ? The d'' does not
> get displayed when merging the two \pitchTrill notes.
What score are you trying to typeset?
I don't get the musical meaning of having two simultaneous trills
> Le 31 août 2023 à 18:06, bernhard kleine a écrit :
>
> I never tried different fonts, but now I would like to print the title of the
> music in a fraktura font. Could you please help me with that?
>
Have you read the documentation on using different fonts in markup? It is here
for the 2.2
Am 31.08.23 um 18:04 schrieb bernhard kleine:
Hallo,
I never tried different fonts, but now I would like to print the title
of the music in a fraktura font. Could you please help me with that?
\header{
title = \markup{\override #'(font-name . "BreitkopfFraktur") "Breitkopf
Op.1234"}
}
If
Hallo,
I never tried different fonts, but now I would like to print the title
of the music in a fraktura font. Could you please help me with that?
Thanks a lot
Bernhard
--
*Steinbühlweg 1 79853 Lenzkirch*
www.urseetal.net
Ich mache auf mein Buch aufmerksam: 670 Falterarten im Hochschwarzwald
(
I will try and solve this by adding an optional NullVoice to my part generator.
What I was hoping for before was :
\groupBook #(groupPart
`(
,(vocalPartCombinePart 'choirSA 'choirSoprano
'choirAlto choirSopranoVxSA choirAltoVxSA choirSopranoLyricsSA
choirAltoLyricsSA
Hi there,
Maybe there is an easy way around this situation ? The d'' does not
get displayed when merging the two \pitchTrill notes.
MnWE :
\version "2.25.8"
\language "english"
partA = {
\once \override TrillSpanner.stencil = ##f
\pitchedTrill
cs''16\prall
\startTrillSpan d''
<>\stop
Hi Michael,
over time, I found that doing something like this in an engraver (as
opposed to a music function) is actually much easier and conceptually
clear, in spite of the seeming difficulty of the engraver syntax. The
advantage of using an engraver being that you see the "actual" pitches
a
I am now realizing that it would be useful to have this both at the level of
the entire score and individually for each part.
Aug 31, 2023, 12:53 by mwin...@unboundedpress.org:
> I would like to do something (hopefully simple), which is basically a custom
> find and replace for a set of notes i
I would like to do something (hopefully simple), which is basically a custom
find and replace for a set of notes in an entire score.
For example {c cis d dis fih g aih} -> {c cis dih dis f gis a}
So basically on arbitrary list of pitches / scale to another.
Is this possible without writing a c
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