Re: Mensural ligature

noteheads.sM3blackligmensural) } \relative c''{\cadenzaOn \tag #'Urtext { \[ \mens d\breve*1/2 \blackBrevis e\breve*3/8 \] f4 g1 } \tag #'Modern { d1 e2. f4 g1 } } Does it match your need ? Best --- Jean-Marc LEGRAND Éditions IN NOMINE Le , Jean-Charles

Re: Error Message

Hi. If you don't send any code, I won't be able to help you. Try to comment all lines, and uncomment them at each successfull try. Best JMarc Nels Daily a écrit : Getting a message that asks if I want CONTINUE or QUIT because of an error. With a couple retries I can make it compile, so it

Re: lyrics skips?

Oh it's coming from the fact that you have voices within voices. And your leading voice seems to loose its name soprano, so the lyrics don't follow it any more. Suppresing the second voice solves the pb ! ;-) Sorry, I don't know how to solve this... Bye JMarc MING TSANG a écrit : I ran the

Re: Extra staff in lilypond 2.14.2

Hi. Your MetronomeMark is assigned outside the staff, so Lily creates a new staff for that, between the ... so it comes in parallel with your music. Putting the tempo inside \new Staff{...} solves the pb. best regards JMarc D'Arcy J.M. Cain a écrit : I upgraded Lilypond and found a weird

Re: Horizontally shifting notes

Hi ! \override* Score*.NoteColumn #'force-hshift = #1 ? Cheers JMarc Hilary Snaden a écrit : I need to shift a few notes in a lower voice to the right. These don't work: \override NoteColumn #'force-hshift = #1 \voiceOne \stemDown \voiceOn[n[n]] Is there a way which works?

Re: Horizontally shifting notes

Sorry, I meant \override *Voice*.NoteColumn #'force-hshift = #1 ? JM Éditions IN NOMINE a écrit : Hi ! \override* Score*.NoteColumn #'force-hshift = #1 ? Cheers JMarc Hilary Snaden a écrit : I need to shift a few notes in a lower voice to the right. These don't work: \override

Re: how to create baroque ornaments

Hi all ! Maybe you could try what I've done for my lute tablature font. I've created a font from another one (because I needed letters, but you can begion from scratch) with fontforge, and I've installed it on my OS. I use it as a separate font which I include when needed. The pb with using

Re: How to generate small example PNGs

Hi Ralf. Well your snippet works well, and I actually get a png which is the same as the pdf : some music on top left and nothing else. You can cut it around with gimp and you have your sample. Is it what you want to get ? Regards JMarc Ralf Mattes a écrit : Hello list, for a webproject

Re: Complicated duration

Hi ! You can put the length of the melism after the word : 1 + 2/3 = 5/3 so : bla8*5/3 (haven't tried !) Another issue would be to use, INSIDE THE NOTES, \melisma and \mlelismaEnd (cf

Re: Notation convention: dotted notes, duplet or else?

Ho, I won't troll about conventions, I promise... I think you could see on IMSLP to see ancient engravings (19th century, Breitkopf, Pleyel, ...) to see that there are a lot of different way to do it, and especially to see which one is the best for you. Generally speaking, it depends on what

Re: Strange \repeat tremolo

Well, I'm sorry I don't understand what you're seeking for... Actually, change Staff does work in the first bar, and there's no change Staff inthe second, as you mention it in the code... Could you explain what you want, svp ? JMarc Mario Moles a écrit : Hi to all! In this code \repeat

Re: Strange \repeat tremolo

that's what I ment... JMarc Phil Holmes a écrit : I get the music as attached, with tremolo and change staff. Could you say what you expect? Phil Holmes - Original Message - *From:* Mario Moles mailto:mario-mo...@libero.it *To:* lilypond-user@gnu.org

Re: define line break

This is alkso VERY usefull to compile seperate scores without messing up the main orchestral score. Great idea ! JMarc MING TSANG a écrit : It works now. Thanks. *From:* Phil Holmes m...@philholmes.net *To:* MING

Re: Self-Publishing

Hi. I'd like to give you my testymony as a publisher : if you want to publish and sell as a professional, I have to say that printing is a REAL job. I mean it takes time, and you won't have a proper score at the end without professional printers (machine AND guys). I made this choice a year

Re: Lute tablature

I'm sorry Icouldn't find the issue. I tweaked that in my personal french tablature font by increasing the space below the letters :'( ... oh yes I did that... :-[ If you're in total distress about lute tablature, I can send you my template. Best regards ! JM northofscotland a écrit :

Re: Lute tablature

Hi ! Oh yes there are a few things about that. I did, in ancient time, suggest a template in french here : http://lists.gnu.org/archive/html/lilypond-user-fr/2010-08/msg00158.html. But there are a lot of work around this ! Best regards. JMarc northofscotland a écrit : Looking through the

Re: Removing accidentals from a voice

Hi Quite difficult without a snippet, but you could try, within your second voice : \override Accidental #'stencil = ##f Regards JMarc Phil Holmes a écrit : I have a score with lyrics that have slightly different rhythms for each verse. The way it's set in the original is to have

Re: /times 4\6 {.....}

Sorry but I don't see what is your pb (the snip compile quite correctly here). Do you mean you'd like to have the TupletNumbers next to the note heads ? (\tupletDown) Craig Bakalian a écrit : Hi, What is going on in lilypond to push down the TupletNumber into the beam with the following snip

Re: Slur position : catching Llilypond values...

Dmytro O. Redchuk a écrit : http://lsr.dsi.unimi.it/LSR/Item?id=639 ? Sorry, i was too quick sending this. I mean that for 'positions you might want to create something similar -- function which takes a pair and adjusts 'positions for Slur. Well, your LSR snippet is a good start.

Slur position : catching Llilypond values...

Well, let me explain :-) I often use \once \override Voice.Slur #'positions = #'(a . b) to adjust Slur position, and most of the time, I only need to modify only one of a or b. I'd like to be able to catch the default a or b value and tell Lily not to touch it, so that I could tell Lily

Re: scorio.com a WYSIWYG scorewriter with LilyPond-Export

Great news ! With my Firefox3.6.13, it says : Une erreur système inattendue s'est produite. java.lang.NullPointerException ? Best regards JMarc Johannes Feulner a écrit : On http://www.scorio.com/ a fully web browser based scorewriter project has started end of last year. You can

Re: Resizing grace notes

Hi. So far I can't tell you something else than : see the grace settings in *.../ly/engraver-init.ly*, line 638. All the preset properties for grace notes are listed and set. Best regards ! JMarc Edward Neeman a écrit : Hello, Is there an easy way to make all the grace notes on a staff

Re: Resizing grace notes

particularly, Voice NoteHead font-size -3. But you'll have to change more than font-size, potherwise you'll get little noteHeads with long stems... sort of giacommetti-like music ;-) Hope you'll find ! JMarc Éditions IN NOMINE a écrit : Hi. So far I can't tell you something else than : see

Re: Complex time signature

Well I have used such tricks someone told me to use. For instance : #(define ((double-time-signature glyph a b) grob) (grob-interpret-markup grob (markup #:override '(baseline-skip . 2.5) #:number (#:line ((markup (#:fontsize 4

Re: How to parenthesize a time signature

Hi ! This coould be seen as a special time signature. I've been recently told (forgive me, you who told me : I can't remmeber who you were, anyway some great person :-D ) how to mix a glyph and a time,signature : you could probably adapt this trick (I couldn't ! :'( ). \version 2.13 %%

Re: Printing barnumber 1 (oh no, not again)

Do you mean playtime is over ? :'( Thank you all for this musical break ! JMarc Le 10/11/2010 13:42, Johan Vromans a écrit : I must admit that this is not quite what I had in mind when I asked my question about printing barnumber 1... For the sake of completeness: there are several web sites

Re: double time signature + double style

Hi all ! Thanks to Kieren, I've managed to set a double time signature. Here's the trick : \version 2.13.29 *deuxTimeSignature = %% Define a function to display custom time signatures #(define ((custom-time-signature a b) grob) (grob-interpret-markup grob (markup #:override

Re: double time signature + double style

And thanks to Valentin too ! ;-) JMarc Le 25/10/2010 10:54, Éditions IN NOMINE a écrit : Hi all ! Thanks to Kieren, I've managed to set a double time signature. Here's the trick : \version 2.13.29 *deuxTimeSignature = %% Define a function to display custom time signatures #(define ((custom

Re: Triple b or # - do they exist?

last night in a discussion someone claimed that there is a triple bbb in real music, he said it was in a Chopin piece but could not say which. I think I am fairly educated in music but never heard of a triple bbb or ###. Do you know any? Double b or sharp are used to play a note in the

Re: Triple b or # - do they exist?

Well, well, well, who would like to typeset some Reger ? :-D I must admit that I didn't know this kind of triple accidental... Sort of leading-note in gisis minor ? Thanks for this example ! JMarc Le 22/10/2010 16:17, Jethro Van Thuyne a écrit : Google gave me Reger! :)

Fwd: double time signature + double style

Hi list ! I'm working on Strozzi's pieces for the organ, and I have to typeset a ternary passage beginning with à \time 6/4 in mensural style (C with a point inside) followed with a \time 3/2 in default style. I've tried this : \override Staff.TimeSignature #'style = #'mensural \time 6/4

Re: bar lines followed by barlines on a new line

Before I try your sample, I give you an ugly issue if you're not too demanding :-[ \version 2.13 \paper { *ragged-right = ##t *} \relative c { \clef bass \time 4/4 *\partial 32*1 s32* \bar |. c4 c c d e2 d \bar |. \break *\partial 32*1 s32* \bar |. c4 e d d c1 \bar |. } not very prood of it

Re: bar lines followed by barlines on a new line

Well, I've tried this : \override Score.BarLine #'break-visibility = #'#(#t #t #t) but it doesn't do anything (well, at least it doesn't mess all up :-P ). On 29/09/2010 18:35, Vicente Solsona wrote: I would like to explicitly separate parts of music by having these bar lines always at

Re: bar lines followed by barlines on a new line

It's quite strange because the \displayMusic says : (make-music 'SequentialMusic 'elements (list (make-music 'RelativeOctaveMusic 'element (make-music 'SequentialMusic 'elements (list (...) (make-music

Scheme : catching property values

Hi list ! I'm training some Scheme stuff, especially by rewriting basic Lily functions in Scheme. I'm now trying to create a function that increases by 1 the degree of the note argument. So I have to catch the second figure of the 'pitch (ly:make-pitch a b c)) to add 1 to it. The function

Re: adding 'HarmonicEvent?

regards JMarc On 21/09/2010 08:22, Marc Hohl wrote: Éditions IN NOMINE schrieb: Naerly the same, that works perfectly (welle I'm quite enthousiastic beacause it's my first scheme function !) : makeHarmonic = #(define-music-function (parser location note)(ly:music?) force noteHead

Re: adding 'HarmonicEvent?

Naerly the same, that works perfectly (welle I'm quite enthousiastic beacause it's my first scheme function !) : makeHarmonic = #(define-music-function (parser location note)(ly:music?) force noteHead to harmonic (let ((result-note (ly:music-deep-copy note))) (set! (ly:music-property

Re: Help with this lilypond error

Well, it seems that you missed the ... stuff : you can't have a staff AFTER lyrics, but you can in parallel... So you have to put before the first \new Staff, and before the last } May I suggest a clearer way to put your code (it is very insolent from me, but that's the way I managed to

Re: Merging rests

Well, I'm completly amazed by scheme function, which I'm totally unable to build. What I'd have done instead is : \score { \new Score \new Staff s4-\markup{LilyPond default, rests in both voices.} \relative c'' { c4 d e r | r2 e4 g | R1 } \\ \relative c'' { c4 b a r

Re: Merging rests

://www.bartart3d.be/ 2010/9/13 Éditions IN NOMINE cont...@editionsinnomine.com mailto:cont...@editionsinnomine.com Well, I'm completly amazed by scheme function, which I'm totally unable to build. What I'd have done instead is : \score { \new Score \new Staff

Re: Chord Names Between Piano Staff Treble and Bass Clefs

Hi. If you encapsulate right and left hand, I think this is not possible. I've tried this : \version 2.13 right = \relative c'' {c4 c c d e2 d c4 e d d c1 \bar |.} left = \relative c {\clef bass c2. g4 c2 b c4 f, g g c1 \bar |.} accords = \chordmode {c2. g4:7 c1 c4 f g g:7 c1} \score {

Re: Chord Names Between Piano Staff Treble and Bass Clefs

Well, I've tried it of course, but it doesn't work : chords are below the left hand... On 09/09/2010 11:11, Ole Schmidt wrote: \new PianoStaff ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Chord Names Between Piano Staff Treble and Bass Clefs

Bravo Kieren ! I think you gave us the answer to the original question ! Regards. JMarc On 09/09/2010 11:49, Kieren MacMillan wrote: \version 2.13.31 \score { \new PianoStaff \new Staff \relative a' { a4 b c d } \new ChordNames {a c e2c e g } \new Staff \relative a {

Re: tablature characters alignment

This works perfectly ! Many thanks : that was my last wish before sending my tab template ! Best regards JMarc Neil Puttock a écrit : On 29 July 2010 14:47, Éditions IN NOMINE cont...@editionsinnomine.com wrote: If it is so, my question is : which trick could make all the letters align

Re: Position Staff between two ending staffs

hi ! You can just open at the place where you want your staff to be divided into two parts, and indicate \new Staff for the second staff. Then close the to come back to single staff. (taken from LSR : http://lsr.dsi.unimi.it/LSR/Item?id=110) \version 2.13.17 \score { \new StaffGroup

Re: Position Staff between two ending staffs

oh sorry, I hadn't got it ! Here's my proposal. I let you solve the pb of clefs and time signature positionning at the beginning of the two voices (I don't know how to do it...). I have created 3 staves : up and down are the two staves in the middle, and middle is the signle stave. Playing

tablature characters alignment

Hi list. I'm dealing with tablature these days ( :o or :-) ?) and lots of spacing stuff... When you run this piece of code : \version 2.13 #(set-global-staff-size 24) jenkinsI = #'(2 -3 -7 -10 -14 -19) %jenkins' scordatura \layout { \context { \TabStaff \override

Tablature spacing...

... and it's me again with something that has already treated millions of times, but I really can't manage with it... This deals with : VerticalAxisGroup :-[ + TabStaff :-( , in order to create a French tablature. Here's my score : \score{ \new Staff {\hampesprelude} %a line with rythm

Re: tablature characters alignment

stay between the two lines. JMarc Phil Holmes a écrit : I don't know the answer, but would remark that if the letters are not centred vertically, they will have to cross the staff line. Is that what you want? -- Phil Holmes - Original Message - *From:* Éditions IN NOMINE

Re: Tablature spacing...

Éditions IN NOMINE a écrit : ... and it's me again with something that has already treated millions of times, but I really can't manage with it... This deals with : VerticalAxisGroup :-[ + TabStaff :-( , in order to create a French tablature. Here's my score : \score{ \new Staff {\hampesprelude

Re: How to suppress bar lines?

Well several issues : 1. \cadenzaOn, and you place the barlines where you want. But you'll have to force the breaks too (don't do it, and your staff will jump out of your page on the right !) 2. use \override BarLine #'transparent = ##t or ##f when you want 3. in the layout block, you can

Re: Stem Details

Hi. Actually, the description here : http://www.kainhofer.com/~lilypond/ajax/Documentation/internals/stem_002dinterface.html is a short one, but to my mind, here's sort of an explanation : |lengths : |Default stem lengths. The list gives a length for each flag count. : so the lenths of