Thus said Aaron Hill on Thu, 07 Mar 2024 23:58:21 -0800:
> Is `\autoChange` [1] what you were looking for?
Well, I had looked at \autoChange but it seems to add extra staves when
used with multiple voices. I had also looked at Beam.auto-knee-gap and
it didn't seem to make any difference
Hello,
This has to be a FAQ, yet all my searching turned up a mixed bag.
I'm trying to have some notes cross from the lower staff to the upper staff but
want the beam to automatically center. In my example this is accomplished in
measure 3 with much manual work. Is there a better way?
Thus said Hans Aikema on Sun, 03 Mar 2024 18:46:46 +0100:
> A solution to it is to put an empty lyric ("") on the parenthesised f
> when there are no lyrics for it
That's so simple and I don't know why I didn't think of doing just that
(hindsight and all that) instead of trying to use
Hello,
I seem to have some fundamental misunderstanding about how the __
extender is to be used in lyrics. It seems that under some conditions
it doesn't behave as I would expect but I may be doing it wrong.
Given the following example, what am I doing wrong? It works fine
Thus said Thomas Morley on Thu, 29 Feb 2024 10:47:06 +0100:
> \allowVoltaHook = "|"
> placed toplevel, should do the trick.
Thanks, for the archives, the correct syntax is (without the "="):
\allowVoltaHook "|"
Works great.
Andy
Hello,
I want to place an interlude that happens only the first time through a
a section that has a repeat and a second interlude for the second time
through. I don't want the repeat measure bar showing up in the middle of
the piece, so I set the endRepeatType to "|", but when I do that,
> Reading the rhythm would be easier if you replaced two of the dotted
> quarter notes with an eighth note tied to the following quarter note.
Yes, that's a great suggestion too and in fact I had already been
considering that very modification.
Thanks,
Andy
Thus said Aaron Hill on Sat, 24 Feb 2024 20:51:44 -0800:
> Probably the easiest the option is to \set associatedVoice to
> temporarily align your lyrics to the alternate notes. The important
> quirk of associatedVoice is that you must make the change a syllable
> ahead of when you
Hello,
I have a piece with two verses in a repeat. The second time through
there is a slight alteration in one of the measures which adds
additional notes. I've been able to accomplish this using a temporary
voice, but I'm not sure if this is the best way as the words "ma -
Thus said Jean Abou Samra on Mon, 23 Oct 2023 19:53:25 +0200:
> Let's not get into a debate about this on the list. We can discuss it
> privately if you like.
Not worth debating. I was hoping that whatever is generating spam in
response to list posts would send me something.
Andy
Thus said Jean Abou Samra on Mon, 23 Oct 2023 18:28:12 +0200:
> Luckily, we have technologies (SPF and DKIM) that can guarantee an
> email is sent from the owner of the sender address, and if an email
> doesn't pass SPF/DKIM, it's very likely to be blocked by your spam
> filter.
Thus said David Kastrup on Sat, 17 Jun 2023 18:44:54 +0200:
> Some mail clients may, for that reason, even have a dedicated
> "Unsubscribe" button. But you can always look in the headers.
It's a shame that something like mailing list headers isn't made easy by
Gmail to Gmail's users.
Thus said Jean Abou Samra on Sat, 24 Sep 2022 22:17:26 +0200:
> Are you asking this because you saw this notation in a printed score,
> or because you want to use it even though it's nonstandard?
Yes, the attachment that I included in my original email was a snippet
from an actual printed
Hello,
Has anyone come across notation where only a single note in the chord
has an accent?
I had hoped that it might just work by placing the accent within the
chord, but alas it did not:
\version "2.18.2"
\relative {
4 e-5>
}
See attached.
Thanks,
Andy
Hello,
How can I have Lilypond reverse the order of voice placement as
described here for the entire score?
http://lilypond.org/doc/v2.18/Documentation/notation/multiple-voices#-Voice-order
Trying to get the second voice to come after the first voice as far as
engraving order (in
Hello,
I'm trying to accomplish something similar to attached image where the
sustain pedal ends without showing the line. In ASCII:
Ped. __/\
Optionally, it would be nice to follow it with something like:
Ped. __/\ con ped.
I've been able to eliminate the
Thus said Thomas Morley on Tue, 01 Dec 2020 21:07:22 +0100:
> avoid-slur is the correct method:
Is see, thank you! The problem was apparently I didn't know that the
\trill was part of Script object (I think that's the term) so I had put
the avoid-slur property on the wrong thing.
Thanks,
Hello,
I have a small section of music that has a trill that Lilypond places on
top of a phrasing slur, but I would like it beneath (between the staff
and the slur).
I've tried to use:
-\tweak Y-offset #-3 \trill
And it doesn't seem to have any effect at all (even though modifications
to the
Hello,
I searched the archives (and also search engines) and couldn't find a
discussion about converting Personal Composer (.pc files) into Lilypond,
so I thought I would ask if anyone knows of a conversion tool.
I could manually engrave it again from the PDF output that I have, but
it
Thus said "Brett M. Gilio" on Fri, 17 Nov 2017 16:59:27 -0600:
> How many Linux users are out there in the Lilypond community? Do any
> of you use other type-setting software such as LaTeX or Csound rather
> than graphical tools?
I wonder if analysis of the user-agent strings from the web
Thus said Stanton Sanderson on Thu, 29 Jun 2017 16:59:54 -0500:
> Still, it would have been better to have asked about the older f-clef
> before starting the project, which is in recognition of the 500th
> anniversary of the Reformation.
Sounds like an interesting project.
I'm familiar
Thus said John Roper on Tue, 29 Nov 2016 19:58:35 -0500:
> jmroper.com/lilypond
I never got to see the originally proposed changes. At any rate,
consider my opinion as just another nobody's voice in the crowd,
one of many non-stakeholder LilyPond users, but personally, I
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