ket length will allow the centred tuplet
numerals to align vertically.
Her subsequent examples seem to follow her "now usual" and "if
preferred" style that you espouse.
Brian Barker
ldn't another possibility be to stack the problem words sung to
the first note in the second bar?
Instead of
fathers'__doctrines__have__established one
something like:
\markup \column { "fathers' doctrines" "have established" } " one"
Brian Barker
your latter question, yes: she says "[The slur] should always
remain outside a beam" (Behind Bars, p. 111).
Brian Barker
#x27;ve checked, and it still works.
Brian Barker
So she would accept both examples in your first staff, as well as the
first example in your second staff - but the second example your
second staff only "in cramped conditions".
I trust this helps.
Brian Barker
you tried that snippet or
incorporated it into your work?
Brian Barker
roken
measure is not repeated at the beginning of the new line. Use
first-bar-number-invisible-save-broken-bars for barNumberVisibility
to get a parenthesized BarNumber there." and provides a snippet. I
don't see the snippet in the 2.22 documentation, but it does work in
that version.
I trust this helps.
Brian Barker
s are missing
I've still not seen the evidence that these files are "missing".
You may have permissions problems in the relevant folder. You may
need local help to diagnose this. Remember that Lilypond does install
seamlessly for others.
Brian Barker
you install programs under Windows.
Brian Barker
he (close quote) instead of the straight prime it should be.
Is that your problem?
Brian Barker
left of the first notehead, not the stem. If you put \stemUp into
your second example, you will see that Lilypond follows this principle.
Brian Barker
I trust this helps.
Brian Barker
the matter!
Brian Barker
or
handling all .ly files in a single directory? Oh, and that the copy
of convert-ly installed in version 2.22 in Windows has to have its
name corrected (to convert-ly.py) for anything to work?
Brian Barker
at I suggested
this renaming earlier? (Yes: really, I did!) You cannot "check that
... convert-ly.py ...[is] in that folder" when it isn't.
Brian Barker
aced there in the 2.22
Windows installation is named convert-ly, not convert-ly.py. That's
the questioner's problem - or at least one of them.
Brian Barker
tioned but
misleading responses, including simple reference to the inaccurate
documentation.
Brian Barker
At 09:17 31/05/2021 -0700, Knute Snortum wrote:
On Mon, May 31, 2021 at 8:25 AM Brian Barker wrote:
At 09:31 31/05/2021 -0400, Tim Slattery wrote:
On 30 May 2021 at 17:50, JxStarks wrote:
Hi Ralph,
I read that documentation and tried it. I'm running Windows 10
Pro, 10.0.19041 and I
should have been: convert-ly.py? Or what did I do wrong at
installation time to cause this?
Brian Barker
quot;lyric tie". All you need is a swung dash
(sometimes referred to as a tilde) between the syllables. See
https://lilypond.org/doc/v2.20/Documentation/notation/common-notation-for-vocal-music#multiple-syllables-to-one-note
.
Brian Barker
same. I suspect this is now a "feature" of windows' arcane
permissions settings.
Hold on! So how does it work for me - also under Windows 10?
Brian Barker
umentation
As has been said, it's not a question of sharps rather than flats but
of removing elements of the key signature instead of simply adding them.
How about
\set Staff.printKeyCancellation = ##f
in addition to what you have?
Brian Barker
acceptable?
Elaine Gould suggests this *is* correct:
"_Accidentals in double-stemmed writing_
Place accidentals before both parts, except for altered unisons..."
(Behind Bars, p. 90)
Brian Barker
that the extent of the octave transposition
is absolutely clear. For clarification, extend a dotted line
vertically to encompass occasional octave-transposed pitches; for
occasional notes written at pitch, extend a horizontal dotted line
after _loco_ for the relevant duration."
Brian Barker
) have the page numbers on the left and even-numbered
pages (normally versos) have them on the right? If so:
\paper {
keep = \evenHeaderMarkup
evenHeaderMarkup = \oddHeaderMarkup
oddHeaderMarkup = \keep
}
Brian Barker
At 13:39 12/08/2020 +0200, Mario Moles wrote:
How to move the page number from right to left?
If you just want all page numbers on the left, it could be as easy as:
oddHeaderMarkup = \evenHeaderMarkup
Brian Barker
lef change at the system
break, with each part of the tie being horizontal
and appropriately positioned to its note - in
different positions vertically, that is.
o "incorrect" has a tie winding its way from one
vertical position to another, in the process wrapping around the new clef sign.
See https://preview.tinyurl.com/tieClefChange (page 9).
Brian Barker
}
} Su -- spen -- di -- sse.
Is this helpful?
Brian Barker
tball whilst
fishing up a mountain!
Brian Barker
incoming messages.
But surely this list currently had no subject *tag*?
Brian Barker
to be smaller than
that for the single staff. Does that make the difference?
Brian Barker
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ivace
crotchet, especially as they have to squeeze a breath in as well! Why
do the other voices get five times as long to get tipsy? I think we
should be told ...
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quot;Other languages", see "Spanish mailing list":
https://lists.gnu.org/mailman/listinfo/lilypond-es .
... or Frescobaldi.
Is there one?
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wo minuets, Op. 1".
o Omit opus from the global header and modify the score block headers
to include:
piece = "Op. 1 No. 1: Minuet in D major"
and
piece = "Op. 1 No. 2: Minuet in G major"
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At 12:48 23/02/2019 +1100, Tsz Kiu Pang wrote:
I am just wondering if there is a way to have a non-integer tempo
marking (e.g. crotchet = 72.5)?
How about \tempo 8 = 145 ?
Brian Barker
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https
ver.
... "number" rare, ...
UK usage is "No.", of course.
... and "hash" not quite proper in polite society.
Really? Always appropriate in my company!
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uatex I get attached image-2. Both image-1 and image-2
disagree with what the manual shows the code should output. What do
I do wrong ? [...]
You arbitrarily omitted the double angle brackets shown in the
example, which indicate simultaneous expressions.
Brian Barker
__
/common-chord-modifiers .
\version "2.18.2"
chordmusic = \relative c' {
\chordmode {
c1:dim c1:m7.5-
}
}
<<
\new ChordNames {
\chordmusic
}
{
\chordmusic
}
>>
I trust this helps.
Brian Barker
___
ce of doubt, when this happens, my
Lilypond under Windows 10 shows four more lines in the log file,
including one explaining that Ghostscript failed to create the PDF
file - and anyway leaves behind the intermediate Postscript file.
Brian B
is another possibility. If a user prefers
plain Notepad, opening a text file first in WordPad and simply saving
it again will expand the line endings such that Notepad will
understand them. Tedious but effective.
Brian Barker
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; under
"Polymetric notation" at
http://lilypond.org/doc/v2.19/Documentation/notation/displaying-rhythms#polymetric-notation
.
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\break s1 \break s1 }
}
}
But there is no "Page" at all there!
Perhaps:
oddFooterMarkup = \markup {
\fill-line {
\line {
"Page "
\on-the-fly \print-page-number-check-first
\fromproperty #'page:page-number-string
}
}
}
Brian Barker
___
y you cannot use:
movtI = "I. Allegro"
movtII = "II. Adagio"
\header{
piece = \markup \movtI
}
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break separated by skips
and repeated with \repeat.
For example, this would cause the following 28 measures (assuming 4/4
time) to be broken every 4 measures, and only there:
<<
\repeat unfold 7 {
s1 \noBreak s1 \noBreak
s1 \noBreak s1 \break
}
{ the actual music... }
>&
"reject" instruction for ages. And others have, too: many choir
members did not see circulars from the chairman when he wrote via the
choir list also run my Mailman from his AOL address.
Brian Barker
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lil
iki/DMARC - which includes "In April 2014,
Yahoo changed its DMARC policy to p=reject, thereby causing
misbehavior in several mailing lists."
and
https://wiki.list.org/DEV/DMARC for details of Mailman's behaviour.
Brian Barker
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lil
ll see the latest version offered is
lilypond-2.19.80-1.mingw.exe. Will that do?
This is true for other operating systems, too. Has the parent page
been updated to 2.19.81 without this version being available?
Brian Barker
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t something like:
\version "2.18.2"
\header {
composer = "Composer: Jerome Kern"
arranger = \markup {
\column {
\fill-line { " " "Arranger: Jacob Collier" }
\fill-line { " " "Transcriber: Álvaro Cáceres Muñoz" }
}
}
}
ing for another client.)
In my experience, it is a fool's errand to try fixing problems of this nature.
I found an administrator who, after some delay, explained, in effect,
that he couldn't help and that there was no-one who could!
I wonder if this message will reach t
mibreve ("whole note"), not a full bar
("measure") - so after your time signature change to 3/4, each s1
lasts longer than a bar. So s1*13 needs to be s1*7 | s2.*6 to account
for the change to 3/4.
(Er, I suggested privately that your problem mig
At 15:28 18/07/2017 +0200, Martin Tarenskeen wrote:
And instead of "c d e f"
I'd rather see "{c d e f}"
Surely "{ c d e f }" ?
Brian Barker
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/Editorial-ties-in-scheme-td54223.html
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At 03:47 01/06/2017 -0700, Sam Frybyte wrote:
Date: Wed, 31 May 2017 18:29:51 +0100
From: Brian Barker
Just as you would beam any other notes: follow the a8 with a left
bracket "a8[" and the ges8 with a right bracket "ges8]".
It doesn't work.
It does for me - and c
u might see more
readily how the notation works: the brackets do not enclose anything
but separately follow the notes to which they apply.
I trust this helps.
Brian Barker
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At 08:17 28/04/2017 -0700, Mark Stephen Mrotek wrote:
I can get everything but to the opus under the composer. My code is attached.
composer = \markup \center-column { "E. MacDowell" "Op. 51" }
Warning it contains more than 10 lines.
found the
"TR/Crypt.XPACK.Gen" virus in two bundled files:
/usr/bin/_hotshot.dll
/usr/bin/_multibytecodec.dll
Anybody experiencing the same issue?
Apparently so. See
http://lists.gnu.org/archive/html/lilypond-user/2017-04/msg00222.html .
Br
ysium website?
You might want contact its author; see http://thsoft.hu/en/Contact/ .
Doesn't https://github.com/thSoft/elysium have what you need?
Brian Barker
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breve is slightly wider horizontally than a black notehead - the
point Gould has just made in the text. Her actual examples (there is
one at the bottom of page 36) seems to show the left-alignment that
he criticises.
Brian Barker
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screenshot).
(Your snippet doesn't match your output, in fact.)
If you repeat the motif, the ties appear to alternate down, up, down, up ...
Brian Barker
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/lilypond/binaries/mingw/lilypond-2.19.48-1.mingw.exe
.
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fifths for "english"?
Something like this?
I trust this helps.
Brian Barker
\language "english"
%%
%% http://lsr.dsi.unimi.it/LSR/Item?id=1040
%% created by Manuela
%% thanks to the German forum http://www.lilypondforum.de
%% feel free to change and distribute
%%
%% draw a
its example:
\new Staff \with {
instrumentName = #"Violin "
shortInstrumentName = #"Vln. "
}
{ c4.. g'16 c4.. g'16 \break | c1 }
Brian Barker
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-2.19.44-1.mingw.exe
Brian Barker
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?
See https://en.wikipedia.org/wiki/CNC_router .
Brian Barker
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e.
I wonder if this message will make it ...
Brian Barker
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At 12:12 11/05/2016 +0100, Phil Holmes wrote:
... (if I had a list of unicode characters with tildes over them to hand) ...
See
https://en.wikipedia.org/wiki/Tilde#Precomposed_Unicode_characters .
Brian Barker
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nthesised
addition is not essential, and that she would not include accidentals
in your second-time bar. In addition, after a system break, wouldn't
the appropriate key signature in your case be three sharps, not one
flat - again obviating the accidentals?
Brian Barker
___
At 10:56 10/03/2016 -0600, Matthew Skala wrote:
On Thu, 10 Mar 2016, Brian Barker wrote:
At 10:33 10/03/2016 -0600, Matthew Skala wrote:
... HTML in email is usually spam.
You are joking, of course!
No.
OK, I'll rephrase that to help you: either you *have to be* joking or
you are
At 10:33 10/03/2016 -0600, Matthew Skala wrote:
... HTML in email is usually spam.
You are joking, of course!
Brian Barker
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\voiceOne, \voiceTwo, etc. If you do that, the
warnings disappear. See
http://lilypond.org/doc/v2.19/Documentation/notation/multiple-voices .
Oh, and you can then dispense with your \stemDown, which happens automatically.
Brian Barker
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nd Browse... .
o Browse to and open the PDF document file.
o Resize and reposition the graphic as necessary.
I trust this helps.
Brian Barker
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ngs. If
you drop one of the glissandi, you can see three sensibly spaced systems.
I trust this helps.
Brian Barker
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relative c' {
\repeat unfold 12 {a'4 b c d}\break
r 2
\bar "|."
}
}
ragged-last = ##t
(without ragged-right = ##t)
Note that ragged-last-bottom applies to vertical spacing, not horizontal.
I trust this helps.
Brian Barker
trust this helps.
Brian Barker
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At 09:34 09/12/2015 +0100, Urs Liska wrote:
Am 09.12.2015 um 08:57 schrieb Brian Barker:
At 17:08 08/12/2015 -0700, Abraham Lee wrote:
I am trying to figure out how to make rehearsal mark letters be
their lower-case counterparts. I've read through all the options
in "scm/t
e an option at the moment.
I realize this isn't the standard way of notating rehearsal marks,
but let's lay that aside for a moment. Any ideas on could I do this?
\mark \markup \box \bold "a"
\mark \markup \box \bold "b"
...
Brian Barker
___
/9b6f04207762999dcd273fd93f8f74658f1c5d97/Stainer/HowBeautifulUponTheMountains/HowBeautifulUponTheMountains.pdf
(or http://tinyurl.com/pgbu4d2 ).
Click Raw to download the PDF. You must satisfy yourself about
copyright issues.
Brian Barker
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At 14:04 03/11/2015 +, Alberto Simões wrote:
At 09:59 03/11/2015 +, Brian Barker wrote:
I'm puzzled by repeated reminder accidentals on tied notes in:
Bar 110: Natural sign before the tied C in the lower staff
[...]
I did not like them too, but no clue how to remove them.
Eas
At 12:20 03/11/2015 +0100, Michael Gerdau wrote:
Interestingly enough these do not appear when I create the PDF on my
local LP 2.19.30.
Yes: that *is* interesting! (Like the transcriber, I was using 2.18.2.)
Brian Barker
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now occurs here, but that
doesn't apply in this case and Lilypond would
insert it automatically anyway.) This problem
seems to result from your use of the chord
repetition symbol "q"; to avoid this, you may
want to repeat the chords explicitly instead - without the exclamat
osition of ignorance of convention.]
For what it's worth, Elaine Gould has no doubt of the convention -
that such accidentals are required: "An accidental holds good only in
the clef in which it is written. A change of clef requires a further
accidental for a note of the same pitch...&quo
achieve this
- which is left as an exercise for the reader!
Brian Barker
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At 18:58 10/10/2015 -0700, Mark Stephen Mrotek wrote:
I recall that instructions were once given to achieve:
p ma ben marcato,
yet my search of the LSP was not successful.
Try:
c_\markup { \dynamic p \italic { ma ben marcato } }
Brian Barker
e manual about formatting text, as the
original code works.
Brian Barker
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nal
.ly file. Notice also the clue that line breaks in what the enquirer
describes as her "title information" do not appear correctly in the
archive rendering.
Brian Barker
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hing of this sort is indeed the case.
Brian Barker
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as
failed. If I compose music and publish ambiguous engravings, any
conductor cannot know what I intended.
Brian Barker
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At 16:15 26/09/2015 +0200, Simon Albrecht wrote:
On 26.09.2015 16:14, Brian Barker wrote:
Just to add another statistic: ...
Which is only one opinion.
Isn't that what "another statistic" means?
(Mind you, the unqualified suggestion of the Senior New Music Editor
at Faber M
Just to add another statistic: Elaine Gould says "Place bar numbers
at the beginning of each system, ideally above the clef of the top
stave" (p. 484).
Brian Barker
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At 21:58 23/08/2015 +0100, Brian Barker wrote:
At 22:46 23/08/2015 +0200, Simon Albrecht wrote:
Am 23.08.2015 um 20:00 schrieb Ali Cuota:
Does somebody [know] where to find the Cantique de Jean Racine in Ly?
Mutopia, cpdl, imslp and so far google say no. :-(
In https://lists.gnu.org/archive
ates against me (and some
others) in this way, I'd like to know.
Brian Barker
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sition the restart of
typesetting at a point before the page break - and perhaps a bar or
two before that? You'd get a first, rubbish page, but the part you do
want should be closer to how it will appear in the final copy.
Brian Barker
__
At 13:36 22/07/2015 -0400, Tim Slattery wrote:
How can I italicize just part of a header? What I want is a subhead
that reads:
(From Les Meslanges - 1750)
with only "Les Meslanges" italicized.
subtitle = \markup { "(From " \italic "Les Meslanges&qu
ant, what should the viola be playing
during the violin's 2nd ending?
Oh, that's easy and evident: exactly what is written. The last
(second) bar of the viola part's repeat coincides with the second
time bar in the violin part.
Brian Barker
Interface Accompaniment - Musical Musical Instrument Digital
Interface Accompaniment"?
(Oh, and they do call it "MMA" far more often than anything else!)
Brian Barker
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to engrave my music.
Could you attach a text-only version of your score, please?
I'm not he, but here it is.
Brian Barker \version "2.18.2"
\language "english"
\paper {
#(set-paper-size "letter")
}
global = {
\key d \major
\numericTimeS
&ref_topic=3394915 .
You can make your own choice to see this as a feature of or a bug in Gmail!
You can confirm what reaches the list at
http://lists.gnu.org/archive/html/lilypond-user/ .
Brian Barker
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lilypon
and FUNCTION): published 1958.
http://en.wikipedia.org/wiki/Pascal_%28programming_language%29
http://en.wikipedia.org/wiki/Fortran#FORTRAN_II
Brian Barker
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; < c c' > }
{ < c_~ c'^~ > < c c' > }
There is also
\override TieColumn.tie-configuration = ... - as shown at
http://www.lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms#ties .
Brian Barker
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breaks will behave themselves.
I trust this helps.
Brian Barker
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