Hi all
Is there a way to set the default spacing between staves in the \paper block?
Or is there a way to do it in a different block?
You know, the way you can set attributes like:
\paper {
#(set-paper-size "letter")
system-system-spacing.basic-distance = 20
I think "C" is correct.
Arent accidentals in chords supposed to be placed as follows?
*
starting from the highest note
*
Next note a 7th or greater distance below gets an accidental in the same column]
*
Then, go to the 2nd highest note. This accidental gets placed in a column
farther
_
From: Werner LEMBERG
Sent: Tuesday, May 21, 2024 1:34 PM
To: Dirck Nagy ; lilypond-user@gnu.org
Subject: Re: vertical spacing between systems for only part of a score
Caution: *External Email: Use caution responding, opening attachments, or
clicking on links.*
[Please always use
dear Lilypond
I would like to increase the vertical distance between systems for a specific
area in a score.
I know how to change vertical distance by using the \paper {system-system
etc... route, but that governs the entire score. Here, I want to make 7 lines
spread out to fill the entire
To: kie...@kierenmacmillan.info
Cc: Dirck Nagy ; lilypond-user@gnu.org
; dirckn...@hotmail.com
Subject: Re: Problems hiding clef using \omit
Caution: *External Email: Use caution responding, opening attachments, or
clicking on links.*
On 2024-05-17 10:15 am, kie...@kierenmacmillan.info wrote
Dear Lilypond
I'm having a problem hiding a clef to create "white space" before a system:
When i use the \omit Staff.Clef command, the clef disappears, but the ottava
"8" remains.
BTW, I don't know what the term is for this "8", so i was not successful
searching the manuals and snippets.
how
Thank you!
I knew there was an easy way... i should have thought of that one !
peace!
dirck
From: William Rehwinkel
Sent: Monday, May 6, 2024 9:56 PM
To: Dirck Nagy; lilypond-user@gnu.org
Cc: dirckn...@hotmail.com
Subject: Re: Unison notes, one stem
Dear
ce!
dirck
From: Aaron Hill
Sent: Monday, May 6, 2024 12:09 AM
To: Dirck Nagy
Cc: lilypond-user@gnu.org ; dirckn...@hotmail.com
Subject: Re: Rehearsal mark on right side of measure?
Caution: *External Email: Use caution responding, opening attachments, or
clickin
Hi all
I am using rehearsal marks (\mark \default, to mark off repeated sections as
"A", "B", etc., instead of Dal Segno.
One of these sections ends at the end of a line. Is there an easy way to move
the rehearsal mark to the right side of the measure, instead of the left? I
can't find a
Beautiful!
Thanks Pierre!
BTW, How are you ? I'm not active on Delcamp any more.
peace!
dirck
From: Pierre Perol-Schneider
Sent: Wednesday, May 1, 2024 12:32 AM
To: Dirck Nagy
Cc: lilypond-user@gnu.org ; dirckn...@hotmail.com
Subject: Re: parenthesis
Hi all
I know this is highly unusual, but is there a way to add parentheses around the
DOT ONLY after the notehead?
see following image:
[cid:85851784-8a26-48b0-b2b4-b9a8e03b517c]
FYI, I have a piece with sequences of octaves. Every instance has a note value
of a dotted quarter-note.
There
Hi all
Reading that last thread about Frescobaldi and its possible disappearance from
Mac is causing me to panic. Jean, I did not realize that you were the last
person to seriously work on Frescobaldi / Mac.
I use Mac exclusively, and Frescobaldi / Lilypond is very important to me.
FYI,
Thank you, Michael!
"...Another part of just how configurable LilyPond can be. "
I agree, and this is one of the big reasons why I use Lilypond!
peace!
dirck
From: Michael Werner
Sent: Friday, April 5, 2024 8:40 PM
To: Dirck Nagy
Cc: lilypond-us
e you sent? This way, I could paste it into an empty document.
Again, thank you all for your patience!
peace!
dirck
From: Michael Werner
Sent: Friday, April 5, 2024 8:48 AM
To: Dirck Nagy
Cc: lilypond-user@gnu.org
Subject: Re: indicate scordatura at beginning of piece
ything is technically unplayable for pianists. Some of the
technical ability of contemporary players leaves me breathless.
...
Actually it's for guitarists ;)
On 10/11/2022 12:02 pm, Dirck Nagy wrote:
...
I am trying to notate ties with a double-slash (caesura) along the curve.
...
How about:
\v
2021 4:00 PM
To: Dirck Nagy
Cc: Jacques Menu ; lilypond-user@gnu.org
Subject: Re: Arpeggios across notes in different voices
Am Mo., 30. Aug. 2021 um 15:52 Uhr schrieb Dirck Nagy :
>
> Hi Jacques
>
> Your example works, but when i try the same syntax in my example, it still
>
Hi again Jacques
Thanks for your trouble. I still can't make it work, but I found another
work-around to use: \once \override Arpeggio.positions = #'(-3 . 2)
dirck
From: Dirck Nagy
Sent: Monday, August 30, 2021 8:47 AM
To: Jacques Menu
Cc: Mark Stephen
<< \VoiceOne \\ \VoiceTwo \\ \VoiceThree \\ \VoiceFour
>> }
\layout { }
}
From: Jacques Menu
Sent: Monday, August 30, 2021 12:46 AM
To: Dirck Nagy
Cc: Jacques Menu ; Mark Stephen Mrotek
; lilypond-user@gnu.org
Subject: Re: Arpeggios
____
From: Mark Stephen Mrotek
Sent: Sunday, August 29, 2021 10:34 PM
To: Dirck Nagy ; lilypond-user@gnu.org
Subject: RE: Arpeggios across notes in different voices
Dirck I copied and pasted the code in the body of your e-mail.
Was there a different MWE or attached file?
Mark
From:
From: Mark Stephen Mrotek
Sent: Sunday, August 29, 2021 10:34 PM
To: Dirck Nagy ; lilypond-user@gnu.org
Subject: RE: Arpeggios across notes in different voices
Dirck I copied and pasted the code in the body of your e-mail.
Was there a different MWE or attached file?
Mark
From: Dirck Na
To: Dirck Nagy ; lilypond-user@gnu.org
Subject: RE: Arpeggios across notes in different voices
Dirck,
The two chords are of different duration.
\consists "Span_arpeggio_engraver" is not needed.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
Hello all
I am trying to extend an arpeggio line to cover the entire chord in the example
below.
I have tried using this:
{
\consists "Span_arpeggio_engraver"
}
and this:
\set Staff.connectArpeggios = ##t
<<
{ 4\arpeggio 2 }
\\
{ 2\arpeggio 2 }
>>
as given in Reference
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