error. :-) Minor annoyance is that the MIDI file
gets written out as -1.midi instead of just .midi but I'm happy
renaming the thing to get what I want ;-)
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Dossy Shiobara | He realized the fastest way to change
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...
Layout output to `test.ps'...
Converting to `./test.pdf'...
Success: compilation successfully completed
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Dossy Shiobara | He realized the fastest way to change
do...@panoptic.com | is to laugh at your own folly -- then you
http://panoptic.com/ | can let go and quickly
And that also (necessarily) means that if I need to organize the
arrangement in multiple \score blocks, there's no way for me to generate
a single MIDI file from them using LilyPond alone?
On 9/29/13 4:58 PM, Federico Bruni wrote:
2013/9/29 Dossy Shiobara do...@panoptic.com mailto:do
.
Really, LP should let me specify a \midi section at the \book level and
have it generate a MIDI file for all \score's contained in the \book. :-/
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Dossy Shiobara | He realized the fastest way to change
do...@panoptic.com | is to laugh at your own folly -- then you
http
} }
}
}
This (visually) gives me *exactly* what I want. Your example, even if I
rearrange the order of the elements so that ChordNames is first, then
FretBoards, etc., it still renders the first Voice staff first ...
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Dossy Shiobara | He realized the fastest way to change
do...@panoptic.com
work around this?
What about using the alternate note names? Could you do this:
c e g bes cis' dis'
for example, if des' == cis', right?
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Dossy Shiobara | He realized the fastest way to change
do...@panoptic.com | is to laugh at your own folly -- then you
http://panoptic.com
On 5/10/12 5:58 AM, Wilbert Berendsen wrote:
The music engraving is done using LilyPond.
What format is the source material in? Hand-written scores? How will
this material be provided to those who are selected to join the
engraving team?
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Dossy Shiobara | He realized
This may or may not do exactly what you want:
find [0-9]* -name '*.ly' -print | while read f; do
cd `dirname $f`
lilypond `basename $f`
done
On 5/9/12 9:39 AM, Christopher Webster wrote:
/How can I sequentially cd to all subdirectories that start with a number?/
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Dossy Shiobara
' {
\key f \major
f g1 ~ | f g4
}
}
Then, the other voices just started out with a { s1 | } ...
On 4/2/12 11:02 PM, Dossy Shiobara wrote:
I know how to make a pitch transparent (e.g., \override Rest
#'transparent = ##t) but is there a way to specify a pitch with a null
this is likely to lead to collisions. \once \override
where appropriate is safer.
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Dossy Shiobara | He realized the fastest way to change
do...@panoptic.com | is to laugh at your own folly -- then you
http://panoptic.com/ | can let go and quickly move on. (p. 70)
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Good point. I've moved the #'ignore-collisions to before the chord that
matters and applied \once to it. Thanks for the tip.
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Dossy Shiobara | He realized the fastest way to change
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http://panoptic.com
nt = ##t r8
a16] }
}
}
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Dossy Shiobara | "He realized the fastest way to change
do...@panoptic.com | is to laugh at your own folly -- then you
http://panoptic.com/ | can let go and quickly move on." (p. 70)
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Dossy Shiobara | He realized the fastest way to change
do...@panoptic.com | is to laugh at your own folly -- then you
http://panoptic.com/ | can let go and quickly move on. (p. 70)
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