Re: Help need with the "implicitBassFigures" command

> So my choosing the number as “0” (or any other). I can use that > number instead of the original to have it surpressed. > Good to know. For pratical reasons (not getting lost in my scores ☺ ) > I will set this everytime to “5” or what number needed (in figured > bass, I know about the 5 not being

Re: Help need with the "implicitBassFigures" command

7;(0) Is enough, And if context = Staff, change every FiguredBass to Staff Thank you. Eef Van: Michael Werner Datum: donderdag, 11 januari 2024 om 12:15 Aan: Eef Weenink CC: lilypond-user@gnu.org Onderwerp: Re: Help need with the "implicitBassFigures" command Hi there, On Thu, Ja

Help need with the "implicitBassFigures" command

Good day to all of you. I am working on a figured bass, and now it is needed to get an extended line under two notes, not showing the number: [Afbeelding met lijn, Lettertype, ontvangst, tekst Automatisch gegenereerde beschrijving] The line under the d and e have the meaning: Read as 5 and exte

Re: How to move ossa staff to "in between" or "on top"?

Yep. that is the solution. Thank you. Regards, Eef Op 17 sep. 2023, om 14:48 heeft Jean Abou Samra mailto:j...@abou-samra.fr>> het volgende geschreven: \with { alignAboveContext = "right" }

How to move ossa staff to "in between" or "on top"?

Hello all, For a piano-score I want to have an extra staff, so the pianist can read the melody of the singer. An ossa staff only on the places where the singer is exactually active. I have made this example: (see below). This way the extra staff always is at the bottom. What to do to get in

Re: detecting parallel fifths and octaves in figured bass

y rules that apply to different voices, > so > I suggest to do something that allows to do arbitrary checks in a nice and > extendable manner. I’ve sketched up a small proof of concept. > > Cheers, > Valentin > > Am Donnerstag, 20. Juli 2023, 08:57:11 CEST schrieb E

Re: detecting parallel fifths and octaves in figured bass

ecutives. It assumes one voice per track, so may not suit your needs for figured bass. I need to make it more user-friendly, but would be happy to do so if anyone is interested. Congratulations to Thomas Tallis for having no consecutive fifths at all in Spem in alium! Vaughan On Sat, 15 Jul 2023 a

Re: detecting parallel fifths and octaves in figured bass

would be happy to do so if anyone is interested. Congratulations to Thomas Tallis for having no consecutive fifths at all in Spem in alium! Vaughan On Sat, 15 Jul 2023 at 07:13, Eef Weenink mailto:h.e.ween...@de-erve.nl>> wrote: Maybe somebody already made a script for this: In figure

detecting parallel fifths and octaves in figured bass

Maybe somebody already made a script for this: In figured bass there are two fundamental rules: Avoid parallell octaves and or fifhts. So it would be nice to have some scipts what checks for this. So if two voices have a distance of a fifth or octave, the next chord is checked if the same two

Re: Drafting a medley

I would use arranger.ly. https://github.com/gilles-th/arranger.ly Verzonden vanuit Outlook voor iOS Van: lilypond-user-bounces+h.e.weenink=de-erve...@gnu.org namens Stephan Schöll Verzonden: Sunday, April 9, 2023 1:07:47 PM Aan: lilypond-

Re: Organising files/variables/ in lilypond

I’ve included the core library and an example layout function. Maybe this approach could be useful for you (I’ve also sent this to the list not too long ago). Cheers, Valentin Am Freitag, 7. April 2023, 16:11:43 CEST schrieb Eef Weenink: I have this project: I make arrangements of figured bass p

Re: Organising files/variables/ in lilypond

specifying layout functions, a folder > "styles" specifying stylesheets, and a folder of files registering scores, > and > one or multiple masters reading these files and printing scores with one or > multiple layout functions. > > I’ve included the core library a

Organising files/variables/ in lilypond

I have this project: I make arrangements of figured bass pieces. (Generalbass Wolf). In total 100 pieces. Uptill now I organised it this way: - 1 file with all pieces in it (I did about 10, 90 to go). The file starts with an include of a startup.ily, with some settings for the whole book then the

Re: Tutorial on writing lilypond functions?

Found: https://extending-lilypond.gitlab.io/en/scheme/functions.html I go from there. Op 6 apr. 2023, om 08:38 heeft Eef Weenink mailto:h.e.ween...@de-erve.nl>> het volgende geschreven: Using arranger.ly<http://arranger.ly/> (thanks to Gilbert :-)) I am now at the point I want to a

Tutorial on writing lilypond functions?

Using arranger.ly (thanks to Gilbert :-)) I am now at the point I want to automate more. And next step is probably working with scheme functions. Using https://lsr.di.unimi.it/LSR/Item?id= as a starter. As soon I try to change something I run into the fact that I don't kn

Re: Ross’s rules

Thank you! Verzonden vanuit Outlook voor iOS<https://aka.ms/o0ukef> Van: Pierre Perol-Schneider Verzonden: Thursday, December 22, 2022 7:39:34 AM Aan: Eef Weenink CC: Abraham Lee ; Kieren MacMillan ; Jean Abou Samra ; Werner LEMBERG ; Lilypond-User M

RE: Ross’s rules

Always interested in new (for me new) sources of knowledge: "What are the Ross’s rules?" Regards, Eef Op 21 dec. 2022, om 22:21 heeft Abraham Lee mailto:tisimst.lilyp...@gmail.com>> het volgende geschreven: Ross’s rules

Re: Contacting Wilbert

Wilbert has a website: https://wilbertberendsen.nl/contact/ Maybe this helps. Regards, Eef Contactinformatie – Wilbert Berendsen E-mail: info at wilbertberendsen.nl (bij voorkeur digitaal ondertekend). Facebook: facebook.com/wberendsen (ik gebruik de Messenger

Re: Solfege Syllables Easy Notes

Yes, takadimi (kind of esperanto made of konnakal, kodaly and others. http://www.takadimi.net/documents/Takadimi%20short%20guide%20for%20Web.pdf Op 9 okt. 2022, om 17:57 heeft Craig Bakalian mailto:craigbakal...@gmail.com>> het volgende geschreven: If you really want to muse, muse about rhythm

Re: Extended bar checking?

may this also be used in 2.22.2. ? Now I errors :-( regards, Eef Op 18 sep. 2022, om 22:16 heeft Mats Bengtsson mailto:matsboxergr...@gmail.com>> het volgende geschreven: Brilliant! This will be in an include file that I will use for all my future projects (until it gets included in the Lil

Re: function to recognise voice crossings?

lgende geschreven: Ah, thanks, I hadn't considered the possibility of using solo tuning. Sorry for the noise. (I don't think my engraver currently supports setting \transposition to accommodate for solo tuning, though.) Lukas Eef Weenink mailto:h.e.ween...@de-erve.nl>> schrieb a

Re: function to recognise voice crossings?

heeft Lukas-Fabian Moser het volgende geschreven:  Ah, thanks, I hadn't considered the possibility of using solo tuning. Sorry for the noise. (I don't think my engraver currently supports setting \transposition to accommodate for solo tuning, though.) Lukas Eef Weenink mailto:h.e.

Re: function to recognise voice crossings?

have to also transpose the double score 1 octave down, because the double bass is written 1 octave higher then sounding. regards, Eef Op 16 sep. 2022, om 21:47 heeft Lukas-Fabian Moser mailto:l...@gmx.de>> het volgende geschreven: Hi Eef, Am 16.09.22 um 21:22 schrieb Eef Weenink: Great, i

Re: function to recognise voice crossings?

lgende geschreven: Hi Eef, Am 16.09.22 um 13:53 schrieb Eef Weenink: I write mostly arrangements where I bring a melody voice down to the double bass (my instrument :-)) Double bass is written an octave higher then sounding, so a lot of times, the score lookes OK, but in fact there are voice cro

Re: function to recognise voice crossings?

I will check this. Thanks Met vriendelijke groet, Eef H.E. Weenink MBA Op 16 sep. 2022 om 18:56 heeft Lukas-Fabian Moser het volgende geschreven: Hi Eef, Am 16.09.22 um 13:53 schrieb Eef Weenink: I write mostly arrangements where I bring a melody voice down to the double bass (my

Re: function to recognise voice crossings?

This is not the question. It is about voice crossing bassline (left hand piano) and melodyline (double bass). That gives inversions, mostly not wanted. So these need to be identified. Met vriendelijke groet, Eef H.E. Weenink MBA > Op 16 sep. 2022 om 18:25 heeft Wols Lists het > volgende ge

function to recognise voice crossings?

Hello all, I write mostly arrangements where I bring a melody voice down to the double bass (my instrument :-)) Double bass is written an octave higher then sounding, so a lot of times, the score lookes OK, but in fact there are voice crossings between lefthand of piano and the double bass (

Re: How to enlarge the entire Lilypond output (pdf)

I recognize the issue. My working method: 1. In lilypond I go for the best options, like staffsize, number of systems per page, number of pages, etcetera. 2. On the iPad I have Forscore for practicing music. To get the best view on about 2-3 feet distance, I use the crop function to minimize t

Re: Score vs. Individual Parts

Gilles Thibout made a very well lilypond library what handles all you are asking for. https://github.com/gilles-th/arranger.ly It has a steep learning line(at least my experience). Once the notes of your composition are written down, you do not need to copy them again. Check it out, it might b

Re: docs about Rest vertical position

Just a simple example. Could be the start of a minimal music thing. violin = \relative c'' { c16 d e f] g [a b c] c,16 [d\rest e f] g [a b c] c,16 [d e\rest f] g [a b c] c,16 [d e f\rest ] g [a b c] c,16 [d e f] g\rest [a b c] c,16 [d e f] g [a\rest b c] c,16 [d e f] g [a b\rest c]

Re: docs about Rest vertical position

My two cents: Tweaking the position is fine to avoid a collision or to keep a rest about the same “viewing” line then the notes of a phrase But, or better And: When composing; arranging it happens often that a note is skipped (read: turned into a ‘rest’). Think about note patterns what repeat,

Re: ANN: Frescobaldi 3.2

The text is AAN not ANN. It is Dutch for “TO”. Any mailprogram using Dutch as regular as language will show “To” as “Aan”. Met vriendelijke groet, Eef H.E. Weenink MBA > Op 14 aug. 2022 om 03:27 heeft Andrew Bernard > het volgende geschreven: > > Without wanting to sound like a pedantic p

Re: vertical shift of trill

Great file, thank you, love it. Eef Op 5 aug. 2022, om 20:13 heeft Jean Abou Samra mailto:j...@abou-samra.fr>> het volgende geschreven: If you prefer, there is another method available: use Joram Berger's "Visual LilyPond Index", available here: https://github.com/joram-berger/visualindex Jus

Re: cannot find start of piano pedal: `Sustain'

\version "2.20.0" upper = \relative c'' { \clef treble r2. \hideStaffSwitch\change Staff = "lower" r4*1/2 s8 | } lower = \relative c { \clef bass b8 ees, aes c, b ees' \showStaffSwitch\change Staff = "upper" aes ees' | } \score { \new PianoStaff << \new Staff = "upper" \upper \ne

Re: The problem of Lilypond changing instrument and the issue of .ly converting to MIDI with a custom setting

I think the fastest way to learn this, is to study the templates available: https://lilypond.org/doc/v2.22/Documentation/snippets/templates Choose one what looks like you want, copy paste it into your .ly and then change small things % in front of a line, so you see what happens. and keep what y

Re: Byzantine singing

Maybe interrelating for you. There is. List of software included. https://academia.edu/resource/work/37876233 Regards Eef Verstuurd vanaf mijn iPad Op 31 jul. 2022 om 21:56 heeft Лысов Дмитрий het volgende geschreven:  Hi! I am studying Byzantine singing, which uses neumes to record melodi

Re: Byzantine singing

One of them is https://www.ctan.org/pkg/byzantinemusic. In xelatex. Eef Verstuurd vanaf mijn iPad Op 31 jul. 2022 om 21:56 heeft Лысов Дмитрий het volgende geschreven:  Hi! I am studying Byzantine singing, which uses neumes to record melodies. Have you ever met a player or a converter of thi

Re: question about arranger.ly, export notes as text.

Merci beaucoup!! > Op 1 aug. 2022, om 21:13 heeft Gilles Thibault het > volgende geschreven: > > Le 2022-07-30 22:46, Eef Weenink a écrit : >> It gives error; > > Ah yes damn, the latest version of arranger.ly has a bug on line 112. [(= n > 0) crashes when

Re: question about arranger.ly, export notes as text.

I could solve my issue with the workaround: \displayLilyMusic { \viola } and later copy paste the viola part from the logfile into my score again. regards, Eef Op 30 jul. 2022, om 22:46 heeft Eef Weenink mailto:h.e.ween...@de-erve.nl>> het volgende geschreven: It gives error; "

Re: question about arranger.ly, export notes as text.

\version "2.22.2" \include "arranger.ly<http://arranger.ly>" \header { title = "Romance Oubliée" composer = "Liszt, Ferenc (1880)" tagline = "Arrangement Eef Weenink" } \paper { #(set-paper-size "a4") } \layout { \context {

question about arranger.ly, export notes as text.

OK, my arrangement is finished, now I want to export it to make a nice, clean original. So I am searching for a way to transfer the score (per instrument) to a text file or export in logfile etcetera, so I can use that. But no luck yet. In the manual is says" " Once the arrangement is finished,

Re: \time 9/8 (3/4)

The question started with a piece of Liszt. It has to be played adante. Time is set: first part: 9/8 (3/4) second part: 6/8 (2/4) istesso tempo (means that a 1/4 stays 1/4. So the duration of the measure changes). Writing it this way, prevents printing the triplet everywhere. The feel of the

Re: \time 9/8 (3/4)

Thank you Hans, The \time #'(4 4 3) 11/8 makes the subdivision, but only shows 11/8. I will use the example from https://myrealbook.vintherine.org/mesures-composees.html > Op 28 jul. 2022, om 23:17 heeft Hans Åberg het volgende > geschreven: > > >> On 28 Jul 2022, at 22:43, Jean Abou S

\time 9/8 (3/4)

This score starts with \time 9/8, but i also should have 3/4 feeling, so there is written: 9/8 (3/4) (in parenthesis). Probably a returning question, but I could not find it, because no idea what search-wortds to use. regards, Eef

Re: Help needed with arranger.ly

Ok, I start studying 📚. (I meant the manual if arranger.Ly) Met vriendelijke groet, Eef H.E. Weenink MBA > Op 25 jul. 2022 om 12:17 heeft David Kastrup het volgende > geschreven: > > Eef Weenink writes: > >> :-) works fine. So if I understandn this correctly, in

Re: Help needed with arranger.ly

:-) works fine. So if I understandn this correctly, inside a scheme part it is possible to insert lilypondinstructions like this: (scheme instructions #{ lilypondinstructions #}) (that was not in the manual ;-) regards, Eef > Op 25 jul. 2022, om 11:53 heeft Eef Weenink het > vo

Re: Help needed with arranger.ly

Merci beaucoup, I will check. regards, Eef > Op 25 jul. 2022, om 10:07 heeft Gilles Thibault het > volgende geschreven: > > Le 2022-07-24 13:38, Eef Weenink a écrit : >> I need some help to get this nice program really running. >> I read the manual several tim

Help needed with arranger.ly

ual, but I did not find it. regards, Eef Weenink

Re: debug scheme part working with Frescobaldi

l.com>> het volgende geschreven: Am Di., 19. Juli 2022 um 21:40 Uhr schrieb Eef Weenink mailto:h.e.ween...@de-erve.nl>>: So I am start working with scheme parts in my liypond files (using arranger.ly<http://arranger.ly>). Using Frescobalid to input all When compiling I

debug scheme part working with Frescobaldi

So I am start working with scheme parts in my liypond files (using arranger.ly). Using Frescobalid to input all When compiling I keep getting messages: GUILE signaleerde een fout voor de hier beginnende expressie It would be nice to know what error I made. I read I should \i

Re: subito PP

try this; \version "2.23.10" subPP = #(make-dynamic-script (markup #:line (#:normal-text #:italic "sub." #:dynamic "pp"))) \score { { c'2-\ff c'2-\subPP % Volume should be pp but is still ff } \layout {} \midi {} } Op 17 jul. 2022, om 10:11 heeft Benj

lilypondblog.org hacked?

https://www.lilypondblog.org/ seems to be hacked. Maybe already known by the owner? Otherwise, maybe have a look and see if it can be fixed. Eef

Re: Vertical Fill

\paper { ragged-bottom = ##t } > Op 12 jul. 2022, om 23:26 heeft Greg Lindstrom het > volgende geschreven: > > I'm using Lilypond 2.22.1 and would like to add a page break but when I use > "\pageBreak" the score "stretches" to fill the page. Is there a command to > fill the page so the

Re: [Frescobaldi] ANN: Frescobaldi 3.1.2

Wish you all good EasterTIme and thanks for the great work done on Frescobaldi. I tried to get this working on Mac. No luck. It cannot find 'python-poppler-qt5’ So guess I have to wait for the Frescobaldi.app? regards, Eef > Op 13 apr. 2020, om 15:25 heeft Wilbert het volgende > geschrev