Re: RehearsalMarks, slurs and ties overlapping

2024-06-15 Thread Federico Sarudiansky
arsalMark.outside-staff-priority = ##f > could perhaps also be an option. > > > 13 juni 2024 kl. 16:49 skrev Federico Sarudiansky : > > > > Hi again, Kieren! > > > > Excellent! However I wonder if there is a more general approach. > Something «allowing» the s

Re: RehearsalMarks, slurs and ties overlapping

2024-06-13 Thread Federico Sarudiansky
Hi again, Kieren! Excellent! However I wonder if there is a more general approach. Something «allowing» the slurs not taking the rehearsal marks into consideration when defining its shape parameters. All the best! F. El jue, 13 jun 2024 a las 11:28, Kieren MacMillan (< kie...@kierenmacmillan.in

RehearsalMarks, slurs and ties overlapping

2024-06-13 Thread Federico Sarudiansky
Hi. Please consider the following: \version "2.25.15" \relative c''' { g1~ \mark \default g1 \override Score.RehearsalMark.outside-staff-priority = #1 \override Tie.outside-staff-priority = #2 g1~ \mark \default g1 \override Slur.outside-staff-priority = #2 g1 ( \mark \default e1 )

Re: Alternating styles of TimeSignatures

2024-06-01 Thread Federico Sarudiansky
Hi Kieren, Thanks for your answer and time. It looks really nice! However, it seems that both solutions run along similar lines: redefining contexts. In your solution you split the topmost layout objects from the staff context in two different contexts and create another -the bottom one-. In my

Re: Alternating styles of TimeSignatures

2024-05-31 Thread Federico Sarudiansky
Hi Kieren, thank you for your answer. That's was my first attempt. But I couldn't solve some spacing issues (the time signatures over and below the staff were affected by the tempo markings and other staff stuff. Best! F. El vie, 31 may 2024 a las 13:27, Kieren MacMillan (< kie...@kierenmacmill

Alternating styles of TimeSignatures

2024-05-31 Thread Federico Sarudiansky
Hello, I'm typesetting a work and really want to preserve its notational idiosyncrasies. One of them is an alternating way of using time signatures. The attached MWEish does exactly what I want. The question, for me, is if this could be done in a simpler way (just for learning!). [image: image.pn

Re: Frescobaldi... panic alternatives? (Kenneth Flak)

2024-05-02 Thread Federico Sarudiansky
Hi Jeff. I've been using VSLilypond for VSCode for a while now and I found a solution for the annoying lack of refresh of the PDF output. It is here: https://github.com/lhl2617/VSLilyPond-PDF-preview/pull/118 Basically you have to edit a file of the Lilypond PDF preview extension (~/.vscode/extens

Re: Tags and ossias

2023-05-09 Thread Federico Sarudiansky
Wow, what an adorable solution! Merci beaucoup, Jean! You have a gift! F. El mar, 9 may 2023 a las 11:35, Jean Abou Samra () escribió: > Le mardi 09 mai 2023 à 11:10 -0300, Federico Sarudiansky a écrit : > > Hi everyone! Please consider the following problem: a work for a solo

Tags and ossias

2023-05-09 Thread Federico Sarudiansky
Hi everyone! Please consider the following problem: a work for a soloist and accompaniment in which there is an «alternative» part. For instance, a work for flute and guitar which the composer allows to be played on violin. The solo parts are almost identical, and differ only in isolated places. F

Re: \partCombine question

2021-06-02 Thread Federico Sarudiansky
Hi Aaron, of course it can. I should have put it in the example. But the question aims to if there is a \partCombine setting that considers (and prevents) the frequent alternation of "a2" and two voice passages. Something like «If the "a2" passage lasts for less than (so to speak) 5 notes, then us

\partCombine question

2021-06-02 Thread Federico Sarudiansky
Hi, I have a question regarding \partCombine. Consider the following example: \version "2.22.1" uno = {c''4\f 4 4 4 4 4 4 4 } dos = {c''4\f c' c'' c' c'' c' c'' c' } \score { << \new Staff { \partCombine {\uno \uno} {\dos \uno} } \new Staff { \partCombine #'(1 . 10) {\uno \uno} {\dos \un

Re: lilypond-user Digest, Vol 221, Issue 56

2021-04-19 Thread Federico Sarudiansky
so-, I'll write to you. Thanks again, F. > -- Forwarded message -- > From: Thomas Morley > To: Lukas-Fabian Moser > Cc: Federico Sarudiansky , lilypond-user < > lilypond-user@gnu.org> > Bcc: > Date: Sun, 18 Apr 2021 17:53:09 +0200 > Subject

Re: Chromatic clashes

2021-04-17 Thread Federico Sarudiansky
Hi Lukas, thank you! I've never found the third link and the results are fantastic. Using that code produces [image: image.png] with no compilation errors with as little code as \version "2.22.0" \relative c''{ \splayedStemChord #'(0 -1.4 1.4 0) #'(0 0 0

Re: Chromatic clashes

2021-04-16 Thread Federico Sarudiansky
Hi, in addition to that, I've on occations had to engrave [image: image.png] (on manuscript they are even uglier: [image: image.png], with an added extra stem) which involves a great deal of tweakin moving notes and accidentals. Wouldn't be nice to generate a complete approach to that kind of wri

Installation on windows 10...

2021-03-24 Thread Federico Sarudiansky
Hi, a student of mine is having problems installing Lilypond on a Windows 10 machine. After a successful installation he gets: Starting lilypond-windows.exe 2.22.0 [Untitled]... Fontconfig error: Cannot load default config file terminate called after throwing an instance of 'std::logic_error'

Re: double dot articulation

2020-05-17 Thread Federico Sarudiansky
(Besides: the solution in "puntitosmarkup" came from this post ( https://lists.gnu.org/archive/html/lilypond-user/2019-09/msg00182.html) and was written by Aaron Hill.) El dom., 17 may. 2020 a las 14:13, Federico Sarudiansky () escribió: > Hi Pierre, > > of course. I tried th

Re: double dot articulation

2020-05-17 Thread Federico Sarudiansky
stil X CENTER) > \staccato > #}) > > \relative c' { > c2:8-\puntitosmarkup #4 > } > > HTH, cheers, > Pierre > > Le dim. 17 mai 2020 à 18:48, Federico Sarudiansky a > écrit : > >> Hello, >> >> besides de LSR solution

double dot articulation

2020-05-17 Thread Federico Sarudiansky
Hello, besides de LSR solution given by other user ( http://lsr.di.unimi.it/LSR/Item?id=772) I wrote this: #(define-markup-command (puntitosmarkup layout props cant) (number?) (interpret-markup layout props #{ \markup { \halign #(+ (* 2.5 cant) -6) $@(map

Re: Arpeggio misbehaviour?

2019-10-26 Thread Federico Sarudiansky
Thank you Thomas and Robin for the workarounds. I think the beauty of the non-arpeggio case well worth a misbehaviour here, if a short workaround is available and works like in this case. Thanks again. El sáb., 26 oct. 2019 a las 8:03, Robin Bannister () escribió: > Thomas Morley wrote: > > >

Arpeggio misbehaviour?

2019-10-25 Thread Federico Sarudiansky
Hello, I'm typesetting a work which includes this single measure (here as a MWE) in a PianoStaff. \version "2.19.83" \score { \new PianoStaff { \set PianoStaff.connectArpeggios = ##t << \new Staff \with { \consists "Span_arpeggio_engraver" } \relative c'' { \clef treble \time 6/8 b4.

The "let vibrate" tie

2019-05-14 Thread Federico Sarudiansky
Hi, I use the following, very dirty solution. Given an arbitrary chord, for instance on a 4/4 time signature: \version "2.19.83" \relative c'{ \time 4/4 \override NoteHead.font-size=#-100 s2.. 1*1/8 ~ s2.. \revert NoteHead.font-size \unHideNotes } The extremely reduced font size s

Old Style numbers

2018-07-11 Thread Federico Sarudiansky
Hello to everyone, For some rather obscure reason I wanted to use old style numbers in a series of scores I'm working in. In a first moment I worked using some functions written by Michael Lauer (to be found in https://www.mrlauer.org/music/) but they were intended for version 2.12 and I couldn't