Thanks a lot. Could you upload the sources also? I would like to extract
the parts
for accompanying Instruments.
Henning
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How can I achive that the rehearsal mark is below the metronome mark
Allegro ma non troppo (between the numbers for the FullBarRests)?
This is what I tried:
\version 2.16.0
{
\once \override MetronomeMark #'outside-staff-priority = #1
\tempo Allegro ma non troppo
\set Score.skipBars =
In the following example the function \copyArticulations which can be
found at
http://gillesth.free.fr/Lilypond/copyArticulations/copyArticulations.ly
copies the _ties_ from the original music. I don't regard ties as
articulation. Can the function be improved so that it ignores ties?
the filesattachment: tiesCopied.preview.png
tiesCopied.ly
Description: Binary data
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Am 29.05.2009, 08:10 Uhr, schrieb Wilbert Berendsen lily...@xs4all.nl:
Op dinsdag 26 mei 2009, schreef Henning Plumeyer:
I would like to have a more dense horizontal spacing in the 3/1 sections
(where the music normally is pretty fast) than in the 2/2 sections.
You could place
Am 30.05.2009, 00:05 Uhr, schrieb Graham Percival
gra...@percival-music.ca:
lilypond-book c:/Dokumente und Einstellungen/work/latex projekte/
jazzguitar/lbooktest1.tely
Umm, doesn't lilypond still die on directories with spaces on
windows?
No, it doesn't.
But the quotes before
Am 25.05.2009, 02:13 Uhr, schrieb Carl D. Sorensen c_soren...@byu.edu:
Here's my attempt to get the spacing you're looking for. I've done it
manually, but if you like it, I think that I can write a music function
\petrucciSpacing{} that will generate it automatically.
What I've done is to
Am 25.05.2009, 23:23 Uhr, schrieb Carl D. Sorensen c_soren...@byu.edu:
On 5/25/09 10:57 AM, Henning Plumeyer h.plume...@web.de wrote:
Am 25.05.2009, 02:13 Uhr, schrieb Carl D. Sorensen c_soren...@byu.edu:
There are some issues though - not with Laura's example where no bar
lines
Am 15.05.2009, 22:05 Uhr, schrieb Helge Kruse helge.kruse-nos...@gmx.net:
I have found a problem with jEdit (probably LilypondTool). I just write
a .ly source that contains the word Pincé. I saved the file yesterday.
Today I wanted to continue and see that this word has been changed to
Am 15.04.2009, 19:56 Uhr, schrieb Anthony W. Youngman
lilyp...@thewolery.demon.co.uk:
In message op.usea9bs0cej...@schuplu, Henning Plumeyer
h.plume...@web.de writes
Am 14.04.2009, 18:32 Uhr, schrieb Mark Polesky markpole...@yahoo.com:
Francisco Vila wrote:
2009/4/11 Mark Austin
Am 14.04.2009, 18:32 Uhr, schrieb Mark Polesky markpole...@yahoo.com:
Francisco Vila wrote:
2009/4/11 Mark Austin :
Is there any way of setting a binding
margin... need to increase the left
margin of odd-numbered pages, and the
right margin of even numbered pages...
Could we say inner
Am 09.04.2009, 23:18 Uhr, schrieb M Watts zwy648...@gmail.com:
I think I've seen music where the breve (2 whole notes) was printed with
two bars on each side.
Indeed, in most hymn books I've seen, the breves have 2 lines each side,
As you can see here
Am 09.04.2009, 21:43 Uhr, schrieb Kieren MacMillan
kieren_macmil...@sympatico.ca:
\version 2.12.2
dbreve =
#(define-music-function (parser location note) (ly:music?)
#{
\once \override ParenthesesItem #'stencil =
#ly:text-interface::print
Therefore, by definition, all blown musical instruments will have a
fundamental frequency of 2L.
Hi,
not quite: clarinets sound an octave lower than you would expect when you
regard their length.
They behave like stopped organ pipes. I don't know exactly why -- it comes
from their
(Windows XP SP2)
I found the file at
\LilypondDevel2.11.58-1\usr\share\guile\1.8\ice-9
Should this be posted at gmane.comp.gnu.lilypond.devel?
Henning Plumeyer
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Hi there,
two weeks ago I found LilyPond and already came across some hurdles.
But now I don't find an answer in the docs for my problem:
How can I avoid the collision between the bar number and the rehearsal mark
in the following example:
snippet %
\version 2.10.10
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