3/4 2/4 5/4 ...etc ?
Making a compound bar of 3+2+5 / 4 doesn't serve me, btw.
Thanks
Uri
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}
\new Lyrics \lyricsto "upper" \lyricmode {
%% long-syllables position should not be affected by the
forbidden SpanBar
long-syllable a b c long-syllable d long-syllable e
}
\new Staff \repeat unfold
/html/lilypond-devel/2009-11/msg00288.html
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,4 } \\ { e,2. } >>
<< { \times 2/3 { gis'8 b e } e,2 } \\ { e,2. } >>
I feel that it must be but have not stumbled apon the solution as yet.
--hsm
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e never seen anything like it, and quite frankly, as a
singer, I would be very confused by it. It implies that "Ly" is a
wholly self-contained word within the word "Lyric"
James E. Bailey
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lilypond
nt to make the
whole piece 4 part.
Thanks!
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no
clue. Will check out the forum.
Cheers, Stefan
Am Donnerstag, den 19.11.2009, 19:00 +0100 schrieb James E. Bailey:
On 19.11.2009, at 18:27, stefankaegi wrote:
Hi
I'd like to have the time signature "3+1/2 / 4"
(three and a half quarters).
How can I do this?
Thank you
displayed time signature with markup showing what
you want.
If you speak german, there's a german lilypond forum at
www.lilypondforum.de
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displayed time signature with markup showing what
you want.
If you speak german, there's a german lilypond forum at
www.lilypondforum.de
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y explain what is that "guilty" STRING ?
Apparently do. Seems like you don't use italiano.ly after all.
Translation. You need to add \include "italiano.ly" to your input file.
James E. Bailey
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n care of automatically... or not?
Thanks a lot for your kind help.
Guillermo
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even though it's in
a Staff where extraNatural = ##f.
I do this by having hidden time signatures. That way, I have bar
lines where I want them, accidentals that make sense, and everything
else associated.
James E. Bailey
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of
adding an extra quarter note, without all the fuss of having to hide
things and fake the time signature and everything. I'm going to have
to use that the next time I do something like that.
James E. Bailey
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l
and
then use either \raise or \lower to get it to the proper height.
James E. Bailey
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amentally broken that you absolutely
cannot work without (like custom key signatures) that's fixed in 2.13
and not in 2.12, I would wait.
James E. Bailey
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he time to learn how to use lilypond when you could do it in
sibelius faster.
James E. Bailey
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I finally
got it. Until that time (and while I was writing the music for my
senior recital) I unhappily used finale.
James E. Bailey
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e try with a fresh version of lilypond on a different account and
see if you have the same problems?
James E. Bailey
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On 04.11.2009, at 18:00, Graham Percival wrote:
James: LSR doesn't include version snippets.
Yeah, I just read that. My badge.
James E. Bailey
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?
thanks,
Rodolfo
No \version statement? That's horrible.
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27;(-3 . 3)
\fontSize = #-2
}
}
Hou je goed / Keep well,
Erik
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On 29.10.2009, at 12:14, John Mandereau wrote:
Le mercredi 28 octobre 2009 à 19:34 +0100, James E. Bailey a écrit :
downgrading to python 2.4.6 solved the problem and lilypond-book
works
perfectly now. Whom do I talk to to have this updated in the
distributed binary? Or is this not a
ved!
As an alternative to actually suppressing the chords from the MIDI,
taking their volume down to nothing would also serve.
Thanks in advance!
ChrisA
You'll probably want to create two \score blocks, one for layout,
with the chords, and one for MI
On 28.10.2009, at 19:34, James E. Bailey wrote:
I thought at first that Python 2.6 was bundled in the darwin
installers now, but I'm not so sure. Is the python executable in
your
LilyPond_devel.app/Contents/MacOS just a wrapper or something?
Because I see that the md5 library in
On 29.10.2009, at 00:40, Graham Percival wrote:
On Wed, Oct 28, 2009 at 07:34:31PM +0100, James E. Bailey wrote:
Okay, yeah, that solved the problem. downgrading to python 2.4.6
solved
the problem and lilypond-book works perfectly now. Whom do I talk
to to
have this updated in the
Gnu - Lilypond - User mailing list archive at
Nabble.com.
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On 28.10.2009, at 08:13, James E. Bailey wrote:
On 28.10.2009, at 03:23, Patrick McCarty wrote:
On Tue, Oct 27, 2009 at 11:14 AM, James E. Bailey
wrote:
Ah, I just realised you meant with the development version (it's
not the
main version I use, so I didn't think about it
On 28.10.2009, at 03:23, Patrick McCarty wrote:
On Tue, Oct 27, 2009 at 11:14 AM, James E. Bailey
wrote:
Ah, I just realised you meant with the development version (it's
not the
main version I use, so I didn't think about it). I still have the md5
problem:
19:13:40 jamesebaile
On 27.10.2009, at 08:58, Patrick McCarty wrote:
On 2009-10-26, James E. Bailey wrote:
And, for completeness' sake, here's the error output for 2.13.6:
[snip]
/Users/jamesebailey/Applications/LilyPond_devel.app/Contents/
Resources/bin/lilypond-book:1258: DeprecationWarning: the
On 26.10.2009, at 22:09, Graham Percival wrote:
On Mon, Oct 26, 2009 at 06:52:17AM +0100, James E. Bailey wrote:
On 25.10.2009, at 12:16, Graham Percival wrote:
If you're going to use the unstable development version, then
use
the latest one. Various things have chang
On 27.10.2009, at 08:58, Patrick McCarty wrote:
On 2009-10-26, James E. Bailey wrote:
And, for completeness' sake, here's the error output for 2.13.6:
[snip]
/Users/jamesebailey/Applications/LilyPond_devel.app/Contents/
Resources/bin/lilypond-book:1258: DeprecationWarning: the
On 25.10.2009, at 12:16, Graham Percival wrote:
On Sun, Oct 25, 2009 at 11:14:20AM +0100, James E. Bailey wrote:
is lilypond-book on osx 10.4 broken? I remember I had some
problems
before, but I don't know whta the current status is: I get
these errors
using 2.12.2 and 2
On 25.10.2009, at 12:16, Graham Percival wrote:
On Sun, Oct 25, 2009 at 11:14:20AM +0100, James E. Bailey wrote:
is lilypond-book on osx 10.4 broken? I remember I had some
problems
before, but I don't know whta the current status is: I get
these errors
using 2.12.2 and 2
k", line 2105, in main
chunks = do_file (files[0])
File "/Users/jamesebailey/Applications/LilyPond_devel.app/Contents/
Resources/bin/lilypond-book", line 1944, in do_file
in_handle = file (input_fullname)
IOError: [Errno 2] No such file or directory: ''
James E
acket is closed
James E. Bailey
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ar is here. http://sites.google.com/
site/nanoforlilypond/
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n sections like this, that doesn't work.
Any suggestions?
thank you!
Daniel
--
sax, clarinet, guitar, vocals, composer
http://www.danielmcbrearty.com
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The \voiceOne \voiceTwo constructs solve this problem. You can read
more in the Notation Reference under 1.5.2 Multiple Voices
James E. Bailey
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xcuse, but seeing that there are only 18 pages, people
are more likely toa ctually read the whole thing, rather than seeing
that there are 100+ pages, and saying, "oh sod it all!"
James E. Bailey
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Look up "upbeat" in the documentation
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Manual? I believe these issues are
thoroughly covered there.
-Patrick
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ms on the notes are all going up. This is good.The ties are upside down however (frowns instead of smiles). This is bad.What am I doing wrong? Using a long out-of-date version of LilyPondAlthough, you may want to have a look at the \tieUp and \tieDown commands.James E. Bailey
rowns instead of smiles). This
is bad.
What am I doing wrong?
Using a long out-of-date version of LilyPond
Although, you may want to have a look at the \tieUp and \tieDown
commands.
James E. Bailey
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.
This is not true. If you extend your first measure to be more than
one measure long, you'll see this.
James E. Bailey
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ou may want
to try having the music in a markup block. Then, adding text on the
right is very easy.
James E. Bailey
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lp & patience!
patrick
No worries!
James E. Bailey
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On 25.09.2009, at 22:17, fiëé visuëlle wrote:
Just, pretty please: Could someone tell me how to get chord names
with -is and -es (saying "fis" and not "f#")?
Or of course point me to the appropriate chapter of the docs.
Section 2.7.2, Displaying chords under Customizing
d. Now even going back to 2.13.3 does not help any
more.
On 25.09.2009, at 19:40, Patrick Schmidt wrote:
Original-Nachricht
Datum: Fri, 25 Sep 2009 19:30:53 +0200
Von: "James E. Bailey"
An: Patrick Schmidt
CC: lilypond-user Mailinglist
Betreff: Re: command-li
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--
Jetzt kostenlos herunterladen: Internet Explorer 8 und Mozilla
Firefox 3.5 -
sicherer, schneller und einfacher! http://portal.gmx.net/de/go/
atbrowser
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list
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e'4
d''4\noBeam
a'4\noBeam
d''4\noBeam
% Measure 2
\clef treble
R4*4
}
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(And, although I've written syntax
hilighting definitions that suit my needs, you're probably better off
writing your own.)
James E. Bailey
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ber suits your needs) for those sections.
James E. Bailey
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this is what you want to do. You are putting notes in
parallel
contexts (different voices) rather than in chords.
It's much more likely that you want
Guitar = \relative c'
{
< e1 g d' g >
< e g d' fis >
< ees g des' fis >
&
ath in Lilypond?
Thanks for your help,
Ralph
I have a 'lily' command that I've set up in bash that calls lilypond
with an included directory for that sort of thing, so even when I
upgrade, lilypond still finds my included files.
James E. Bailey
_
On 01.09.2009, at 04:19, Christian Henning wrote:
\chordmode {
g1 | g4..:sus4 g2 |
Here is your problem. Another way of writing this would be:
g1 | g4~ g8~ g16 g2
The second measure is missing a 16th note.
James E. Bailey
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32= 0.125
and so on...
NO.
Wow, Kieren, I understand now.
A dot increases rhythmic value of each preceeding note by 50%. With
double-and triple dots, the later dots increase the value of the
previous dots.
so:
c4. = c4~ c8
c4.. = c4~ c8~ c16
c4...
se I'm too
lazy to fiddle with the baseline to get the tie where it should be.
James E. Bailey
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Is it possible to get a tempo definition like \tempo 8*5 = 100?
James E. Bailey
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On 30.08.2009, at 11:17, Mark Knoop wrote:
At 21:35 on 29 Aug 2009, James E. Bailey wrote:
I can rotate a character with the \rotate command, but is there a
way to get a mirror of a character, either horizontal or vertical?
to print, for example ə?
"ə" _is_ a rotation of 1
I can rotate a character with the \rotate command, but is there a way
to get a mirror of a character, either horizontal or vertical? to
print, for example ə?
James E. Bailey
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http
time command that can be run from the command line and will
output the timing of the process that follows it. I learned that
because of this query.
James E. Bailey
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nds to complete, whether I do it on the command line or in
LilypondTool.
-Jonathan
Using time on osx 10.4.11 I get:
with generating the pdf:
real0m1.482s
user0m1.206s
sys 0m0.255s
just generating a ps:
real0m1.307s
user0m1.091s
sys 0m0.201s
ond-user mailing list
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http://lists.gnu.org/mailman/listinfo/lilypond-user
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minor }
\score {
\new Staff << \music \keys >>
\layout {}
}
\score {
\new Staff << \music \keys >>
\layout { \context { \Staff \revert Accidental #'stencil } }
}
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ly"
}
>>
>>
\layout {
\context {
\Score
\remove "Bar_number_engraver" % Removes automatic bar number
engraving for each staff line
}
}
% \mi
across
exactly this scenario and decided against it.
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Simon
On 20/08/2009, at 22:48, James E. Bailey wrote:
On 20.08.2009, at 17:39, Simon Mackenzie wrote:
I haven't been able to figure out how to replicate the three
naturals on this music sheet using Lilypond script?
Any ideas?
Simon
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This should be very straightforward. What have you tried and what
hasn't worked? Could you show it in one measure?
James E. Bailey
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Nabble.com.
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I looked in the nano documentation on how to create a syntax
definition. It said that it was all regex. Then I went to wikipedia
and read how to do regex. That's it really. No searching, or maybe I
misunderstand what you mean.
On 19.08.2009, at 01:25, -Eluze wrote:
James E. Bai
m the Gnu - Lilypond - User mailing list archive at
Nabble.com.
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any thanks.
Qian Li
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I think you want Notation Reference section 1.8.1 Text > Text Marks >
(Selected Snippets) Printing marks on every
On 15.08.2009, at 00:46, Reinhold Kainhofer wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Freitag, 14. August 2009 23:13:18 schrieb James E. Bailey:
Look at that, even I need scheme. I wanted to have the time
signature be
3+3+2
8
Apparently this is where Scheme is
(my initial attempt)
Neither of which moves the Time signature to adjust for the wider
space of "3+3+2". So, is there a better way of achieving this?
James E. Bailey
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bit I don't understand. (#:column (one num)) would be the
equivalent of \markup \center-column { one num }, right? How would I
do \markup \center-column {\line {one + two + three} num }?
4) decide if you want to keep the #:vcenter command
Probably no
num) grob)
(grob-interpret-markup grob
(markup #:override '(baseline-skip . 0) #:number
(#:line (
(#:column (one num))
#:vcenter "+"
(#:column (two num
)))
Can someone just do that
On 14.08.2009, at 19:11, Carl Sorensen wrote:
On 8/14/09 9:54 AM, "James E. Bailey"
wrote:
Though I reorganized them for 2.13. Hopefully you'll find this
version easier to read:
http://kainhofer.com/~lilypond/Documentation/notation/index_54.html
- Mark
Thank yo
On 14.08.2009, at 07:52, Mark Polesky wrote:
James E. Bailey wrote:
Reading the documentation, I don't understand why this doesn't work:
\version "2.12.2"
\markup {
\musicglyph #"scripts.zero"
\musicglyph #"scripts.one"
...
}
The glyp
"scripts.four"
\musicglyph #"scripts.five"
\musicglyph #"scripts.six"
\musicglyph #"scripts.seven"
\musicglyph #"scripts.eight"
\musicglyph #"scripts.nine"
}
Can someone help me with what I've misunderstood, and wha
On 12.08.2009, at 19:33, Mark Polesky wrote:
James E. Bailey wrote:
Personally, I think this is an area where knowing too much gets in
the
way. I, for example, have no clue about Scheme. Scheme is, as far as
I'm concerned, what other people do to save typing. In fact, I'm of
t
On 12.08.2009, at 20:41, Mark Polesky wrote:
James E. Bailey wrote:
Really? What can't you do without Scheme?
Algorithmic music.
- Mark
Surely the calculations can be performed outside of lilypond, and
then simply input into lilypond for a score, right? Or am I missing
some
columns.
James E. Bailey
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ple do to save typing. In fact, I'm
of the opinion that there's no need to use Scheme, it's just there if
you know how to use it. So, if you take Scheme out of the lilypond
learning curve, it's actually not that difficult.
James E. Bailey
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don't know if you know about it, but there is a french
speaking mailing list for lilypond users. It's at http://
lists.gnu.org/mailman/listinfo/lilypond-user-fr
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http://l
y understand the logic behind it, but I couldn't find
anywhere that this was explained. Perhaps it is implied in the
notation reference, but it really only mentions bar lines and bar
numbers, but not how cadenzas fit into multi-staff music.
James E. Bailey
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ext-interface::print
\override Staff.Clef #'text = \markup {
\raise #-2.0 {\musicglyph #"clefs.G"}
\raise #0.0 {\musicglyph #"clefs.F"}
\hspace #0.1
}
\clef bass
\key c \minor
\time 3/4
b as g
}
James E. Bailey
lypond code you used that was
unsuccessful? What you've described should work, so perhaps there's
something that's preventing the output you want.
James E. Bailey
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I think this was sent only to me and not to the list.
Begin forwarded message:
From: Hugo Leonardo Ribeiro
Date: 9. August 2009 21:06:06 MESZ
To: "James E. Bailey"
Subject: Re: roman numeral chord notation below staff with pivot
chord brackets?
Did you look at this?
http://lis
horizontal, not vertical, like they
should be. Is there a way to get something that looks like this?
http://media-2.web.britannica.com/eb-media/51/99251-004-92E3F389.gif
thanks for your time.
-lelangir
I would use markup in a lyrics context.
Why do you want to change the value of "\aVariable"? That doesn't
make any sense to me.
I think the corollary to this would be, "why not simply define two
variables in the beginning?"
James E. Bailey
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James E. Bailey
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section 1.5.2 of the Notation
Reference, Multiple Voices.
HTH,
James E. Bailey
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consists "New_dynamic_engraver"
}
}
}
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT
gelato.unsw.edu.au
http://www.ertos.nicta.com.au ERTOS within National ICT
Australia
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For example, é is option-e-e and è is option-`-e. These
can all be seen in the keyboard viewer, which can be accessed from
System Preferences in the Input Menu of the International preferences.
Also, if you're on a macintosh, your editor supports U
parenthesis, and that would show that there is none.
James E. Bailey
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file ;-)
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Wow, this is kind of the last place I'd expect an Aphex Twin
reference. Oh, and I remember first seeing this in my 10th grade
orchestra class.
James
signature?
Thanks,
Jonathan
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this is addressed in the Learning Manual under "Real music example&qu
continue to use it and learn more. A couple of read-throughs of
the Learning Manual to familiarize yourself with the various existing
options, and you should find using LilyPond a lot easier, although I
must say, if you can construct your own macro, you're far better off
than a lot of
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