Mats Bengtsson writes:
>
> Kilian A. Foth wrote:
>
> > Hello list,
> >
> > here is a snippet I've been inputting where I can't seem to move a
> > colliding note away:
> >
> > [...]
> >
> >
> Just replace your \stem
verriding the force-hshift for the g sharp has no effect. Is that
because the d and the g sharp are in different voices? How do I make
them aware of each other? Alternatively, how does one override a beam
to be shorter at one end?
--
Kilian A. Foth
Theodorstieg 6
D-22761 Hamburg
040 - 85
I can't seem to build 2.7.7's user documentation:
Converting to
PNG.../usr/src/lilypond-2.7.7/share/lilypond/2.7.7/scm/ps-to-png.scm:110:3: In
procedure rename-file in expression (rename-file file old):
/usr/src/lilypond-2.7.7/share/lilypond/2.7.7/scm/ps-to-png.scm:110:3: No such
file or d
Mats Bengtsson writes:
> Kilian A. Foth wrote:
> > But how can I make the quarter notes look like half notes? I know I
> > can change the note head *style* with something like
> >
> Did you see section "6.1.11 Scaling durations" in the manual?
Oh, very go
Hello world,
I need to create a tie that stops in the middle of a bar (the final
note of a piece should carry a tie to nowhere to indicate `laissez
vibrer'). Tying to an invisible grace note does not work -- it would
create an additional bar. I reckon I can fill the 2/4 bar with a
quarter note an
Graham Percival writes:
>
> On 14-Mar-05, at 5:54 AM, Kilian A. Foth wrote:
> > \set fingeringOrientations = #'(down up up up up)
> >
>
> What about doing
>
>
> ?
4
Hello list,
I want to set fingerings above and below a massive chord to indicate
that the pianist should `borrow' the left thumb to play the lowest
note of the middle chord. (Yes, I do want the numbers to piled on top
of each other. No, I don't care about wasting vertical space.) So I
write
\re
Erik Sandberg writes:
> On Monday 24 January 2005 12.01, Kilian A. Foth wrote:
> > Greetings,
> >
> > I am having a hard time convincing Lilypond to create a tie between
> > enharmonic variants:
>
> This is nonstandard practise, and hence not easy to do c
Greetings,
I am having a hard time convincing Lilypond to create a tie between
enharmonic variants:
\version "2.4.0"
\score {
\new PianoStaff <<
\new Staff {
\time 4/4 \key des \major
\relative c'' {
4\arpeggio des'8 c
<< { 2 } \\ { \grace{bes16[c]}bes8 as b
Kilian A. Foth writes:
[...]
> Invoking `dvips -t "a4" -u+ec-mftrace.map -u+lilypond.map -Ppdf music'...
>
> kpathsea: Running mktexpk --mfmode ljfour --bdpi 8000 --mag 1+0/8000 --dpi
> 8000 ecrm10
> mktexpk: Mismatched mode ljfour and resolution 8000; ign
Buoyed by my recent success in polyphonic typesetting, I tried to
install LilyPond on my home PC. These are the versions I have:
lilypond 2.4.2
ec-fonts-mftraced 1.0.9
mftrace 1.1.2
tetex 2.0.2
Now, LilyPond creates the .dvi file perfectly, but neither .ps or .pdf
files. It turns out th
Mats Bengtsson writes:
[...]
> > Do you
> > know a way to put alternative lyrics into the same context, so that in
> > the example both `shall' and `shall not' are aligned with the second
> > note?
>
> That's trivial. If you give a
Ferenc Wagner writes:
> > \score {
> > << \context Voice = "melody" { \relative c' { c c c c | c } }
> > \new Lyrics \lyricsto "melody" { we shall o- ver- come } >> }
> >
> > \score {
> > << \context Voice = "melody" { \relative c' { c c8 e c4 c | c } }
> > \new Lyric
Mats Bengtsson writes:
> Kilian A. Foth wrote:
> >
> > Hello list,
> >
> > I am having trouble setting lyrics to a choral part that divides
> > itself for a few bars only.
>
> Hopefully,
> http://lists.gnu.org/archive/html/lilypond-user
Hello list,
I am having trouble setting lyrics to a choral part that divides
itself for a few bars only. Here is an excerpt:
#(ly:set-option 'old-relative)
\version "2.4.0"
\score {
<<
\context Voice = "T" {
\set Staff.instrument = "T." \set Staff.instr = "T."
\key d \
15 matches
Mail list logo
