.
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). This gives the simplest solution in your example:
...
\addlyrics {\set fontSize = #-2 One and Two One and Two }
...
/Mats
Mats Bengtsson wrote:
You should find answers to these questions in the Learning Manual,
especially in Sections 4 Tweaking output and 3.1.2 Score is a
(single
LyricText #'font-size = #-2
} \lyricsto melody { One and Two One and Two }
}
(You can use variables for melody and lyrics to have cleaner \score
block).
Thanks,
Gerard
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}
}
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Graham Percival wrote:
The non-translates docs are 2137 pages. Not a typo; we have over
two thousand pages. (granted, that counts table of contents,
index, LSR extracts, etc... but it's still a lot!)
Not to mention the auto-generated IR which repeats the same information
over and over
.
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, for example. This should be better explained in the text and
I will make a modification to appear in future versions of the manual.
/Mats
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John Mandereau wrote:
The correct command should be lilypond-book --latex-program=pdflatex
--pdf myfile.lytex
pdflatex myfile.tex
What do all (pdf)(La)TeX users on this list think about making
lilypond-book implcitly set latex-program option to 'pdflatex' if the
format is 'latex'
Quoting James Bailey derhindem...@googlemail.com:
On Tue, Jan 05, 2010 at 10:35:07AM +0100, James Bailey wrote:
I have a question. Given this input file:
\documentclass[a4paper]{article}
\usepackage[pdftex]{graphicx}
What;s the pdftex doing in there?
pdflatex always complains if I don't
Jonathan Kulp wrote:
On 20.12.2009, at 17:45, Martin Tarenskeen wrote:
Hi,
Is there an (easy) way to have both lilypond 2.12.x (stable)
and lilypond 2.13.x (devel.) installed and useable on my
system ? I'm always curious to try and test the latest
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Frank Steinmetzger wrote:
Notepad can deal with UTF-8, also in XP, but it has the (bad?) habit of adding
a BOM at the beginning, which confuses every other software that is not a
text editor. Also, I believe to remember that it produces utf16 (always two
bytes per character).
I just
...?
/Mats
Quoting Mats Bengtsson mats.bengts...@ee.kth.se:
Graham Percival wrote:
A couple of comments on the text at
http://lilypond.org/doc/v2.13/Documentation/web/text-input#Text-input:
You never mention that you need a text editor.
Well, the windows and OSX lilyponds come
Quoting Federico Bruni brunol...@gmx.com:
Il 18/12/2009 00:57, Graham Percival ha scritto:
Pretend that you've never heard of lilypond. Does the webpage
answer the questions, or present the information, that you wanted
to know before you got involved?
Quoting Graham Percival gra...@percival-music.ca:
On Fri, Dec 18, 2009 at 01:00:57AM -0800, -Eluze wrote:
http://lilypond.org/doc/v2.13/Documentation/web/development#Development
http://lilypond.org/doc/v2.13/Documentation/web/development#Development
on this page clicking *Manuals* in the top
Graham Percival wrote:
A couple of comments on the text at
http://lilypond.org/doc/v2.13/Documentation/web/text-input#Text-input:
You never mention that you need a text editor.
Well, the windows and OSX lilyponds come with their own text
editor. I admit that I'm just assuming that
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-Eluze wrote:
Austin-36 wrote:
Am I just not entering it right or does it not work for Windows? I open
the dos
prompt and type ...\midi2ly pi-type1.mid and get the error:
'midi2ly' is not recognized as an internal or external command, operable
program or batch file.
Even when I just try
Quoting Patrick McCarty pnor...@gmail.com:
On Thu, Dec 10, 2009 at 2:48 PM, Austin Wiegand
austinshotmail@hotmail.com wrote:
Am I just not entering it right or does it not work for Windows? I
open the dos
prompt and type ...\midi2ly pi-type1.mid and get the error:
'midi2ly' is not
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-Eluze wrote:
I can use \bar |: :| for repeats, but I don't know how to set the
alternate endings manually. Any hint?
you could add a further voice taking care of these repeats:
\\
{
\repeat volta 2 {
s 1 s 1
}
\alternative {
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Mats Bengtsson wrote:
In what sense do you want to combine them? Do you want both score to
appear in the same output PDF file (if so, see
http://lsr.dsi.unimi.it/LSR/Item?id=310) or do you want to have a
single .ly file that produces two separate PDF files (in that case,
use \book
Anthony W. Youngman wrote:
\set Score.markFormatter = #format-mark-alphabet
==
Following up a bit late, I know ...
If you look back at when format-mark-alphabet first appeared, you'll
find I featured prominently (and ineptly :-)
I wanted the
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Carl Sorensen wrote:
On 12/2/09 1:40 PM, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
Why not simply extend the current example so that it shows all the
possibilities? No need to explain in words, especially since the names
are more or less self-explanatory.
Because it's too many
Somewhat related question: Why are you redirected to the 2.12
documentation if you click at Documentation at the top of
www.lilypond.org? It used to point to a list over the documentation for
the different versions.
/Mats
Quoting Neil Puttock n.putt...@gmail.com:
2009/11/25 Hugh Myers
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properties that de facto dealt with only one
particular layout object.
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a
command with two distinct behaviours depending on what its argument is.
Cheers,
Joe
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on here
that I don't understand. Could someone enlighten me?
--hsm
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The general strategy is fairly well described in the LilyPond Learning
Manual, especially in Sect. 4.3.1 Visibility and color of objects, but
also Sect. 4.1 and 4.2 are useful to get the basic concepts and to learn
how to find out what object to modify.
Hmm, at second thought it wasn't that
Quoting Bertalan Fodor (LilyPondTool) lilypondt...@organum.hu:
LilyPond ties the chords. Actually you want separate voices, as a
tie's meaning is different of a slur:
d' f' a' ~ des' f' aes' is actually a polyphonic part, so I think
it should be written like:
{ d' a'( des' aes') } \\ { f'
!
Martin
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Lilypond-book detects what line-width is used in the LaTeX document,
and applies it to the included scores, so in general you should not
have any \paper in the ly files. If you want to do such settings and
have lilypond-book respect them, then you could try adding a \book{...}
block around
There's a very nice solution to this problem available in LSR, see
http://lsr.dsi.unimi.it/LSR/Item?id=333
/Mats
Quoting James E. Bailey derhindem...@googlemail.com:
On 13.11.2009, at 18:07, Richard Sabey wrote:
How can Lilypond be used to create music in free time, with bar
lines only
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Quoting Neil Puttock n.putt...@gmail.com:
Another option is to add the clef to the edge of the repeat barline:
I would probably use a breath mark as a starting point (a similar trick
is shown in http://lsr.dsi.unimi.it/LSR/Item?id=377), whereas the
proper solution would be to first use
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don't understand why I would get the failure.)
Thanks again,
Chip
Mats Bengtsson wrote:
chip wrote:
why would a
\cadenzaOn
c16^Solo Free Time d ef f g2. as4 gs g32 gs g8~ g1 g4 f16 ef d
f d ef c4 ef8 c16 d g,1 \bar c16 d ef f g2 g \glissando g' g16 f
ef d c b a g f e d c4 b2 e b16
}
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Orchestra
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to this mail!
2009/11/9 Mats Bengtsson mats.bengts...@ee.kth.se
mailto:mats.bengts...@ee.kth.se
How about the following:
\version 2.12.2
SSX = #(define-music-function (parser location x) (ly:music?)
#{
\set beamSettings = #'()
\set beatLength = #(ly:make-moment 1 8)
\set
voices with tied chords in a staff.
best regards,
Wilbert Berendsen
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\RemoveEmptyStaffContext remove a line that only has rests, if the line
includes a pickup like r4.
/Mats
Original message
From: Mats Bengtsson mats.bengts...@ee.kth.se
Sent: 30 Oct 2009 10:00 +01:00
To: Bertalan Fodor lilypondt...@organum.hu
Cc: Erik Appeldoorn ursus.k...@ziggo.nl, lilypond-user@gnu.org
/lilypond-user
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case.
/Mats
Thanks
Kris
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luck!
Kieren.
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Federico Bruni wrote:
oldwhtman wrote:
Using Lilypond 2.12.2, I'm trying to create midi output from guitar
tablature
notation and I get an 'empty' midi file. The manual fails to specify
that
the \midi { } block needs to be at the end of the \score { } block.
But I
figured that out.
, like a \breathe tends
to be placed behind it.
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Francisco Vila wrote:
2009/10/15 Mats Bengtsson mats.bengts...@ee.kth.se:
The simplest is to do
\mark \markup{ \musicglyph #scripts.upbow }
and
\mark \markup{ \musicglyph #scripts.downbow }
/Mats
For some reason this gives an oversized glyph;
For the simple reason
Valentin Villenave wrote:
On Wed, Sep 30, 2009 at 1:52 PM, Mats Bengtsson
mats.bengts...@ee.kth.se wrote:
However, your feature request is certainly relevant, so I forward it to the
bug mailing list.
Don't we already have a no music in this file error message?
`aliteralmind': could
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Trevor Daniels wrote:
\once\override Slur #'positions = #'( 4 . 0 )
(Note that the slur positions are not continuously
variable - changing them seems to cause discontinuous
jumps in position sometimes. I don't know why.)
Since LilyPond first prepares a list of possible slur shapes to
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David Stocker wrote:
Hi Roland,
Using \voiceTwo to set stems, ties and dots to go down/under works on
\repeatTie in 2.13.4. Interestingly, with \voiceTwo in force, \tieUp
affects everything but the \repeatTie.
Of course, since \tieUp is a shorthand for \override Tie #'direction =
#UP,
Often, you don't have to explicitly write out any \score{...} block in
your file, see
http://lilypond.org/doc/v2.12/Documentation/user/lilypond-learning/Introduction-to-the-LilyPond-file-structure#Introduction-to-the-LilyPond-file-structure
However, your feature request is certainly relevant,
%}
%}
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Regards
Rodolfo
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{
\RemoveEmptyStaffContext
}
}
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Henning Hraban Ramm wrote:
and at least in my installation
of 1.13 there's no german.ly (must investigate further...)
No, but there is a deutch.ly, so
\include deutch.ly
is probably what Alexander had in mind.
/Mats
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are the stems still (partly) visible?
Thanks in advance
Marc
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}
Maybe it's of interest to some of you, I only wanted to let you know.
Regards,
Christian
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How about:
#(define (not-negative-page layout props arg)
(define (ancestor layout)
Return the topmost layout ancestor
(let ((parent (ly:output-def-parent layout)))
(if (not (ly:output-def? parent))
layout
(ancestor parent
(if (not ( (chain-assoc-get
-styles
If you just want the stem, but no note head, use
\override NoteHead #'transparent = ##t
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rendered as a glyph, it's rendered
in a standard upright font. (This is to distinguish editorial trills.)
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The builtin support for different noteheads is shown at
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Note-head-styles#Note-head-styles
but a skilled Scheme hacker should be able to produce other shapes as
well, if needed.
/Mats
Stefan Thomas wrote:
Dear community,
is it
Marc Hohl wrote:
Pierre Couderc schrieb:
What is the best way for a book with Lilypond extracts in it?
I have tried LaTeX with lilypond book, but I get mixs of lilyponds
'images with other images.
What am I missing?
I am not sure that this solves your problems, but you can tell LaTeX
Trevor Daniels wrote:
Does this not work when inserted immediately before
the first full bar on the line? (I haven't actually
tried it)
\once \override Score.BarNumber #'break-visibility = #'#(#t #t #t)
Why not write it as
\once \override Score.BarNumber #'break-visibility = #all-visible
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Jonathan Wilkes wrote:
One thing I don't get is why, in NR 5.1.6 is there a need for the
following:
\consists Note_heads_engraver
\consists Text_engraver
These are already part of the Voice context because of the use of
\alias, so isn't this redundant?
No! \alias does something
Graham Percival wrote:
It sounds like your input contained e-natural and b-natural. You
probably wanted to write ees and bes in your input file.
Seriously, have you read the tutorial? If so, why did you skip
over the big warning about accidentals? This is the second person
recently to not
Copied to the bug mailing list, since it seems that the generated
lilypond-words files are not complete.
-Eluze wrote:
i searched with a simple regex in C:\Program
Files\lilypond\usr\share\lilypond for definitions and found over 200 missing
terms - i hope they have been added since
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?
an additional question of course is, if you found *all* lilypond
expressions, functions or whatever - how many results did you get?
tia
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Trevor Daniels wrote:
Mats Bengtsson wrote Wednesday, August 19, 2009 5:15 PM
(see also
http://lists.gnu.org/archive/html/lilypond-user/2005-05/msg00016.html
which exploits an still undocumented feature/bug).
Hhm. This doesn't seem to work with Voice
contexts. If you take the first
Carl Sorensen wrote:
You forgot that tabStaff needs tabVoice, and both of your constructs used
Voice contexts, instead of tabVoice contexts.
The first, ... \\ ... , implicitly creates Voice contexts.
The second explicitly creates Voice contexts.
I think you've found a good enhancement
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Quoting James E. Bailey derhindem...@googlemail.com:
You'll need \voiceOne and \voiceTwo (and \oneVoice) for this
construction. You may also need to name your second Voice context.
For reference, you'll want to re-read section 1.5.2 of the Notation
Reference, Multiple Voices.
Don't forget
Quoting Simon Mackenzie smac...@me.com:
Ok it appears to be a scoping issue.
So I need to declare variables outside the \book scope? Is this correct?
But if my script file is included inside a \book scope how can i then
declare new variables inside this scope?
You can't! All variables are
Reinhold Kainhofer wrote:
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Am Dienstag, 4. August 2009 01:29:56 schrieb Trevor Daniels:
Jonathan
Stupid of me! I gave the correct analysis of
your problem but the wrong solution!
You should use a phrasing slur, \( .. \)
instead of a slur, (
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