Mats Bengtsson schrieb:
There's no need for trial and error. If you want the text exactly
centered with the music, then you can use
\markup {
{
\general-align #Y #CENTER foo
\general-align #Y #CENTER \snip
}
}
which sets the alignment point of both the text and the \snip
on the
Dominic Neumann schrieb:
For italicizing the word Officiant I tried to put this before the
\set ... command:
\override VocalName #'font-shape = #'italic
But it didn´t work. If you say LyricText instead of VocalName it
works, but that´s not what you wanted.
Use
\override
Palmer, Ralph wrote:
I'm trying to write out a cue, and I want the instrument name below the
lower voice, but I can't get the right combination. First, I can't get
the stem on the first note to go up. In the following code, I don't
understand why the two quarter notes have their stems going
Klaus Muth schrieb:
How do I hide the notehead for single Notes? I succeeded in making them
invisble in using a ridiculous tiny size:
\once \override NoteHead #'font-size = #-20 a
but this is a really ugly hack ;). Is there a better solution?
There is a 'transparent' property which has
Hi Jamie, hi everyone,
I didn't have the time to work out how this could be implemented in lily
itself. But given the combined power of lilypond and scheme, I thought
it must be possible to write a music function which implements this.
After some trial and error, I have come up with the attached
Graham Percival schrieb:
This has been fixed in 2.11; please wait until the next stable release
(2.12) comes out.
http://code.google.com/p/lilypond/issues/detail?id=98can=1q=collision%20numbers
On that page it says that the fix already happend in 2.11.5. Looking at
the git diff output, Joe at
Joe Neeman schrieb:
Is there an easy way to make this setting only work in the former case?
(Hm, probably not, otherwise it would probably already be implemented;))
Of course, it's not a big deal to add the padding property manually to
each score if needed, but I think eventually lily should
Werner LEMBERG schrieb:
Please assist Graham, by specifying more exactly where these
sentences should be included into the doc, or even better include
them yourself, see
http://lilypond.org/web/devel/participating/documentation-adding
Hm, perhaps adding it to mf/README? These details are
Sorry! I just realized that for whatever reason I didn't send this
email. Here it is, finally.
Kevin Dalley schrieb:
You also need to describe where to attach the stems. A few sentences
on this would be nice for the documentation.
Sure. There are two special variables called 'charwx' and
Trevor Bača schrieb:
In the following snippet I want the two staves to be exactly 5 staff
spaces apart even though this will cause the g'4 in the bass to
overprint the c'4 in the treble. But it doesn't work.
In your example, you use a *pair* of two numbers to specify the vertical
positions
Klaus Muth schrieb:
How can I - if at all - design my own noteheads?
Of course you can. Note, however, that it requires a knowledge of
metafont, and you need to recompile lilypond to actually use the new glyphs.
Metafont was written by Donald Knuth almost thirty years ago (as a
counterpart to
Nicolas Sceaux schrieb:
Here is the structure of your function:
setAltStaff =
#(define-music-function (parser location style lowerOctave upperOctave)
(string? number? number?)
(if #t
#{ ..foo.. #})
#{ ..baz.. #})
The function return the last form, which
Nicolas Sceaux schrieb:
The music expression that is finally inserted into the surrounding music
is what is *returned* by the music function, that is, the last form.
Ah, that's point. Thanks for the hint! I'm sure this will help me quite
a few times in the future (when I finally find the time
The crescendo at the beginning of the second line is
much longer for Alto and 2nd Bass than for Soprano, Tenor and 1st
Bass, and
of course it's not supposed to.
Do you want the longer crescendos to be shortened or vice versa? I
suppose the latter because otherwise you would
The response lyrics are supposed to begin with a special text symbol
that is a capital 'R' that has a slash through it. Does anyone
know of a lilypond or LaTeX symbol that does this?
I've looked for such a thing in the past without success.
The symbol is contained (apparently) in the
Trevor Bača schrieb:
I saw Vivian's request a couple days' back and didn't think an answer
would be possible.
To tell you the truth, when I read the request I was absolutely certain
that an answer *is* possible because I am more and more getting the
feeling that both lilypond's and scheme's
Hi Vivian,
I posted a message to this list a few days ago about automatically
center-aligning some text under a Hairpin object (for example molto or
poco ) but haven't received any responses. Whilst I've found how to
combine markups using combine-at-edge I can't find how to center-align
one
Kamal schrieb:
How can I make the key signature start appearing at the beginning of the
second line not the end of the first line?
You will find an example in the Lilypond Snippet Repository (which
generally is a great resource for neat tricks). Go to
http://lsr.dsi.unimi.it/
and enter
Kamal schrieb:
This worked fine.
But I have another case which is key cancellation:
\key a \major
c c c c
\break
\key c \major
c c c c
Try inserting
\override Staff.KeyCancellation #'break-visibility =
#end-of-line-invisible
somewhere before the
Hi Paul,
before an official solution is found maybe something like the code
below is a bit closer to what you have in mind. It is based on the
definition of \slashSeparator in ly/titling-init.ly, but the result is
still a bit ugly and not precisely what you want because the 'flat ends'
of the
Mats Bengtsson schrieb:
There's no need to send bug reports on problems that already have a
FIXME comment in the source code (possibly unless you want to give
it very high priority).
Oops, sorry. My fault. I wasn't aware of this, but of course I could and
should have guessed it.
Max
Another comment (off-topic): Are you sure you do not want the hyphens to
appear centered between the syllables, which can be done by entering,
for example,
schla -- fen
instead of
schla- fen
? Just a thought ...
Cheers,
Max
___
lilypond-user
Graham Percival schrieb:
Vivian Barty-Taylor wrote:
I would suggest putting a note on the backend pages of the Program
Reference. It seemed such a logical thing to just do \once \override
DynamicText #'padding = #4 that I didn't even check if that was
possible. (I then remembered that the
In this rhythmic snippet, the perferatory spacing on only the very
first system collapses down to nothing (compared to the remaining
three systems). Is there any way to control this amount of
system-initial spacing and make it equal that of the remaining three
systems?
Aha. The solution is
Trevor Bača schrieb:
Hi Max,
Check chapter 11.4 in the next couple of days for a substantial
expansion of the proportional docs, which goes into a considerable
amount of detail on all of these settings, complete with pairs of
contrasting examples.
Am I correct to suppose that these
Trevor Bača wrote:
[... a very long and equally excellent description concerning the scope
of layout settings ...]
In the end I think Han-Wen is right that the naming of \layout and
\paper is unfortunate. All the settings in \layout and \paper are very
clearly page layout settings, which
Han-Wen,
thank you for your very fast and helpful answers!
A few more comments/questions/suggestions.
\once \override NoteHead #'style = #'harmonic
\once \override NoteHead #'glyph-name = #'2harmonic
if you set glyph-name, style is no longer necessary.
That's what I thought
Hi everyone,
a couple of days ago Trevor asked for help with regard to a certain
special note head (a black diamond of 'harmonic' style, where a white
one already existed). Since Trevor sent his initial request on the
lilypond-user list but I feel that -devel is the right place to get the
Mats Bengtsson wrote:
How about
g g\breve
Nice one :)
However, in the output the two notes seem to overlap (not only the
vertical bars around them but also the noteheads). This also happens
with normal whole notes but not with half notes or shorter durations.
Is this intended or is it a bug?
Hi Trevor, hi everyone,
The following might be of interest to folks using proportional
notation. If there's any general interest (of if Graham wants it to be
so) then I'll retype the following as an addition to 11.3.4
Controlling spacing of individual systems.
Awesome!! This is exactly what
Hi there,
being rather limited in time at the moment I was very pleased to see that
nonetheless I might have a chance to contribute. I don't know if anybody
already started working on the tasks Graham proposed but I presume they would
have posted it on list.
Adding avoid-slur settings to
Hi everyone,
I wonder if is there neat way to create a text spanner similar to this:
string gen do
The syllables string and do can obviously be set by the edge-text property.
But how to account for the gen part?
It is certainly possible to place two spanners side by side in the
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