e
}
}
}
\include "piece1"
\include "piece2"
...
---
This creates a bunch of Midi files and a single PDF file.
Peter C
spacing events in
it. Otherwise, dynamics are per-voice.
Peter C
>>
\layout {
\context {
\FretBoards
stringTunings = #guitar-tuning
}
}
}
Peter C
> "David" == David Sumbler writes:
David> What I should like to know is 1) how can I use drum and other
David> untuned percussion sounds? 2) I notice that fluidr3_gm has
David> dozens - probably hundreds - of extra sounds and instruments
David> beyond the standard 128. How can I access the
ake the default editor point to something else.
Peter C
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Sandro> I'm producing lead sheets with lyrics, melody and chords
Sandro> and would like to extract from them som blank sheets with
Sandro> just lyrics and chords so that players can take their notes
Sandro> (for solos or arrangements).
You could always just put an empty stave in parallel with
\new Staff \relative c'' {
\key bes \major \time 4/4
bes4 f g g |
f es d8( c) bes4
}
}
by something like
\halveDurations { music ... }
It'd be fairly easy to write a music function that does this, but I
wanted to ask first if there was on
Thank you so simple
On 26 October 2017 14:55:40 BST, Pierre Perol-Schneider
wrote:
>Hi Peter,
>
>\override Beam.breakable = ##t
>
>should solve your problem.
>See :
>http://lilypond.org/doc/v2.19/Documentation/notation/writing-rhythms
>
>Cheers,
>Pierre
eat
volta 2 to play the tune twice.
Peter C
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\time 4/4
\key c \major
g a b c |
c1
}
alto = \relative c'' {
c4 d c e
}
tenor = \relative c' {
c4 b a g |
}
bass = \relative c {
c4 g e c
}
\score {
\new Staff {
\tune
<<
\new Voice { \voiceOne \alto }
\new Voice { \voiceTwo \tenor }
\new St
> I would like to change the trill speed in the midi output. I tried to
> change the "#(define..." like in the following code but without success.
> Any suggestion?
> \version "2.19.81"
> \include "articulate.ly"
> #(define ac:maxTwiddleTime (ly:make-moment 1/240))
> \score {
> \articulate {\ti
>>>>> "peter" == peter writes:
>> I would like to change the trill speed in the midi output. I tried
>> to change the "#(define..." like in the following code but without
>> success. Any suggestion?
peter> When I was writing the trill c
> "J" == J Martin Rushton writes:
J> to set a composition which starts with a single instrument before
J> bringing in the whole ensemble. I don't want to break it up into
J> multiple scores because I want the midi to play through as a single
J> performance.
Something like this? I think it
;4 e'' f''}
partB={c' c' c' c' c' c' \stemUp c' c' }
\partCombine \partA \partB
Peter Wannemacher
>>>>> "Peter" == Peter Crighton writes:
Peter> Hello all, I’m in the process of creating sheets that only
Peter> contain lyrics and correctly aligned chords. (This belongs to
Peter> other sheets with music in them, otherwise LilyPond probably
Peter> wouldn’t
> "Guy" == Guy Stalnaker writes:
Guy> Phil, That was what I found :-) But unless I'm mistaken, one must
Guy> use those directives for *every* time signature change. Thus if I
You can do it once for each time signature you're going to use.
\version "2.18.2"
\score {
<<
% Beam 4/4 at cro
> "Michael" == Michael Ellis writes:
>>
>>
>> Well, in this case you don't have any conflicting music in the two
>> Voice contexts (because the \structure isn't a printed music
>> voice). So you can simply leave out the \voiceXXX commands and
>> you're ready.
What's more, is there a reas
> "Br" == Br Samuel Springuel writes:
Br> 1) Some notes that don't collide (to my eye), are getting shifted
Br> as if they did. When the same pair of notes are set as a chord,
Br> there is no shift. Clearly there's a difference between what
Br> lilypond considers a collision between notes
> "Br" == Br Samuel Springuel writes:
Br> On 2014-12-21 12:20 AM, pe...@chubb.wattle.id.au wrote:
>> As both cases have the same stem direction one has to be shifted.
>> Usually if you want two voices you either give them separate
>> staves, or give one the \voiceOne and the other the \voiceT
x27;d do it as
\relative c' {
\partial 8 d8
\repeat volta 2 { d4 d8 d }
\alternative { { d4. d8 } { d2 } }
d8 d8 d8 d8 d2
}
Peter C
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us, but I simply can't find it. Maybe I'm just plain stupid,
that's another possibility, but I'm not willing to accept that yet :-)
Thanks,
Peter.___
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Hi,
I'm trying to download the install file for windows, but I keep getting the
error message "Internet explorer cannot display the web page".
I am using win xp pro, internet explorer 7.
Any ideas?
Thanks,
Peter
___
lilypond-us
worthwile to
learn to work with it or that I have to look for another notation program
to reach my goal. (until now I worked with Sibelius, but that program can
not do this job.)
Thank you.
Peter
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https
Greetings,
I would like to input portions of my score in absolute.
How do I turn off \relative?
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Use 'S' instead of a rest. It will leave a blank area.
(Sorry -- I have to top post from my phone. )
Peter Wannemacher
--Original Message--
From: worshipgeek
Sender: lilypond-user-bounces+peter=mainegeek2go@gnu.org
To: lilypond-user@gnu.org
Subject: N.C. symbol in chord
>>>>> "Bertalan" == Bertalan Fodor (LilyPondTool)
>>>>> writes:
Tim Reeves wrote: Peter Chubb wrote:
Lilypond uses a separate volume channel, rather
than velocity, to control MIDI dynamics. There's a perl script
Hi Haipeng,
I'll take a look later today. Thanks for the bug report.
Peter C
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arsalMark #'self-alignment-X = #left
\mark "refrein"
\refrein
}
\score {
<<
\akkoorden
\noten
>>
\layout {}
}
%<<<<<<<<<<<< end here
The result is like this:<>
Notice the staircasi
to be me :-)
Cheers,
Peter.
I'm trying to `save' snippets of chords in variables, like I do
with plain notes, and then combine them in score. The problem I
have is that each separate part of chords appears on a new line,
as shown in the attached picture.
(Mac OSX 10.3.9
.g. the measure numbers) are too close to the
staff, and collides with the notes.
- Using the form S1*n \coda does not put the coda sign at the end of
the nth measure, but right at the beginning. Bug?
I've included the 'master' file for your amusement
On 27-apr-04, at 22:51, Peter wrote:
I'm just starting with Lilypond,
Oh, I forgot... lilypond (GNU LilyPond) 2.1.37
on Mac OSX 10.3.3
Cheers,
Peter.
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rightHand = \relative c' {
\repeat volta 2 {
\partial 4 f4
c4 d e f |
c4 d e
}
\repeat volta 2 {
f4 |
c4 d e % f
}
f4 |
}
\score { \unfoldRepeats \rightHand }
--
Peter ChubbTel: +61 2 9490 5852 http://ts.data61.csiro.au/
Trustworthy Systems GroupCSIRO's Data61
eful.
A happy 2021 to all Ponders - may it bring vaccinations,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Christian,
Thanks Christian. How one is meant to know this I have no idea. Maybe it was
meant to be in the missing 3rd chapter of the Extending manual.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, January 1, 2021, 12:38:33 PM, Christian Masser
h, maybe a list of all the publicly
available functions and their descriptions, but I suspect it would be far too
long and need constant updating, which is not something that the LP documenters
like for obvious reasons. Could it be mechanised?
Best regards,
Peter
mail
Learning Manual, where ways
of finding the correct section in the Internals Reference are discussed.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, January 1, 2021, 5:01:27 PM, Pierre Perol-Schneider wrote:
I've added the github link in the
David,
Wow! Thank you! It works in 2.20.0 as well.
It seems I'm only 5 years out of date.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, January 1, 2021, 5:19:10 PM, David Nalesnik wrote:
Hi Peter,
On Fri, Jan 1, 2021 at 10:46 AM Peter
;this is a verse"
"it really could be worse"
--
Peter Chubb
Thanks that looks pretty much like what I want.
I felt sure that someone would have done it already!
--
Peter C
e) and I'd
have to uninstall it. I don't remember this happening before - is this a new
feature? I don't want to uninstall older versions of LP as I might need them
again.
All the best,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
David,
Of course! My eyesight's not too good and I misread the suggested directory
name. Thanks.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, February 9, 2021, 10:01:23 PM, David Wright wrote:
> On Tue 09 Feb 2021 at 16:42:58 (+
lt;<
\hideNotes e4.)
\new Voice {
\voiceOne
\absolute f4.\rest
}
>>
}
\\
\relative
{
e,2.~ \hide Stem 4.~ 4 \revert Voice.Stem.transparent s8 |
2. s2.
}
>>
}
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Christian,
Thanks very much. Why didn't I think of using the lower voice for the rest?
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Monday, February 15, 2021, 4:01:00 PM, Christian Masser wrote:
Edit: I forgot the \hide Stem command , but it
r the next
few bars (which are repeats of the 2nd bar). I can probably do this by myself
but may come back for more help!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Monday, February 15, 2021, 6:00:15 PM, Christian Masser wrote:
If you excuse the second
cted (there are some of these in the
score).
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Monday, February 15, 2021, 5:43:26 PM, Christian Masser wrote:
Dear Peter,
I fear, this one was easy to miss, given the screenshot you sent us. ;)
It looks like
Thanks Andrew - a bit late as you say, and I've already adapted Christian's
solution. But it's probably the best one.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Wednesday, February 17, 2021, 7:35:06 AM, you wrote:
> Chiming in some
t may turn into a LilPond question depending on the answer,
though)..
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Hello Kieren,
No I don't - it's expensive and as I don't do this for money I really can't
afford it.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, February 19, 2021, 4:17:29 PM, Kieren MacMillan wrote:
> Hi Peter,
>
Just the one chord. I'll try that unless anyone else here comes up with a
better suggestion. I was really asking whether there's an accepted way of doing
it.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, February 19, 2021,
this would confuse the lexer horribly. No doubt some rules could be written to
resolve this, but it would need some recoding. Easier to stick with using
quotes.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
> Message: 2
> Date: Fri, 5 Mar 2021 18
Yes, it's documented in the Notation Reference Manual section 3.1.5 File
Structure. It doesn't seem the obvious place to put the syntax of variable
names.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
> Message: 4
> Date: Sat, 6 Mar 202
nt section.
I'd do the mods myself, and tried to do some earlier, but had difficulty in
getting a Linux to work under a VM on my Windows machine. Unfortunately my
health is a bit precarious and I can't take on any long-term projects.
Best regards,
Peter
mailto:lilyp...@pto
Thanks for putting me right yet again. I'm not quite sure what you mean by
'resized'. q4 is surely legal?
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, March 7, 2021, 12:09:30 PM, David Kastrup wrote:
> Peter Toye writes
actually should use them).
Examples: "foo bar", "a-b-c", "Horn 3".
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
cted.
\version "2.22.0"
\language "english"
{
\transpose c a,
\relative {
c'4 d e f g a b c
\transpose as bf
{cs, ds es fs gs as bs cs}
}
}
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Thanks Christian. Not sure why that happens (bug?) but that works fine.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, March 12, 2021, 10:59:03 AM, Christian Masser wrote:
Hi Peter!
It seems that \transpose treats the block of notes following
David (and others),
Thanks to all - I hadn't checked the NR before trying it out. Usually I'm
transposing an entire score where this issue doesn't apply. Stupid me.
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, March 12, 2021, 4:49:31 PM, Dav
fewer keystrokes.
I'm sorry that this request has degenerated into a theological dispute as to
the relative merits of \relative and \absolute. Both of them support different
ways of working, and it's a question of which suits whom.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye
ich black notes were sharps
and which were flats. I seem to remember that it got the cor anglais solo from
the opening of the 3rd act of 'Tristan und Isolde' right except for one note
which, to be fair, Wagner could have notated either way. But it's not a trivial
task.
Best regard
"Bar_engraver"
\override BarLine.bar-extent = #'(-2 . 2)
\override ChordName.Y-extent = ##f
\override ChordName.Y-offset = -1
\override ChordName.X-offset = 0.5
}
}
\paper {
indent = 0
}
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
On Wed, 24 Mar 2021 at 18:35, Jean Abou Samra wrote:
> Le 24/03/2021 à 15:15, Peter Crighton a écrit :
> > I am working on some chord charts, sheet music that only includes one
> > ChordNames context. See the reduced example below.
> >
> > I am now running into a p
On Wed, 24 Mar 2021 at 21:11, Jean Abou Samra wrote:
> Le 24/03/2021 à 20:06, Peter Crighton a écrit :
>
> On Wed, 24 Mar 2021 at 18:35, Jean Abou Samra wrote:
>
>> Le 24/03/2021 à 15:15, Peter Crighton a écrit :
>> > I am working on some chord charts, sheet m
On Wed, 24 Mar 2021 at 22:31, Jean Abou Samra wrote:
> Le 24/03/2021 à 22:06, Peter Crighton a écrit :
>
> Thank you. It fixes the error, so the score at least compiles again. But
> it sadly also renders my use of \override
> RehearsalMark.outside-staff-priority = ##f useless.
On Wed, 24 Mar 2021 at 23:40, Peter Crighton wrote:
> On Wed, 24 Mar 2021 at 22:31, Jean Abou Samra wrote:
>
>> Silly me, the code was plain wrong. Here is a fixed version.
>>
> That works beautifully in my test file, thanks a lot! I’ll test it more
> tomorrow in my ac
On Thu, 25 Mar 2021 at 11:36, Peter Crighton wrote:
> On Wed, 24 Mar 2021 at 23:40, Peter Crighton
> wrote:
>
>> On Wed, 24 Mar 2021 at 22:31, Jean Abou Samra wrote:
>>
>>> Silly me, the code was plain wrong. Here is a fixed version.
>>>
>> That wo
d any method to manually override the slash size. Any
ideas?
Thanks,
Peter
--
Peter Crighton | Musician & Music Engraver based in Mainz, Germany
http://www.petercrighton.de
On Sat, 17 Apr 2021 at 08:22, Jean Abou Samra wrote:
>
> Le 16/04/2021 à 23:19, Peter Crighton a écrit :
> > when using \magnifyStaff it seems as though the dots of a percent
> > repeat sign will scale accordingly, but not the slash. I cannot
> > imagine th
\markup {
\note {2.} #UP
=
\note {2} #UP
}
|
\time 2/4 r2
}
}
See http://lilypond.org/doc/v2.22/Documentation/notation/music for the
markup syntax. Earlier versions used #"2." instead of {2.} for the
durations.
Peter C
27; g' |
d'4 c' b' |
\set Score.repeatCommands = #'((volta #f) (volta "2.") end-repeat)
r2.
\set Score.repeatCommands = #'((volta #f) end-repeat (volta "4."))
g'4 a' b' |
\set Score.repeatCommands = #'((volta #f))
c'2.
}
\score {
\test
}
--
Dr Peter Chubbhttps://trustworthy.systems/
Trustworthy Systems GroupCSE, UNSW
>>>>> "Peter" == Peter Chubb writes:
>>>>> "Ralph" == Ralph Palmer writes:
Ralph> I've gone slightly crazy on a couple of occasions, trying to
Ralph> figure out how to change a volta number, either to a different
Ralph> number(s)
our you want ...
\version "2.22.0"
lyricBlack= { \revert LyricText.color }
lyricRed = { \override LyricText.color = #red }
verse = \lyrics
{
Black text \lyricRed Red Text \lyricBlack Black Text
}
\score {
<<
\new Staff \new Voice=tune \relative c'' { a4 a a a | a a2. }
\lyricsto tune \verse
>>
}
Peter C
> "bob" == bobroff@centrum is writes:
bob> For different output in score vs part you can use tags.
bob>
http://lilypond.org/doc/v2.18/Documentation/notation/different-editions-from-one-source.html
You can also create a 'global' music to put in parallel with each
part. E.g.,
\version "2.2
I wanted to look at a thread in Nabble, but nearly all of the messages say that
they were deleted by the author. Is something wrong here?
It's happening on all the threads I've looked at, so it can hardly be a mass
desertion of contributors.
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Jean,
Thanks. The references to "email thing" made me wonder if this was about
something else.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, June 25, 2021, 5:58:35 PM, Jean Abou Samra wrote:
> Le 25/06/2021 à 18:56, Peter
Newbie question.
Is it possible to indent another line than the default first line ?
(in this attached sample the third line)
Many thanks
Perfect.
Many thanks !!
Original message
From: Leo Correia de Verdier
Date: 10/07/2021 16:09 (GMT+01:00)
To: Peter Struys
Cc: lilypond-user@gnu.org
Subject: Re: Indentation of 3rd line of music (instead of the default first one)
There is this snippet at the lsr that could
That solves the problem indeed.
Many thanks for yr fast reply.
Original message
From: Knute Snortum
Date: 10/07/2021 16:12 (GMT+01:00)
To: Peter Struys
Cc: lilypond-user@gnu.org
Subject: Re: Indentation of 3rd line of music (instead of the default first one)
I would use a
I'm using PartCombine for the first time to produce a piano reduction, and have
found a slight problem. Because the dynamics are a bit complex I want to remove
them from the piano part, but adding \remove "Dynamic_engraver" to each piano
staff has no effect. What am I doing wrong please?
\vers
David,
Thanks. There's another reason I want to remove the dynamics though:
partCombine gets the endpoints of the hairpins wrong, which is a bit of a
disaster. I can try to produce a MWE.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, Sept
s. Quite a lot
of a capella music is published that way.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Friday, September 17, 2021, 8:02:52 PM, Kieren MacMillan wrote:
> Hi Peter,
>> partCombine gets the endpoints of the hairpins wrong,
Hi Carlos
I've had a similar problem, and I think the documentation for glissandoMap is
a bit misleading as it seems to imply hat you need a gliss line for each note.
I've suggested a documentation patch to clarify.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www
Valentin,
Thanks - with a few more additions that works fine!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 8:11:45 AM, Valentin Petzel wrote:
> Hello Peter,
> If you want to get rid of all dynamics in the piano red
I'm trying to set a passage of vocal music with a short solo line. But the
example below shows that the lyric is not attached to the correct staff. Any
ideas how to get it right simply?
\version "2.22.1"
\language "english"
{
\new Staff = "Tutti" {
<<
\new Voice = "TuttiVoice" {
Hello Lukas-Fabian,
Thanks. I knew I'd missed something.
With regard to the quotes - I was following the latest documentation.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 2:28:00 PM, Lukas-Fabian Moser wrote:
Thanks David,
Lukas-Fabian got there first!
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 3:21:27 PM, David Kastrup wrote:
> Peter Toye writes:
>> I'm trying to set a passage of vocal music with a short
Thanks Knute,
I posted it in the bug-lilypond list - I'll forward that directly to you and
Carlos.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 4:54:14 PM, Knute Snortum wrote:
> Do you know what you want to ch
I need to extend the width of a glissando so that it's visible. There isn't
room between the dot and the accidental for any meaningful symbol. As you can
see, I've tried various tweaks but none of them has any effect.
\version "2.22.1"
\language "english"
{
\override Glissando.style = #'zigza
ference
point for a hairpin? The start, the middle, the end? (The phrase is also used
in other contests, such as octave placement in NR section 1.1.1, to add to the
confusion).
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, September 19, 2021, 5:10
I want to change the "=" to "~" or "ca." in a metronome mark but I can't see
how to do it. There's a 'stencil' property but I assume that refers to the
entire MM and not the equals sign. Can someone please help?
Thanks in advance
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
Paul,
Thanks - I hadn't realised this. Now I see it's in NR.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, September 28, 2021, 10:18:20 AM, Paul Hodges wrote:
> On 28/09/2021 10:02:24, "Peter Toye" wrote:
>>
that using LP's parsing mechanisms is the right way to go
about it, and I'd offer to help if my health allowed. Is there anyone on this
mailing list who knows about it? It's something I will probably need soon.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
k on later versions of
LilyPond.
It would seem to me that using LP's parsing mechanisms is the right way to go
about it, and I'd offer to help if my health allowed. Is there anyone on this
mailing list who knows about it? It's something I will probably need soon.
Best reg
Agreed, but it's possible that someone here might know more about this project
and now it's getting on.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Tuesday, October 5, 2021, 12:53:43 PM, m.tarensk...@kpnmail.nl wrote:
> lilypond-to-music
. And I don't have a contact for him to ask - is he on this mailing
list?
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Wednesday, October 6, 2021, 8:05:12 PM, Jean Abou Samra wrote:
> Le 05/10/2021 à 13:08, Peter Toye a écrit :
>> Sorry -
Hello Jan-Peter,
As I wrote, my personal immediate need has now gone away.
Everyone seems to agree that some form of exchange mechanism between music
engravers is needed, but there are many different exchange formats and with
such a complex subject writing an exporter is a really heavy task
Thanks very much Harm, but as I no longer need it, I shan't go ahead. If I need
it later I'll resurrect this thread.
The reason I like Jan-Peter's approach is that it appears to abstract the music
from the details of presentation. But I've not looked into it much.
Is there a command to page break to the next verso (even numbered) page?
This would add a blank page if the current page number was even or simply
put in a page break if the page number was odd.
colours but being
normally-sighted I can live with it.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
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Sunday, January 2, 2022, 5:01:11 PM, lilypond-user-requ...@gnu.org wrote:
> Send lilypond-user mailing list submissions to
> lilypond-us
. I'm sure these effects are windows related and nothing really to do with
Lily or Fresco they just annoy an 80 year old intensely. Lily as ever is
brilliant.
Regards Peter
Ken,
'With pedal' means that the composer wants you to use the pedal at your
discretion. Not much help to MIDI I'm afraid.
I suggest you play through the piece, noting what sounds good and put explicit
pedal markings in, but this won't help the next performer who may have
completely differe
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