Neil Puttock a écrit :
On 4 March 2010 22:14, Philippe Hezaine philippe.heza...@free.fr wrote:
Sorry to carry on a monologue but...
I can even say that when I only write a single time signature like 3/4 in a
single variable the resulting TimeSig in midicomp is 4/4 yet.
Can you post a sample
Philippe Hezaine a écrit :
Philippe Hezaine a écrit :
Hi,
In the Gigsaw's process I use Timing_translator in midi block like this:
\midi {
\context {
\Score
%%%\remove Timing_translator
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
\context { \Staff
Martin Tarenskeen a écrit :
On Thu, 4 Mar 2010, David Raleigh Arnold wrote:
So why on earth is conversion from velocity to volume in decibels an
issue? If you are using ppp pp p mp mf f ff fff why convert at all?
Just use velocity. Regards, daveA
That was not the issue being discussed
Hi,
In the Gigsaw's process I use Timing_translator in midi block like this:
\midi {
\context {
\Score
%%%\remove Timing_translator
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
\context { \Staff
\consists Timing_translator
}
Philippe Hezaine a écrit :
Hi,
In the Gigsaw's process I use Timing_translator in midi block like this:
\midi {
\context {
\Score
%%%\remove Timing_translator
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
\context { \Staff
\consists
Trevor Bača a écrit :
Hi Philippe,
Nice rhythms :)
What is confusing about the previous thread?
Trevor.
Hi,
As I said perhaps I don't understand very well the purpose and I need
some enlightenment.
Why to write a 4/5 time signature if you find the resulting audio are
the same with a 4/4
Brett McCoy a écrit :
On Thu, Feb 18, 2010 at 7:27 PM, Peter Chubb
lily.u...@chubb.wattle.id.au wrote:
I had a quick look at what it would take to generate notes with
different velocities instead of just CC 7 events. It's harder than it
should be: dynamic events always come after the notes
Hi all,
I want to come back on this amazing thread dated of November 2007:
http://lists.gnu.org/archive/html/lilypond-user/2007-11/msg00436.html
Perhaps I don't understand very well the purpose and I need some
enlightenment.
I attach a file where you could see and hear a comparison between 4/4
miquel parera a écrit :
Hello.
I want translate the dynamics of one note (\, \ff etc) to midi
velocity values (0-127) I'ts possible?
Thanks.
Look at midi.scm in /usr/share/Lilypond
HTH.
--
Phil.
___
lilypond-user mailing list
Philippe Hezaine a écrit :
miquel parera a écrit :
Hello.
I want translate the dynamics of one note (\, \ff etc) to midi
velocity values (0-127) I'ts possible?
Thanks.
Look at midi.scm in /usr/share/Lilypond
HTH.
...or put this in a .ly file and call it with an \include (Thanks
Bertalan Fodor (LilyPondTool) a écrit :
Hi, I always wanted to ask: Is Gigsaw is a typo instead of the correct
Jigsaw, or is it intentional?
Thanks,
Bert
Once I wrote on LAU list to ask for a difference between Puzzle and
Jigsaw and made a typo by writing gigsaw. After some answer I
Hi,
Lilypond uses a separate volume channel, rather than velocity, to
control MIDI dynamics. There's a perl script `ConvertToVeolcity.perl'
that can convert the midi output and add velocity info to each note.
That's a bug then. Musically \p means velocity change and not volume.
Where do
Hi all,
Here comes an UPGRADE of The Drummer's Gigsaw:
Le Puzzle du Batteur - The Drummer's Gigsaw.
Polymetric editor for drums and percussions with midi velocities.
NEW:
* This upgrade has overcome all the previous midi limitations. Now you
can write up to 47 simultaneous instruments (not
Werner a écrit :
Try the following test-file.
Note: version 2.12.2
Just for the record even anywhere you put a \break in your file
with an empty layout the right-margin is not taken in account.
set-global-staff-size doen't matter.
Possibly it bears a rapport to...
However I cannot try in 2.13
Philippe Hezaine a écrit :
Note: version 2.12.2
Just for the record even anywhere you put a \break in your file
with an empty layout the right-margin is not taken in account.
set-global-staff-size doen't matter.
Possibly it bears a rapport to...
However I cannot try in 2.13
Ah! Yes! Sorry
Philippe Hezaine a écrit :
Hi all,
i'm wondering if I can get rid of this issues:
1. The output is OK but I have many Avertissement : échec du contrôle de
mesure (barcheck) in the console because of the whole rests. Of course
the Gigsaw's process follows the same way. I read the answer
Oops! I forgot to join 0-mydrums-style2.ly with my file.
It's more easy like that.
--
Phil.
\version 2.12.0
#(define mydrums-style2 '(
(acousticbassdrum () #f -3)
(bassdrum () #f -3)
(sidestick cross #f 1)
(acousticsnare () #f 1)
(snare () #f 1)
(handclap
Hi all,
3 new books are published:
Le-Puzzle-du-Batteur-VIRTUAL-ROCK-BASE-en-5-4 + MY-SONG file.
Le-Puzzle-du-Batteur-VIRTUAL-BLUES-BASE-en-5-4.
Le-Puzzle-du-Batteur-VIRTUAL-ROCK-BASE-en-7-4.
%%%
WHAT IS A VIRTUAL BOOK?
In this book
Wilbert Berendsen a écrit :
Hi all,
After exactly one year of development since the release of Frescobaldi 0.7
(with that number because it followed LilyKDE 0.6.x) I'm very delighted to
announce the release of Frescobaldi 1.0.0.
Download:
Hi all,
A whole update is available:
http://philippe.hezaine.free.fr/spip.php?article46
- README TUTORIELS in pdf. (not completely translated)
- All the old patterns + updates are in La Bibliothèque.
- 2 drumkits-GM for Hydrogen with Timidity's samples.
- A basic drumkit-GM for csDrummer
Hi all,
There are six new BASES for the Gigsaw.
Indeed all the previous Gigsaw's patterns are definitively
rewritten to suit of the new version.
You'll find Country, Dance-Disco-Techno, Hip-hop and more..., Reggae,
Jazz and Rock BASES at:
(Look at the left panel and download what you like.)
Hi all,
No! No! No! I'm not goadING you (oh! My God!) and the Gigsaw is not a
'Pata cult (see http://en.wikipedia.org/wiki/%27Pataphysics )
-Hé! may be a good old slingshot though -
but still there is a new BASE.
You'll find CHA-CHA-CHA BASE here:
Hi all,
I'm not goaded you and the Gigsaw is not a catapult, but there was a
bug about ride bell (rb) hence a new version.
You must DELETE or RENAME the old installed version before you'd
decompress the new one.
http://philippe.hezaine.free.fr/spip.php?article46
By the way there is a
Hi all,
I publish this BLUES-BASE in a relatively rough state for two reasons:
Firstly you can try more deeply the Gigsaw as it's explained in the
README+Tutoriels. I assume and believe it's working for you though I
still get a single feedback from a guy running AV Linux. Good news! It
is
Patrick Horgan a écrit :
Just out of curiosity, (since I don't play, nor read, drum music), I
compiled this with lilypond version 2.13.4 on ubuntu. It built the
output, but with many complaints like:
GNU LilyPond 2.13.4
Processing `test.ly'
Parsing...
Interpreting music... [8]
Preprocessing
The Drummer's Gigsaw: 2nd edition.
There is a gap in the free world about to find pre-built drums patterns
as a drum machine. As the novice as the song’s composer who wants to
outline an arrangement, the assessment is: there’s still no consistent
free database about drum patterns. The project Le
rosea grammostola a écrit :
Philippe Hezaine wrote:
Philippe Hezaine a écrit :
Hi all,
Here is the new Puzzle du Batteur-The Drummer's Gigsaw.
Published under GPLv3 or later Licence, at this time it's only available
for Linux.
Forget the old versions and first of all read the README
rosea grammostola a écrit :
About your project. I like the fact that you do something with Lilypond,
but I don't know the goal of the project very well and so I don't know
if it's interesting for me personaly.
\r
Here is the old introduction of the Gigsaw, when it was the Drummer's
Free
Philippe Hezaine a écrit :
Hi all,
Here is the new Puzzle du Batteur-The Drummer's Gigsaw.
Published under GPLv3 or later Licence, at this time it's only available
for Linux.
Forget the old versions and first of all read the README.
Feedbacks, suggestions, criticisms are welcome, of course
David Raleigh Arnold a écrit :
On Sun, 06 Sep 2009 20:49:50 +0200
Grammostola Rosea rosea.grammost...@gmail.com wrote:
David Raleigh Arnold wrote:
On Sun, 6 Sep 2009 18:53:37 +0100
Graham Percival gra...@percival-music.ca wrote:
On Sun, Sep 06, 2009 at 12:23:28PM +0200, Grammostola Rosea
Wilbert Berendsen a écrit :
Op vrijdag 19 juni 2009, schreef Wilbert Berendsen:
If this remains a problem, I'll be glad to alter Frescobaldi and make it
possible that users enter a path to the desired MIDI player, independent of
the OS default one.
I just did :)
best regards,
Wilbert
Hi,
It's a little bit annoying thing.
I have installed it on Gentoo with the ebuild improved on the
Frescobaldi's site. All is right. But when i save, compile and want to
play the midi, a box opens where i have to write *each time* the path
from timidity. It doesn't record the info for later.
Hi all,
Here is the new version of the Gigsaw:
http://superbonus.project.free.fr/spip.php?article44
If you use it, any feedback is welcome.
Cheers.
--
Phil.
Superbonus-Project (Site principal) http://superbonus.project.free.fr
Superbonus-Project (Plate-forme d'échange):
Hi all,
Here come some DANCE DISCO patterns put into the TECHNO book:
http://philippe.hezaine.free.fr/spip.php?article50
And there the first part of ROCK book:
http://philippe.hezaine.free.fr/spip.php?article42
Compared with the previous releases you'll find:
- For the .ly files: the bar
Hi all,
Some Hip-Hop, Rap and derived patterns from a contributor here:
http://philippe.hezaine.free.fr/spip.php?article31
In this release i changed the midi.scm by default.
I wanted to try a new set of dynamics for the percussions.
You'll find the results in the folder: midi+newveloc.
I also
Hi all,
For the New Year here comes two new styles for the Gigsaw:
SWING:
http://philippe.hezaine.free.fr/spip.php?article25
TECHNO: (Subtle ears, don't download!)
http://philippe.hezaine.free.fr/spip.php?article50
New Year greetings for all.
--
Phil.
Superbonus-Project (Site principal)
M Watts a écrit :
Actually, there is a way, but it's just something to muck around with,
and takes a lot longer than scrawling stuff by hand on a sheet of ms paper.
Mididings, the python-based midi router from
http://das.nasophon.de/mididings/, includes a 'diatonic harmonizer',
which
Ed Ardzinski a écrit :
Hi Phil. What a solid piece of work! You've just made my project go
from 95% done to 50%!!! Some techniques have not known are in this, and
when I'm done I might have some jazz/rock beats to add.
Thanks!!!
Thanks. Please do.
Phil.
Hi all,
You'll find the COUNTRY-patterns here:
http://philippe.hezaine.free.fr/spip.php?article40
I've tried some experiments with the velocities.
If you want you can contribute, make new patterns, make a new
notebook... etc...
And i'll add your name as a contributor below the dedication.
You
Hi all,
I carry on with the Gigsaw.
Here is a separate notebook with some Cha-cha-cha patterns.
http://philippe.hezaine.free.fr/spip.php?article39
Cheers.
--
Phil.
Superbonus-Project (Site principal) http://superbonus.project.free.fr
Superbonus-Project (Plate-forme d'échange):
Hi all,
It has been several months that i was not amongst yours.
Here are the first two notebooks from a project of drums patterns and
more... published under a Free Art License. (formerly the Drummer's Free
Art)
http://superbonus.project.free.fr/spip.php?article44
I'm very proud to announce
Aaron Morse a écrit :
I want to be able to place something like:
\relative c'' {
g'4 g8 g8 g4. g8
}
Into a drum-staff, to show a rhythm above the staff. At first I
thought of changing the notehead of one of the cymbals to a regular
notehead, but I can't seem to figure out how to do that.
[EMAIL PROTECTED] a écrit :
Bonjour,
Voici le texte entier de mon problème: toto.ly
Et voici ce qu'il me génère : toto.log
J'ai beau repasser tout cela dans ma tête et feuilleter la doc, je ne
m'en sors pas. Est-ce que qqn peut m'aider a comprendre pourquoi cela
ne fonctionne
Graham Percival wrote:
philippe hezaine wrote:
For the second problem, I can't send my mail to the bug-lilypond
mailing list.
It seems that I am top-posting. (?)
Please read
http://lilypond.org/web/devel/participating/bugs
In addition, your example is not short enough; please follow
solution). The second problem you mention seems like a bug, so I
recommend you to send an short and concise example (well, as short
as it can be) to the bug-lilypond mailing list.
/Mats
Quoting philippe hezaine [EMAIL PROTECTED]:
Hi list,
version 2.10.14
With the example below, you can see
Hi list,
version 2.10.14
With the example below, you can see the markup overlap the copyright
and doesn't match the second page because it is too long.
Somebody knows a solution? Or perhaps I want a markup too long.
In an another case, if the markup fill up only the first page, the
first
Mats Bengtsson wrote:
The second problem you mention seems like a bug, so I recommend you to
send an short and concise example (well, as short
as it can be) to the bug-lilypond mailing list.
/Mats
Quoting philippe hezaine [EMAIL PROTECTED]:
Hi Mats,
For the second problem, I can't send
Tom Alsberg wrote:
Hi there...
I was just into beginning to learn using LilyPond - figuring it will
be a nice tool to learn to use, and being fond of music and of nice
typographical output, although not much of a musician myself.
I was beginning my typesettings, one year ago, with some
Mats Bengtsson wrote:
This is a well-known bug in the MIDI output. The problem is that you
never specified any absolute dynamics (like \p or \mf or \ff or ...)
before the crescendo, so LilyPond has no idea on what dynamics to start
the crescendo. For some silly reason, it then doesn't start at
version 2.8.5
Hi list,
I don't understand why i've this message in this little polyphonic extract.
Lilypond compile but programming error is always annoying.
And i haven't found anything in the archives with this thread.
Calculating line breaks... [2]
programming error: no heads
://lists.gnu.org/archive/html/lilypond-user/2005-12/msg00016.html
for an example that does this.
I'm not sure this really answers your question, but it's clearly
impossible
to recreate the exact problem you describe without having an example
that includes both staves.
/Mats
philippe hezaine wrote
Hi
version 2.8.1-4 (Fedora 4)
After reading in the list, I have built a template for put several
midifiles in one file .mid
(see below)
Is it possible, in a similar way, ie. with the identifiers upperun,
upperdeux ...
and then score, to make a template for the layout ? (with indent for the
Hi.
After reading in the list, I have built a template for put several
midifiles in one file .mid
I was once looking for a tool to concatenate the files that lilypond
generates from several \score blocks.
What you propose is *not* that. You just put everything in a single
\score, and of
Hi.
(Please, tell me if it run for you)
When you provide a code snippet, you should make sure that it contains
valid syntax, so that one doesn't have to fiddle to make it compile.
Hmm...
Of course, it run for me. It's a valid syntax.
As it is, it's not!
[...etc (lines 15, 18, 22), ...
Hello
\version 2.8.1-4
I found this in the documentation :
When a second alternative of a repeat starts with a tied note, you
have to repeat the tie.
This can be achieved with \repeatTie.
It's very good and working OK.
Have we a similar way for a Slur or a phrasingSlur in a second
alternative
Paul Scott wrote:
2.8.1 and 2.9.1 convert-ly gives:
[EMAIL PROTECTED]:/jen/paul/music/stfrancis$ convert-ly -e *.ly
Traceback (most recent call last):
File /usr/local/lilypond/usr/bin/convert-ly, line 39, in ?
import lilylib as ly
File
CTRL-Z
Here it says:
import optparse
/Mats
philippe hezaine wrote:
Paul Scott wrote:
2.8.1 and 2.9.1 convert-ly gives:
[EMAIL PROTECTED]:/jen/paul/music/stfrancis$ convert-ly -e *.ly
Traceback (most recent call last):
File /usr/local/lilypond/usr/bin/convert-ly, line 39, in ?
import
Han-Wen Nienhuys wrote:
Mats Bengtsson wrote:
Strange, the struct module is standard in Python (at
least in versions 2.3 and 2.4). Could it possibly be that
Python is split into several packages for your Linux
distribution and that you have only loaded the base
package? To verify if it's a
Hi
Ho yes! I'm a scatterbrain. ( ... not to mention cut and paste error in
\voiceOne
{ \stemDown es,8 instead bes,8 but, fortunately, it'sn't
important for the discussion.)
I migrate to the lilypond-user-fr
The Program reference is too difficult for me and I'm in a inextricable
It's a reply from himself.
I want to cancel my first e-mail titled: note-collision in Schumann
My ly.file and requests are confused, because i'm looking for in any way.
I'm trying to be clearer, step by step. I quite trust in lilypond.
I'm going to begin again. It's a thorny problem for me.
Hi
Excuse me. My first post was too big. I've removed the scans.
I'm French and newbie with lilypond. If possible, reply with easy sentences.
I rather prefer lilypond than go game, but sometimes ...
I'm typesetting Berceuse (Schlummerlied op124 n°16) of Schumann. Here is
my ly.file. I've put some
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