Matthew Collett ihug.co.nz> writes:
>
> On 23/07/2011, at 6:26 am, Ruud van Silfhout wrote:
>
> > I saw that in January of this year a new feature called compoundTime
signatures
> > is introduced in Lilypond. A good effort. compoundTime specified the timing
of
&
I saw that in January of this year a new feature called compoundTime signatures
is introduced in Lilypond. A good effort. compoundTime specified the timing of
each measure. However, for church music (esp. hymns) this does not suffice.
What
you see there is that multiple meters are specified a t
Hi Eduardo,
I managed to get a version that works. Below you can find a "corrected"
score. What you see in the score is that the lyrics are now "connected"
to a certain voice. In the case of the normal verses (1, 2 and 3) they
are connected to the "voiceB" voice and the lyrics for the second
//www.tex.ac.uk/cgi-bin/texfaq2html?introduction=yes.
/Mats
Ruud van Silfhout wrote:
Hi TeXnicians?,
I'm (again) working on a version of a hymne book I have been working
on before. I is written lilypond and LaTeX.
Before I have worked on a version for the people in church, now I
have
Hi TeXnicians?,
I'm (again) working on a version of a hymne book I have been working on
before. I is written lilypond and LaTeX.
Before I have worked on a version for the people in church, now I have
to make a special version for the church choir.
I have a TeX variable containing the number of
Peter Mogensen wrote:
Ruud van Silfhout wrote:
As I am just an amateur regarding music notation I have a question
concening the attached piece of music.
The natural shown below the last note, is that meant as a natural
normally placed before the note? And is this an alternative (standard
As I am just an amateur regarding music notation I have a question
concening the attached piece of music.
The natural shown below the last note, is that meant as a natural
normally placed before the note? And is this an alternative (standard)
notation for accidentals? And if so, can this be don
Roman,
I have rewritten your lilypond file slightly, so now it produces at
least the music in the order you were looking for.
The idea is that you define the structure of the output tyo be produced
(i.e. the \score part) separately from the text.I used the \lyricsto
command instead of the add
MultiMeasureRest #'thick-thickness and thickness of vertical bars at ends
with \override MultiMeasureRest #'hair-thickness. Still haven't found the
third wanted component: length of vertical end bars.
- Bruce
-Original Message-----
From: Ru
Bruce,
Apart from a MultiMeasureRest object, also a MultiMeasureRestNumber
object and a MultiMeasureRestText object exists.
You can find this information in the program reference
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond-internals/Multi_005fmeasure_005frest_005fengraver.h
andrew Black wrote:
Hi
I am fairly new to lilypond. I have RTFM-ed but am rather confused
by the number of ways of adding lyrics to a score. My confusion
might be caused by not understanding what \new and \context does.
My basic requirement is
- SATB, each one line
- piano part
It seems to
Hi,
Still busy converting Mutopia files I ran into the a piece containing a
Slur attachment = (head . head).
It looks as though it is either not translated into an appropriate new
attribute of Slur (by convert-ly) or it is gone in 2.4.3.
I tried to look on the mailing lists, but I could not acces
. \oneVoice changes the behavior to the 'normal'
way of displayng, so th rests are placed on their normal position.
BTW: Which lilypond version are you using?
Bye,
Ruud van Silfhout
- Original Message -
From: "P Scott Horne" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTE
Hi Aaron,
depending on the version of lilypond you are working on (therefor always
mention the version of lilypond you are using), put
\context { \RemoveEmptyStaffContext }
in the \paper block (version < 2.4) or in the \layout block
Regards,
Ruud van Silfhout
- Original Message -
F
user/2004-11/msg00494.html
This syntax is briefly described in
http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/Music-expre
ssions-explained.html#Music-expressions-explained
Have fun!
Regards,
Ruud van Silfhout
- Original Message -
From: "Aaron Dalton" <[EMAIL
; { \global c1 c }
\new Staff \notes \relative c' { \global c c }
>>
\new StaffGroup <<
\new Staff \notes \relative c' { c1 c }
\new Staff \notes \relative c' { c c }
>>
\new Staff \notes \relative c' { \global c1 c }
\new Staff \notes \relat
lined to change the
tie direction, as this looks much better
Thanks in advance!
Bye,
Ruud van Silfhout
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.
Regards,
Ruud van Silfhout
- Original Message -
From: "Mats Bengtsson" <[EMAIL PROTECTED]>
To: "Jean-marc LEGRAND" <[EMAIL PROTECTED]>
Cc: "Lilypond bug" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Sent: Wednesday, October 27, 2004 6:32 PM
Mutopiaproject.org'.
Bye,
Ruud van Silfhout
Mutopia Maintainer.
email: Ruud.vanSilfhout(at)Mutopia.project.org
PS. I crossposted this to the lilypond-user group as the
rest collision problem is something that lilypond has done
better in the past.
% Updated to Lilypond 2.2.5 by Ruud van Silfho
Hi,
As a maintainer of the Mutopia project I volunteered to get
the (sometimes) very old versions of the lilypond files to
at least the level that they run through the the stable
version of lily (I run the 2.2.5 version on cygwin as there
is no 2.2.6 version available). Keeping up-to-date version
,
a Voice context and a lyrics context in a Voice; I'am amazed it worked
anyway in the original situation
Have fun!
Ruud van Silfhout
- Original Message -
From: "Maurits Lamers" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Thursday, October 14, 2004 4:48
t you can do is redirect the lilypond output to a separate
sub-directory by using the -o option on the command line. That gets
rid of the generated intermediate files.
Regards,
Ruud van Silfhout
- Original Message -
From: "Will Oram" <[EMAIL PROTECTED]>
To: <[EMAIL P
good idea to share it with you. If it is good
enough it can also be added to the set of available
templates for lily.
Regards,
Ruud van Silfhout
PS. Han-Wen, Jan: Will I be seeing you both at the EJE
concert tonight?
---8< snip snip
\version "2.2.0"
\header {
texidoc = "
/v2.3/input/out-www/wilhelmus.ly.txt)
shows how you can do this.
Apart from what you need, I would also prefer a definable left margin to
align and
offset the left side of the text lines.
If you need another example, I can send you one privately.
Regards,
Ruud van Silfhout
- Original Message
Hi Han-Wen,
That was what I initially thought, that it would only work on PianoStaff's
only.
On my initial question I got the anwer that it would work on other staffs as
well!!
Regards,
Ruud van Silfhout
- Original Message -
From: "Han-Wen Nienhuys" <[EMAIL PROTE
The tenor voice is normally
typeset with the G_8 clef. For the organ music in the cue notes,
the clef is a normal G.
What is the correct way to do this?
I am currently working on lily version 2.2.0, cygwin
Regards,
Ruud van Silfhout
\version "2.2.0"
bassMusic = \notes \relative c { \ti
if this is possible, how should I do that?
Regards,
Ruud van Silfhout
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Hi Feri,
The string in the set statement must be prefixed by a #; so:
\set Staff.midiInstrument = #"choir aahs"
I assume (I did not try it though) this will work.
Regards,
Ruud van Silfhout
- Original Message -
From: "Ferenc Wagner" <[EMAIL PROTECTED]>
To
n I instruct TortoiseCVS to operate correctly?
Regards,
Ruud van Silfhout
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; to "i.sh"
4. It was not quite clear from the install pages that I had to install the
guile-devel
package too as well as the gettext-devel package.
I agree with the remark on the Install pages that building lily is an
involved process.
I hope that these remarks will contribut
tion = #'(), so the
noMarkup is not needed.
I did not test this, but I'm pretty sure it will work.
But I would prefer a solution that is built into lilypond to cope with
composed time signatures.
I already have made a specification for it and as soon as I have some other
work f
Hi,
I added a simple example (at the bottom), in case it is a bug.
Regards,
Ruud van Silfhout
- Original Message -
From: "Ruud van Silfhout" <[EMAIL PROTECTED]>
To: "Lilypond user" <[EMAIL PROTECTED]>
Sent: Saturday, April 24, 2004 3:36 PM
Subject: Note m
directly on top of the note.
Somewhere between version 2.1.18 and version 2.2.0 this is changed,
so now the \note does not move up two staff lines anymore.
I tried the \raise markup command, as well as the \combine but they
both failed.
Is this a bug or is there another way of moving the
text.
in lily I use
\override Score.LyricText #'font-size = #3
Thanks,
Ruud van Silfhout
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Hi,
In the 2.2.0 documentation, in the appendix describing all
context properties, I see that 'stanza' is defined of type
'markup'. This gives me the impression that something like
\set stanza = \markup { \huge "1. " }
should work in a Lyrics context. However it does not.
\set stanza = "1. "
work
Hi,
In the piece of music below a part of the music is without measures (senza
misura).
When the senza misura part finishes, it is common AFAIK to first show the
time-signature again.
How do I force to re display the \time 3/4 ? Furthermore I want the lyric
extender and the end of the
text to ext
Hi Will,
Forcing a line break can be done using \bar "empty" \break
Bye,
Ruud
>-- Oorspronkelijk bericht --
>To: [EMAIL PROTECTED]
>From: Will Oram <[EMAIL PROTECTED]>
>Subject: Cadenza Breaks
>Date: Wed, 3 Mar 2004 16:32:51 -0500
>
>
>I'm not on the lilypond list for the time being, due to the
A question:
In music that is used by non-musicians, like for example hymnes in a songbook,
it is quite common to use a way of displaying multi measure rests (with skipBars
set to ##t), which are shorter than 10 measures in length, but display in
the same style as the display style shown by lilypond
Is it possible to rotate text before the Staffs. In choir music printing
I use, it is quite common to print a text like "Chor" rotated by 90 degree
ccw. Is this something that can be done with lilypond.
Bye,
Ruud
>-- Oorspronkelijk bericht --
>From: Han-Wen Nienhuys <[EMAIL PROTECTED]>
>Date: Tu
HI,
Last week I started typesetting a piece of music, which needed boxed rehearsal
marks. In the documentation I found the way to do this and it works nicely.
In need to repeat the rehearsal marks every ten measures, so I defined
rehearsalMarks = \notes { "boxing code here"
s9 \mark "1" \repe
Hi Alb,
if you add \dynamicUp or \dynamicDown to your score you can force the dynaics
to be shown above or below a staff. to revert to the original mode, whre
lilypond is free to choose, you can use \dynamicBoth. See online manual
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Dy
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