https://lilypond.org/doc/v2.25/Documentation/snippets/rhythms_003a-entering-several-tuplets-using-only-one-_005ctuplet-command
--Steven
From: lilypond-user-bounces+panteck=hotmail@gnu.org
On Behalf Of Sebastian Menge
Sent: Saturday, September 7, 2024 12:03 PM
To: lilypond-user@gnu.org
Subje
If you wanted to avoid having an external server, you could always use Docker.
I’ve been running LP in a Docker container on my mac for a couple of months
now, and it’s worked flawlessly.
--Steven
From: lilypond-user On
Behalf Of Austin Blaser
Sent: Tuesday, March 5, 2019 7:20 PM
To: Karlin
\set tieWaitForNote = ##t
http://lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms
--Steven
From: lilypond-user [mailto:lilypond-user-bounces+panteck=hotmail@gnu.org]
On Behalf Of MING TSANG
Sent: Friday, May 26, 2017 6:35 PM
To: Lilypond-usermailinglist
Subject: help to tie in
I've found that whenever I install a new font on my computer, I wind up in this
state.
That being said, I can recover back to normal speeds by deleting the
C:\Users\\.lilypond-fonts.cache-2 folder. The first build after doing this
will be slow (because it's rebuilding the font cache), but afte
On 7/25/16, 3:26 PM, "Thomas Morley" wrote:
2016-07-25 22:45 GMT+02:00 Steven Weber :
> I’ve found lots of various ways to make a multi measure rest longer, but
I’d
> like to make one shorter. I’m trying to typeset a piece with a cadenza,
and
> the standard
I’ve found lots of various ways to make a multi measure rest longer, but I’d
like to make one shorter. I’m trying to typeset a piece with a cadenza, and
the standard \cadenzaOn and Off have some issues I haven’t figured out how to
work around yet (specifically, bar lines in the cadenza keep sho
Is there an easy way to determine if a KeySignature grob is present because
of a key change event, or just because a new line was started? The Clef gob
has a non-default property that contains this info, but it doesn't have a
value for KeySignature, and I couldn't find any other property that look
Is there any way to get the context from a grob? Or is there another way to
get the current bar number from a grob?
I’m writing an after-line-break function and would like to know what bar number
the grob is in:
#(define (after-break-function grob)
(newline)(display “whatever code gets
Is there a way to include files via scheme? Basically, what I want to do is
have a function that takes a directory parameter, and includes all of the
.ily files in that directory.
I think I've seen something similar to this before, but my google-fu is
failing me today.
Thanks!
--Steven
You don’t need the \\ between the two alternative blocks:
\alternative {
{ a2. }
{ a2.~ | a2 r4 }
}
—Steven
From: on behalf of Marcos
Press
Date: Tuesday, January 26, 2016 at 9:35 AM
To: Lilypond List
Subject: alternative problem in repetition
Hi list!,
Can anyone try these and t
Hey everyone!
I've got a question about typesetting partials in the middle of a piece and
what their bar number should be.
If you have a partial at the beginning of a piece, the bar number is
(essentially) 0 - it doesn't count as far as bar numbers go. Because of
that, I assumed that parti
Interesting. I'm running on Windows - maybe that's the problem!
--Steven
From: Simon Albrecht [mailto:simon.albre...@mail.de]
Sent: Tuesday, June 16, 2015 3:26 PM
To: Steven Weber; 'lilypond-user'
Subject: Re: After-line-breaking behavior?
Am 17.06.2015 um 00:12
Is there any way to guarantee that the order of items processed through
after-line-breaking is the exact order they are in the score? I'm doing
some fun things with bar lines, and I'm having issues because my scheme code
isn't getting them in the order I expect. In the attached file, for
example,
Because you're in 4/4 and didn't tell Lilypond that the alternative bars
were in 3/4. See
http://lilypond.org/doc/v2.18/Documentation/notation/long-repeats for
details on how to fix this.
--Steven
-Original Message-
From: lilypond-user-bounces+panteck=hotmail@gnu.org
[mailto:lilypond
I'm monkeying around with how barlines are displayed, and I've run across a
problem with repeats at breaks (double bar on the previous line, start
repeat sign on the start of the next line). Whenever I attempt to override
the stencil in any way, I lose the || bar at the end of the line (it gets
re
I finally managed to hack together highlighting code for key signatures that
does what I want (ignores the initial key signature, and only highlights key
signatures at the beginning of the line if it was broken across the line).
But, my code feels.inelegant. In particular, I'm using a global v
As part of my ongoing project to typeset "highlighting" marks I've hit
another problem: I'm trying to highlight repeat bar lines, but the
highlighting code keeps interfering with my skylines. Since I'm manually
placing it (for the moment) and doing so in a negative layer, I'd like to
tell lilypon
You guys are awesome! Took me a little bit to piece everything together, but
here's what I wound up with. It's almost exactly what I want - I still need to
figure out how to highlight clef changes in the first bar without highlighting
the initial clef indicator, and how to deal with clef modif
Since I always highlight clef changes in my music and I have access to a
color printer, I thought it'd be more efficient to let Lilypond do the
highlighting for me. I wrote a handy function that places a filled-box
behind the clef grob, and it works great, as long as I add it manually for
every cl
http://lsr.di.unimi.it/LSR/Snippet?id=772
--Steven
From: lilypond-user-bounces+panteck=hotmail@gnu.org
[mailto:lilypond-user-bounces+panteck=hotmail@gnu.org] On Behalf Of Trevor
Baca
Sent: Thursday, April 16, 2015 11:33 AM
To: lilypond-user
Subject: Double- and triple-tonguing art
Try s0harmonic instead of s2harmonic
--Steven
From: lilypond-user-bounces+panteck=hotmail@gnu.org
[mailto:lilypond-user-bounces+panteck=hotmail@gnu.org] On Behalf Of Trevor
Baca
Sent: Wednesday, April 15, 2015 10:48 AM
To: Pierre Perol-Schneider
Cc: lilypond-user
Subject: Re: Are
\tupletUp, \tupletDown & \tupletNeutral.
http://www.lilypond.org/doc/v2.18/Documentation/learning/within_002dstaff-objects.nl.html
--Steven
From: lilypond-user-bounces+panteck=hotmail@gnu.org
[mailto:lilypond-user-bounces+panteck=hotmail@gnu.org] On Behalf Of Knute
Snortum
Sen
I've been playing around with the MarkLine context that's been floated
around on this alias a couple of times. It does everything I want, with one
small bit of weirdness. If I have a rehearsal mark immediate following a
line break, the bar number gets pushed up from its usual position. I'm not
e
You can always manually override the beaming:
c16 c \times 2/3 { c8[ c16] }
\times 2/3 { c8[ c16] } c16 c }
--Steven
-Original Message-
From: lilypond-user-bounces+panteck=hotmail@gnu.org
[mailto:lilypond-user-bounces+panteck=hotmail@gnu.org] On Behalf Of luis
jure
Sent: Wednesda
Nicolas Sceaux wrote a brilliant \keepWithTags function that does the first
option:
http://lists.gnu.org/archive/html/lilypond-user/2007-01/msg00635.html
--Steven
-Original Message-
From: lilypond-user-bounces+panteck=hotmail@gnu.org
[mailto:lilypond-user-bounces+panteck=hotmail@
-Original Message-
From: James Lowe [mailto:james.l...@datacore.com]
Sent: Tuesday, June 14, 2011 1:58 PM
To: Steven Weber; lilypond-user@gnu.org
Subject: RE: Can you make MultiMeasureRests ignore spaces?
Hello
From: Steven Weber [pant
-Original Message-
From: James Lowe [mailto:james.l...@datacore.com]
Sent: Tuesday, June 14, 2011 10:16 AM
To: Steven Weber; lilypond-user@gnu.org
Subject: RE: Can you make MultiMeasureRests ignore spaces?
Importance: Low
Hello,
--
From: lilypond-user-bounces
I'm trying to separate my layout from my notes - what I'd like to have is
something like:
Notes =
{
R1*4/4*4 |
}
Layout =
{
s1*4/4*1 |
s1*4/4*1 |
s1*4/4*1 |
s1*4/4*1 |
}
\score
{
Excellent! Thanks (and an extra thanks to Neil!)
--Steven
-Original Message-
From: Jay Anderson [mailto:horndud...@gmail.com]
Sent: Sunday, September 12, 2010 10:09 PM
To: Steven Weber
Cc: lilypond-user@gnu.org
Subject: Re: Chords with unequal durations
On Sun, Sep 12, 2010 at 10:06
I'm trying to typeset a chord that needs to look like this:
I've tried using <\tweak #'duration-log #4 c \tweak #'duration-log #4 e
g>2., but that gives me dotted quarters. I tried using the Dots object to
hide the dots on the quarter notes, but that effects all of the dots in the
chord, not
Here's a solution I use for "easy" harp music where all C's and F's are red
and blue. I'm cutting and pasting from several different files, so this
might not be in the right order, but at least it'll give you a good starting
point:
#(define (pitch-to-color pitch)
(cond
((e
I'm typesetting some harp music, and I'd really like to be able to setup the
automatic accidentals to be kind of a mix of modern and forget - I want
accidentals on every measure like modern, but I want the cautionary
cancellation to appear the first time the non-accidental note appears
(regardless
Concat should work, but only if youre using 2.11.
The easy way to fix this problem is to save your files in UTF-8 format
then you can use the suggested subtitle without any issue. If youre
running on Windows, you can open the file in Notepad, and choose File->Save
As, and set the Encoding
Use the (cond) expression. Here's a simplified version of your
pitch-to-color function that colors all c's red and all f's blue:
#(define (pitch-to-color pitch)
(cond
((eqv? (ly:pitch-notename pitch) 0) (x11-color 'red))
((eqv? (ly:pitch-notename pitch) 3)
Is it possible to create a tremolo that crosses staves? I tried \repeat
tremolo 32 { \change staff = up }, but that complained
that the tremolo command can only take 2 parameters...
Thanks!
--Steven
<>___
lilypond-user mailing list
lilypond-us
I'm writing some harp glissandos, where the first several notes of the gliss
are written out for accidentals, then the rest of the measure is just the
wavy gliss line to the next note. I've got it looking right, except there's
way too much empty space at the end of the measure.
\version "2.11.
Is there a good way to have a partial measure at the end of a piece and not
get barcheck warnings? The manual says that using \partial is only
supported at the beginning of a piece, and you should expect warnings if you
use it elsewhere, but the only other alternative I've come up with is much
les
This has been on the list before (or maybe the LSR) since I know I didn't
come up with it myself, but here's how I do it:
<<
{
\repeat volta 5 { c1 ~ }
c1
}
\new Voice
{
\set countPercentRepeats = ##t
\
Correction: Harpists only use 4 fingers per hand.
--Steven
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Damian leGassick
Sent: Thursday, February 14, 2008 8:25 AM
To: lilypond-user@gnu.org
Subject: Re: few lily/notation/orchestration questions
trills
Hey everyone!
I'm hoping one of the Scheme gods on the list can tell me what I'm doing
wrong here. I'm trying to create a markup function that will draw harp
pedal diagrams. To do that, I need a function that takes 7 parameters. My
function works fine as long as there are only 3 parameters
Lilypond 2.11.32, Windows XP
I'm working on a piece that has several measures of divisi. Because the
piece has a lot of time changes, I don't want to create a full second voice
and use \RemoveEmptyStaffContext. The LSR has a great snippet that shows
how to temporarily add an additional staff
The \concat command should fix this:
\markup { \italic { \concat { "pi" \char #'249 } } }
--Steven
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Palmer, Ralph
Sent: Monday, July 02, 2007 1:38 PM
To: lilypond-user@gnu.org
Subject: Space in markup using
\markup { \concat { "D" \general-align #Y #DOWN \flat } "major" } }
--Steven
- Original Message -
From: Ole Schmidt
To: Mats Bengtsson ; lilypond-user@gnu.org
Sent: Saturday, June 09, 2007 9:39 AM
Subject: Re: Sharp and flat in headers.
how can I bring the \flat closer to
Try using \concat: \markup { \concat { "S" \char #233 "an" } }
--Steven
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Palmer, Ralph
Sent: Thursday, March 15, 2007 11:32 AM
To: lilypond-user@gnu.org
Subject: markup in header
Greetings -
I'm running:
L
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