On 13 March 2012 11:44, James Harkins wrote:
> At Mon, 12 Mar 2012 12:14:02 -0400,
> lilypond-user-requ...@gnu.org wrote:
>> Impressive! Can you now create scores as quickly as you used to in
>> Finale?
I think I can now... I’ve been using Lilypond for about six months now
and like James I enjoy
On 5 March 2012 18:19, Martin Tarenskeen wrote:
>
>
>
> On Mon, 5 Mar 2012, Francisco Vila wrote:
>
>> 2012/3/2 Nils :
>>>
>>> I tried pdf and epub books now and it is clear that epdf is not a good
>>> format for this device. I suspect the same for other readers which are not
>>> A4 size or bigg
On 6 February 2012 11:01, Bockett Hunter wrote:
> I am doing an edition of some early music, so each voice
> has an "incipit", which is the start of the music in the old clef.
> (There is an example in A.5 Ancient Notation Templates.)
>
> I also wish to show the range of each voice. When I add
>
On 24 January 2012 15:06, Shane Brandes wrote:
> My reasoned opinion, which Hayden reiterated, on Gould's pronouncement
> about the matter. Anyway, certainly some ammunition to dissuade the
> editor.
>
> Shane
>
I’ve just looked at the sample pages of Behind Bars and would say that
all the exampl
On 20 January 2012 10:29, Benedict Singer wrote:
> On 01/19/2012 01:32 PM, m...@apollinemike.com wrote:
>>
>> On Jan 19, 2012, at 10:19 PM, Benedict Singer wrote:
>>
>>> Hi all,
>>>
>>> I've been away from Lilypond for a while (I used it as a composer to set
>>> my pieces, and composition has take
I work with renaissance choral music separated into sections with
double barlines. There’s not really any need to put a line-break at
these double bars, but it looks bad if the last bar of a section
begins a line or the first bar of a section ends a line:
https://docs.google.com/open?id=0B0YNwfxb1
On 31 October 2011 02:46, Phil Holmes wrote:
> \include "gregorian.ly"
> \paper {
> ragged-right = ##t
> }
>
>
> \score {
> \new MensuralStaff \with { \remove "Time_signature_engraver" }
> <<
> \new MensuralVoice = "Tenor" {
> \key f \major
> \tempo 1 = 120
> \override Score.BarNu
Greetings,
I’m working on a string orchestra piece which has two cello parts,
both independent enough to warrant separate staves, except for 24 bars
in the middle where they are in unison. It would be nice in the score
to mark it "unis." and leave out the second cello for the duration of
the uniso
On 7 October 2011 04:39, David Kastrup wrote:
> Jan-Peter Voigt writes:
>
>> Am 06.10.2011 um 16:12 schrieb:
>>
>>> Vaughan McAlley writes:
>>>
>>>> On 7 October 2011 00:12, Jan-Peter Voigt wrote:
>>>>> Hi Vaughan,
>>>>
On 7 October 2011 00:12, Jan-Peter Voigt wrote:
> Hi Vaughan,
>
> I introduced the define-lyric-markup method a few mails ago, so it is no
> lilypond standard.
> Here I added methods to your file and used the recaps command, I introduced
> in a revious mail, to capsify markups recursively whatchin
On 5 October 2011 18:48, Jan-Peter Voigt wrote:
> Hello list,
>
> for the simple case of italic lyrics, the answer withe override/revert is
> already given. But I just wanted to point out another possibility for more
> complex markups in lyrics:
> In the following snippet I define a function to cr
On 4 October 2011 14:44, Benjamin Peterson wrote:
> Kieren MacMillan sympatico.ca> writes:
>> What about
>> \override LyricText #'font-shape = #'italic …
> \revert LyricText #'font-shape
>> ?
>
> Works great. Thanks.
>
> Regards,
> Benjamin
>
>
>
It’s not obvious from the documentation that
On 5 October 2011 03:57, Tim Roberts wrote:
> Francisco Vila wrote:
>> Hello all, I think this is remarkable: Keith OHara has put Dvořák's
>> 9th symphony in Mutopia. Kudos!
>>
>> http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=1793
>
> That is remarkable, indeed.
>
> There are some odd thi
I’ve spent way to long trying to work this out... the simple test file:
%test1.ly
\version "2.14.2"
myTranspose =\transpose c' c
staffOneName = "Soprano"
% Version for men’s choir
%{
myTranspose = \transpose c' g
staffOneName = "Alto"
%}
...produces
test1.ly:4:0: error: syntax error, unex
Bertrand Bordage wrote:
>Ok, I'll keep LilyPond's default beaming since it's the usual notation.
>Thanks!
>Bertrand
No! Beam it how _you_ like. Otherwise it’s like using Times font just
because it’s the Microsoft Word default :-) Just say you’re following
Debussy...
I ran into a similar problem r
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