found ... in doc
MIDI output is created only when a \midi block is included within a score
block defined with a \score command. If it is placed within an explicitly
instantiated score context (i.e. within a \new Score block) the file will
fail. To solve this, enclose the \new Score and the \midi
hello everybody,
I read the manual thoroughly (twice) and yet.
To do it beautifully I used \new Score, Staff, Voice stuffs, the problem
came with \with :) , the corollary was I could not found any example fitting
my case.
So I tried to put \midi{} it everywhere and failed
here is the file...
Johan Vromans wrote:
I have a small tool (yes, me too) that transforms a section of notes
from absolute into relative.
Well, I worked for nothing then :)
could you share the code for the absolute to relative stuff, quick quick
quick :)
thank yo
Yota
include "italiano.ly" on top according to the chosen style
! corrected bug : you can now use --out_style
TODO
- handle properly \key indications
Yota
Jonathan Kulp wrote:
This is a good idea, Yota. I was going through some of my first
Lilypond files today and found that I had written them
Good evening everybody,
Being unable to find a nice tool to handle lilypond sources, I designed
mine.
I worked on this little script which (even if its buggy) should perform
some essential tasks:
- convert absolute music to relative music
- transpose the source (from bes to c for example)
-
oined picture)
It would be nice however to use the control points if only I could know
there "normal" values (just the triplet without any tweak) so I could modify
them, based on sane values.
Does anyone know a way to find the values of the control points elected
during the beauty contest ?
Yota
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On 9/7/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
>
> Hi Yota, Gerard, et al.,
>
> I assume you've looked at \repeatTie (and the equivalent
> \repeatSlur), and it's not working for you?
>
> Regards,
> Kieren.
>
>
If only \repeatSlur would ex
verride NoteHead #'transparent = ##t
\once \override Stem #'transparent = ##t do8 )
since the slur go to invisible notehead and not to the repeat bar... and the
empty space let by the invisible notehead is ... really visible.
Would someone have a more elegant way to do this ?
Yota
did I forget something like an attachment
test.pdf
Description: Adobe PDF document
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same alternatives bars (i.e. alternative 1.
and 2. are duplicates) and should/might be collapsed into one bar. While in
the conductor it have to remain expanded (because flutes have different
altenatives).
Could this automatic collapsing (and numbering) be implemeted easily or
obtained via a tweak
this result automagically ?
thx
Yota
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heme to catch the subtilities.
Thank you for your help
Yota
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you could try to remove the point-n-click information
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Point-and-click
Yota
On 21 Apr 2007 11:04:18 -0700, Kieran Coulter <[EMAIL PROTECTED]>
wrote:
Hello,
I first want to thanks Mats for the help with the Chopin Ballade.
M
me knoledge in python. Could one
of you send me the patched version and a description of the buggy parts. I
could be able to fix it enough to insert it into the code
...well I hope so :)
Yota
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a look at the archives without finding a nice trick
Yota
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i'm looking forward to seeing this feature implemented ^^
Yota
On 3/21/07, Arvid Grøtting <[EMAIL PROTECTED]> wrote:
2007/3/21, Mats Bengtsson <[EMAIL PROTECTED]>:
> I hope you have tried the workaround described in
> http://lists.gnu.org/archive/html/lilypond-use
On 3/18/07, Matthias Berndt <[EMAIL PROTECTED]> wrote:
Hi,
I tried writing a few lines with lilypond, but I don't like the way that
the
result looks. Perhaps I'm doing something wrong, but I don't think so. In
the
attachments, you'll find some source code and the resulting pdf.
The big bracket
Gosh !
it was just a bug of Jpedal (packed with lilypondtools)
I opened it with evince and everything was alright...
sorry for the noise
On 3/17/07, yota moteuchi <[EMAIL PROTECTED]> wrote:
Hi,
I don't understand, using lilypond 2.11.20 with this simplest script :
\version &quo
Hi,
I don't understand, using lilypond 2.11.20 with this simplest script :
\version "2.11.20"
\new Score {
\new Staff {
\relative c'' {
\setTextCresc
c4 \< c c c
c c c c \!
}
}
}
I get a result where the dashed line have a weirdly laarge span...
Looks like if lilyond had
cing-width = #'(+inf.0 .
-inf.0)
\mark \markup { \smaller \italic \bold $markp }
#})
I work perfectly but I don't understand why in the viola part (see example),
starting with 12 whole rests, the tempoMark push the first bar away. While
it doesn't behave like this elsewhere.
Yota
mouv
c.com/00_a-play_3.0/..\..\Programmer\TED%20Notepad\CTedNPad.exe
cordially
Yota
On 2/19/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
Dear All,
Now we have kick-started the project and put a beta version on the net.
You need a text editor, notepad or JEdit - that's it. And don'
and if you do
please post it here for the archives)
note : the #:normal-text tag is a way to avoid the text to be bolded. I
mention it since it took me weeks to figure out how to do this
Yota
On 2/5/07, Ole Schmidt <[EMAIL PROTECTED]> wrote:
Dear all,
is it possible to write something lik
rom any example of a function doing "almost" the same thing.
But looking at the doc, I have one chapter for music functions and another
one for markup functions... and none for both-at-the-same-time
Yota
On 2/5/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
The easiest solution is prob
Bonjour,
I'm trying to write a NICE lilypond function to do properly what I could do
with a simple find and replace in the text
where
\pizz
would become :
^\markup {\italic pizz.}
\set Staff.midiInstrument = "pizzicato strings"
I tried some make-markup stuffs but... how to insert a \set proper
for
e-mailings)
Yota
On 1/25/07, Werner LEMBERG <[EMAIL PROTECTED]> wrote:
> After having defined a 128 character table (0 -127 on 8 bits, well
> one zero + 7bits) covering only the English characters and some
> signs, called the ASCII table; has been defined many extended tables
sorry ;p
Lilypond 2.11.13
hairpin minimum-length seems to work perfectly...
thank you again,
your are ... very reliable ^^
Yota
On 1/25/07, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Please always tell what LilyPond version you use. When I try your
example with version 2.10.0, I cer
iously designed system of
drawers using the characters from 128 to 255 (and some more bytes if
necessary)
UTF-8 is the only way to write both in danish AND french on the same text...
and it is fully compatible with ASCII files...
nice isn't it ?
Yota
hope it's clear... hips
I could exp
Well it's a pleasure
On 1/25/07, Aaron Dalton <[EMAIL PROTECTED]> wrote:
I am most embarassed. it turns out a fellow user of the system installed
version 2.8.7 globally so my invocations of 'lilypond' were finding
/usr/local/bin before /home/aaron/bin. Sorry to have wasted your time,
but than
onding screenshot... as you can see... you can't see anything
Yota
spacing.png
Description: PNG image
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I would like to combine in one shortcut : \pizz
both a markup : ^ \markup "pizz."
and a property setting : \set Staff.midiInstrument = "pizzicato strings"
I read the documentation but I'm definitely not fluent in scheme.
does someone could lend me a clue on how to d
seems to be exaclty what I was looking for, thank you ^^
(sorry for the mess on the mailing list... I'm not well awake this morning,
and I'm fighting like the devil with gmail Ø_o)
On 1/23/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Hi, Yota:
> Does anybody know a t
lilypond-user@gnu.org
On 1/23/07, Kieren MacMillan <[EMAIL PROTECTED]> wrote:
Hi, Yota:
> Does anybody know a trick to un-bold the "subito" in the first
> solution
I use:
pocoF = #(make-dynamic-script (markup #:line(#:normal-text #:italic
"poco" #:hspace -
By chance, I had this bug too.
It seems to be raised by the \laisserVibrer tie. Since, when I remove
it, the error disappear.
But this is a random bug and as soon as I try to insulate it... it vanishes
well to summary, I have a
\time 4/4
a4 a a a \laisserVibrer
\time 2/4
R2
etc.
and a minimise_
but a \markup... and so, requires a ^ or _ sign
before
Does anybody know a trick to un-bold the "subito" in the first solution,
since I find much more elegant the solution where we have a dynamic instead
of a markup ?
Yota
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ochan/classeur/lilypond/danse'
warning: cannot find file: `macabre'
Processing `-'
How could I avoid this ?
Moreover, I would like to use "evince" instead of JPedal as pdf
reader, does someone have some tips on how to do this ?
^_^
Yota
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(crotchet / hook) since it have one beam
16th note is called : double-croche, guess why
easy isn't it ^^
except that you have to use lilypond and to convert mentally croche=8
so double-croche=16... O_o
Yota,
citizen of the pond
On 12/27/06, Christopher A. LaFond <[EMAIL PROTECTED]>
google.com/p/lilypond/issues/detail?id=186
Please note that this is a feature request which is much harder to
implement than it may initially appear; it may be a while until this new
feature is added.
Cheers,
- Graham
yota moteuchi wrote:
> Hi,
>
> I am looking for a way to pri
How do I do with lilypond what it's called in french : "marche
unitonale" (that I can not translate in english)
Which is the translation of a pattern, a chord, keeping the degrees as
well as the key
ex :
\key c \major
become
\key c \major
french readers would enjoy this wonderful example :
;bes' are noted as 'ais'
The problem being that a text replacement mess up the relative notation
e ais c => a bes c (with one octave shift)
Yota
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asier way to do this "pure text"
substitution, please correct me
Yota
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hould be added as entities. As the already existing tenuto + staccato.
Else, the documentation should mention it.Any clue ?Yota
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marvelous ^^
not as clean as expected but, i'm perhaps too perfectionist.
thx
On 9/1/06, Markus Schneider <[EMAIL PROTECTED]> wrote:
Hi,
AFAICS, the easiest way is to split your horn part into two seperate ones:
hornpartG = \relative c' {
\transposition g
... many notes ...
}
hornpartEE
Hi,
I have a nice horn in G part where in the middle it's written "from
here take your horn in E flat"
Of course in our orchestra we only have horn in F ^^
So I first entered the notes
hornpart = \relative c' {
\transposition g
... many notes ...
\transposition ees
again, many notes
}
And
should I fill a feature request to have long dynamic indications (the textual part, not the dashed line one) automatically splitted to the next staff when the text goes out of the page ?
like this : http://img115.imageshack.us/my.php?image=lilypondfi4.pngbecause if I do the line break manually, wh
e tip of the day :p
On 8/25/06, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
yota wrote:>Hi,>>I have some notes where a "poco a poco cresc." must be inserted...>so I put>>\set crescendoText = \markup { \italic "poco a poco cresc." }
>\set crescendoSpanner = #
concerning the bars you may use a "global" part containing only skips and barsyou can then combine them as you wish (in a part or for all the parts).have a look at
http://www.mutopiaproject.org/ftp/BachJS/BWV1068/bach-air/bach-air-lys.zipor
http://www.lilypond.org/doc/v2.6/input/mutopia/E.Satie/pe
I guess thishttp://www.lilypond.org/doc/v2.8/Documentation/user/lilypond/Text-marks.htmlanswer to your question
On 8/25/06, Kamal <[EMAIL PROTECTED]> wrote:
How can one print a markup over a clef sign?
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h
Hi,
I have some notes where a "poco a poco cresc." must be inserted...
so I put
\set crescendoText = \markup { \italic "poco a poco cresc." }
\set crescendoSpanner = #'dashed-line
r4 \times 2/3 { a8->( \accent \< bes a) \!} r4
and it worked, but the text is too long, it goes over the end of
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