Le mer. 31 juil. 2024 à 18:18, Gilles Sadowski a écrit :
>
> Hello.
>
> A common accompaniment motive is "oom pah":
> https://en.wikipedia.org/wiki/Oom-pah
>
> An excerpt of a LilyPond-generated score is attached.
> I get this PDF output by encoding separatel
--
aMajorBar = \chordmode {
s8 \shiftChordSymbol { 8 a } s \shiftChordSymbol { 8 a } |
}
---CUT---
Best regards,
Gilles
te-lisp. However, this doesn't do much for
> > me... Could someone hold my hand a little bit to get this set
> > up?
> > I'm on Arch Linux, using emacs 29.4.
On Debian/GNU Linux, it works "out of the box", perhaps due to:
$ ls -l /etc/emacs/site-start.d/50lilypond-data.el
-rw-r--r-- 1 root root 185 Nov 17 2014
/etc/emacs/site-start.d/50lilypond-data.el
HTH,
Gilles
ing to a MIDI [1] file depends on the
configuration of the MIDI player (IOW, LilyPond has nothing to do with that).
Regards,
Gilles
[1] https://en.wikipedia.org/wiki/General_MIDI
for example for those who have a lot of percussion in their
arrangement.
See
http://gillesth.free.fr/Lilypond/arranger.ly-2.25.7/DOCS/arrangerDoc-en.pdf
(middle of page 35)
Happy downloading.
*** Links
-> Github:
https://github.com/gilles-th/arranger.ly
-> Direct access:
ht
\extractVoice #1 \music
midiII = \extractVoice #2 \extractNote #1 \music
midiIII = \extractVoice #2 \extractNote #2 \noteAloneToRest \music
\score { <<
\new Staff { \midiI } % { a1 }
\new Staff { \midiII } % { b2 c2 }
\new Staff { \midiIII } % { r2 d2 }
% \midi
}
--
Gilles
part of the project arranger.ly
http://gillesth.free.fr/Lilypond/arranger.ly/
My Lilypond version is 2.24.1
Please, tell me if there is something wrong with a more recent version.
--
Gilles
ords or notes between A and B : ~a\n"
(events-count musicAtoB '(EventChord NoteEvent))) % 4
\new Staff { \musicAtoB }
%%
You need to download 2 files : addAt.ly and extractMusic.ly (called by
addAt.ly)
Link for downloading :
http://gillesth.free.fr/Lilypond/arranger.ly/
Hope that helps.
--
Gilles
Hello everyone.
All is in the title.
Good download.
-> Github:
https://github.com/gilles-th/arranger.ly
-> Direct access:
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
-> In command line with wget
(the main files of arranger.ly in an arranger.ly dir
)
--
Gilles
arranger.ly
Everything should be fine now
Good reception.
Links
%%%
Github
https://github.com/gilles-th/arranger.ly
Direct access :
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
%%%
export-instruments test
%%%
\version
(export-instruments '(flute clar...) "exported-file.ly" #f)
should produce in the current directory, a file called
"exported-file.ly", with the definition of flute and clar.
Is this the case ? It's a problem if not !
--
Gilles
culation.ly)
arti = { 16( 16) 8-. 8-. }
...
(rm 'instru 15 (ca arti #{ c d e f g a b c #}))
--
Gilles
lt; \clef "G_8" \global \ten >> }
\new Staff {
<< \clef bass \global \bas >> }
%%%
Note than an automation in a fugue can be difficult, because sometimes
the theme when transposed in the 5th, is slightly different. (in french
we call that a "mutation", don't know the English for that)
--
Gilles
:
split (page 13)
chords->voices (page 20)
voices->chords (page 19-20)
Good visit.
***
Github
https://github.com/gilles-th/arranger.ly
Direct access :
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
***
--
Gilles
Le 2022-06-19 10:58, Stefan Thomas a écrit :
allNotes= { c'8 g' e' g' d' g' f' g' c' g' e' g' }
someNotes = { c' d' c' }
In other words: I would like to filter out every 4th note of allNotes,
so
that I could do in
Le 2022-06-20 14:12, Stefan Thomas a écrit :
Dear community,
I try to understand more of the arranger tool, have a look at
https://github.com/gilles-th/arranger.ly
Could someone give an instructional example, what the functions
copy-out
can do and how it works?
I generally think taht there
seful, shouldn't this functionality be able
to pick up the time signatures and create the appropriate sequence
of "ticks" (strong and weak), roughly similarly to what happens with
beams?
Regards,
Gilles
> [...]
%%
If you want to insert #{ r4 #} in the second beat of several bars, you
can use x-rm
and apply :
#(apply x-rm 'flB #{ r4 #} (map (lambda(n)(list n 4))
'(1 3 7 12 19))) % => '((1 4) (3 4) (7
4))
If the 2 first bars are a rhythmic pattern used a lot of time in the
piece, you would probably prefer to use the function cp (changePitch).
--
Gilles
http://lsr.di.unimi.it/LSR/Item?u=1&id=545
Download link : http://gillesth.free.fr/Lilypond/chordsAndVoices/
chordsAndVoices.ly is also include in the arranger.ly project :
https://github.com/gilles-th/arranger.ly
--
Gilles
t; creates midi output with increasing or decreasing loudness for the duration
> of that note?
You can achieve the desired effect with the following:
---CUT---
<< {c1} {s8\> s s\! s\p} >>
---CUT---
Regards,
Gilles
>
> [...]
ncantation equivalent to Knute's template?
Regards,
Gilles
even where they are not present; is there a way to create
> them, but then keeping them hidden on the score, leaving just normal dynamic
> sign?
Yes (using "\tag").
Best regards,
Gilles
>
> sorry for my English, I hope you can understand me
>
> regards
> dario
>
>
mics of the Tuba to be "fff" and both the left
> hand and right hand of the Piano to be "ppp", and yet the Piano
> dominates the Tuba during midi playback.
You can alter the balance with
\set Staff.midiMinimumVolume = #0.2
\set Staff.midiMaximumVolume = #0.8
HTH,
Gilles
llo" }
\new Staff << \skips \music >>
%%%
But if you replace the definition of \skips by
skips = { s1*2( s1*2) }
the snippet fails (no slurs).
It fails also with
skips = { s1*2 s1*2-> }
At last, with
skips = { s1*2 s1*2->^"Hello" }
you'll get an error :
"script direction not yet known"
--
Gilles
)
#(init instruments)
#(begin
(rm 'A 1 (sim music artiA) )
)
\score {
<< \new Devnull \global
\new GrandStaff <<
\new Staff \A
\new Staff \B
>>
>>
}
Does someone have an idea how to do it?
Thanks,
Stefan
Sorry to answer so late.
Probably
\new Staff \new Voice \A
instead of \new Staff \A
--
Gilles
;s it.
Happy downloading and exploring.
* links
Github
https://github.com/gilles-th/arranger.ly
direct access :
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
--
Gilles
;t use only the scheme version even in a Lilypond
context.
Compare :
LowerI = {
\eM \UpperI \M #1 {\M #2 s4 }
r4 r8
}
and
LowerI = {
#(em UpperI 1 '(2 4))
r4 r8
}
--
Gilles
Unbound variable: expand-notes-and-chords-copy-of
I have changed something in file changePitch.ly.
The function expand-notes-and-chords-copy-of is defined in this new
version
https://github.com/gilles-th/arranger.ly/blob/master/changePitch.ly
Um, I have to make some progress to
Le 2021-04-08 11:12, Stefan Thomas a écrit :
Dear gilles,
thanks very much for Your reply and Your kind help.
I'm using version 2.22.0 now. Unfortunately, with this version, I can't
see
neither metronome-marks nor time signature nor anything else.
I have just installed ve
Before i make a new push
Push done :
Github
https://github.com/gilles-th/arranger.ly
Direct access :
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
It seems that in my last push, I've changed the signature of the
tempos function ! I don't understand why or
t push, I've changed the signature of the tempos
function ! I don't understand why or how i did that because it is really
stupid!
Before i make a new push, you can get a corrected version of arranger.ly
here :
http://gillesth.free.fr/Lilypond/arranger.ly
--
Gilles
\relative f {
\global
\clef bass
\partcombineApart % <- here
r4 c'2 c4 | % m1
...
r4 bf2 bf4| % m24
\partcombineAutomatic % <- and here
c,4 g'2 bf4 | % m25
...
--
Gilles
Le 2021-01-15 23:26, Stefano Troncaro a écrit :
Hi everyone,
I started learning to use the spectacular arranger.ly library
<https://github.com/gilles-th/arranger.ly> that was mentioned in the
list a
while ago.
While most of it works great, I found that internally it sometimes uses
the
rrangerDoc-en.pdf
**
GitHub link of the whole project:
https://github.com/gilles-th/arranger.ly
Direct link:
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
--
Gilles
Le 2020-10-23 02:19, Andrew Bernard a écrit :
Hi Gilles,
Why don't we put it in openLilyLib? Avoid the balkanisation process of
having dozens of personal git repos? I am happy to prepare it and do
the work. OLL is got, so nothing will change in terms of development.
Andrew
On Fri, 23 Oct
Thank you for reading.
Happy exploring.
Many thanks to the French list for its constant help and support.
links
The GitHub link of the project:
https://github.com/gilles-th/arranger.ly
Direct link:
http://gillesth.free.fr/Lilypond/arranger-GIT-copy/arranger.ly.zip
--
Gilles
d I am not sure that people on the LilyPond user list
> necessarily want to read ling threads on details of Scheme parsers and
> package code development and git topics.
Sure. However, average users might want to be informed when
some significant improvement has been made such that there
Hi.
Moving back to the ML; it was not my intention to discuss this
"off-list"; I hope I won't be sued for public disclosure of a private
communication. ;-)
[See quoted text for the two messages that went off-list.]
2020-09-22 12:40 UTC+02:00, Karsten Reincke :
>
> On 2
I used years ago,
> this could be abbreviated as c>c c. I know that < > are used in Lilypond
> for chords - but is some other similar abbreviation possible?
You can define a variable
patOne = \relative c' { c4. c8 c4 }
then refer to it: \patOne
HTH,
Gilles
>
> Thanks,
> Alasdair
>
>
> --
> https://numbersandshapes.net
>
ith the "global" size setting:
---CUT---
#(set-global-staff-size 19)
---CUT---
The default is "20" (IIRC); by reducing it slightly (as above),
the layout might become nicer...
HTH,
Gilles
>
> Claire
>
apfelboymchen.net/gnu/notes/timidity++%20multiple%20soundfonts.html
https://freepats.zenvoid.org/
HTH,
Gilles
#x27;s a MIDI player configuration issue.
One thing to try is perhaps setting the MIDI instrument explicitly.[1]
---CUT---
\set Staff.midiInstrument = "clarinet"
---CUT---
Regards,
Gilles
[1] https://lilypond.org/doc/v2.20/Documentation/notation/midi-instruments
> No pre-resampling cac
you want to apply the
> change has to be "very similar" to the original one (for example changing
> only the note pitch etc. etc.).
Maybe this library could be useful:
http://www.jfugue.org/index.htm
See also that page:
https://en.wikipedia.org/wiki/Comparison_of_MIDI_ed
Le sam. 23 mai 2020 à 22:46, antlists a écrit :
>
> On 22/05/2020 13:26, Gilles Sadowski wrote:
> > IIUC, CC licences aim to protect against others making money from
> > your work. How is "ASCAP not being happy" related to that?
> >
>
> > Unless I'
inful and interesting
> at the same time :)
>
> Kind regards,
>
> Francesco
>
> PS: lilypond rocks! :)
Unless I'm mistaken, LilyPond (GNU) and CC belong to the "eco-system"
where sharing is the norm (to enhance the common cultural pool) while
making it hard f
Hi.
2020-05-21 2:28 UTC+02:00, Hwaen Ch'uqi :
> Greetings,
>
> Is there a way to force LilyPond to engrave ties at the end of a
> snippet of music?
No need to "force" ;-)
http://lilypond.org/doc/v2.18/Documentation/snippets/expressive-marks#expressive-marks-laissez-v
asier to deal with simultaneous music. Not ready for now. Sorry
--
Gilles
tMusic2.16.ly in the directory.
3- There is also a basic doc
--
Gilles
Sorry. Very late answer
Here is a scheme way to proceed. (see attached file).
%% For version 2.18 change the first line by :
%% makeExercice = #(define-music-function (parser location p0 p1 p2 p3
highest-pitch lowest-pitch)
makeExercice = #(define-music-function (p0 p1 p2 p3 highest-pitch low
-articulate-script
HTH,
Gilles
Best regards,
Even Thorbergsen
Norwegian amateur musician
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1) sudo port install frescobaldi
Réponse :
Last login: Mon Nov 19 04:36:27 on ttys000
iMac-de-Gilles:~ gillesndrianaherizo$ sudo port install frescobaldi
Password:
---> Computing dependencies for frescobaldiError: Unable to determine location
Music/extractMusic-doc.pdf
(well, probably in bad English, sorry for that)
--
Gilles
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?"
https://en.wikipedia.org/wiki/Ren%C3%A9_Magritte
Regards,
Gilles
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here a few years ago.
Regards,
Gilles
P.S. I've encountered an issue where the drone stops well before
the melody it is supposed to double; it occurs when there
are a lot of grace notes.
Regards,
Sven Axelsson
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f4 g4 }
{ b4 f4 g4 }
{ a4 f4 g4 }
Good week.
--
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ideas.
Regards,
Gilles
On 2018-02-22 16:16, Carl Sorensen wrote:
On 2/22/18, 1:54 AM, "Gilles van Eeden" wrote:
Suggestions as to which external label to
use and how to position and format this to match the fretboard diagram
are welcome.
The code to place the labels alre
Hello Kieren,
thanks for the tip, I'll look into it.
Regards,
Gilles
On 2018-02-22 15:06, Kieren MacMillan wrote:
Hi Gilles,
I'm trying to create guitar fretboard diagrams like those in the attachment
, which contain functional tone labels per string. I've been
looking
a
little over my lispless head. Suggestions as to which external label to
use and how to position and format this to match the fretboard diagram
are welcome.
Best regards,
Gilles
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because the "center of mass" of the notes in the last staff
is below it?
I'd guess that a similar (i.e. too high) effect would exist for the
top staff if most notes were above it.
My impression is that the latter image looks fine, once you assume
that the "visual frame"
An easy fix was to force the string mark to be under the staff using
underscore.
{ a,2.-2 | d,2.-1_\5 | g2._\4 |
c,2.| }>>
-G
On Wed, Feb 22, 2017 at 9:55 PM, Gilles Peltzer wrote:
> Hi Thomas,
> Thanks for the help. I understand the logi
to the
melody line on the Staff.
I should find a way to force the string mark to appear next to the note it
applies to.
Thanks,
-G
On Wed, Feb 22, 2017 at 12:58 PM, Thomas Morley
wrote:
> 2017-02-22 19:32 GMT+01:00 Gilles Peltzer :
> > Hello,
> > LiliPond version "2.18.2&quo
r voice on the
staff and overwrite the finger number.
The option \set TabStaff.restrainOpenStrings = ##t did not have
any effect.
Thanks for the help.
-Gilles
\layout {
indent = 0\mm
line-width = 180\mm
}
music = \relative c' {
%line 5
<<{ a''4-1 b-3 c-4 |
al-music (make-list n music
((= n 1) music)
(else (make-music 'Music 'void #t
\addFingering { \nCopy #2 {a b} } #"12"
%%%
David Kastrup explains how to make it work in \relative mode in this thread :
http://lists.gnu.org/archive/html/lilypond-user/2015-11/msg00361.h
Hi.
On Fri, 2 Dec 2016 00:13:19 +0100 (CET), Gerdau, Michael wrote:
My css file is a proposed inclusion into the website.
John, may I kindly asked you to start trimming your responses to this
list?
You always top post,
http://www.idallen.com/topposting.html
Regards,
Gilles
write a
y far] the best when it comes to
searching for
something on the web...
http://www.mutopiaproject.org/cgibin/make-table.cgi?searchingfor=chaconne
HTH,
Gilles
Many thanks,
David
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On Wed, 19 Oct 2016 11:01:21 -0400, Kieren MacMillan wrote:
Hi Gilles,
?
The initial post was about manually setting the margins for each
page.
The discussion quickly replaced that original query with a two-option
approach. For whatever reason, it's clear that you don’t see how/when
On Wed, 19 Oct 2016 10:42:58 -0400, Kieren MacMillan wrote:
Hi Gilles,
What I'm saying is that *if* the feature is to allow a given
number of systems onto one page, it is better to have an explicit
command to that effect, rather than "manually" fiddle with the
margin and/or staf
On Wed, 19 Oct 2016 16:20:11 +0200, Urs Liska wrote:
Am 19.10.2016 um 16:14 schrieb Gilles:
Hi.
On Wed, 19 Oct 2016 09:47:01 -0400, Kieren MacMillan wrote:
Hi Gilles,
Unforced breaks can depend on previous margin settings,
possibly making the numbering wrong when the user reruns
the
Hi.
On Wed, 19 Oct 2016 09:47:01 -0400, Kieren MacMillan wrote:
Hi Gilles,
Unforced breaks can depend on previous margin settings,
possibly making the numbering wrong when the user reruns
the compilation with different settings.
Of course that *can* happen… but it doesn’t have to. In all my
Hi.
On Wed, 19 Oct 2016 09:21:32 -0400, Kieren MacMillan wrote:
Hi Gilles,
Doesn't the page number depend on how the previous material
has been typeset?
Not if breaks are forced, etc.
Unforced breaks can depend on previous margin settings,
possibly making the numbering wrong when the
you have only a
small number of pages where you need the full orchestra and want to
have
smaller staff size.
It seems to me that, rather than "specify the global-staff-size
for individual pages", it should be "from now on, magnify the
global-staff-size so that systems f
be very grateful.
Did you run it through "convert-ly"?
Regards,
Gilles
Many thanks for any help,
Brent Annable.
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Here's a minimal example:
\score {
\new PianoStaff
<<
\new Voice = "melody" \fixed c'
{
\set midiInstrument = #"accordion"
\time 3/4
f4 g a
}
>>
\midi{ \tempo 4 = 100 }
}
But this doesn't help me in any wa
isplayLilyMusic, it should work.
--
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On Fri, 29 Apr 2016 10:40:09 +1000, Andrew Bernard wrote:
Hi Gilles,
As far as I know this particular list does not have a list owner, and
there are no published rules.
List owner/adminstrator/moderator: ie. someone who has the privilege to
unsubscribe other people.
People here have given
on than noise, the list owner should consider
banning them, rather than risk putting off those who follow the rules.
Regards,
Gilles
The majority of readers of this mailinglist just wants to discuss the
usage of LilyPond. That's why this list is called "lilypond-user".
Everyo
> %% TODO: this function [twoTiedNotesToOneNote] probably does not work with
chords -:(
No it doesn't and it is probably better :
music = { 4~ } is correct in Lilypond.
So what would be a good result for { \twoTiedNotesToOneNote \music } ?
Not smart enough to answer.
--
}
\new Staff \music
\new Staff {
\extractEnd
\twoTiedNotesToOneNote \music
{ s2. s8. }
}
--
Note that if you "shift" rhythm, you have to delete barcheck |
--
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(end of chapter 6), in the directory above.
Happy new year to everybody.
--
Gilles
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> Would it be possible to tell changePitch to automatically repeat the pitch
> of a tied note?
Well, i have just read your message just yesterday. Sorry.
Here is a function that automatically repeats the pitch
of a tied note.
I'll try to include it in a next release of changePitch.ly
index)
%%test
#(for-each
(lambda(n)(format #t "~2,' d - ~a\n" n (semitones->pitch n)))
'(-5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15))
%%%%%%
-- The End ---
--
Gilles
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c) 2)))
%}
%%test
#(for-each
(lambda(n)(format #t "~2,' d - ~a\n" n (semitones->pitch n)))
'(-5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15))
--
Gilles
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)(format #t "~2,' d - ~a\n" n (semitones->pitch n)))
'(-5 -4 -3 -2 -1 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15))
%
--
Gilles
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ind such
directory")
--
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, _I_ could do, if it were a problem on my side?
Same problem here...
Best,
Gilles
~ Simon
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e to use \relative *after* \nCopy :
Something like
\relative c' {
...
\nCopy #4 { c' d}
...
}
will give you some strange results...
You may want either to work in \absolute mode or to replace in the code of
\nCopy, the string :
(ly:music-deep-copy music)
by :
(ly:music-deep-copy #
ment in the code indicates that the "inverted mordent"
option was not retained.]
2. A "trill" on a tied note only lasts as long as the first written
note. The problem is alleviated by using a trill span, but then
the trill is stopped at the start o
Well, no very beautiful for a score but will be perfect for Midi.
--
Gilles
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Provenance : Courrier pour Windows 10
> That's right. I just want any two notes that play simultaneously to be
> returned by separate index values into the extraction function, and any
> other index values to return something that will be silent (either a skip
> or a rest).
I don't want t
On Wed, 16 Sep 2015 13:04:24 +0200, David Kastrup wrote:
Gilles writes:
Hello.
On Wed, 16 Sep 2015 11:49:04 +0200, BB wrote:
I just read
http://lilypond.org/doc/v2.18/Documentation/learning/entering-input.html
(again). I find that is a good basis for such an introduction,
IIRC, someone
.
Some people will be afraid (i.e. won't be interested) by text input
whatever advantage list you will throw at them.
Those should be taught how to use a [FLOSS GUI] that depends on
LilyPond for its rendering.
Best regards,
Gilles
On 16.09.2015 11:24, Urs Liska wrote:
Am 16.09.2015 um 11:14 sc
\scaleDurations 2/3 { d4.}
\scaleDurations 2/1 {a16}
\scaleDurations 4/3 { c8. } |
a8 g4. s4 \bar "" s8 \bar "|"
} }
\addlyrics {
\tiny
Vi -- rá -- gim, vi --
Le mardi 18 août 2015, 23:57:36 Gilles THIBAULT a écrit :
> > > I wasn't able to find the correct syntax how to do:
> > > (apply ly:stencil-combine-at-edge )
> > >
> > > Any hints?
>
> Perhaps you need to redefine ly:stencil-combine-at-edge
>
args))
res)))
\markup
\stencil
#(apply my-stencil-combine-at-edge (stils 3))
%%
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Gilles
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it/LSR/Item?id=654
%
\include "changePitch.ly"
ostinato = \samePitch {c4 r8 c~ c4 c}
\changePitch \ostinato { g a }
%
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Gilles
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{ c2 d4 e f g a b c2 d4 e f g a b c1}
\new Staff \with { \clef F }
\relative c' { c2 b a g e c d g, c1}
>>
\score { \fullMusic }
\score { \extractBegin \fullMusic { s1*2 s2 }}
\score { \extractEnd \fullMusic s1*2}
%
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Le dimanche 31 mai 2015, 22:07:09 Gilles THIBAULT a écrit :
> The staff 6 is the same as staff 3
.. as staff 4
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Gilles
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be commented now.
Something like that...
%{ %uncomment for testing correct-out-of-range
range = < g' g'' >
#(define musicII (correct-out-of-range music range))
\new Staff \with { instrumentName = "6"}
\musicII % staff 6
%}
Thanks.
--
Gilles
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update of all the
snippets of the LSR, 1 or 2 years ago (thanks Pierre Perol-Schneider for this
big works).
--
Gilles
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