Midi2Lily

--- Begin Message --- I mentioned previously that I wrote a program to convert MIDI files to LilyPond files. That program is called MidiToLily and it’s now freely available on GitHub. It’s a console app, doesn’t have an installer, and doesn’t store things in the registry or anywhere else. It doe

Puzzled about downloadable Linux files in lilypond.org

When I browse to the page onLIlypond.org  headed "Downloads for LilyPond 2.22.0”  and then click on the “For Users” entry titled “Unix (generic packages for GNU/Linux), I see a list of two files under “Download”, which purport to be 32bit and 64bit versions of LilyPond2.22

Re: Instructions to install lilypond onto Raspberry Pi

y root. You might prefer some other location than /usr/local/guile Regards, /Karl Hammar

Re: Poster for music engraving conference

aders: . quality in detail . excellent print quality . one source, multiple output variations like Simon Albrecht pointed to, and which I was thinking about . flexibility, whatever you need, it can be done Do you have any input on thoose, or do you suggest some other poster topic ? Regards, /Karl Hammar

Re: Poster for music engraving conference

should be aye catching. Unfortunable that amounts mostly to the cover, not to the content... My experience with various choir directors etc. is that if your beutiful scores have some flaw (e.g. a wrong note whatever) they prefer thoose crappy copies of some crappy copy. Regards, /Karl Hammar

Re: Poster for music engraving conference

ready done something similar for other > conferences? I could do a poster about my workflow and what features it brings me. I'd also much like to attend but I cannot afford the travel expenses. Regarding lilypond in general I dont know what that kind of poster would contain, the lerning manual in a poster format ? Regards, /Karl Hammar

Re: Polymetric Polyphonic Notation: Only Show Initial Time Signature.

.TimeSignature. ... Why not have the time sig stuff and the music in separate variables: BS = { \initial_stuff \set_to_34 s2. \set_to_68 s2. ... } mus_a = { ... } mus_b = { ... } \score { << \new Staff { << \BS \mus_a >> } \new Staff { << \BS \mus_b >> } >> } Regards, /Karl Hammar

Re: drawing a range reguardless of transposition

transpositions are possible > at all... The other way around, search for "ambitus" in the manual to see how to make lilypond print out the range used. Regards, /Karl Hammar

Re: Invisible midi layer for specific measures

Paolo: ... > I would like to add an invisible midi layer of notes to the > previous ones ... Use this template: \score { << % displayed music >> \layout { } } \score { \unfoldRepeats << % midi music >> \midi { } }

Re: midiPanPosition in midi context block

t;2.19.83" midiSop = { \set Staff.midiPanPosition = #-1.0 } midiAlt = { \set Staff.midiPanPosition = #1.0 } \include "song.ily" %%% file song_b.ly \version "2.19.83" midiSop = { \set Staff.midiPanPosition = #-0.5 } midiAlt = { \set Staff.midiPanPosition = #0.5 } \include "song.ily" %%% I.e. when running lilypond on song_a.ly vs. song_b.ly, you will get different pan positions. There is little more complex example in: http://aspodata.se/git/musik/anonymous/es_ist_ein_ros_entsprungen/ Regards, /Karl Hammar

Re: Blackend ligatures in mensural notation

Christian: > Just found another way: > \once \override NoteHead.style = #'blackpetrucci > g\breve*3/4 ... Thanks, I'll use that instead of my former hack. Regards, /Karl Hammar

Re: Blackend ligatures in mensural notation

Hans Åberg: ... > It is a nice text Thanks. > you might translate it into English ... Patches and translations are welcome ... Regards, /Karl Hammar

Re: Blackend ligatures in mensural notation

Hans Åberg: > Typo: “accent” in Swedish is spelt the same. :-) Ok, fixed. Regards, /Karl Hammar

Re: Blackend ligatures in mensural notation

/victoria/o_quam_gloriosum/motet/all.pdf http://aspodata.se/git/musik/TomasLuisdeVictoria/o_quam_gloriosum/motet/ See page 7, mid second system, bassus, at "agnum", in the pdf. Line 61-63 in a.ly Hopefully there is better ways to do it today. Regards, /Karl Hammar

Re: Graphic lines create

Karl: > Reggie: > > Karl Hammar wrote ... > > > zz = \markup\postscript "0 1 360 5 mul { cos 0.01 mul 0.002 add .01 exch > > > rlineto } for stroke" > > > > > > \relative c'' { > > > c4^\zz c c c | > > > c c c

Re: Graphic lines create

t; > > > there is also a \markup\path command that possible could be useful > > since you want svg output. ... > If you use \markup \postscript then am I correct in thinking that the > lines won't output in SVG, right? You have the file, why don't you test it to see if it does or not ? Regards, /Karl Hammar

Re: Graphic lines create

Reggie: > Karl Hammar wrote ... > > To just do something curvy, do something like: > > > > zz = \markup\postscript "0 1 360 5 mul { cos 0.01 mul 0.002 add .01 exch > > rlineto } for stroke" > > > > \relative c'' { > > c4^\zz c

Re: Graphic lines create

; though back and forth :( To just do something curvy, do something like: zz = \markup\postscript "0 1 360 5 mul { cos 0.01 mul 0.002 add .01 exch rlineto } for stroke" \relative c'' { c4^\zz c c c | c c c c | } there is also a \markup\path command that possible could b

Re: LilyPond, LilyPond snippets and the GPL

rect and embedded PostScript % Careful with double % as comment prefix. % Any %%X comment is interpreted as DSC comments. % TODO: use dicts or prefixes to prevent namespace pollution. /pdfmark where // Regards, /Karl Hammar

Re: Puzzled about r1 issue in 3/4 time

> From: Michael Wagner > Subject: Puzzled about r1 issue in 3/4 time > Date: October 23, 2019 at 2:59:06 PM CDT > To: lilypond-user@gnu.org > > > I am seeing some behavior I don’t understand. I have ended the music for > “Silver Bells” into lilypond, and I am seeing a puzzling error. > > The

Re: Makefile help!

At least, it seems to work... :) ... Great. You could add: VPAHT %.pdf PDF/piano-solo:PDF/piano-primo:PDF/piano-secundo:PDF/piano-duo VPATH %.midi MIDI/piano-solo:MIDI/piano-primo:MIDI/piano-secundo:MIDI/piano-duo to give make a chance to find the target files and check if they need to be rem

Re: Makefile help!

> Karl Hammar wrote > > Where have you found that? > > In the LilyPond documentation: > http://lilypond.org/doc/v2.19/Documentation/usage/make-and-makefiles Ok, that Makefile has a VPATH which makes sure make finds the pdf's, but the MIDI directory is missing in the VPATH.

Re: Makefile help!

foxfanfare: > Karl Hammar wrote > > piano-solo.%.pdf: piano-solo.%.ly \ > > $(general) \ > > dialogs.%.ily \ > > global.%.ily \ > > notes.piano-solo.%.ily \ > > pedals.%.ily > > ... > > Little update for those interested by t

Re: Makefile help!

Does someone knows how I can test if the filename contains for instance > versionA in it, then if true, move it to its specific folder? I am > struggling with that problem for several days now but I'm not able to find > the solution

Re: Makefile help!

ttp://aspodata.se/git/musik/bin/depend_ly Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Why does skip cause extender line to grow?

On 10/8/19 1:58 PM, Kieren MacMillan wrote: Hi Patrick, I don't understand why the extender includes the d4 in the third measure. Because you didn’t tell it to stop extending. ;) I thought the single "__" initiated an extender that ended either at the end of the current note, in the case of

Why does skip cause extender line to grow?

Consider the following snippet: \version "2.19.83" music = \relative c' {     c1~ c1     d4 e f g } words = \lyricmode {  Tra __  \skip 1 la la la } \score { \new Staff \music \addlyrics \words } The output is (also attached): I don't understand why the extender includes the d4 in the third

Re: drinking song symbols

27;t > > really worth it when making small symbols. Don't get me wrong, it looks fine, but there isn't much different compared to a simpler symbol. Also, I think it shouldn't have to much detail, to make it easier to s

Re: drinking song symbols

You got some nice looking wineglasses there, but more detail isn't really worth it when making small symbols. Cheers, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: drinking song symbols

the distance from top system line to top of glass sybol, I get the same value for both the whineGlass and my postscript version (when using gv's x-y position). Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Improving ly files readability

includes to keep the files size down. Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: drinking song symbols

2.2 2.2 2.7 3.8 2 5 Z > M -.1 3.6 L 2.3 3.6) >.1 >;.6 .6 ;; <= change scale here, e.g.: >.5 .5 >#f) I have to go down to .2 .2 scaling to get the score on 2 pages, but then the wine glass is too small. Regards, /karl Hammar

Re: drinking song symbols

Jacques Menu: ... > Now, how about a full 12xn table service? ... What is that ? Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Drinking song symbols

me, I probably should change that. Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: drinking song symbols

lineto 1.7 0.5 lineto 1 0.7 lineto 1 1.5 lineto 0.3 3 lineto 1.7 3 lineto 1 1.5 lineto stroke " } Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Fwd: Re: drinking song symbols

) \char ##x1f377 Good suggestion, but it is kind of too much detail, I think. And it makes the score take up 3 pages instead of 2, guess that can be solved by makeing it smaller. Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.

drinking song symbols

someone would be interested in improving the design, currently it is a simple postscript markup: kippis = \markup { \postscript " 0 0.5 moveto 2 0.5 lineto stroke 1 0.5 moveto 1 1.5 lineto 0.3 3 lineto 1.7 3 lineto 1 1.5 lineto stroke " } Regards, /K

Re: Creating combined manuscript/ruled paper

0 rlineto stroke /y y yst add def } repeat /y y ysep add def } repeat %% /xmin 105 def /xlen 105 def /ysep -7.1 def /ymin 0 def /ymax 297 def ymax ysep ymin { xmin exch moveto xlen 0 rlineto stroke } for showpage / Rega

Re: Creating combined manuscript/ruled paper

stroke /y y yst add def } repeat /y y ysep add def } repeat showpage a a scale 0.1 setlinewidth /xmin 0 def /xlen 210 def /ysep -7.1 def /ymin 0 def /ymax 297 def ymax ysep ymin { xmin exch moveto xlen 0 rlineto stroke } for showpage // Rega

Re: pageBreak causes multiple ChoirStaff or StaffGroup System Start Delimiters

On 8/10/19 12:10 PM, Mark Stephen Mrotek wrote: \version "2.19.81" \score {     {   \new StaffGroup <<   \new Staff c''1   \new Staff c''1  >>} } \pageBreak     {   \new StaffGroup <<   \new Staff   d''1   \new Staff d''1 >>} Yes, that's perf

Re: pageBreak causes multiple ChoirStaff or StaffGroup System Start Delimiters

On 8/10/19 10:34 AM, David Wright wrote: On Sat 10 Aug 2019 at 09:58:21 (-0500), Patrick Karl wrote: On 8/9/19 11:40 AM, Mark Stephen Mrotek wrote: Patrick, Not sure about the page break. Is this what you want? Well, not really.  If you'll reread the subject I wrote, I'm lookin

Re: pageBreak causes multiple ChoirStaff or StaffGroup System Start Delimiters

>>   \new PianoStaff <<   \new Staff { d''1 }   \new Staff d''1 >>   >>    } } *From:*lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] *On Behalf Of *Patrick Karl *Sent:* Friday, August 09, 2019 9:3

pageBreak causes multiple ChoirStaff or StaffGroup System Start Delimiters

The following snippet generates a StaffGroup with two staves followed by a second similar StaffGroup on a second page: \score {     {   \new StaffGroup <<   \new Staff c''1   \new Staff c''1  >>   \new StaffGroup <<   \new Staff {  \pageBreak d''1 }   \new

Re: Transposing instrument best practice

imself/herself, you can do it either way. Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Frescobaldi language problem

On 7/6/19 6:17 PM, Federico Bruni wrote: Il giorno gio 4 lug 2019 alle 18:50, Tyler Mitchell ha scritto: On Thu, Jul 04, 2019 at 11:26:16AM -0500, John Karl wrote:  I've have apparently reset Frescobaldi's language selection for  its "Lilypond log" output from Englis

Frescobaldi language problem

I've have apparently reset Frescobaldi's language selection for its "Lilypond log" output from English to German and have been unable to undo this.  I think this probably happened when I was playing around with a lilypond-user request from someone in Germany.  I'm running Frescobaldi 2.19.0 on

Re: Variables

men = \markup{ Menuetto } Men = { s2^\men s } /// \include "a.ily" \score { << \new Staff \ma \new Staff << \mb \Men >> >> } /// \include "a.ily" \score { \new Staff << \ma \Men >> } /// \include "a.ily" \score { \new St

Re: How to calculate visible vertical beam-height

on angle ) = cos(atan(slope)) So bacically: length of p1-p3 = length p1-p2 / cos(atan(slope)) and finally: total height = thickness + blot / cos(atan(slope)) Well, you can't blame me for guessing. Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Variables

nly happens once unless you use them multiple times. > here is attached an example in score mode where i would like "Menuetto da > Capo" printed only in the lower voice. > <http://lilypond.1069038.n5.nabble.com/file/t1823/Capture.png> Can't help you since I don&

Re: "D.C. al Fine" best practice

Friedhelm Stümke: > @Karl > > the result can be seen in the last page of: > > http://aspodata.se/choir/ensemble/_nxt_/bwv128_d.pdf > may I suggest an additional "s" in "Menche"? It should be "Mensche". Yes, you may! Thank you very much

Re: "D.C. al Fine" best practice

N \daCapo \bar "|." the result can be seen in the last page of: http://aspodata.se/choir/ensemble/_nxt_/bwv128_d.pdf Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Inserting lyrics in a global situation

sA } nameA = {} staffA = \new Staff \with \nameA << \voiceA ... >> %%% \score { << \new ChoirStaff << \staffA \lyricsto voiceA \lyrA ... >> ... >> } Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Advice sought on making parts for string quartet

; here to exemplify things. The last link should be: http://aspodata.se/git/musik/Franz_Zaver_Brixi/haec_est_dies/ Regards, /Karl Hammar ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Advice sought on making parts for string quartet

lef use which I can switch between them in magnificat.ly by commenting: \include "clefCem.ily" %clefCem = \clefCemOrg clefCem = \clefCemMod ... \score { ... \new GrandStaff << \transpose c \pitchTranspose \new Staff = "up"

Bar numbers not always printed at beginning of line

The first sentence of the Bar numbers subsection of section "1.2.5 Bars” states:Bar numbers are typeset by default at the start of every line except the first line.However, the 2nd line of the output of the following snippet does not get a bar number: BarNumberProblem.ly Description: Binary data _

Re: Request for contribution: font demonstration examples

e adjusted or replaced when using a newer lilypond. Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: Request for contribution: font demonstration examples

Urs Liska: ... > * Mensural notation ... Feel free to use: http://aspodata.se/choir/ensemble/TomasLuisdeVictoria/o_quam_gloriosum/motet/o_quam_gloriosum.pdf http://aspodata.se/git/musik/TomasLuisdeVictoria/o_quam_gloriosum/motet/ Regards, /Karl Ham

Re: postscript printers for lilypond

Karl: > David: ... > > I just > > recently removed a Ghostscriptism (using max/mix operators) that would > > have made regular PostScript interpreters barf. Maybe that's fixed in > > master now? Yes, I see it. > I'll try that, though there where some pro

Re: postscript printers for lilypond

r the links, I'll will follow them up. Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden ___ lilypond-user mailing list lilypond-user@gnu.org https://lis

Re: postscript printers for lilypond

#x27;d be happy with the Kyocera for prepress. Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: postscript printers for lilypond

mill colour laser ? Why should I expose singers and players with subpar sheet music, aren't we artists of producing beautiful sheet music. There is no reason to degrade your results by using, in the end, a bad printer. Regards, /Karl Hammar -

Re: postscript printers for lilypond

Karlin: ... > Karl, what make and model was your surge-damaged printer? It will be > easier to recommend another printer if we know what product families > worked well in the past. There's even a slim chance that replacing a > circuit board could get the old one going again. I h

Re: postscript printers for lilypond

d of converting what I have just because the printer is too stupid to understand it. If possible I require all printers I buy to have postscript, the exception is large format inkjets. Regards, /Karl Hammar ---

Re: postscript printers for lilypond

o give my perfect matte blacks, but they have problems with the resolution, the black edges are not straight. The blacks don't cover the whole black area, there are small white dots all over where the the ink didn't get. The Epson is a litte better. Re

Re: postscript printers for lilypond

compared to my usual postscript printers. If you have any advice to get it working I'd be glad. My only intent with it is posters, photos, covers, and large sheets of music for organ works and such where you don't

Re: postscript printers for lilypond

Andrew: > Can I ask why you don't use matte paper? I try to, is there some you works good for lasers and that you can recommend? Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhamma

Re: postscript printers for lilypond

ar PostScript interpreters barf. Maybe that's fixed in > master now? I'll try that, though there where some problems with the guile version and some fonts last time I compiled lilypond. Regards, /Karl Hammar --- A

Re: postscript printers for lilypond

s, and PostScript > compatibility requirements, and I predict there will not be an > overwhelming number of choices. No, the number of choises seem to be in the wincinity of zero, at least for new printers. Regards, /Karl Hammar --- Asp

Re: postscript printers for lilypond

old/older printers as long as service parts are available. Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden ___ lilypond-user mailing list lilypond-user@gnu.org

postscript printers for lilypond

ilyponds postscript. Any suggestions ? Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden ___ lilypond-user mailing list lilypond-user@gnu.org https://lists

Re: Schenker graph example

Thomas Morley: > And I have absolutely no idea why your image is in my reply :((( > I didn't see it, I didn't attach it. Wtf It was in the html part and not in the plain-text part of his mail. Regards, /Karl Hammar

Re:v2.19.82 documentation unusable? (Aaron Hill)

om> > Content-Type: text/plain; charset=UTF-8; format=flowed > > On 2018-11-23 7:30 am, David Kastrup wrote: >> Patrick Karl writes: >> >>> I thank everyone for the replies. I?ll just wait till it?s fixed. >>> >>> I tried to find a version of Emm

Re: v2.19.82 documentation unusable?

ote: > > Thomas Morley mailto:thomasmorle...@gmail.com>> > writes: > >> Am Do., 22. Nov. 2018 um 23:49 Uhr schrieb Patrick Karl : >>> >>> I have lately been trying to move from v2.19.81 to 2.19.82. The >>> biggest problem I see at this early

v2.19.82 documentation unusable?

I have lately been trying to move from v2.19.81 to 2.19.82. The biggest problem I see at this early stage is that v2.19.82 documentation is apparently dependent upon a new font, Emmentaler-20. Or at least I get an error message such as: Cannot find or create the font Emmentaler-20. Some char

Re: Hairpin.to-barline doesn't always work

hairpin stops at the barline.  I have read the section of the Notation RM dealing with the to-barline property of Spanners (5.4.6), and haven't seen an explanation of this behavior. 2018-07-21 5:08 GMT+02:00 Patrick Karl <mailto:jpk...@gmail.com>>: Section 5.4.6

Hairpin.to-barline doesn't always work

Section 5.4.6 of the Notation RM states: /The|to-barline|property/ The second useful property of the|spanner-interface|is|to-barline|. By default this is true, causing hairpins and other spanners which are terminated on the first note of a measure to end instead on the immedia

\set Staff.tempoHideNote not working

Neither of the following attempts at hiding the "quarter note = nnn" works: { \set Staff.tempoHideNote = ##t   \tempo "Allegro" 4=120   c''4 d'' e'' f'' } { \tempo "Allegro" \set Staff.tempoHideNote = ##t   \tempo 4=120   c''4 d'' e'' f'' } I think the first one should clearly work, but it sim

Re:\bookparts and scaling (Karlin High)

> > Message: 2 > Date: Fri, 29 Jun 2018 13:18:18 -0500 > From: Karlin High > To: lilypond-user@gnu.org, David Wright , > crimsonsunr...@protonmail.com > Cc: torsten.haemme...@web.de, David Kastrup > Subject: Re: \bookparts and scaling > Message-ID: > Content-Type: text/plain; charset=utf

Re: Extra space at the beginning of the bar

> On Mar 25, 2018, at 2:56 AM, lilypond-user-requ...@gnu.org wrote: > > Message: 2 > Date: Sat, 24 Mar 2018 22:57:18 -0400 > From: Kieren MacMillan > To: paolo prete > Cc: Lilypond-User Mailing List > Subject: Re: Extra space at the beginning of the bar > Message-ID: > Content-Type: text/plai

Re: MIDI tick resolution

Gilberto: > Karl Hammar wrote > > The technical limitation of midi file format is that the tick is a > > 15bit quantity, i.e. the maximum value is 2^15-1 = 32767. ... > The only issue of going overboard with that value is that some DAWs might > then complain when opening these

Re: MIDI tick resolution

ion is 96, then a time interval of an eighth-note between two events in the file would be 48. Perhaps we should call the value Midi_division or something similar. Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 9

Re: MIDI tick resolution

ly less than 8192 quarter notes, which should be sufficient for most (all?) music. In effect, there is no need to choose a small tick value unless you want smaller midi files (a consern which should be irrelevant today) or perhaps due to some misbehaving midi equipment. Regards, /Karl Hammar ---

Re: MIDI tick resolution

David: > k...@aspodata.se writes: ... > > You could try the attached rudimentary patch and recompile your ... > The patch is pretty awful. Please, don't be rude, I did write it was rudimentary, you don't need to restate that.

Re: MIDI tick resolution

the attached rudimentary patch and recompile your lilypond source, see if that solves your problem, and report back. BTW, 384 = 128 * 3 960 = 64 * 3 * 5 Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden +46

Re: Understanding the eps bounding box (rounding)

* any value between -79.5 and -80.499 ... So, if the leftmost painted things is at e.g. -79.1 then llx <= -80, since llx >= -79 wouldn't do. Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-

Re: Is anyone maintaining midi2ly?

wrong places, don't know why. /// Regarding your subject line question, I don't know. I make my own midi -> ly converter though, currently in an experimental leap... Regards, /Karl Hammar --- Aspö Data Lil

Re: getting paid for an include (I offer)

d beeing able to use it oneself, and for that end, beeing able to make a cleaner version of a source tabulature Regards, /Karl Hammar --- Asp?? Data Lilla Asp?? 148 S-742 94 ??sthammar Swede

Re: "\includepdf" in LilyPond

$ lilypond xxx ... Finished, do something $ Or use a Makefile, you can look at my workflow if you like: http://aspodata.se/git/musik/bin/ http://aspodata.se/git/musik/include/ Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S

Re: "\includepdf" in LilyPond

e of things? Yes. Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden +46 173 140 57 ___ lilypond-user mailing list lilypond-user@gnu.org https://list

Re: Midi notes not stopping

n't give me any problems. And then I did nitpick that it wasn't technically perfect. So if there is any bug, it would probably have been introduced in a later version, which I cannot compile for the moment due to a missing dependancy. Regards, /Karl Hammar

Re: Midi notes not stopping

;, 384, 0, 76, 0], ['note_on', 0, 0, 76, 75], ['note_on', 76, 0, 76, 0], ['note_on', 0, 0, 77, 75], ['note_on', 76, 0, 77, 0], ['note_on', 1, 0, 78, 75], ['note_on', 76, 0, 78, 0], [&#x

Re: figured bass / latex lilypond-book

it to \version "2.18" \include "lilypond-book-preamble.ly" \figures { <7! 6+ 4-> <5++> <3--> } the output file will be cropped. It also produces files a-.* a-systems.*; just do a \includegraphics{a-1} to put that snippet in

Re: figured bass / latex lilypond-book

k up the type1 fonts and make them available to latex. A rudimentary program for to do that (not reasently tested) is lilyfont.pl in http://aspodata.se/git/musik/bin/, see lilyfont.readme for description. Example of use is in lilyfont.tex. The numbers you seek are here called \lilyone etc. Regards

Re: Unwanted spacing in text

> On Nov 12, 2017, at 12:12 PM, Cynthia Karl wrote: > > >> On Nov 12, 2017, at 10:35 AM, lilypond-user-requ...@gnu.org wrote: >> >> \version "2.18.2" >> >> \header { >> ? title = \markup { \char ##x00c6 "nigma" } >> } >

Re: Unwanted spacing in text

> On Nov 12, 2017, at 10:35 AM, lilypond-user-requ...@gnu.org wrote: > > \version "2.18.2" > > \header { > ? title = \markup { \char ##x00c6 "nigma" } > } > > \score { > ? \new Staff = \relative c' { c1 } > } > If you’re using Frescobaldi, the easiest way is to go to "Tools/Special Characters

Re: How to end a melisma

On 10/31/17 7:19 PM, Simon Albrecht wrote: On 31.10.2017 18:09, pkarl wrote: I'm trying to figure out the correct way to have LilyPond, v2.19.53, generate the attached score, which is for an instrument and a singer, but the singer doesn't sing all the notes that the instrumentalist plays. Furt

Re: How to generate a minimally sized pdf

LaTeX in lilypond? There is no auto paper size, it's A4 or something you set, see: http://lilypond.org/doc/v2.18/Documentation/notation/paper-size-and-automatic-scaling Hälsningar, /Karl Hammar --- Aspö Data Lilla Aspö

Re: An 'interpreter' for lilypond

> > Message: 5 > Date: Sat, 1 Apr 2017 12:39:23 -0700 (MST) > From: tisimst > To: lilypond-user@gnu.org > Subject: Re: An 'interpreter' for lilypond > Message-ID: > > Content-Type: text/plain; charset="us-ascii" > > On Sat, Apr 1, 2017 at 1:22 PM, Son_V [via Lilypond] < > ml-node+s106903

chordmode above bar numbers ?

rdNames { \Mch } \new ChoirStaff << \new Staff \Ma >> >> } === Regards, /Karl Hammar --- Aspö Data Lilla Aspö 148 S-742 94 Östhammar Sweden +46 173 140 57

Re: UTF-8 in MIDI Lyrics

Joseph Austin: > > From: Karl Hammar > <mailto:k...@opal.lcl.aspodata.se>> ... > >> But if we are going to use a "private standard", we might as well > >> imitate the "official" standard and insert something like > >> FF 05 0

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