Re: Feedback wanted: syntax highlighting in the LilyPond documentation

p an uncolored version for men (in principle women do not have this problem) who do not see well certain colors. Marc lanoiselée

Re: Center graphical markup on staff

Le 22/06/2021 à 02:31, Nuno Trocado a écrit : Hi everyone! How can I have the wiggly line in the example below centered inside the staff? Thanks, Nuno \score {   \relative c' {     c4 d     s-\markup \override #'(height . 2) \draw-squiggle-line #1 #'(8 . 0) ##f   } } \score {   \relative

"Dim" crashes into adjoining dynamic

uot;dim." to be a dynamic, as this does not work. What would be the comparable spacing override for "dim."? -- Marc Shepherd

Re: Margin between Header and Music

That's it...thanks! On Mon, Nov 23, 2020 at 9:19 AM Knute Snortum wrote: > I think that would be "markup-system". > > -- > Knute Snortum > > > > On Mon, Nov 23, 2020 at 6:01 AM Marc Shepherd wrote: > >> What parameter controls the minimum amount o

Margin between Header and Music

What parameter controls the minimum amount of space between the bottom of the header and the first line of music? -- Marc Shepherd

Interaction between Tags and partCombine

hTag #'score before each of the separate music expressions that is input to partCombine. I was able to discover this by trial and error, but there probably ought to be a warning about it in the manual. -- Marc Shepherd

Re: piece starting with acciaccatura problem

sh it could be solved. > -- Marc Shepherd

\unfoldRepeats

block. Any idea why that was chosen as the default behavior? When composers write a repeat, they usually expect it to be performed. I would have thought that automatically unfolding would be the more logical default. -- Marc Shepherd

Re: LilyPond learning curve (was: feasibilty question: simple GUI for web-based Lilypond instance)

visual feedback to then proceed > to "debug" such file after compiling is not a realistic alternative for the > majority of users. In my Python script I'm using subprocesses in > conjunction with OLL's partial compilation that let me make pdfs page by > page (using pdftk), so that I can only update the page I'm working on > without losing the rest of the pages. > -- Marc Shepherd

Re: LilyPond learning curve (was: feasibilty question: simple GUI for web-based Lilypond instance)

es, this > sort of things, for music students − composers are among the primary > types of LilyPond users after all. > -- Marc Shepherd

Re: A Beam and a Slur in a Bracketed Tuplet

Many thanks! Your manual shape override did the trick. I am new to LP and honestly amazed how often it makes "pretty good" or great decisions. Problems like this stand out for their rarity. On Tue, Oct 20, 2020 at 3:59 AM Jean Abou Samra wrote: > > Le 20/10/2020 à 01:08, Marc

Re: A Beam and a Slur in a Bracketed Tuplet

> } > | > b2 b8.([ a16]) | > g2. > } > > Best regards, > Jean > -- Marc Shepherd

A Beam and a Slur in a Bracketed Tuplet

? The code used is shown below: \version "2.21.7" \new Staff \relative c'' { \time 3/4 d4. d8 \tupletUp \tuplet 3/2 { d([ e]) c } | b2 b8.([ a16]) | g2. } \addlyrics { \lyricmode { Here is some text to pon -- der. } } [image: Capture.PNG] -- Marc Shepherd

Re: How To Selectively Show a Staff

Thanks! The "showIt" / "hideIt" functions were exactly what I was looking for.

How To Selectively Show a Staff

In a score where "RemoveAllEmptyStaves" is set, a staff will normally not show in a system where it has all rests. Sometimes, you may *want* a staff (temporarily) to appear on a specific system, even though it contains all rests. What’s the command or setting to do this? -- Marc Shepherd

Re: Measure Number Collision

ar numbers selectively whenever a rehearsal mark appears at the start of a system. I did a search of the archives, and I see this has been a much discussed topic over the years! On Sat, Oct 17, 2020 at 11:02 AM Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi Marc, &g

Re: Measure Number Collision

only the brass and strings play, no marks would print on that system. The example assumes that winds will always be present. That is why I had a MarkLine at the top of the score outside of any group. Thanks Marc On Sat, Oct 17, 2020 at 9:53 AM Kieren MacMillan < kieren_macmil...@sympatico.ca>

Re: Measure Number Collision

t 4:28 PM Marc Shepherd wrote: > >> Here is a minimal example showing this behavior: >> >> \version "2.20.0" >> >> \layout { >> \context { >> \name MarkLine >> \type Engraver_group >> \consists Output_property_

Re: Measure Number Collision

, 2020 at 7:09 PM Thomas Morley wrote: > > > Am Sa., 17. Okt. 2020 um 00:28 Uhr schrieb Marc Shepherd < > oakapp...@gmail.com>: > >> Here is a minimal example showing this behavior: >> >> \version "2.20.0" >> >> \layout { >

Re: Measure Number Collision

on.PNG] On Fri, Oct 16, 2020 at 3:58 PM Xavier Scheuer wrote: > On Fri, 16 Oct 2020 at 20:55, Marc Shepherd wrote: > > > > In the example shown below, lilypond is shifting the measure number (85) > down, because it thinks there is a collision with the rehearsal letter &q

Measure Number Collision

coincides with the first bar of a system. Is there a setting that tells lilypond, "Please ignore any supposed collision, and put the measure number where it would ordinarily go"? [image: collision.PNG] -- Marc Shepherd

Re: Markup Between Systems

that free-standing markup (not attached to any note or rest) can reside between \score’s, but not within a \score. Basically, I am looking for a way to achieve that effect without having to end the current score and start a new one. Thanks Marc On Mon, Oct 12, 2020 at 8:25 AM Andrew Bernard wrote

Markup Between Systems

a system), but not attached to a staff or note. -- Marc Shepherd

Re: bach chorales

I'm not the author (I had it in my archives) The license seems to show that it can be placed in a git repository. Marc Le 24/05/2020 à 11:41, Matt Wallis a écrit : On 24/05/2020 05:05, Andrew Bernard wrote: Hello Marc, Who are we to thank for this wonderful and useful work? I see the name

Re: bach chorales

, pt, it] Créé avec GNU LilyPond 2.13.51 http://www.LilyPond.org par Ph. Hardy. http://superbonus.project.free.fr Free Art License Marc Lanoiselée Le 23/05/2020 à 15:17, Matt Wallis a écrit : On 23/05/2020 14:00, David Nalesnik wrote: Hi all, Is anyone aware of Bach's 371 being transcribed

Re: Can \markuplist prduce uneven width columns?

; > Bar 28"in tempo" aligned but probably best on 6/16 (in neither of > the primary >sources > > As fas as I can see, neither \markup nor \markuptext have this facility. > > Regards, > > Peter > mailto:lilyp...@ptoye.com > www.ptoye.com > -- -- Marc

Re: Mysterious behavior in music function

Thanks so much for this explanation, and for the working version that does exactly what I wanted! It's very much appreciated. Marc Marc Evanstein www.marcevanstein.com Sun Aug 04 16:07:28 PDT 2019 Thomas Morley : > Am So., 4. Aug. 2019 um 22:49 Uhr schrieb Marc Evanstein > : > >

Mysterious behavior in music function

f'4   } } Can anyone shed some light on this for me? Thanks in advance! Marc pEpkey.asc Description: application/pgp-keys ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Orchestra Tempo Staff?

ey show up, they are not at the same height as the metronome marks (they are significantly below). Do you know why this is happening? Thanks again, Marc On 4/24/19 10:52 AM, Kieren MacMillan wrote: > Hi Marc, > >> in the score I would like tempo markings to >> appear at the top as well as abo

Orchestra Tempo Staff?

'm missing something obvious. Thanks, Marc -- Marc Evanstein (formerly Evans) PhD Candidate in Music Composition at UCSB Stanford BA '10, Music; MA '11, Music, Science and Technology www.marcevansmusic.com <>___ lilypond-user mailing list lilypond-us

Re: variables for specific kinds of markup?

r in the near future, and many thanks for all the help! September 17, 2018 8:01 AM, "David Kastrup" wrote: > "Marc Evanstein (formerly Evans)" writes: > >> Hi all, >> >> I'm trying to create a variable to handle a certain type of markup >>

variables for specific kinds of markup?

triking, as opposed to \striking. I'm pretty new to lilypond, so apologies if I've said something that betrays a lack of understanding. I guess I'd just mostly like to know what that "unexpected post-event" error means. Thanks in advance! Marc -- Marc Evans PhD Candidate in Music

Re: Syntax Completion in Vim

- use ctags to generate tag files - eg using regex and complete based on those. lilypond allows includes, so the perfect completion system would follow those. Marc Weber ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org

Re: fisisis impossible?

Am 12.03.2018 1:50 nachm. schrieb Torsten Hämmerle <torsten.haemme...@web.de>:Marc Hohl wrote > This is on the issue tracker: > > https://sourceforge.net/p/testlilyissues/issues/3356/ Thank you, Marc, This 2013 issue (like this thread, too) may be related mainl

Re: fisisis impossible?

that lilypond does not know triple sharps (isisis). Am I right? Are there solutions for this? This is on the issue tracker: https://sourceforge.net/p/testlilyissues/issues/3356/ Marc ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: Three simultaneous slurs

Oh sorry, it looks lie a tie between b-flat and b-flat, but the handwritten note heads could also be interpreted differently :)Am 21.02.2018 12:34 nachm. schrieb Andrew Bernard <andrew.bern...@gmail.com>:Hi Marc,Actually not a tie. If it were, the next note would not have an accidental

Re: Three simultaneous slurs

The smallest "slur" in the picture is a tie, isn't it?The next bigger slur can be typeset directly, and the outmost slur is a PhrasingSlur IMHO.HTH, MarcAm 21.02.2018 11:56 vorm. schrieb Andrew Bernard :Referring to the attached image from the MS I am engraving, I have

Re: endless tab?

Case 1: I set an arbitrary bar (the manual calls it "bar check") Because it is a *check*, not a bar line! You insert bars by \bar "|" or \bar "|." or whatever, no by the bar *check* symbol alone, that's quite a dif

Re: tie polyphony

IUC, you'll need a phrasing slur for this: \( \) HTH, Marc Thank you, Gianmaria ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond

Re: reloading \set TabStaff.minimumFret = #x

of the tones of the following bars should again resdtricted above some value. I like to avoid defining the strings for a long sequence of notes. \unset TabStaff.minimumFret should do the trick HTH, Marc ___ lilypond-user mailing list lilypond-user

Re: [OT] Linux Users

lyPond, LuaLaTeX/XeLaTeX here. Marc ​ 2017-11-18 17:24 GMT+01:00 David Bellows <davebell...@gmail.com <mailto:davebell...@gmail.com>>: I use Linux, Lilypond, LuaLaTeX, and Csound, editing all of it in emacs. This does seem like a pretty potent or at least popular combin

Re: Invisible note lines?

, there is no graphical output. See http://lilypond.org/doc/v2.18/Documentation/notation/creating-midi-files for clarification. HTH, Marc Regards BB Am 27.10.2017 um 18:07 schrieb Marc Hohl: Am 27.10.2017 um 18:04 schrieb bb: For a backing track I want a melody line and chords printed

Re: Invisible note lines?

in one lilypond file: \score { ... stuff to be printed ... } \score { ... same stuff without kick ... \midi { } } HTH, Marc Regards BB ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: \justify & break

I misread the mail, this is nonsense.Sorry for the noise.Am 05.10.2017 9:50 vorm. schrieb Marc Hohl <m...@hohlart.de>:Am 05.10.2017 9:32 vorm. schrieb Gianmaria Lari <gianmarialari@gmail.com>:On 5 October 2017 at 09:28, Thomas Morley <thomasmorley65@gmail.com> wrote:2017-10

Re: \justify & break

Am 05.10.2017 9:32 vorm. schrieb Gianmaria Lari :On 5 October 2017 at 09:28, Thomas Morley wrote:2017-10-05 6:56 GMT+02:00 Gianmaria Lari : > On 5 October 2017 at 01:05, Thomas Morley wrote: >>

Re: How can I make a 7.9+.9- chord?

Am 28.09.2017 um 18:31 schrieb gumblex: [...]And how can I display this chord correctly in a ChordNames line? This is untested, but IIRC \once\override ChordName.text = \markup { ... } should work. ___ lilypond-user mailing list

Re: How can I make a 7.9+.9- chord?

; chord. This is a current restriction of LilyPond's chord handling abilities. You cannot use two alterations of the same interval. Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Header

Am 25.09.2017 um 20:37 schrieb Mario Moles: Hi lilyponders! How to make like in tha jpg? Please provide us some more informations. The jpg looks like a LaTeX document, so the commands used there do not apply for LilyPond. Marc ___ lilypond-user

Re: Draw line between fingerings, but how does this go?

Hello Pieter, I used the code in this thread: http://lilypond.1069038.n5.nabble.com/glissando-in-fingering-notation-td159875.html This works out of the box for almost all occurrences in my scores. HTH, Marc Am 25.09.2017 um 22:49 schrieb Pieter Terpstra: Dear readers, Trying to draw

Re: restrain string numbers

Am 22.09.2017 4:51 nachm. schrieb bb :I want to restrain/omit string numbers in the score. But I need them to define because of the guitar tabs. How can I do that? \new Staff \with { \omit StringNumber } { ... your music

Re: Fwd: coloring notes according harmonic function

t, otherwise the first \new Voice ends directly after \voiceOne, and ... is treated as if \voiceOne was never set. HTH a bit, Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Remove all occurrencies of "0" fingerings

Am 15.08.2017 um 10:15 schrieb David Kastrup: Marc Hohl <m...@hohlart.de> writes: [...] For the record: First, I used the solution with grob-transformer, but then I found out that removing the grob completely yields to problems with glissando lines between fingerings, so I sw

Re: Remove all occurrencies of "0" fingerings

Am 08.08.2017 um 12:35 schrieb Thomas Morley: 2017-08-08 11:46 GMT+02:00 Marc Hohl <m...@hohlart.de>: [...] Hi Marc, your initial code had two problems, comments inline: \override Fingering.stencil = #(lambda (grob) (let* ((text (ly:grob-property grob 'text)) (s

Re: Remove all occurrencies of "0" fingerings

Am 08.08.2017 um 18:44 schrieb David Kastrup: Marc Hohl <m...@hohlart.de> writes: Am 08.08.2017 um 13:00 schrieb Thomas Morley: 2017-08-08 12:47 GMT+02:00 David Kastrup <d...@gnu.org>: You can do this by using [...] Nice one. I always forget about 'grob-transformer'. Missing

Re: Remove all occurrencies of "0" fingerings

what it does. I have read the doc string, though. Thanks, Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Remove all occurrencies of "0" fingerings

Am 08.08.2017 um 12:47 schrieb David Kastrup: Marc Hohl <m...@hohlart.de> writes: I wanted to write a little callback to remove all occurrencies of "0" fingerings. This is what I got so far: \version "2.19.63" music = { c'4-3 d'-0 e'-2 f'-3 | g'1-0

Re: Remove all occurrencies of "0" fingerings

Hi Malte, Am 08.08.2017 um 10:30 schrieb Malte Meyn: Am 08.08.2017 um 10:23 schrieb Marc Hohl: I wanted to write a little callback to remove all occurrencies of "0" fingerings. This doesn’t empty the stencil but removes the Fingering grobs completely (by suicide)

Remove all occurrencies of "0" fingerings

ng: Fingering has empty extent and non-empty stencil. Warning: Fingering has empty extent and non-empty stencil. And *no* fingering at all is shown in the resulting score. What am I doing wrong? Regards, Marc ___ lilypond-user mailing list lilypond-user

Re: Adding an introductory note(s)

Am 31.07.2017 um 17:27 schrieb Stephen Nesbitt: [...] 2) The inability to have more than one instance of partial. Fiddle tunes are often notated with pickups for the A & B sections. AFAIK, it is allowed to put a \partial in mid-piece since 2.19.11. HTH,

Re: Include file handling in lilypond-book

} { \include "lilypond-variables.ly" I don't know if I remember correctly, but I think I stumbled upon this problem before. Have you tried to include a relative path? \include "./lilypond-variables.ly" ^^ HTH, Marc ___ l

Re: String Number collision

Hi Harm, Am 05.07.2017 um 23:21 schrieb Thomas Morley: Hi Marc, 2017-07-05 8:13 GMT+02:00 Marc Hohl <m...@hohlart.de>: Hi list, I have the following MWE: [...] It causes the string number "5" to appear twice, strangely overlapping. I tried to move the New_fingering_e

String Number collision

ices since I use tablature too (ommitted in the MWE) and removing the string specification would yield in a erroneous tablature. Best regards, Marc \version "2.19.60" up = { c'8\5 e'' ~ 2. } down = { c'4\5 ~ 2. } %{ uncomment this to trigger error \layout { \context {

Re: extra note

Am 15.06.2017 1:45 nachm. schrieb Rafael González :I am using \version "2.19.55" the following line, bar   e,8 <<  b'' e >> <<  d a >> 16  b 8. g,16 a b d d b e' e       |the attachment shows that, after compilation, I get an extra a16 after the second double stop, why? 

Re: How to make vertical arrow between staves

Am 14.06.2017 1:15 nachm. schrieb Rutger Hofman <rut...@cs.vu.nl>:On 06/14/2017 12:47 PM, Marc Hohl wrote: > Am 14.06.2017 um 12:34 schrieb Rutger Hofman: >> Good morning list, > > [...] > > Does > > http://lsr.di.unimi.it/LSR/Item?id=962 > >

Re: How to make vertical arrow between staves

Am 14.06.2017 um 12:34 schrieb Rutger Hofman: Good morning list, [...] Does http://lsr.di.unimi.it/LSR/Item?id=962 what you want? Marc Rutger Hofman Amsterdam ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman

Re: opus conflict

about writing custom book/scoreTitleMarkup Nicely done, Harm! +1 I really, really appreciate your detailed explanations and your time and effort that go into mails like these! Marc Trevor --- This email has been checked for viruses by AVG. http://www.a

Re: flip clef, key and time signature [Re: flip clef at end of line only]

Am 17.04.2017 um 13:47 schrieb Thomas Morley: 2017-04-17 13:35 GMT+02:00 Marc Hohl <m...@hohlart.de>: Hi Harm, (ly:grob-set-property! grob 'space-alist '((staff-bar extra-space . 1)) Ah, that's the way to go here – thanks a lot for your brilliant so

Re: flip clef, key and time signature [Re: flip clef at end of line only]

Hi Harm, Am 16.04.2017 um 21:25 schrieb Thomas Morley: 2017-04-16 17:54 GMT+02:00 Marc Hohl <m...@hohlart.de>: [...] I tried to go one step further and include the key signature and time signature in my example, see the attached code. [...] Hi Marc, how about

flip clef, key and time signature [Re: flip clef at end of line only]

Am 15.04.2017 um 18:02 schrieb Malte Meyn: Am 15.04.2017 um 17:32 schrieb Marc Hohl: Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I managed to get the clef displayed at the beginning

Re: flip clef at end of line only

Am 15.04.2017 um 18:02 schrieb Malte Meyn: Am 15.04.2017 um 17:32 schrieb Marc Hohl: Hi list, I am working on a little piece that's played as written; after that, the musician has to turn the page upside down and play the resulting notes. I managed to get the clef displayed at the beginning

Re: flip clef at end of line only

http://2.bp.blogspot.com/-ytAqPVXoRDM/UIXIEydfLKI/HwA/tnbOsi1iI4o/s1600/UD%2BI.bmp Wow, that's interesting! Have an happy Easter. Happy Easter to you, too! Cheers, Marc -- View this message in context: http://lilypond.1069038.n5.nabble.com/flip-clef-at-end-of-line-only-tp202312p2

flip clef at end of line only

t;> } --- Is there an easy way to detect whether the clef is actually at the end of a line, so that I can write (in pseudo-code) if (at-end-of-line) rotate the clef else print the clef fi Thanks in advance, Marc \version "2.19.0" #(define-markup-command (flip layout

Re: How to read a error message?

names without declaring it first. Do you have \language "deutsch" stated in your input file? HTH, Marc Best regards Ralph ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: ANN: Frescobaldi 2.20.0, Frescobaldi 3.0.0, python-ly 0.9.5

-5-tp200225p200849.html > Sent from the User mailing list archive at Nabble.com. > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > -- -- Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: LilyBin embedded [WAS: New LilyPond website]

Using a subdomain as proposed (live.lilypond.org), the whole lilybin stuff could be outsourced to a different server ... finding someone who provides this possibility/server is another story.But I like the "try it!" approach very much.MarcAm 22.02.2017 10:49 vorm. schrieb Phil Holmes

Re: markup functions

this works: #(define-markup-command (instruct layout props text) (markup?) (interpret-markup layout props #{ \markup \italic \magnify #0.7 #text #})) mkTenor = \markup { \instruct "tenor"} \relative c' { d1-\mkTenor } =Marc On Sat, Feb 18, 2017 at 9:52 AM,

Re: ANN: Frescobaldi 2.20.0, Frescobaldi 3.0.0, python-ly 0.9.5

t; Wilbert Berendsen (www.wilbertberendsen.nl) > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > -- -- Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: New LilyPond website

t; > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > > -- -- Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

example(s) of the power of Lilypond

in other music notation software? -- Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: New LilyPond website

action items in a google sheet for everyone to easily review, stay up to date. Google sheets or another similar system will be helpful for prioritizing the feedback. -Marc On Thu, Feb 9, 2017 at 10:49 AM, Simon Albrecht <simon.albre...@mail.de> wrote: > On 09.02.2017 08:35, Mats Behre wrote: &

Re: Experience with several import filters

y > skeleton and it was worth having the tool. > > Cheers, > Joram > > ___ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user > -- -- Marc __

Re: Ties across voices

} \layout { ragged-right = ##t } %\midi {} } HTH, Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Non-lyric text in lyrics

lf-way through and changing vocalName doesn't seem to do the right thing.I use \set stanza = "Alice: "... Lyrics for Alice ...\set stanza = "Bob: "... Lyrics for Bob ...\set stanza = "both: "... Lyrics for both ...for such situations.HTH, Marc ._

hide time signature in markup command

'indent 0) ;; add the \layout block to the score (ly:score-add-output-def! score score-layout) (interpret-markup layout props (markup #:score score) ) )) snippet = { c d e} \markup { "Example:" \writeScore \snippet } -- -- Marc

Re: InstrumentName on right side

Hi Harm, I cannot help with the instrument name problem, but ... Anyway, to give an imprssion a pdf is attached. This is impressive! Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: BendSpanner-engraver

Am 13.09.2016 um 22:41 schrieb Thomas Morley: [...] 2016-09-13 8:33 GMT+02:00 Marc Hohl <m...@hohlart.de>: I hope to find the source somewhere to provide you a scan of how it should look like. Would be great. I finally found some examples, but the bend arrows are not quite "

Re: Help required with tuplets

. HTH, Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Trouble Combining Repeats and Closing Bars in tunes

ilypond deals internally with repeats versus explicitly given barlines is not optimal yet :-( HTH, Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: BendSpanner-engraver

eature. Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Start of the first row of a staff

I misunderstanding your request? Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: BendSpanner-engraver

Hi Harm, Am 18.09.2016 um 12:38 schrieb Thomas Morley: Hi Marc, 2016-09-13 22:41 GMT+02:00 Thomas Morley <thomasmorle...@gmail.com>: 2016-09-13 8:33 GMT+02:00 Marc Hohl <m...@hohlart.de>: The dashed line would also be great in cases like those: c'\3\startBend d'\3\stopBend~ d'

Re: BendSpanner-engraver

of normal Staves and TabStaff, and I am responsible for the current behaviour of the TabStaff: numbers only, no stems and stuff ;-) Cheers, Marc ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: calculation of the total duration of a score

Hi Jan-Peter, Am 16.09.2016 um 08:40 schrieb Jan-Peter Voigt: Hi Marc, nice to hear, that you have a workflow. For the record I noted two things in the file. (And if there's some spare time, I might further work on it.) Thanks for the continuing work on that issue! 1. The durations

Re: calculation of the total duration of a score

Am 14.09.2016 um 14:24 schrieb Marc Hohl: [...] I thought of writing the duration to a external file to be read from within the markup call in the score to be printed, but did not follow this route any further yet. Update: a simple test file shows that this works. I can - compute the total

Re: BendSpanner-engraver

, guitar-player myself I never use TabStaff rofl My pupils are fond of tablatures, easy available, easy to understand ... And trying to write down a contemporary guitar solo with normal staves only is a bit of a nightmare ;-) Cheers, Marc ___ lilypond

Re: calculation of the total duration of a score

Hi Jan-Peter, Am 14.09.2016 um 13:18 schrieb Jan-Peter Voigt: Hi Marc, I am busy today, so I will look into your example later. No problem! In short: Repeats are not taken into account right now. Yes. Therefore I used the \unfoldRepeats/\midi-combination, but the duration computed in one

Re: calculation of the total duration of a score

code here ... } } } But it looks like the duration variable is visible within its score only, see the attached compilable example. How can I obtain the correct duration in combination with a compact score? Thanks in advance, Marc Am 13.09.2016 um 10:24 schrieb Jan-Peter Voigt: Hi

Re: calculation of the total duration of a score

Hi Jan-Peter, seems to do exactly what I need, so thanks for sharing ... I'll give it a try tomorrow, when I have some time to work on my project again. Cheers, Marc Am 13.09.2016 um 10:24 schrieb Jan-Peter Voigt: Hi Marc, you already received some solutions, but I stumbled across

Re: BendSpanner-engraver

nts are handled specifically for certain strings: < g\3~ b\2~ fis'\1\startBend > < g\3 \b\2 g'\1\stopBend > --- I do hope my feedback does not sound too negative, this is a huge amount of work you have done for us guitar players! Thanks a lot! Cheers, Marc Am 11.09.2016 um 1

Re: BendSpanner-engraver

Hi Harm, I did not have much time to fully test it, but wow. This is awesome! Kudos to you! I'll give a more detailed report after some tests, but this may take a while. Cheers, Marc Am 11.09.2016 um 11:53 schrieb Thomas Morley: Hi all, as result of my private None-Google-Summer-of-Code

  1   2   3   4   5   6   7   8   9   10   >