Typically fonts use x-height as a general design parameter. I don't know if
you find that helpful in this interesting project, but it is a point of
possible useage.
Regards,
Shane Brandes
On Sat, Jun 8, 2024, 5:47 AM Aaron Hill wrote:
> Thank you both, Werner and Valentin, for taking the t
Could also be a batterie, or an arpeggio that one runs over all the pitches
in between but only maintains the notated ones. Decidedly weird notion
though.
Shane Brandes
On Mon, Feb 19, 2024 at 1:33 PM Francesco Intrieri <
francesco.intrieri...@gmail.com> wrote:
> Dear Auke,
> Could
Whose faircopy and why the indecision?
-Shane
On Wed, Jan 17, 2024, 4:23 PM mog...@kayju.com wrote:
> Hi,
>
> The handwritten manuscript I am typesetting wants the performer to play
>4 OR
>4 OR
>4OR
>4
> at the performer's discretion. Doe
_\startTrillSpan
answers for that.
On Fri, Nov 24, 2023 at 5:16 PM David Kastrup wrote:
> Mario Bolognani writes:
>
> >\override TrillSpanner.bound-details.left.text = #'()
> > \startTrillSpan
> > works for 2.24
> >
> > This is an acceptable result :
>
> What piece of standalone code
\override TrillSpanner.bound-details.left.text = #'()
\startTrillSpan
works for 2.24
regards,
Shane
On Fri, Nov 24, 2023 at 12:24 PM Mario Bolognani
wrote:
> Hello,
>
> any suggestion for this kind of slur? Many thanks for any good idea...
>
> [image: Screenshot 2023-11-2
\override Staff.BarLine.transparent = ##t
On Fri, Nov 17, 2023 at 1:50 PM Johannes Roeßler wrote:
> Hi guys,
>
> there is a nice example for "Mensurstriche"
>
> \layout { \context {\StaffmeasureBarType = "-span|" }}
> music = \fixed c'' { c1 d2 \section e2 f1 \fine}
> \new
My solution works. Try it.
On Thu, Aug 3, 2023, 1:05 PM Knute Snortum wrote:
> On Thu, Aug 3, 2023 at 9:47 AM Knute Snortum wrote:
>
>> On Thu, Aug 3, 2023 at 8:31 AM Kieren MacMillan <
>> kie...@kierenmacmillan.info> wrote:
>>
>>> Hi Knute,
>>>
>>> > Now the only thing that remains is that
\clef bass <<{\once \override NoteColumn.force-hshift = 1 af,4 \stemDown
q }\\{\hideNotes f f f }>> |
that will get you the rest of the way. adjust as necessary.
regards,
Shane Brandes
On Thu, Aug 3, 2023 at 10:56 AM Knute Snortum wrote:
> This doesn't seem to have an effect:
Indeed I did. And somehow that never occured to me.
Thanks,
Shane
On Fri, Jul 21, 2023, 5:23 PM Hans Aikema wrote:
>
> On 21 Jul 2023, at 23:08, Shane Brandes wrote:
>
> Hi all,
>
> Today I was working on a project and I tried setting the top and bottom
> marg
just fine.
It is odd and was a time waster finding a workaround. Any explanations?
regards,
Shane
I used to use that a lot, especially when the conversions did weird things
due to the amount of workarounds i used to use before the program really
became stellar. In any case, it has been very useful, and may yet still be.
-Shane Brandes
On Sat, Mar 4, 2023, 12:13 PM Mats Bengtsson
wrote
That is great, but where can one find a list of changes between versions?
Shane
On Sat, Feb 18, 2023 at 2:39 PM Jonas Hahnfeld via LilyPond user discussion
wrote:
> We are happy to announce the release of LilyPond 2.25.2. This is termed
> a development release, but these are usually re
Add an empty measure after the double bar. /bar "||" s1
Shane
On Fri, Feb 17, 2023, 4:36 AM Aberforth D - Instrumentals <
aberfor...@gmail.com> wrote:
> Hello,
>
> I am working on a complete piano vocal score for an opera. To keep things
> manageable I work on ind
somewhere unknown to me. Any ideas what I am not doing correctly? Googling
hasn't provided an answer but maybe I was asking the wrong question.
regards,
Shane
On Sun, Jan 22, 2023 at 8:26 AM Martin Tarenskeen
wrote:
> Hi,
>
> Recently I discovered that LilyPond is available for Termux, a L
way making that also fairly useless as a nomenclature.
Shane
On Wed, Jan 18, 2023 at 9:38 AM David Wright
wrote:
> On Wed 18 Jan 2023 at 08:22:19 (+), Mark Knoop wrote:
> > At 16:46 on 17 Jan 2023, "H. S. Teoh" via LilyPond user discussion wrote:
> > > On Tue, Jan
This an old solution to put the pedal in its own context so you can add
spacers as you see fit. Maybe there is a better way now, but this works
pedal ={s8 s2\sustainOn s2\sustainOff }
\score {
\new PianoStaff \with {
instrumentName = "Piano"
} <<
\new Staff = "right" \with {
In most cases this would mean use the pedal in an ad libitum fashion and
not play it dry without the use of the sustain pedal.
Shane
On Fri, Mar 25, 2022 at 8:52 PM Kenneth Wolcott
wrote:
> HI;
>
> When the previous typesetter states "with pedal", what exactly does
&
values greater than 1 also yield odd results.
On Sun, Mar 20, 2022 at 6:41 PM Knute Snortum wrote:
> Hi all,
>
> I have run into another possible-bug-certainly-ugly issue that I found
> trying to create an ossia bar. When a musical figure has beams and the
> staff is reduced in size with
I think here you can use the instrument name to achieve your desired effect.
\new Staff \with {
instrumentName = "я не знаю"
}
On Mon, Mar 7, 2022 at 2:49 PM Michael Gerdau wrote:
> > Hello. I saw this design in the sheet music. And I really need to try to
> > do the same. But I don't know
perhaps you have a /slurdown declared earlier in your code?
On Mon, Mar 7, 2022 at 10:43 AM Mark Stephen Mrotek
wrote:
> Shane,
>
>
>
> Shall inspect context. Perhaps something prior is affecting.
>
> Thank you for your assistance.
>
>
>
> Mark
>
>
>
Run the code as I set it down. you should see a slur from the b to the a as
I do. That is what the ^( ) syntax ought to be doing for you. I see it very
clearly as you wanted.
On Mon, Mar 7, 2022 at 9:44 AM Mark Stephen Mrotek
wrote:
> Shane,
>
>
>
> Thank you for the suggesti
\version "2.22.1"
\relative c' {
\slashedGrace b'8 ^( 8
}
On Sun, Mar 6, 2022 at 10:41 PM Mark Stephen Mrotek
wrote:
> Hello All,
>
>
>
> How do I get the slur go from the acciaccatura to the “a”?
>
>
>
> Thank you for your kind attention..
>
>
>
> \version "2.22.1"
>
>
>
> \relative c'
\once \override Beam.positions = #'(0.5 . 0.5)
regards,
Shane
On Mon, Jan 24, 2022 at 1:11 PM Francesco Napoleoni <
mlists-lilyp...@cosmic-odyssey.net> wrote:
> Hi everyone
>
> While engraving the music in screenshot-source.png I’ve stumbled on a
> problem:
> I cannot a
it might have
worked well for something simpler than what I happened to be doing. Anyway,
I do not expect to have to make too many further edits to either the full
or vocal score so there shouldn't be too much double maintenance in any
event.
regards and thanks again for the help,
Shane
On Sun,
of the others. Thanks for the progress.
-Shane
On Wed, Dec 1, 2021 at 9:54 AM Leonid Hrabovsky
wrote:
> Thanks for the comment - I remain with 2.22.1 so far.
>
>
> *Леонід - Leonid*
>
>
>
> <https://www.avast.com/sig-email?utm_medium=email_source=link_campaign=sig
I think Wol has mentioned the exact tool, Tags, required for what I am
trying to accomplish. Those are not something I have ever used or even run
across. Hopefully I can manage them without further assistance. Thank you
all!
Shane
On Sun, Nov 28, 2021 at 2:32 PM Valentin Petzel wrote
chorus
entrances in such a way that one only needs to maintain the parts
themselves without making duplicate editing if changes are made?
regards,
Shane
It never crossed my mind that figured bass was anything other than a non
countable noun. Just like fish or sheep. As a spoken term it sounds more
like a tax term.
Shane
On Tue, Jun 15, 2021 at 11:01 AM David Sumbler wrote:
> I think the real question is "what do you call a singl
affSymbol.color = #magenta
\startStaff { c'1-\markup "Magenta" }
}
}
>>
}
regards,
Shane Brandes
On Fri, Jun 4, 2021 at 10:38 AM Paul McKay wrote:
> Hi
> I am working on some Haydn piano music and want to distinguish between
> urtext and my version music.
, it is likely LilyPond is an excellent candidate for your needs,
unfortunately I can't give all the answers, and really am looking forward
to whatever discussion your missive generates. It is always interesting to
learn what this program is capable of.
kind regards,
Shane Brandes
On Fri, Apr 9, 2021
You are on your own on that one. I think it just leads to the unpleasant
chaos of having to look up what those mean in a table somewhere after you
have forgotten why you put that into your score.
-Shane
On Thu, Mar 25, 2021 at 10:20 PM Valentin Petzel wrote:
> Hello!
>
> Currently
such a thing in the Catacombs movement that this can be used. Anyway, that
Is how I deal with the problem.
-Shane
On Sat, Jan 30, 2021 at 8:21 PM Kenneth Wolcott
wrote:
> Thank you all!
>
> On Sat, Jan 30, 2021 at 6:47 AM Noeck wrote:
> >
> > > How does a pianist do
<< { d4 b8 } \\ {g b~ g}\\{s8 \hideNotes b~ \once \override
NoteColumn.force-hshift = #-.1 b} >>
A possible solution to your problem.
regards,
Shane
On Sat, Nov 28, 2020 at 4:37 PM Shuwei Hu wrote:
> Dear list,
>
> I'm trying to tie notes across voices. Example:
>
and replacing
glyphs. Somehow I think that approach might lead to unexpected consequences
or is it as simple as that?
regards,
Shane Brandes
Looks like a lot of neat new stuff implemented!
-Shane
On Mon, Aug 17, 2020 at 3:55 AM Phil Holmes wrote:
> We are pleased to announce the release of the latest development build of
> LilyPond, 2.21.5.
>
> --
> Phil Holmes
>
>
>
>
Increase the spacing-increment on line twenty. I tried a value of 2 and it
worked fine.
regards,
Shane
On Mon, May 25, 2020 at 12:06 PM Fr. Samuel Springuel
wrote:
> I’ve come back to this after a bit and have found a deal breaker of a
> problem: when the slur spans over notes which g
This is just a feature request for laziness with resulting opaqueness. I
think it has been requested several times over the years because of other
program's bad habits.
Shane
On Mon, May 18, 2020 at 12:17 PM Urs Liska wrote:
> Am Montag, den 18.05.2020, 18:11 +0200 schrieb David Kast
They are really on the ball on that one.
-Shane
On Fri, Mar 27, 2020 at 10:09 AM Valentin Villenave
wrote:
> Hi everybody,
> I know it’s off-topic but I wanted to share the news because, let’s be
> honest, nobody in their right mind would want to miss it:
> Yes! It’s finally here!
Reggie,
You will need both bits of code. \once \override TrillSpanner.extra-offset
= #'(0 . -0.2) The last number controls the vertical position. It will
require experimentation and guesswork try a value as large as 3 and observe
what happens to the trill spanner. It will work.
regards,
Shane
= \markup {
\concat {
\musicglyph #"scripts.trill"
\translate #'(0.5 . 1.0)
\fontsize #-4
\with-dimensions #'(0 . 1.2) #'(0 . -2)
\↓
}
}
That should get you going in the right direction.
regards,
Shane
On Mon, Oct 28, 2019 at 6:22 AM Reggie wrote:
> Hello list. I
\undo \omit Stem
That turns it back on.
regards,
Shane
On Thu, Jul 4, 2019 at 5:07 PM Ben wrote:
>
> Hi all,
>
> This is the first time I've encountered the need to hide grace note beams
> and/or stems. Can someone show me what I am doing wrong?
>
> I'm attaching an ima
short-indent = 1\cm try something like that in the paper block. you might
have to adjust the value to your liking.
regards,
Shane
On Fri, Jun 7, 2019 at 11:19 AM branden marbaugh <
brandenmarbaugh1...@gmail.com> wrote:
> So I am using Frescobaldi and used the setup wizard for a 4-voic
Working in Ohio at 7:47 p.m. est.
On Sun, Feb 10, 2019 at 7:44 PM Andrew Bernard wrote:
>
> Anything I search for here at the archives produces n9o results:
>
> https://lists.gnu.org/archive/html/lilypond-user/
>
> Is the archive system down?
>
> I tried three different browsers on two different
A.G.O, American guild of organists has sight transposition tests for
their certification program, but I think they only go a third from the
printed key.
regards,
Shane
On Sat, Dec 1, 2018 at 10:14 PM Andrew Bernard wrote:
>
> Hi David,
>
> We have a similar tradition in Australia (Br
So it does everything on that list near as I can work out.
On Tue, Nov 20, 2018 at 5:57 PM Torsten Hämmerle
wrote:
>
> Shane Brandes wrote
> > What do they mean by jazz articulations?
>
> Hi Shane,
>
> I guess they mean doits, falls, shakes, bends…
>
> All the best,
Is there anything on that list that Lilypond doesn't do? What do they
mean by jazz articulations?
-Shane
On Tue, Nov 20, 2018 at 3:04 PM David Bellows wrote:
>
> Urs,
>
> >I think it would be good to add our stuff to the chart (not necessarily much
> >to the comments secti
Bernhard,
A longshot idea, did you try contacting the church you sang at? Some of the
churches I have worked with or for have had excellent music libraries that had
holdings going back 70 years or more. Then again a many of them have had some
"helpful" person tidy things up and disposed of vast
Bernhard,
A longshot idea, did you try contacting the church you sang at? Some of the
churches I have worked with or for have had excellent music libraries that had
holdings going back 70 years or more. Then again a many of them have had some
"helpful" person tidy things up and disposed of vast
I suppose wether or not ismlp has it depends on if you are Canadian or a slave
to Mickey Mouse. This piece could have been commercially unsuccessful or
supressed. Why is the ghost voraciously eating the table cloth? Or am I
misunderstanding the title?
Shane
Sent from my T-Mobile 4G LTE Device
Then there is always "what is more out of tune than two flutes? One flute"
Shane B.
On Mon, Apr 30, 2018 at 11:34 PM, Paul Scott <waterho...@ultrasw.com> wrote:
> On Mon, Apr 30, 2018 at 10:27:10PM +0200, Hans Åberg wrote:
>>
>> > On 30 Apr 2018, at 22:23
There is a chinese tongue twister that is really long and consists entirely of
the sound "shi." The vice president of the shanghai conservatory told me that
one. It is worth looking up.
Regards,Shane Brandes
Sent from my T-Mobile 4G LTE Device
Original message Fro
Is this a tomayto vs. tomahto problem? Is there really a discrete
difference? or is it just diiferent fonts making it look different?
regards,
Shane
On Wed, Apr 25, 2018 at 2:35 PM, Malte Meyn <lilyp...@maltemeyn.de> wrote:
>
>
> Am 25.04.2018 um 18:06 schrieb Kieren MacMillan
.
Regards, Shane
Sent from my T-Mobile 4G LTE Device
Original message From: Edward Neeman <edward.nee...@gmail.com>
Date: 4/14/18 6:55 PM (GMT-05:00) To: Lilypond-user <lilypond-user@gnu.org>
Subject: Pedal bracket alignment
Hello,
I would like to align the pedal bra
http://jan.ucc.nau.edu/tas3/musoffcanons.html
On Wed, Apr 4, 2018 at 8:32 PM, Ben <soundsfromso...@gmail.com> wrote:
> On 4/4/2018 8:29 PM, Shane Brandes wrote:
>
> No it is a mirror image that indicates retrograde. Not on that page.
>
> S.
>
> On Wed, Apr 4, 2018 at
No it is a mirror image that indicates retrograde. Not on that page.
S.
On Wed, Apr 4, 2018 at 6:18 PM, Ben wrote:
> On 4/4/2018 6:04 PM, Ethan Sue wrote:
>
> Hello
> I am transcribing some baroque canons. Does anyone know how to make upside
> down/backwards clefs?
>
as resulting output it is
tremendous and as yet there is nothing that looks as worthwhile to
use.
As far as the midi you ought to be able to go to whatever measure and
beat you want to examine and listen to it using the midi tool in
Frescobaldi.
regards,
Shane
On Thu, Mar 22, 2018 at 11:35 AM
At this point shouldn't it be called a feature?
Shane
Sent from my T-Mobile 4G LTE Device
Original message From: Thomas Morley
<thomasmorle...@gmail.com> Date: 3/10/18 7:57 PM (GMT-05:00) To: Lucas
Werkmeister <m...@lucaswerkmeister.de> Cc: lilypond-user
&l
At this point shouldn't it be called a feature?
Shane
Sent from my T-Mobile 4G LTE Device
Original message From: Thomas Morley
<thomasmorle...@gmail.com> Date: 3/10/18 7:57 PM (GMT-05:00) To: Lucas
Werkmeister <m...@lucaswerkmeister.de> Cc: lilypond-user
&l
Just out of curiosity what does it signify?
Shane
On Tue, Feb 20, 2018 at 9:25 PM, Andrew Bernard
<andrew.bern...@gmail.com> wrote:
> Is there any example of how to make a hairpin with normal solid lines, but
> dashed at the end, say the last quarter or so? [Yep, some new complexit
From: msk...@ansuz.sooke.bc.ca Date: 2/16/18
1:01 PM (GMT-05:00) To: Shane Brandes <sh...@grayskies.net> Cc: Henning Hraban
Ramm <lilypon...@fiee.net>, lilypond-user Mailinglist <lilypond-user@gnu.org>
Subject: Re: OT: typewriter LaTeX package
On Fri, 16 Feb 2018, S
Got it to work. Figured out you can change to what ever font you want
in the sty file. Lessening the the grayscale variability and some of
the other variables with the use of a historical font yields really
convincing period style documents. This is absolutely great.
Shane
On Fri, Feb 16, 2018
Hi Urs,
The documentation and example, one and the same, are nicely
convincing. Going to have to see if it can be pushed beyond the
intended font. That really made my day. i have been wondering about
such a trick for years.
regards,
Shane
On Thu, Feb 15, 2018 at 7:23 AM, Urs Liska <
been others that have been just
as adversely affected by the immense amount of heat the lighting systems put
out so by the end of the service the reeds were always a risky proposition.
-Shane
Sent from my T-Mobile 4G LTE Device
Original message From: David Kastrup <d...@gnu.
undertaking. That would involve using a font editor and
installing the modified font.
regards,
Shane
On Wed, Feb 7, 2018 at 6:02 PM, klose <amadeu...@live.com> wrote:
> As a long time Sibelius user, I recently changed into Lilypond. So far the
> only thing I don't like is the treble clef shape.
much power just
to check on such things.
regards,
Shane
On Thu, Jan 18, 2018 at 11:05 AM, Werner LEMBERG <w...@gnu.org> wrote:
>
>> When in the .tex file I write
>>
>> \setmainfont{Adobe Garamond Pro}
>>
>> the font is correctly used, but the &q
Awesome!
On Thu, Jan 18, 2018 at 5:28 AM, Malte Meyn <lilyp...@maltemeyn.de> wrote:
>
>
> Am 18.01.2018 um 05:58 schrieb Shane Brandes:
>>
>> The following code produces what looks to me as an an unanticipated
>> result as the second two marcato mar
The following code produces what looks to me as an an unanticipated
result as the second two marcato marks are slightly elevated. I fixed
it with a Script.extra-offset but still wonder if this is some odd
edge case.
\version "2.18.2"
\new Staff \relative c' {
\tuplet 6/4 {
8 ^^ [8 ^^
\override Score.MetronomeMark.extra-offset = #'(x . -y) that will do
it you will have to iterate a few guesses to get what you want.
Shane
On Sat, Jan 13, 2018 at 11:34 PM, Jay Anderson <horndud...@gmail.com> wrote:
> I'm unable to find them at the moment, but I've seen threads d
I don't think anyone is blaming you. We are just trying to help you
succeed. I think everyone here has encountered the dependency mismatch
hell somewhere along the line. And it is never a good time. Take a few
days off from fighting with it. Then try it again.
regards,
Shane
On Mon, Jan 1, 2018
o.k. after figuring out how to read synaptic logs these two bits might
be the things that were changed
python-wxgtk3.0 (3.0.2.0+dfsg-5)
python-wxversion (3.0.2.0+dfsg-5)
Shane
On Sun, Dec 31, 2017 at 10:28 PM, Shane Brandes <sh...@grayskies.net> wrote:
> I also am unning Frescoba
of python library i think. Anyway, at the time I
thought it was trivial enough not to write it down. Probably should
have sent it here. It is doable.
good luck,
Shane
On Sun, Dec 31, 2017 at 9:01 PM, Urs Liska <li...@openlilylib.org> wrote:
>
>
> Am 01.01.2018 um 00:26 schrieb Andrew Bern
not that I could code my way out of a paper bag. So David is probably
right in that I believed that each bookpart had its own scope, however
that is not a programming term I am familiar with.
regards,
Shane
On Fri, Dec 29, 2017 at 2:59 PM, David Kastrup <d...@gnu.org> wrote:
> Shane Br
wow. o.k. That does mean there is no simple way of maintaining vast
projects via tidy compartmentalization.
Thanks for the clarification.
Shane
On Fri, Dec 29, 2017 at 2:26 PM, Carl Sorensen <c_soren...@byu.edu> wrote:
>
>
> On 12/29/17, 12:17 PM, "Timothy Lanfear" &
\new Staff = "left" { \clef bass << \leftOne \\ \leftTwo >> }
>>
\new Staff = "pedal"{ \clef bass \pedal }
>>
\layout { }
}
% bookpart test.ly
\bookpart {\include "a.ly"}
\bookpart {\include "b.ly"}
On Fri, De
Never mind that code does not function. Still trying to reduce the
full files into minimal examples that both preserve the problem and
compile correctly independently and then crash when included.
Shane
On Fri, Dec 29, 2017 at 11:05 AM, Shane Brandes <sh...@grayskies.net> wrote:
> O
e variable altoVoice it decides there
is an unrecognized string. Is there anyway around this bar renaming
all these variables into unique indentifiers? That would be possible
but definitely a time consuming drag.
On Fri, Dec 29, 2017 at 3:20 AM, David Kastrup <d...@gnu.org> wrote:
> Shane Brandes &
that?
Shane
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
I for some reason thought I was using 2.whatever frescobaldi on Ubuntu 17.10
but it is in fact 3.0. I remember it crashing iniitially but after throwing the
error into google there was some reasonably simple fix, but going through the
terminal history hasn't revealed what it was.
Shane
Sent
that spans the page.
In another much smaller project than this one I managed to get the
whole \book thing to work but without using include. However, the
scale of the project, around 200 files, intended would make
reorganizing these scores into a single .ly file unpleasantly
unmanageable.
regards,
Shane
Hi Urs,
I use lilypond to compile the pdfs and then add whatever pdf material
required and then use a concatenate function to join them the only
downside is working out index pages which is no elegant.
regards,
Shane
On Mon, Dec 18, 2017 at 11:13 AM, Jan-Peter Voigt <jp.vo...@gmx.de>
\transpose x y { music notes c4 es etc. etc. }
Fairly easy but sometimes things are not necessarily obvious after staring at
it too long.
Good luck,
Shane
Sent from my T-Mobile 4G LTE Device
Original message From: Brian Durant <globetrotte...@gmail.com>
Date: 12/13/17
Frescobaldi has a neat little tool to convert from relative to
absolute pitch. I prefer relative as a pitch entry for ease and speed.
Kieran is correct relative pitch entry can cause headaches if you
start doing manipulations on stuff.
regards,
Shane
On Tue, Dec 12, 2017 at 5:48 PM, David Wright
It could in some circumstances be poor spacing in the font itself. Is there a
tracking work around for such circumstances?
-Shane Brandes
Sent from my T-Mobile 4G LTE Device
Original message From: David Kastrup <d...@gnu.org> Date:
11/12/17 9:44 AM (GMT-05:00) To: W
To bold clams clamming up! I really don't see the relevance to our concern
here. Let us give him a rest or a few for good measure.
regards,
Shane
On Wed, Mar 22, 2017 at 4:51 PM, Michael Gerdau <m...@qata.de> wrote:
> Hi Vac, list!
> > What's hard to follow? Please, cri
newer serif font, but I can't for
the life of me remember what it is.
Shane
On Wed, Feb 8, 2017 at 8:02 PM, John Roper <johnroper...@gmail.com> wrote:
> Ok, I changed the image to something that made more sense. What do you
> guys think about eve
I think John has accomplished a lot of useful things. Chiefly exposing
to the rest of the community the nontrivial nature of maintenance for
the LilyPond website. He also has demonstrated that we appreciate
useful progress or improvement but also are clearly interested in why
that should
initially thought.
So feel free to disagree.
regards,
Shane Brandes
On Wed, Nov 30, 2016 at 8:29 AM, Andrew Bernard
<andrew.bern...@gmail.com> wrote:
> Not at all - I am merely pointing out that a very significant website with a
> very large international readership uses a serif font
It is possible to have a font embedded into the website server side
via css which makes the default font argument null. This is not at all
difficult to achieve and I routinely rely on it to demonstrate fonts
on my website.
On Wed, Nov 30, 2016 at 7:35 AM, John Roper
good to have fresh insights
and energy.
kind regards,
Shane Brandes
On Tue, Nov 29, 2016 at 10:08 AM, Karlin High <gne...@hotmail.com> wrote:
> On 11/29/2016 4:47 AM, Urs Liska wrote:
>> But I would much more like to see it created by a static site generator, in
>> a system
. The bigger the piece the more
likely it will be done in handwriting first. As has been noted unless
you are careful massive edits can be irritating to accomplish.
Generally keyboard pieces with occasional choral or orchestral things
tossed in for total abstract effort.
Shane Brandes
On Sun, Nov
Did you mean a 16th century font?
On Fri, Oct 7, 2016 at 7:06 AM, Richard Shann wrote:
> On Fri, 2016-10-07 at 10:52 +0100, Richard Shann wrote:
>> On Fri, 2016-10-07 at 10:37 +0100, Phil Holmes wrote:
>> > > seems identical with or without MultiMeasureRest.style =
>> >
A possible method by Andrew Cashner on Stack overflow. Probably a
better method out there but this may suffice.
\version "2.18.2"
{
\clef "bass"
<<
{ c2 c2 }
\figures { < [6- ]>2
<
\markup \fontsize #-1 \concat {
\raise #0.2 {
[
While I use Frescobaldi, I was speaking as someone that has built a
few score of fonts for sale, knowing there is often a larger gap
between what is possible and what was likely done.
On Wed, Jul 20, 2016 at 7:06 PM, Mark Stephen Mrotek
<carsonm...@ca.rr.com> wrote:
> Shane,
>
> I
.
Shane Brandes
On Wed, Jul 20, 2016 at 5:01 PM, Jonathan Scholbach
<j.scholb...@posteo.de> wrote:
> Dear ponders,
>
> I am using \caps in a \markup which prints the name of the composer.
> After having set a couple of pieces today it's the first time the
> composer's na
concert halls. Even in the earlier period
of the Baroque organs tended to be pitched high and then small organs
were used tuned in kammerton (chamber tone) with a lower pitch to
accommodate vocal music. Absolutely fascinating stuff but bizarre all
the considerations that affect pitch over time.
Shane
Hello,
My name is Shane w. Dittmar, and I am a blind composer from North
Carolina. I've recently gotten into Lilypond, as it's a fantastic tool
for blind composers, as it gives ultimate and accessible control over
what appears on the page. I write what is, by notation standards,
fairly simple
Classical era Grace notes are taken out of the following note at their
full temporal value, unless flagged then they come before the beat.
Generally the most important thing is that in both classical era and
baroque music the value of the graces are an equal subdivision of the
tone so graced.
Thanks Malte,
That saves me from having to restructure the piece.
Shane
On Wed, Nov 25, 2015 at 2:10 AM, Malte Meyn <lilyp...@maltemeyn.de> wrote:
>
>
> Am 25.11.2015 um 02:19 schrieb Shane Brandes:
>>
>> After fiddling with this for hours i cannot figure out why
}
bassVoicePart = \new Staff \with {
instrumentName = "Bass"
} { \clef "bass"\bassVoice }
\addlyrics { \versebassVoice }
\score {
<<
\sopranoVoicePart
\bassVoicePart
>>
\layout { }
}
regards,
Shane
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from. Use Frescobaldi as a front end
as the error parser is invaluable. And yes I occasionally compose
directly into LilyPond format when pen and paper is a waste of time.
Shane
On Fri, Sep 11, 2015 at 8:32 AM, Wols Lists <antli...@youngman.org.uk> wrote:
> On 10/09/15 19:59, Tim Ree
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