On Thu, 27 Mar 2014 19:14:55 +0100
Urs Liska wrote:
> Thanks, that's clarifying. Abs confirming that my model's
> notation is "correct".
>
> David Stephen Grant schrieb am 27.03.2014:
> >Elaine Gould writes: "Grace notes sounding on the beat should
> >always be placed after the barline. However
On Thu, Mar 27, 2014 at 1:22 PM, David Kastrup wrote:
> Urs Liska writes:
>
> > Hi all,
> >
> > consider the attached image.
> > Apart from the problematic slur which I don't want to deal with right
> > now, how can I typeset the acciaccatura _before_ the barline.
> >
> > I was thinking of hacki
Thanks, that's clarifying. Abs confirming that my model's notation is "correct".
David Stephen Grant schrieb am 27.03.2014:
>Elaine Gould writes: "Grace notes sounding on the beat should always be
>placed after the barline. However, a group of three or more grace notes
>sounding before the beat m
Thanks, that's clarifying. Abs confirming that my model's notation is "correct".
David Stephen Grant schrieb am 27.03.2014:
>Elaine Gould writes: "Grace notes sounding on the beat should always be
>placed after the barline. However, a group of three or more grace notes
>sounding before the beat m
Thanks, that's clarifying. Abs confirming that my model's notation is "correct".
David Stephen Grant schrieb am 27.03.2014:
>Elaine Gould writes: "Grace notes sounding on the beat should always be
>placed after the barline. However, a group of three or more grace notes
>sounding before the beat m
Elaine Gould writes: "Grace notes sounding on the beat should always be
placed after the barline. However, a group of three or more grace notes
sounding before the beat may go before the barline so that the first beat
of the following bar is not pushed too far from the barline." (Behind Bars,
p. 12
Is that really true? I've seen this notation regularly. What the composers seem
to intend - and what is easily understood - is that the slur indicates that the
grpup logically belongs to the _next_ note while the position before the
barline tells to okay _before_ the beat.
David Raleigh Arnold
Urs Liska writes:
> Hi all,
>
> consider the attached image.
> Apart from the problematic slur which I don't want to deal with right
> now, how can I typeset the acciaccatura _before_ the barline.
>
> I was thinking of hacking something with \afterGrace, but that's not
> what it is.
Well, here i
On Thu, 27 Mar 2014 17:16:51 +0100
Urs Liska wrote:
> Hi all,
>
> consider the attached image.
> Apart from the problematic slur which I don't want to deal with
> right now, how can I typeset the acciaccatura _before_ the
> barline.
>
> I was thinking of hacking something with \afterGrace, but
Hi all,
consider the attached image.
Apart from the problematic slur which I don't want to deal with right
now, how can I typeset the acciaccatura _before_ the barline.
I was thinking of hacking something with \afterGrace, but that's not
what it is.
Thanks
Urs
<>
Father Gordon Gilbert writes:
> Thanks guys. That did the trick.
>
> Rather than set to ##t and ##f all the time, I did
>
> dsl = \set doubleSlurs = ##t
> dso = \set doubleSlurs = ##f
>
> and then used \dsl and \dso as needed.
>
> Lily is truly amazing!
\once\dsl should also work with a reasona
Thanks guys. That did the trick.
Rather than set to ##t and ##f all the time, I did
dsl = \set doubleSlurs = ##t
dso = \set doubleSlurs = ##f
and then used \dsl and \dso as needed.
Lily is truly amazing!
On 03/01/2012, Trevor Daniels wrote:
>
> Father Gordon Gilbert wrote
>
>> But now anot
Father Gordon Gilbert wrote
But now another question: I have a phrase like this :
4( )_.
where the original has slurs from both upper note to upper note, and
lower note to lower note. Lily seems to want to put only one slur on
there, on the lower notes.
Any ideas?
Try \set doubleSlurs
- Original Message -
From: "Father Gordon Gilbert"
To: "Francisco Vila"
Cc:
Sent: Tuesday, January 03, 2012 12:20 PM
Subject: Re: \acciaccatura before barline?
Wow! You never know what you'll find when you read further down the NR!
I found
\over
Wow! You never know what you'll find when you read further down the NR!
I found
\override Score.SpacingSpanner #'strict-grace-spacing = ##t
and put it in my \score, and that did the trick!
But now another question: I have a phrase like this :
4()_.
where the original has slurs from
Thanks guys,
That does indeed do what I want -- mostly. From the NR I tried
#(define afterGraceFraction (cons 15 16))
and it seems to have no effect on the placement of the grace notes,
which I would like to slide over as close as possible to the barline.
Any ideas?
Gordon+
On 01/01/2012, Fra
2012/1/1 Xavier Scheuer :
> Use the \afterGrace command:
>
> 4->\sfz r r2 | r r4 \afterGrace a4( \mf { b16[ cis] } |
> d4-.) -. -. -. |
>
> It is also explained in NR 1.2.6 Special rhythmic concerns > Grace notes
> http://lilypond.org/doc/v2.15/Documentation/notation/special-rhythmic-concerns.htm
On 1 January 2012 21:56, Father Gordon Gilbert wrote:
> Does anyone know how to place an \acciaccatura *before* the barline?
> I'm using the following in copying a score, and where the original
> shows it before the bar, Lily wants to place it after the barline.
> I'm thinking that the original is
Does anyone know how to place an \acciaccatura *before* the barline?
I'm using the following in copying a score, and where the original
shows it before the bar, Lily wants to place it after the barline.
I'm thinking that the original is perhaps musicologically wrong, but
accurate in its intent with
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