Kieren Richard MacMillan <[EMAIL PROTECTED]> writes:
> Hello, all --
>
> Some time ago, Werner started a thread with
>> It seems that \parallelMusic doesn't work with \relative. This makes
>> it very unnatural to work with. Any chance to implement something
>> similar, say, a special mode where
Hello, all --
Some time ago, Werner started a thread with
It seems that \parallelMusic doesn't work with \relative. This makes
it very unnatural to work with. Any chance to implement something
similar, say, a special mode where the first note in a `section' is
absolute and the remaining notes
On Sunday 19 March 2006 13.35, Werner LEMBERG wrote:
> [1] The assumption is that two \relative's can be simply concatenated.
> Surprisingly for me, this doesn't work: The second `\relative'
> starts a new staff instead. Any reason for this?
Implicitly created contexts is a bit of a mess
> If you answer: the first note of each bar tells the absolute octave
> (2nd solution), then I have something that seems to work.
In case my other suggestion doesn't work, this is definitely the route
go.
Werner
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> > It seems that \parallelMusic doesn't work with \relative. This
> > makes it very unnatural to work with. Any chance to implement
> > something similar, say, a special mode where the first note in a
> > `section' is absolute and the remaining notes relative to it?
> >
> > \parallelMusic #'(
Nicolas Sceaux <[EMAIL PROTECTED]> writes:
> Werner LEMBERG <[EMAIL PROTECTED]> writes:
>
>> It seems that \parallelMusic doesn't work with \relative. This makes
>> it very unnatural to work with. Any chance to implement something
>> similar, say, a special mode where the first note in a `sectio
Werner LEMBERG <[EMAIL PROTECTED]> writes:
> It seems that \parallelMusic doesn't work with \relative. This makes
> it very unnatural to work with. Any chance to implement something
> similar, say, a special mode where the first note in a `section' is
> absolute and the remaining notes relative
It seems that \parallelMusic doesn't work with \relative. This makes
it very unnatural to work with. Any chance to implement something
similar, say, a special mode where the first note in a `section' is
absolute and the remaining notes relative to it?
\parallelMusic #'(foo bar) {
c'' d e
