This is to invite criticism for the "anacrusis" part of the chapter,
which I added towards the end.
Manuel
( ... )
As a last thing in our little first beginners' chapter, we'll give
you the tool for beginning your melodies with an anacrusis or
"upbeat". This is the
\partial
command.
Manuel wrote:
This is to invite criticism for the "anacrusis" part of the chapter,
which I added towards the end.
Manuel
( ... )
As a last thing in our little first beginners' chapter, we'll give you
the tool for beginning your melodies with an anacrusis or "upbeat".
or "pickup" (common
Paul, are
anacrusis
upbeat
pickup
all commonly understood terms in english speaking countries?
This is the
\partial
command. If you need, say, a quarter-note anacrusis, you type
"quarter note" - "asterisk" - "one" after the commad, in this way:
\partial 4*1
No need for the "*1". W
Manuel wrote:
Paul, are
anacrusis
upbeat
pickup
all commonly understood terms in english speaking countries?
Yes. There are probably some musicians who are not familiar with anacrusis.
Paul
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Paul, I have now changed this part. What do you think?
( ... )
And last but not least in our little first beginners' chapter, we'll
give you the tool for beginning your melodies with an anacrusis, also
known as "upbeat" or "pickup". This is the
\partial
command. If you need, say, an ei
Manuel wrote:
Paul, I have now changed this part. What do you think?
That all seems great! You might consider adding to the following the
explanation about the reversal of the numbers from the way we normally
think, e.g. 16*5 instead of 5*16 (or 5/16).
(insert graphic here)
There is no rhyt
