I have a score with a lot of dynamics, a string quartet. There is more or
less a continuum of dynamics and hairpins for each instrument. I am not
using a dynamics context as the complexity of the music and rhythms makes
it very tedious to figure out all the spacer rests that would be need. It's
mor
Anybody?
I have tried experimenting with large values of \override
DynamicLineSpanner.staff-padding to no avail. I am stumped. Is it a bug?
Andrew
On Sun, 24 Mar 2019 at 20:48, Andrew Bernard
wrote:
> I have a score with a lot of dynamics, a string quartet. There is more or
> less a continuum
Am Mo., 25. März 2019 um 10:42 Uhr schrieb Andrew Bernard
:
>
> Anybody?
>
> I have tried experimenting with large values of \override
> DynamicLineSpanner.staff-padding to no avail. I am stumped. Is it a bug?
>
> Andrew
>
>
> On Sun, 24 Mar 2019 at 20:48, Andrew Bernard wrote:
>>
>> I have a sco
On 2019-03-25 2:42 am, Andrew Bernard wrote:
Anybody?
I have tried experimenting with large values of \override
DynamicLineSpanner.staff-padding to no avail. I am stumped. Is it a
bug?
While it may not be ideal, to me this is not a bug. DynamicLineSpanners
behave differently when not starte
On 2019-03-25 2:15 pm, Aaron Hill wrote:
On 2019-03-25 2:42 am, Andrew Bernard wrote:
Anybody?
I have tried experimenting with large values of \override
DynamicLineSpanner.staff-padding to no avail. I am stumped. Is it a
bug?
While it may not be ideal, to me this is not a bug.
**DynamicLineS
Hi Aaron,
Thanks you. But the hairpins in question in my code all end on dynamics
such as p or f, and were working fine up until a couple of days ago. I
can't see what has changed, except the quartey score is now 110 pages. I am
very sorry I cannot stimulate this in a small MWE.
I am using 2.19.8
Hi Harm,
I am critically aware of the need to provide MWE's. I spent all yesterday
trying to write one, and all works fine. It's only in the context of my
large score that it shows up. What's more, it only just started happening,
and all used to be fine.
I raised the post to see if anybody has ha
Hi Aaron,
Thank you for looking into this. As mentioned in my original post, I am not
using a Dynamics context as this New Complexity score is very, very complex
rhythmically, and it would tale a month to go back and figure out all the
spacer rests to use a dynamics context. I'd rather not do that
Hi Harm,
My issue can't be related to stopping and starting staves, as that does not
occur in my score. But it has a hint of being somehow related.
Andrew
On Tue, 26 Mar 2019 at 07:20, Thomas Morley
wrote:
>
> A minimal triggering the problem (\break\stopStaff \startStaff needed)
> and showin
Hello Aaron,
Your hairpin marker code is astounding.
Does this attached image from my score indicate anything awry?
Andrew
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Hi Aaron,
The pink arrow lines - how does lilypond work out this distance? It seems
to be that that is jumping around. Can you help me understand that?
Andrew
On Tue, 26 Mar 2019 at 08:18, Aaron Hill wrote:
>
>
> Consider the following:
>
>
> \version "2.19.82"
> \paper { indent = 0 line
Sorry, Andrew. I've been buried in work for my choir. Allow me to try
to address the questions/comments in a single mail to catch up.
On 2019-03-25 5:04 pm, Andrew Bernard wrote:
The pink arrow lines - how does lilypond work out this distance? It
seems
to be that that is jumping around
Hi All,
Thanks to Aaron's wonderful hairpin colouring function I have been able to
really focus in on the hairpin behaviour.
I found the issue with my score. I am somewhat dumbstruck by this. There is
a call as follows at one and only point point in the score:
\alterBroken Y-offset #'(0 4) Hairp
Andrew Bernard writes:
> Hi Aaron,
>
> Thank you for looking into this. As mentioned in my original post, I am not
> using a Dynamics context as this New Complexity score is very, very complex
> rhythmically, and it would tale a month to go back and figure out all the
> spacer rests to use a dyna
On Tue, Mar 26, 2019 at 6:07 AM Andrew Bernard wrote:
>
> Hi All,
>
> Thanks to Aaron's wonderful hairpin colouring function I have been able to
> really focus in on the hairpin behaviour.
>
> I found the issue with my score. I am somewhat dumbstruck by this. There is a
> call as follows at one
On Tue, Mar 26, 2019 at 8:07 AM Andrew Bernard wrote:
>
> Hi David,
>
> Aha! But it's funny that it only affects some down the line, with many of the
> same case not being affected.
>
> Andrew
>
I'm not clear what you mean here. But, if you suspect \alterBroken,
you could retool the code given
Hi David,
Aha! But it's funny that it only affects some down the line, with many of
the same case not being affected.
Andrew
On Tue, 26 Mar 2019 at 23:40, David Nalesnik
wrote:
>
> \once \alterBroken ...
>
>
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Hi David,
What I mean is that I thought alterBroken just affected the single shot
hairpin (wrong). In my score I have about 200 pages where there are
hairpins ending on dynamics on the next page, and after the erroneous call
to \alterBroken to adjust Y-offset, only some hairpins 80 pages or so awa
On Tue, Mar 26, 2019 at 8:38 AM Andrew Bernard wrote:
>
> Hi David,
>
> What I mean is that I thought alterBroken just affected the single shot
> hairpin (wrong). In my score I have about 200 pages where there are hairpins
> ending on dynamics on the next page, and after the erroneous call to
>
Hi David,
Why does \alterBroken move some and not others?
Andrew
On Wed, 27 Mar 2019 at 02:18, David Nalesnik
wrote:
>
> But you are applying alterBroken to the Hairpin, not to the
> DynamicLineSpanner, so of course the Hairpin will be moved
> independently.
>
>
__
Hi Andrew,
I couldn't answer that question without some sort of code example.
Best,
David
On Tue, 26 Mar 2019, 5:24 p.m. Andrew Bernard,
wrote:
> Hi David,
>
> Why does \alterBroken move some and not others?
>
> Andrew
>
>
> On Wed, 27 Mar 2019 at 02:18, David Nalesnik
> wrote:
>
>>
>> But yo
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