\bendAfter (a fall or rise after the note) is part of the solution but the
request here is for a fall or rise before and into the note (“scoop”) not
after. In my case I also needed “bend” (going from a note down and back again).
This set: scoops, bends, and falls is very common in type-setting j
On 14/04/2024 00:22, Wols Lists wrote:
On 13/04/2024 10:34, Lukas-Fabian Moser via LilyPond user discussion wrote:
Hi Ben, hi Greg,
thanks for bringing this up - in fact I started this morning to dig up
my old work, prompted by Greg's question.
It seems I only developed the functions a but f
On 13/04/2024 10:34, Lukas-Fabian Moser via LilyPond user discussion wrote:
Hi Ben, hi Greg,
thanks for bringing this up - in fact I started this morning to dig up
my old work, prompted by Greg's question.
It seems I only developed the functions a but further back then
(unfortunately I don't
Hi Ben, hi Greg,
thanks for bringing this up - in fact I started this morning to dig up
my old work, prompted by Greg's question.
It seems I only developed the functions a but further back then
(unfortunately I don't have time at the moment to look into it in
detail) - the difference seems to be
Hi Greg, the conversation on this list back in Dec'22 and Jan'23 ended up with Lukas-Fabian Moser sending me the attached script and example. I was able to use this successfully to typeset a range of scoops, bends, and falls. It'd be better to get the latest version from Lukas-Fabian in case he has
> On 13 Apr 2024, at 01:07, Greg Lindstrom wrote:
>
>
> Hello -
>
> I would like to write a glissando leading into a note without a starting
> note. Perhaps the term is not glissando, but we encounter it often in jazz
> where the trumpets and trombones will "slide" up to a note to accentu
Hi Greg,
Am 13.04.2024 um 01:06 schrieb lilypond-user-requ...@gnu.org:
I would like to write a glissando leading into a note without a starting
note. Perhaps the term is not glissando, but we encounter it often in jazz
where the trumpets and trombones will "slide" up to a note to accentuate.
It
I would really appreciate a workaround for this (bug?)
Thank you,
Paul
On 8/30/21 9:57 AM, Paul Scott wrote:
Adding a rest to the contemporary glissando snippet (1,3,3) in the
notation manual results in a barcheck error\version "2.23.3"
\relative c'' {
\time 3/4
\override Glissando.styl
Am Mo., 30. Aug. 2021 um 18:57 Uhr schrieb Paul Scott :
>
> Adding a rest to the contemporary glissando snippet (1,3,3) in the
> notation manual results in a barcheck error\version "2.23.3"
>
> \relative c'' {
>\time 3/4
>\override Glissando.style = #'zigzag
>c4 c
>\cadenzaOn
>c
Adding a rest to the contemporary glissando snippet (1,3,3) in the
notation manual results in a barcheck error\version "2.23.3"
\relative c'' {
\time 3/4
\override Glissando.style = #'zigzag
c4 c
\cadenzaOn
c4\glissando
\hideNotes
c,,4
\unHideNotes
\cadenzaOff
\bar "|"
R2.
Wow! That works! Thanks.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Music-or-Scheme-function-to-Auto-Generate-glissandos-tp189566p189597.html
Sent from the User mailing list archive at Nabble.com.
___
lilypond-user
2016-04-13 19:51 GMT+02:00 Jay Vara :
> I have some music where I have Glissandos between each note of a phrase.
> This happens often enough to warrant a Music of Scheme function that takes
> a piece of music and adds glissandos between the notes.
>
> In the example code below, fo
I have some music where I have Glissandos between each note of a phrase.
This happens often enough to warrant a Music of Scheme function that takes
a piece of music and adds glissandos between the notes.
In the example code below, for example, such a function would take music
and convert it
y, December 15, 2013 7:57 PM
Subject: Is there a way to tweak glissandos (glissandi)
Hi,
Long time no see.
I was rekindling my Lilypond skills with a set of Christmas carols and
stumbled upon a set of that are quite ugly quite. Is there a way to tweak them
e.g. by changing the Y off
Hi,
Long time no see.
I was rekindling my Lilypond skills with a set of Christmas carols and
stumbled upon a set of that are quite ugly quite. Is there a way to tweak
them e.g. by changing the Y offset of end points? I have understood that
the \shape and control-points are for Bezier based stuff
38.n5.nabble.com/Bendy-glissandos-tp141245p141248.html
Sent from the User mailing list archive at Nabble.com.
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Hey,
Does anyone have any utilities to create bendy glissandos that I could pilfer?
Stuff that takes certain basic curves (parabolic, parts of sine periods,
arbitrary polynomials over a range), models them with cubic beziers, and scales
them horizontally and vertically to go between two notes
Caio,
On 9 December 2011 11:47, Caio Barros wrote:
>
>> Hey Caio,
>>
>> Here's some text that will help you make the glissandos longer:
>>
>> http://lilypond.org/doc/v2.15/Documentation/notation/spanners
>>
>>
> Thank you! This will do the
>
>
> Hey Caio,
>
> Here's some text that will help you make the glissandos longer:
>
> http://lilypond.org/doc/v2.15/Documentation/notation/spanners
>
>
Thank you! This will do the trick.
Also, this type of multi-voice solution is not necessary in LilyPond
>
lissando des2. } \\ {
> \hideNotes s1 s4 ees\glissando d2 s2 d \glissando ees2. } \\
> { \hideNotes s1 s4 f\glissando e2 s2 e \glissando f2. } \\ { \hideNotes
> s1 s4 g\glissando fis2 s2 f \glissando g2. }
>
> >>
> }
Hey Caio,
Here's some text that will help you m
I'm writing a part for 5 violins in divisi in which they make a glissando
and I want to add space between the two chords because the accidentals make
it looks to confusing.
Using \override NoteColumn X-offset doesn't seems to work because at least
in version 2.12.3 I need to add hidden voices to ma
-Original Message-
Neil Puttock said
http://lists.gnu.org/mailman/listinfo/lilypond-user
On 7 May 2010 22:36, Ossie Wilson Snr wrote:
> I tried this code from the Notation manual.
>
> \once \override Glissando #'(bound-details right Y) = #-2
>
> Which can be used to alter the left end by substituting left for right.
That just changes the angle of the line, so you'll still be left wi
-Original Message-
Xavier Scheuer said
>I am completely ignorant about that too.
>But according to the doc (internals) the #'bound-details value should
>be in the form:
>#'((right (attach-dir . 0) (padding . 1.5)) (left (attach-dir . 0)
>(padding . 1.5)))
>Which code did you try actu
2010/5/7 Ossie Wilson Snr :
>
> [...]
>
> I have been using cross headed notes, arpeggios (with hidden notes),
> zigzag glissandos (also with hidden notes) etc to show these effects.
> However, I have struck a few problems.
>
>
> 1) I would like to be
I have been using cross headed notes, arpeggios (with hidden notes),
zigzag glissandos (also with hidden notes) etc to show these effects.
However, I have struck a few problems.
1) I would like to be able to vary the width and lengthy of the zigzag
on glissandos to better indicate the vari
Bernardo Barros schrieb:
Hi Carl, marc and others,
Did you manage to use \chordGlissando with dynamics?
I didn't use dynamics yet.
It creates a lot of dynamics, and if I try to create a hiden voice the
score becomes a mess. I'm not putting dynamics in those chords until I
know what to do.
Hm,
Hi Carl, marc and others,
Did you manage to use \chordGlissando with dynamics? It creates a lot of
dynamics, and if I try to create a hiden voice the score becomes a mess. I'm
not putting dynamics in those chords until I know what to do.
___
lilypond-us
Carl Sorensen schrieb:
[...]
Looks great.
I think both of these overrides are redundant, since they're already
part of `add-glissando-line':
\once \override Glissando #'thickness = #2
<<
\override NoteColumn #'ignore-collision = ##t
I think you're right. Originally,
On 4/24/10 3:12 PM, "Neil Puttock" wrote:
> On 24 April 2010 21:54, Carl Sorensen wrote:
>
>> Actually, map was my friend.
>
> Ah, my attempts failed because I forgot to wrap the music in
> `make-simultaneous-music'. :)
Whoa -- I wouldn't have expected that from you -- I'd have expected it
On 24 April 2010 21:54, Carl Sorensen wrote:
> Actually, map was my friend.
Ah, my attempts failed because I forgot to wrap the music in
`make-simultaneous-music'. :)
> I've attached a revised version of chord-glissando.ly and a test file
> chord-gliss-tab.ly.
>
> After you've had a chance to t
On 4/24/10 9:38 AM, "Neil Puttock" wrote:
> On 24 April 2010 16:08, Carl Sorensen wrote:
>
>> Thanks, Neil!
>>
>> This not only looks like it solves the problem, it also taught me a bit
>> about using context-spec-music. I was thinking that we'd need to use
>> make-apply-context. Yet anot
On 4/24/10 9:38 AM, "Neil Puttock" wrote:
> On 24 April 2010 16:08, Carl Sorensen wrote:
>
>> Thanks, Neil!
>>
>> This not only looks like it solves the problem, it also taught me a bit
>> about using context-spec-music. I was thinking that we'd need to use
>> make-apply-context. Yet anot
On 24 April 2010 16:08, Carl Sorensen wrote:
> Thanks, Neil!
>
> This not only looks like it solves the problem, it also taught me a bit
> about using context-spec-music. I was thinking that we'd need to use
> make-apply-context. Yet another snippet idea for the Extending manual.
I think you'd
On 24 April 2010 14:30, Neil Puttock wrote:
> It's currently impossible to do \new Bottom since
> Context::create_new_context () doesn't check whether the context-type
> = 'Bottom, unlike Context::find_create_context ().
Oops, I meant Context::create_unique_context ().
I think I see what's happ
On 24 April 2010 11:43, Carl Sorensen wrote:
> Yes, it would. But I have no idea how to do such a thing. In fact, I don't
> even know how I'd get started on it.
In theory, context-spec-music with 'Bottom and a unique id should work
for each hidden voice (since this is what << { } // { } >> doe
On 4/24/10 1:39 AM, "Marc Hohl" wrote:
> Carl Sorensen schrieb:
>>
>> OK, I couldn't keep away from it while I was at my son's graduation
>> exercise.
>>
> Hehe, sounds familiar :-)
>> I've attached replacement code that now works for both a staff and tabstaff.
>> One issue -- you need to
Carl Sorensen schrieb:
On 4/23/10 1:48 AM, "Marc Hohl" wrote:
Carl Sorensen schrieb:
On 4/16/10 8:30 AM, "Bernardo Barros" wrote:
[...]
Check out the attached files for one possibility. Note that I've moved the
chordGlissando function to its own .ly file so
On 4/23/10 1:48 AM, "Marc Hohl" wrote:
> Carl Sorensen schrieb:
>>
>> On 4/16/10 8:30 AM, "Bernardo Barros" wrote:
>>
>>
>>> [...]
>>>
>>
>> Check out the attached files for one possibility. Note that I've moved the
>> chordGlissando function to its own .ly file so it can be include
On 4/23/10 1:48 AM, "Marc Hohl" wrote:
> Carl Sorensen schrieb:
>>
>> On 4/16/10 8:30 AM, "Bernardo Barros" wrote:
>>
>>
>>> [...]
>>>
>>
>> Check out the attached files for one possibility. Note that I've moved the
>> chordGlissando function to its own .ly file so it can be include
Carl Sorensen schrieb:
On 4/16/10 8:30 AM, "Bernardo Barros" wrote:
[...]
Check out the attached files for one possibility. Note that I've moved the
chordGlissando function to its own .ly file so it can be included in any .ly
file you desire to write, without having to copy it in a
On 4/16/10 8:30 AM, "Bernardo Barros" wrote:
> Hi Carl and others,
>
> Very good job indeed! I'm trying now to notate the chord glissando I mentioned
> in the first email. The problem is that it is actually a re attacked chord
> glissando, so I would need to hide some noteheads and the glissa
On 4/16/10 7:27 AM, "Phil Holmes" wrote:
> You can override this:
>
> http://lsr.dsi.unimi.it/LSR/Item?id=457
Thanks for the tip!
Here's a revised version, with the warning message turned off during the
chordGlissando and back on afterwards:
% Start of cut and paste section
\version
You can override this:
http://lsr.dsi.unimi.it/LSR/Item?id=457
--
Phil Holmes
- Original Message -
From: "Carl Sorensen"
To: "Kieren MacMillan"
Cc: ; "lilypond-user"
Sent: Friday, April 16, 2010 2:07 PM
Subject: Re: Problems with chord glissandos wi
On 4/16/10 6:23 AM, "Kieren MacMillan"
wrote:
> Carl,
>
> 1. This is awesome!
Thanks! I had fun doing it, and learned more about Scheme programming in
LilyPond.
> 2. I get "clashing note columns" errors < is that a known side-effect, to be
> ignored?
Yes, it is. There are more than two v
Carl,
1. This is awesome!
2. I get "clashing note columns" errors — is that a known side-effect, to be
ignored?
Thanks,
Kieren.
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away, but I couldn't
Here's a copy of chordGlissando that automatically detects chord lengths and
creates glissandos for chords of up to 8 notes. And if one wanted to add to
that limit, it would be trivial to do so.
HTH,
Carl
% Start cut and paste
\version "2.13.3"
c
Thanks,
But
You need to add as many hidden voices as the
number of notes in the chord less 1.
A piece full of chord glissandi will be unpractical.
On 15 April 2010 14:08, Carl Sorensen wrote:
>
>
>
> On 4/15/10 7:48 AM, "Bernardo Barros" wrote:
>
> > Hi,
> >
> > I have a question. I'm try
On 4/15/10 7:48 AM, "Bernardo Barros" wrote:
> Hi,
>
> I have a question. I'm trying to notate the following situation (see PDF
> file). Its a example from the guitar part.
>
> I'm having a lot of problems here, and it's going to happen again and again,
> so it's better to find a more practi
A suggestion for developers is that one could do something like
\glissando
Or even crossing the lines:
\glissando
On 15 April 2010 11:01, Bernardo Barros wrote:
> Other illustrations to help to show the problem.
>
>
> On 15 April 2010 10:48, Bernardo Barros wrote:
>
>> Hi,
>>
>> I have a
ts of notes are
connected with glissandos?
If you correct your polyphonic code, it works fine:
\version "2.13.3"
\include "english.ly"
\paper { ragged-right = ##f }
\relative c'' {
cs1
<<
{ \voiceOne cs4 \glissando b \glissando cs2 }
\new Voice { \voiceT
Thanks Kieren.
I actually do need the chords expressed as one "voice". I'll look
through the list archives and see if I can use your solution.
Thanks,
David
Kieren MacMillan wrote:
Hi David,
Is there any way to make this work, so that both sets of notes are
connected
Hi David,
Is there any way to make this work, so that both sets of notes are
connected with glissandos?
If you correct your polyphonic code, it works fine:
\version "2.13.3"
\include "english.ly"
\paper { ragged-right = ##f }
\relative c'' {
cs1
<
Is there any way to make this work, so that both sets of notes are
connected with glissandos?
**minimal example**
\version "2.13"
\include "english.ly"
\paper {
ragged-right = ##f
}
\relative c'' {
cs1
<<
{cs4 \glissando b \glissando cs2}
thanks everyone.
If nothing else, I have a better idea about how to use the search
now... will do that first from here on.
Thanks,
josh
On Sep 5, 2008, at 1:50 PM, Kieren MacMillan wrote:
Hi Werner (et al):
Hmm. Searching for `kieren' and `glissando' yields nothing.
Ha! You're right…
Hi Werner (et al):
Hmm. Searching for `kieren' and `glissando' yields nothing.
Ha! You're right… I was confusing that with another thread I posted
to (search for 'kieren' and 'glissandi' to find it).
Anyway, as I suspected, a search for 'double glissando' turns up some
useful info, incl
Oops, now to the list (sorry Werner).
> Hmm. Searching for `kieren' and `glissando' yields nothing.
>
>
>Werner
>
It turns up something, but not what Josh wants, unfortunately.
\relative {<<{c \glissando d}\\{\stemUp a \glissando b}>>}
Any better solutions?
--
Neil Thornock, D.M.
As
> > Does anyone have a suggestion for having the glissando drawn
> > between both members of the chord in the example below?
>
> Search the list archives — I posted a solution a few months ago.
Hmm. Searching for `kieren' and `glissando' yields nothing.
Werner
==
Hi Josh,
Does anyone have a suggestion for having the glissando drawn
between both members of the chord in the example below?
Search the list archives — I posted a solution a few months ago.
HTH!
Kieren.
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Hi all -
Does anyone have a suggestion for having the glissando drawn between
both members of the chord in the example below?
Thanks for your help.
best,
Josh
\paper { ragged-right = ##t }
\version "2.11.58"
myGliss = {
\clef bass
\time 4/4
2 \glissando 2
}
\score {
\new Staff
Thanks, it works nicely. And it was in the reference after all, but not
so clearly:
under spanner-interface:
minimum-length (dimension, in staff space)
Try to make a spanner at least this long, normally in the
horizontal direction. This requires an appropriate callback for the
springs-and
Hi, I would like to write a shortcut for short glissandos. Here is what
I have managed to make work for now:
% make next glissando as I want
shortgliss = #(define-music-function (parser location) ()
#{ \once \override Glissando #'thickness = #2
\once \override Glissando #'gap = #0.
Hi Eric,
On 23/03/2008, Papa Eric <[EMAIL PROTECTED]> wrote:
> Hi, I would like to write a shortcut for glissandos that appear too
> short. Here is what I have managed to make work so far:
>
> % make next glissando as I want
> shortgliss = #(define-music-func
Hi, I would like to write a shortcut for glissandos that appear too
short. Here is what I have managed to make work so far:
% make next glissando as I want
shortgliss = #(define-music-function (parser location) ()
#{ \once \override Glissando #'thickness = #2
\once \override Glissando
Sorry, I've found the answer in the manual - I must be getting tired!
On Mon, 2007-04-30 at 01:40 +0100, Bernard Hurley wrote:
> Hi,
>
> After processing following code:
>
> ===
> {
> \time 4/4
> r2 d''2\glissando
> \break
> c''2 r2
> }
> ===
>
> there is no brea
Hi,
After processing following code:
===
{
\time 4/4
r2 d''2\glissando
\break
c''2 r2
}
===
there is no break between the two bars. I have a score with _lots_ of
glissandi accross bar lines. I need to be able to force line breaks. How
do I do it?
I have tried:
==
Tom Cornall wrote:
Thankyou very much! The \override Voice.Glissando #'style = #'zigzag
worked perfectly.
However, applying "\set Staff.minimumVerticalExtent = #'(-4 . 4)" and
trying various values for the things between the brackets changed
nothing - still same spacing. I am using version 2.4.2. I
Tom Cornall wrote:
Hi - I've just started using LilyPond and it's fantastic, I love it!
What version?
However, I do have a couple of problems. The first one is probably
easily fixed; I have a score which fills up one page then leaves just
one line onto the next page. Is there some way to shrink
On 23-Dec-04, at 10:33 PM, Tom Cornall wrote:
one line onto the next page. Is there some way to shrink the spacing
between staves (there is only one instrument, I mean lines of staves)
so that I can fit the entire song onto one page?
Please read the "global layout" section of the documentation,
pa
Hi - I've just started using LilyPond and it's fantastic, I love it!
However, I do have a couple of problems. The first one is probably
easily fixed; I have a score which fills up one page then leaves just
one line onto the next page. Is there some way to shrink the spacing
between staves (there is
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