> I am not top posting
You have your problem (partly) resolved in the documentation
D.2.4 Piano centered dynamics.
I am also interested in a good MIDI output.
At he beginning, I was hiding some dynamics, particularly
after a (de)crescendo, but now I prefer writing the dynamics
separately from the
In piano music, the dynamics written between the upper and lower
staves seem to apply to both staves. But in LilyPond's MIDI output,
the dynamics are understandably only placed in the staff where they
were entered. When the MIDI plays, one staff gets louder and softer
in the right places, while t
