Evan Driscoll writes:
> The difference between << {...} // {...} >> and chords I get -- but what
> about << {...} {...} >> *without* the //, for example in the first three
> lines of my snippet? Those seem to work the same as collating the
> corresponding notes in chords.
They are pretty much
n Mrotek
Cc: Lilypond-User Mailing List
Subject: Re: Aesthetics question -- how would you typeset this?
The difference between << {...} // {...} >> and chords I get -- but what about
<< {...} {...} >> *without* the //, for example in the first three lines of my
The difference between << {...} // {...} >> and chords I get -- but what
about << {...} {...} >> *without* the //, for example in the first three
lines of my snippet? Those seem to work the same as collating the
corresponding notes in chords.
Evan
On Wed, Jul 3, 2019 at 11:48 AM Mark Stephen
Evan,
As to your “bonus” question, <<{….}//{….}>> creates two separate voices, as in
polyphony,
While <..> creates a chord.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Evan Driscoll
Sent: Tuesday, July 02, 2019 8:54 PM
To:
On Wed, Jul 3, 2019 at 12:21 AM Evan Driscoll wrote:
> (That obviously *isn't* playable. Answers I'm considering include...
> playing open A instead of open D)
>
Strike that; reverse it.
Evan
>
>
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lilypond-user mailing list
On Tue, Jul 2, 2019 at 11:55 PM Malte Meyn wrote:
> Am 03.07.19 um 06:36 schrieb Evan Driscoll:
> > It's for cello, and just the part, no score.
>
> Is that playable? I sadly haven’t touched my cello for a few months now
> and it’s 350 km away so I can’t try but I think I couldn’t play that
>
Am 03.07.19 um 06:36 schrieb Evan Driscoll:
It's for cello, and just the part, no score.
Is that playable? I sadly haven’t touched my cello for a few months now
and it’s 350 km away so I can’t try but I think I couldn’t play that
passage despite having long fingers …
It's a transcription
On Tue, Jul 2, 2019 at 11:21 PM Malte Meyn wrote:
> Important question: What instrument(s) will play this? Is this from a
> part or a full score?
>
Sorry, I should have included that. I edited out a bunch of wordiness in my
email and that went with it.
It's for cello, and just the part, no
Am 03.07.19 um 05:54 schrieb Evan Driscoll:
I've got a couple measures that I'm struggling to even figure out what I
want the result from Lilypond to be. I've pasted the snippet below. As
picky connoisseurs of good notation, I'm wondering what other people
would do or like to see. :-) I'm
