One way would be to use another voice for the dynamics:
%%%
\version "2.19"
\language "english"
\score {
<<
\new Staff {
<< { c'2 a2 c'2 f'2 } \\ { s2^\< s2 s2^\mf\> s4 s4^\p } >>
<< { c'2 a2 c'2 f'2 } \\ { s2^\< s2 s2^\mf\> s4 s4^\p } >>
}
\new Staff {
a2^\<
Excellent Knute! Thanks. I can do that I think just for those measures
that the measure compression is too small.
Regards.
On 1/7/2020 3:43 PM, Knute Snortum wrote:
One way would be to use another voice for the dynamics:
%%%
\version "2.19"
\language "english"
\score {
<<
\new Staff
Am Di., 7. Jan. 2020 um 22:44 Uhr schrieb Knute Snortum :
>
> One way would be to use another voice for the dynamics:
>
> %%%
> \version "2.19"
> \language "english"
> \score {
><<
> \new Staff {
><< { c'2 a2 c'2 f'2 } \\ { s2^\< s2 s2^\mf\> s4 s4^\p } >>
><< { c'2 a2 c'2 f
Sorry, Knute -- Harm's suggestion is less work LOL
Thanks Harm!
On 1/7/2020 4:16 PM, Thomas Morley wrote:
Am Di., 7. Jan. 2020 um 22:44 Uhr schrieb Knute Snortum :
One way would be to use another voice for the dynamics:
%%%
\version "2.19"
\language "english"
\score {
<<
\new Staff
-- Forwarded message --
> From: Guy Stalnaker
> To: lilypond-user Mailinglist
> Cc:
> Bcc:
> Date: Tue, 7 Jan 2020 14:53:00 -0600
> Subject: How to increase shift dynamic and end of hairpin
> Hello everyone,
>
> I've written a choral work. There are some places in the score where
Hi Guy,
> Sorry, Knute -- Harm's suggestion is less work LOL
Even less work is to have David K’s \after function in your toolbox:
\version "2.19.83"
\language "english"
after =
#(define-music-function (parser location t e m)
(ly:duration? ly:music? ly:music?)
#{
\context Bot
Kieren,
You sir are a gentleman and a scholar!
I didn't want to say anything, but each of the three previous
suggestions worked for the MWE, but when applied to my score either
either did not work at all, or only worked for some of the areas that
needed the extended hairpin decrescendo.
Thi
Hi Guy,
> You sir are a gentleman and a scholar!
Well, ½ of each means I’m a total of 1. ;)
> I didn't want to say anything, but each of the three previous suggestions
> worked for the MWE, but when applied to my score either either did not work
> at all, or only worked for some of the areas
Kieren MacMillan writes:
> Hi Guy,
>
>> You sir are a gentleman and a scholar!
>
> Well, ½ of each means I’m a total of 1. ;)
>
>> I didn't want to say anything, but each of the three previous
>> suggestions worked for the MWE, but when applied to my score either
>> either did not work at all, o
On Tue, 7 Jan 2020 at 23:23, Guy Stalnaker wrote:
>
> Sorry, Knute -- Harm's suggestion is less work LOL
Hi,
Even less work would be to change Hairpin.minimum-length.
%% MWE
\version "2.19"
\language "english"
\layout {
\context {
\Voice
\override Hairpin.minimum-length = #8
}
}
\
Hi David,
> It's kind of embarrassing after that accolade that this particular
> solution (the \after function) is probably the least brilliant and
> involved of all.
Sometimes, the most brilliant solutions are the most elegant ones. In
particular, your \after function was the first time I ever
Kieren MacMillan writes:
> Hi David,
>
>> It's kind of embarrassing after that accolade that this particular
>> solution (the \after function) is probably the least brilliant and
>> involved of all.
>
> Sometimes, the most brilliant solutions are the most elegant ones. In
> particular, your \afte
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