Hi there!
First of all: I love LilyPond! It's great. Keep up the good work!
Now let's talk business: I noticed a little bug, if I may name it this
way.
If you got two voices in one staff and the upper has a dotted note
between two lines, while the lower is one tone under the first, then
this
And I have an other idea. I am mainly interested in choral music. If
one enters every voice for itself and puts it together in a score
block (like I did in the example), LiliPond typesets the rests for
each voice. So it would be nice to have an option like "\shareRests"
or something, that equ
Bertalan Fodor wrote:
And I have an other idea. I am mainly interested in choral music. If
one enters every voice for itself and puts it together in a score
block (like I did in the example), LiliPond typesets the rests for
each voice. So it would be nice to have an option like "\shareRests
Hello:
When the instructions for Ossia
(http://www.lilypond.org/doc/v2.16/Documentation/notation/modifying-single-s
taves#ossia-staves) are followed, a key signature is not included. This may
be because all of the examples are in c major.
Perhaps the documentation could include a notation (see
com/Ossia-Documentation-Recommendation-tp152082p152095.html
Sent from the User mailing list archive at Nabble.com.
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nu.org] On Behalf Of
Eluze
Sent: Thursday, October 10, 2013 3:46 PM
To: lilypond-user@gnu.org
Subject: Re: Ossia - Documentation Recommendation
Mark Stephen Mrotek wrote
> When the instructions for Ossia
> (http://www.lilypond.org/doc/v2.16/Documentation/notation/modifying-si
> ngle-s
> t
On Thu, Oct 10, 2013 at 7:28 PM, Mark Stephen Mrotek
wrote:
> Eluze,
>
> An "ossia" is an alternative passage which may be played instead of the
> original passage. As such it should (must?) have the same key signature.
Certainly not "must". There are pieces (e.g., in the Bartok violin duets)
wh
, October 10, 2013 5:56 PM
To: Mark Stephen Mrotek
Cc: Eluze; lilypond-user Mailinglist
Subject: Re: Ossia - Documentation Recommendation
On Thu, Oct 10, 2013 at 7:28 PM, Mark Stephen Mrotek
wrote:
Eluze,
An "ossia" is an alternative passage which may be played instead of the
original p
which the ossia is in a
different key than the rest of the composition.
Mark Stephen Mrotek
From: Ralph Palmer [mailto:palmer.r.vio...@gmail.com]
Sent: Thursday, October 10, 2013 5:56 PM
To: Mark Stephen Mrotek
Cc: Eluze; lilypond-user Mailinglist
Subject: Re: Ossia - Documentation Recommendati
rk Stephen Mrotek
From: Wim van Dommelen [mailto:m...@wimvd.nl]
Sent: Friday, October 11, 2013 7:51 AM
To: Mark Stephen Mrotek
Cc: 'Ralph Palmer'; 'lilypond-user Mailinglist'
Subject: Re: Ossia - Documentation Recommendation
One other example is a piece for clarin
On Fri, Oct 11, 2013 at 6:27 PM, Mark Stephen Mrotek
wrote:
> Wim van Dommelen,
>
> Thank you for your interest and input.
>
> That rarity supports my suggestion. The “ossia” for the Bes Clarinet would
> need a specific key signature. As the
> documentation snippet is currently presented ( see at
Mr. Bailey,
My recommendation was based on an attempt to utilize the snippet as
presented. It did not do what I needed. I then added the \key command were I
recommend and it did work. This seems to be a whole lot of kerfuflle over a
simple, honest, recommendation.
Mark Stephen Mrotek
hi,
On Fri, Oct 11, 2013 at 8:43 PM, Mark Stephen Mrotek
wrote:
> My recommendation was based on an attempt to utilize the snippet as
> presented. It did not do what I needed. I then added the \key command were I
> recommend and it did work. This seems to be a whole lot of kerfufl
Recommendation
hi,
On Fri, Oct 11, 2013 at 8:43 PM, Mark Stephen Mrotek
wrote:
> My recommendation was based on an attempt to utilize the snippet as
> presented. It did not do what I needed. I then added the \key command
> were I recommend and it did work. This seems to be a whole lot of
&g
On 8-Aug-05, at 1:41 AM, Klaus Rettinghaus wrote:
Now let's talk business: I noticed a little bug, if I may name it this
way.
If you got two voices in one staff and the upper has a dotted note
between two lines, while the lower is one tone under the first, then
this note interferes with the do
On Tuesday 09 August 2005 05.07, Graham Percival wrote:
> On 8-Aug-05, at 1:41 AM, Klaus Rettinghaus wrote:
> > Now let's talk business: I noticed a little bug, if I may name it this
> > way.
> > If you got two voices in one staff and the upper has a dotted note
> > between two lines, while the low
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