Hi all,
Do you have time to tell me what your hack is?
\once \override MetronomeMark.X-offset = #x
where x requires trial-and-error manual adjustment.
=(
Kieren.
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Hi all,
Please note that this is't the last message in this thread.
See:
http://article.gmane.org/gmane.comp.gnu.lilypond.general/63383/match=rehearsal
I'll try my desktop tonight to find the correct link .
And the correct link is:
This is for a rehearsal mark with text, I'm not sure what Paul was looking
for, but I was asking is there is a way to type something like \tempo
Andante 4=90 avec douleur
On Thu, Dec 19, 2013 at 3:24 PM, Ed Gordijn ed.klari...@gmail.com wrote:
Hi all,
Please note that this is't the last
Hi Alex,
This is for a rehearsal mark with text, I'm not sure what Paul was
looking for, but I was asking is there is a way to type something like
\tempo Andante 4=90 avec douleur
Yes you are probably right.
As you can see you can write:
\RehearsalMarkWithText #Theme from 007 #-0.83
But if
On Sun, Dec 01, 2013 at 09:46:09AM -0500, Kieren MacMillan wrote:
Hello all,
This is *killing* my productivity on my current [extremely-high-pressure,
past-due] project…
For one example (hardly the worst), here’s Lilypond’s default output from one
section of my bass part:
Can
On Sun, Dec 01, 2013 at 10:57:25AM -0500, Kieren MacMillan wrote:
Follow-up…
Cancel the bounty call for now: I’ve hacked my way through the
problem manually.
My hack has been to add the tempo markings etc. to a manual generation
of the Rehearsal Mark. Do you have time to tell me what your
I ran into the same problem earlier. It should be much easier to write, i.e.,
Allegro 4=130 doucement avec expression.
On Dec 18, 2013, at 10:49 AM, Paul Scott waterho...@ultrasw.com wrote:
On Sun, Dec 01, 2013 at 10:57:25AM -0500, Kieren MacMillan wrote:
Follow-up…
Cancel the bounty call
Hi Alex,
I ran into the same problem earlier. It should be much easier to write,
i.e., Allegro 4=130 doucement avec expression.
I have made a start with a function that does what you want but it still
needs manual setting the offset. This is probably not necessary but I don't
know how to fix
Hello all,This is *killing* my productivity on my current [extremely-high-pressure, past-due] project…For one example (hardly the worst), here’s Lilypond’s default output from one section of my bass part:Can someone please whip me up a helper function which does the following: 1. automatically
Follow-up…
Cancel the bounty call for now: I’ve hacked my way through the problem manually.
I’ll post a feature request (and new bounty offer) some time next month.
Thanks,
Kieren.
On 2013-Dec-1, at 09:46, Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
Hello all,
This is *killing* my
Hi Keith,
Thanks for the helpful response(s)!
In the Do The Right Thing™ Department, I would think Lilypond should
automatically slide the [first]
MetronomeMark slightly to the right, allowing it to sit on the same baseline
as the RehearsalMark.
Xavier asked for the same behavior when
Hello all,
Given the snippet below, what do I need to do to have RehearsalMark and
MetronomeMark grobs sit on the same plane (“as expected)?
I’ve asked this question several times before, and believe that I’ve
incorporated the most recent “best practices”… but clearly not.
In the Do The Right
Hello again,
To be clear, \markLengthOn does not solve the problem.
Thanks,
Kieren.
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Kieren MacMillan kieren_macmillan at sympatico.ca writes:
Given the snippet below, what do I need to do to have RehearsalMark and
MetronomeMark grobs sit on the same
plane (“as expected)?
In the Do The Right Thing™ Department, I would think Lilypond should
automatically slide the [first]
Kieren MacMillan kieren_macmillan at sympatico.ca writes:
To be clear, \markLengthOn does not solve the problem.
Just for anybody searching the archives, what \markLengthOn *does* do
is space the music out to give room for the marks. So it helps when
the RehearsalMark and tempo are on
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