Re: RehearsalMark and MetronomeMark together…again…

2013-12-19 Thread Kieren MacMillan
Hi all, Do you have time to tell me what your hack is? \once \override MetronomeMark.X-offset = #x where x requires trial-and-error manual adjustment. =( Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: RehearsalMark and MetronomeMark together…again…

2013-12-19 Thread Ed Gordijn
Hi all, Please note that this is't the last message in this thread. See: http://article.gmane.org/gmane.comp.gnu.lilypond.general/63383/match=rehearsal I'll try my desktop tonight to find the correct link . And the correct link is:

Re: RehearsalMark and MetronomeMark together…again…

2013-12-19 Thread Alex Loomis
This is for a rehearsal mark with text, I'm not sure what Paul was looking for, but I was asking is there is a way to type something like \tempo Andante 4=90 avec douleur On Thu, Dec 19, 2013 at 3:24 PM, Ed Gordijn ed.klari...@gmail.com wrote: Hi all, Please note that this is't the last

Re: RehearsalMark and MetronomeMark together…again…

2013-12-19 Thread Ed Gordijn
Hi Alex, This is for a rehearsal mark with text, I'm not sure what Paul was looking for, but I was asking is there is a way to type something like \tempo Andante 4=90 avec douleur Yes you are probably right. As you can see you can write: \RehearsalMarkWithText #Theme from 007 #-0.83 But if

Re: RehearsalMark and MetronomeMark together…again…

2013-12-18 Thread Paul Scott
On Sun, Dec 01, 2013 at 09:46:09AM -0500, Kieren MacMillan wrote: Hello all, This is *killing* my productivity on my current [extremely-high-pressure, past-due] project… For one example (hardly the worst), here’s Lilypond’s default output from one section of my bass part: Can

Re: RehearsalMark and MetronomeMark together…again…

2013-12-18 Thread Paul Scott
On Sun, Dec 01, 2013 at 10:57:25AM -0500, Kieren MacMillan wrote: Follow-up… Cancel the bounty call for now: I’ve hacked my way through the problem manually. My hack has been to add the tempo markings etc. to a manual generation of the Rehearsal Mark. Do you have time to tell me what your

Re: RehearsalMark and MetronomeMark together…again…

2013-12-18 Thread Alex Loomis
I ran into the same problem earlier. It should be much easier to write, i.e., Allegro 4=130 doucement avec expression. On Dec 18, 2013, at 10:49 AM, Paul Scott waterho...@ultrasw.com wrote: On Sun, Dec 01, 2013 at 10:57:25AM -0500, Kieren MacMillan wrote: Follow-up… Cancel the bounty call

Re: RehearsalMark and MetronomeMark together…again…

2013-12-18 Thread Ed Gordijn
Hi Alex, I ran into the same problem earlier. It should be much easier to write, i.e., Allegro 4=130 doucement avec expression. I have made a start with a function that does what you want but it still needs manual setting the offset. This is probably not necessary but I don't know how to fix

Re: RehearsalMark and MetronomeMark together…again…

2013-12-01 Thread Kieren MacMillan
Hello all,This is *killing* my productivity on my current [extremely-high-pressure, past-due] project…For one example (hardly the worst), here’s Lilypond’s default output from one section of my bass part:Can someone please whip me up a helper function which does the following: 1. automatically

Re: RehearsalMark and MetronomeMark together…again…

2013-12-01 Thread Kieren MacMillan
Follow-up… Cancel the bounty call for now: I’ve hacked my way through the problem manually. I’ll post a feature request (and new bounty offer) some time next month. Thanks, Kieren. On 2013-Dec-1, at 09:46, Kieren MacMillan kieren_macmil...@sympatico.ca wrote: Hello all, This is *killing* my

Re: RehearsalMark and MetronomeMark together…again…

2013-11-30 Thread Kieren MacMillan
Hi Keith, Thanks for the helpful response(s)! In the Do The Right Thing™ Department, I would think Lilypond should automatically slide the [first] MetronomeMark slightly to the right, allowing it to sit on the same baseline as the RehearsalMark. Xavier asked for the same behavior when

RehearsalMark and MetronomeMark together… again…

2013-11-27 Thread Kieren MacMillan
Hello all, Given the snippet below, what do I need to do to have RehearsalMark and MetronomeMark grobs sit on the same plane (“as expected)? I’ve asked this question several times before, and believe that I’ve incorporated the most recent “best practices”… but clearly not. In the Do The Right

Re: RehearsalMark and MetronomeMark together… again…

2013-11-27 Thread Kieren MacMillan
Hello again, To be clear, \markLengthOn does not solve the problem. Thanks, Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: RehearsalMark and MetronomeMark together…again…

2013-11-27 Thread Keith OHara
Kieren MacMillan kieren_macmillan at sympatico.ca writes: Given the snippet below, what do I need to do to have RehearsalMark and MetronomeMark grobs sit on the same plane (“as expected)? In the Do The Right Thing™ Department, I would think Lilypond should automatically slide the [first]

Re: RehearsalMark and MetronomeMark together…again…

2013-11-27 Thread Keith OHara
Kieren MacMillan kieren_macmillan at sympatico.ca writes: To be clear, \markLengthOn does not solve the problem. Just for anybody searching the archives, what \markLengthOn *does* do is space the music out to give room for the marks. So it helps when the RehearsalMark and tempo are on