/Requesting-an-addition-tp139819p139974.html
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On 23/01/13 07:04, Michael Rivers wrote:
I'll insert a scan of the Haydn ornament from the preface that Alfred
includes in its editions of Haydn keyboard works. It looks pretty good to
me.
http://lilypond.1069038.n5.nabble.com/file/n139974/Haydn_ornament.jpg
A slight adaptation of what was
On 23/01/13 07:29, Nick Payne wrote:
On 23/01/13 07:04, Michael Rivers wrote:
I'll insert a scan of the Haydn ornament from the preface that Alfred
includes in its editions of Haydn keyboard works. It looks pretty
good to
me.
Nick Payne nick.pa...@internode.on.net writes:
On 23/01/13 07:04, Michael Rivers wrote:
I'll insert a scan of the Haydn ornament from the preface that Alfred
includes in its editions of Haydn keyboard works. It looks pretty good to
me.
On 23/01/13 11:36, David Kastrup wrote:
Nick Payne nick.pa...@internode.on.net writes:
On 23/01/13 07:04, Michael Rivers wrote:
I'll insert a scan of the Haydn ornament from the preface that Alfred
includes in its editions of Haydn keyboard works. It looks pretty good to
me.
Werner LEMBERG w...@gnu.org writes:
I'm not sure if this the right place to ask this, but I'd be willing
to send somebody some money via Paypal to add the so-called Haydn
turn (reversed turn with vertical slash) to Lilypond.
Please provide a scan (or a link to it) of such a symbol which you
2013/1/21 David Kastrup d...@gnu.org:
By the way: how is the relation to other music fonts? If we invent a
new articulation, music fonts from other sources will not know about it,
or we won't know about what they have. And even if we puzzle
articulations together from pieces, they won't fit
If an existing symbol can be reused, implementing this is rather
straightforward, and a few hours of work will do. A design from
scratch probably needs three or four times as long.
By the way: how is the relation to other music fonts? If we invent
a new articulation, music fonts from
Werner LEMBERG w...@gnu.org writes:
If an existing symbol can be reused, implementing this is rather
straightforward, and a few hours of work will do. A design from
scratch probably needs three or four times as long.
By the way: how is the relation to other music fonts? If we invent
a
Colin Hall writes:
Michael Rivers writes:
I'm not sure if this the right place to ask this
Enhancement requests should be sent to bug-lilypond.
I've included bug-lilypond on this reply to your post, so it is taken
care of now.
@bugsquad
See Michael's original post on lilypond-user.
Colin Hall writes:
Michael Rivers writes:
I'm not sure if this the right place to ask this
Enhancement requests should be sent to bug-lilypond.
I've included bug-lilypond on this reply to your post, so it is taken
care of now.
@bugsquad
See Michael's original post on lilypond-user.
So what's the sanest course with regard to new articulations?
From the perspective of contemporary music, the sanest course is to provide
basic utilities for drawing arbitrarily complex symbols in specified
locations, which Lilypond sort of does/doesn't have.
On Mon, Jan 21, 2013 at 12:59 AM,
@gnu.org] On Behalf Of
Jeffrey Trevino
Sent: Monday, January 21, 2013 8:37 PM
To: lilypond-user
Subject: Re: Requesting an addition
So what's the sanest course with regard to new articulations?
From the perspective of contemporary music, the sanest course is to provide
basic utilities
,
Michael Rivers
michaeljriv...@gmail.com
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lilypond-user mailing list
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I'm not sure if this the right place to ask this, but I'd be willing
to send somebody some money via Paypal to add the so-called Haydn
turn (reversed turn with vertical slash) to Lilypond.
Please provide a scan (or a link to it) of such a symbol which you
consider as good-looking..
I have
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