ces+nathan=snappizz@gnu.org
Subject: RE: unterminated tie
On 2016-01-15 12:26, Mark Stephen Mrotek wrote:
> Nathan,
>
> Thank you for your reply and the observation. I did not mention that
> the second f is after a clef change - bass to treble - so the ' is
> necessary.
&g
On 2016-01-15 12:26, Mark Stephen Mrotek wrote:
Nathan,
Thank you for your reply and the observation. I did not mention that
the
second f is after a clef change - bass to treble - so the ' is
necessary.
Since it compiles correctly, perhaps it is just a "glitch" in the
program.
Hi Mark,
Ho [mailto:nat...@snappizz.com]
Sent: Friday, January 15, 2016 11:53 AM
To: Mark Stephen Mrotek
Cc: 'Lilypond-User Mailing List' ;
lilypond-user-bounces+nathan=snappizz....@gnu.org
Subject: Re: unterminated tie
On 2016-01-15 11:49, Mark Stephen Mrotek wrote:
> Hello:
>
> I cannot
Am 15.01.2016 um 20:49 schrieb Mark Stephen Mrotek:
> r4 q2 | r4 2 | q2. |
>
> r4 2 | r4 2 | % this line highlighted.
>
> 2. ( | ) |
Please give a complete example; I see two possible reasons (maybe there
are more) but can’t tell more from this incomplete code.
1. You are in absolute mode
On 2016-01-15 11:49, Mark Stephen Mrotek wrote:
Hello:
I cannot find the "unterminated tie" in the following measures.
r4 q2 | r4 2 | q2. |
r4 2 | r4 2 | % this line highlighted.
Hi Mark,
Check your octaves on the f. If you're in relative mode, the second f on
this
Hello:
I cannot find the "unterminated tie" in the following measures.
r4 q2 | r4 2 | q2. |
r4 2 | r4 2 | % this line highlighted.
2. ( | ) |
When compiled the notation is correct.
Any help from sharper eyes is greatly appreciated.
Thank you
e start of the repeat. (Moving the
> > repeats does not help, because there are a lot of overlapping ties.)
> >
> > I tried to produce an unterminated tie in the last bar of the first
> > alternative by having a second, invisible voice with two tied notes in
> >
are a lot of overlapping ties.)
>
> I tried to produce an unterminated tie in the last bar of the first
> alternative by having a second, invisible voice with two tied notes in
> the bar:
>
> \version "2.19.24"
>
> { g'1 ~|
> \repeat volta 2 { g'1
unterminated tie in the last bar of the first
alternative by having a second, invisible voice with two tied notes in
the bar:
\version "2.19.24"
{ g'1 ~|
\repeat volta 2 { g'1 | d'1 | }
\alternative {
{
<< { g'1 } \\ { \override Dots.stencil = ##f
On 2014/12/29 10:35, Thomas Morley wrote:
snip
Try:
\relative c'' {
\clef "treble"
\key ees \major
g'4 f8 ees ees4 g,8 \once \tieUp bes~ |%m70
<<
{ \voiceOne bes2 g4 g8 bes }
\new Voice { \voiceTwo < g ees >4 < f d > ees2 }
>>
}
The << \\ >> returns far to often probl
2014-12-29 19:27 GMT+01:00 Jinsong Zhao :
> Hi there,
>
> The LilyPond can't determinate the tie in the following snippet. Why? and
> how to get a tie between the bes and bes2? Thanks!
>
> \version "2.19.15"
> \relative c'' {
> \clef "treble"
> \key ees \major
> g'4 f8 ees ees4 g,8 bes ~ |%m70
Hi there,
The LilyPond can't determinate the tie in the following snippet. Why?
and how to get a tie between the bes and bes2? Thanks!
\version "2.19.15"
\relative c'' {
\clef "treble"
\key ees \major
g'4 f8 ees ees4 g,8 bes ~ |%m70
<< { bes2 g4 g8 bes } \\ { < g ees >4 < f d > ees2 } >
Marc Weber writes:
> Excerpts from David Kastrup's message of Fri Jun 20 08:00:47 + 2014:
>> So how do you suggest improving this, and where?
> http://lilypond.org/doc/v2.18/Documentation/learning/ties-and-slurs
> I'd add this information here, too:
> A tie connects two notes (or chords) havi
Am 20.06.2014 11:19, schrieb Marc Weber:
I still don't understand how a violin or brass player would play
c~c any different from c(c). (glossary says same stroke/breath).
c4~ c is _exactly the same as c2, the tie is usually used to clarify
something (meter, voicing ...).
c4( c) will probably
Excerpts from David Kastrup's message of Fri Jun 20 08:00:47 + 2014:
> So how do you suggest improving this, and where?
http://lilypond.org/doc/v2.18/Documentation/learning/ties-and-slurs
I'd add this information here, too:
A tie connects two notes (or chords) having the same pitch.
It's create
Am 20.06.2014 10:00, schrieb David Kastrup:
it does not make sense to write
it for connecting different pitches (the special case of a single note
ending at a different pitch than it started from is called "glissando"
and notated differently).
There is another special case which isn't handled a
Am 20.06.2014 11:04, schrieb Marc Weber:
Excerpts from Pierre Perol-Schneider's message of Fri Jun 20 07:01:58 +
2014:
[..] carefully read and understand [..] manual
Eventually the error message could still be changed from:
"unterminated tie" to "unterminated tie, note
Excerpts from Pierre Perol-Schneider's message of Fri Jun 20 07:01:58 +
2014:
> [..] carefully read and understand [..] manual
Eventually the error message could still be changed from:
"unterminated tie" to "unterminated tie, note/chord of same pitch expected"
Marc Weber writes:
> Thanks for your fast help.
> I don't quite understand why its important to disambuigate.
A tie is basic notation, meaning that there is only a single note and a
single attack.
A slur is not a notational element but rather an instruction for
execution. As an example, if I w
2014-06-20 8:27 GMT+02:00 Marc Weber :
> Thanks for your fast help.
> I don't quite understand why its important to disambuigate.
As a musician I know different curves with different meanings.
LilyPond mirrors this with the possibility to write Ties, Slurs and
PhrasingSlurs. The printed output fo
Hi Mark,
2014-06-20 8:27 GMT+02:00 Marc Weber :
> Thanks for your fast help.
> I don't quite understand why its important to disambuigate.
>
> One of the following would have helped me:
> - nicer error message
> - hint in documentation such as "ties only connect notes of same pitch"
>
Another tr
Thanks for your fast help.
I don't quite understand why its important to disambuigate.
One of the following would have helped me:
- nicer error message
- hint in documentation such as "ties only connect notes of same pitch"
Marc Weber
___
lilypond-user
On 14-06-19 04:01 PM, Marc Weber wrote:
.ly file:
\version "2.18.2"
<<
\context Voice = train_left_medium {
\relative c' { g4~ b }
}
|| Processing `sheet.ly'
|| Parsing...
|| Interpreting music...
sheet.ly|4 col 28| warning: unterminated tie
||
2014-06-20 0:01 GMT+02:00 Marc Weber :
> .ly file:
>
> \version "2.18.2"
> <<
> \context Voice = train_left_medium {
> \relative c' { g4~ b }
> }
>>>
Hi Marc,
a Tie (Haltebogen) can only appear between Note of some height.
You likely want a Slur (Legatobogen) here:
\relative c' { g4( b) }
Ch
.ly file:
\version "2.18.2"
<<
\context Voice = train_left_medium {
\relative c' { g4~ b }
}
>>
|| Processing `sheet.ly'
|| Parsing...
|| Interpreting music...
sheet.ly|4 col 28| warning: unterminated tie
|| \relative c' { g4
||
Thanks guys. With your help I realize what I tried to do -- it should
be a slur here...
Best,
Jimmie
2014-03-18 16:30 GMT+08:00, David Kastrup :
> Jimmie Felidae writes:
>
>> Hello List,
>>
>> I got a warning of unterminated tie. The warning message is:
>>
>
Jimmie Felidae writes:
> Hello List,
>
> I got a warning of unterminated tie. The warning message is:
>
> ```
> /tmp/frescobaldi-k7Gcla/tmpqo6ujA/document.ly:3:2: warning: unterminated tie
> c''2.~ \times 2/3 {a'4 g'8~} | g'2 r2|
> ```
>
Am 18.03.2014 09:17, schrieb Jimmie Felidae:
Hello List,
I got a warning of unterminated tie. The warning message is:
```
/tmp/frescobaldi-k7Gcla/tmpqo6ujA/document.ly:3:2: warning: unterminated tie
c''2.~ \times 2/3 {a'4 g'8~} | g'2 r2|
```
Related tiny examp
Hello List,
I got a warning of unterminated tie. The warning message is:
```
/tmp/frescobaldi-k7Gcla/tmpqo6ujA/document.ly:3:2: warning: unterminated tie
c''2.~ \times 2/3 {a'4 g'8~} | g'2 r2|
```
Related tiny example:
```
\version "2.14.0"
{
c&#
29 matches
Mail list logo
